Search:lydia jane
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- 01: Aunt Nancy Prather - Beau Lamkins
- 02: Sabra Bare Hampton - Bolenkin
- 03: Mary Jane Dyson - Lord Daniels
- 04: Floyd Carpenter - Loud Cain (Bow Lamkins)
- 05: Lydia Gyderson - False Lankfear
- 06: Reuben Edwards - O Lampkins
- 07: Adam Morris - Lamkin
- 08: Lily Delorme - Lamkin
- 09: Bertha Eldred - False Lamkin
- 10: Mose Harris - The Limkin
- 11: Clarence Bennet - Bold Ankin
- 12: Nathan Hatt - Lincoln Was A Mason
- 13: Irene Carlisle - False Lampkins
- 14: Nathan &Amp; Rena Hicks - Bol&Apos; Lamkin
- 15: Bobby Mcmillon - Bo Lamkin
- 16: Terry Yarnell - Lamkin
- 17: Mary Sweeney - False Lampin
Folklorist Derek Piotr teams with Death is Not the End for a third outing, this time plumbing the depths of every archive from West Virginia University to the British Library in search of versions of the ballad Lamkin. Following the template set by Charlie Seeger with his seminal Barbara Allen compilation, Piotr's collection outs versions of the bloody ballad from the last ninety years; most of these renditions haven't been heard by anyone but their original recordists for decades.
in the labels 15th year history there only been a few reissues in the widely ramified discogra-phy. lydia lynch in 2006, hans-joachim roedelius in 2013, fumio itabashi in 2018 and soon skymark with his jazz album “primeiras impressões”.
the italian producer, composer, record collector and modern sun records label co-runner, that listens to the name marc friedli when he hands his tax report to the government, is no stranger to fans of modern brazil, disco, fusion, house, latin, jazz, funk, soul and all other organically swinging music that grooves classical and deep.
since 2007 he released a string of albums and ep’s on his own label as well as on imprints like neroli, mukatsuku records or rush hour, showing his impressive electric piano keyboard skills and unique communication on and with an array of vintage synthesizers like arp, proph-et, moog, roland or korg.
on his privately pressed, strictly limited to 150 copies album “primeiras impressões” he de-livered in 2013 nine gently jazzing tunes that process his experiences in the heat of the city of rio de janeiro.
they are intensely spiritual. they avoid ornamentation. and they bow before jazz history with a gentle respect, while adding an elegantly searching, thrillingly uplifting freshness to the genre with deep discreet minimal funk and light as a feather piano-melodies, as if the key-board were a saxophone.
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