- A1: Down Home Girl 2:43
- A2: Night Watchman Blues 3:15
- A3: Broken Heart 2:36
- A4: Lake Michigan 2:57
- A5: Kissing In The Dark 2:29
- A6: World Of Trouble 3:05
- A7: Conjur Man 2:57
- A8: Morning Blues 2:39
- B1: I'm So Glad 2:43
- B2: I'm Not A Bad Girl 2:36
- B3: In My Girlish Days 2:34
- B4: Boy Friends Blues 2:47
- B5: My Baby Don't Wan't Me No More 2:52
- B6: Moonshine 2:47
- B7: Bumble Bee 3:18
- B8: Frisco Town 2:55
Suche:memphis minnie
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- A1: Keep It To Yourself
- A2: North Memphis Blues
- A3: New Dirty Dozen
- A4: What's The Matter With The Mill?
- A5: Outdoor Blues
- A6: Frankie Jean (That Trottin' Fool) (That Trottin' Fool)
- A7: I Don't Want That Junk Outta You
- B1: I'm Talking 'Bout You (No 2)
- B2: Bumble Bee
- B3: Ain't No Use Trying To Tell On Me (I Know Something On You) (I Know Something On You)
- B4: Memphis Minnie-Jitis Blues
- B5: Can I Do It For You? (Part 1)
- B6: Too Late
This classic selection of songs is taken from her first prodigious burst of creativity when she recorded with her then-husband Kansas Joe McCoy.
If ever a title was justified, then 'Queen of the Country Blues' is the bare minimum that should be afforded to Memphis Minnie, a lone female voice in the maledominated country blues scene whose musical legacy is nothing short of remarkable. Minnie transcended both gender and genre and her recording career spanned from the late 1920s heyday of country blues to the cutting-edge Chicago scene of the 1940s & 1950s, where she helped pioneer the roots of elctric blues, R&B and rock 'n' roll.
This collection highlights the formative years of Minnie's career as part of the duo and includes accomplished blues numbers such as 'Memphis Minnie-Jitis Blues', probably based on personal experience, as well as 'Bumble Bee' their first recorded song and one of Minnie's most successful of her hundred or so songs that she recorded before retiring in the mid-1950s.
Colour Vinyl[28,53 €]
"Album Blurb:
Robert Plant's ""Saving Grace"", sein erstes Album mit einer neuen, hochkarätig besetzten Band, ist, wie er es nennt, ""ein Liederbuch der Verlorenen und Gefundenen"". Es entstand während der Lockdowns in „The Shire“, als Plants übliches Umherwandern fast verboten war. Auf dem englischen Land fand er engen Kontakt zu einer Gruppe von Musikern - der Sängerin Suzi Dian, dem Schlagzeuger Oli Jefferson, dem Gitarristen Tony Kelsey, dem Banjo- und Streicherspieler Matt Worley und dem Cellisten Barney Morse-Brown -, die alle eine gemeinsame Vorliebe für seine stimmungsvollen Lieder hatten. Saving Grace wurde von Plant und der Band produziert und über sechs Jahre hinweg in den Cotswolds und an den walisischen Grenzen aufgenommen. Das Album haucht einem Schatz von Songs von Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind und Low neues Leben ein."
Black Vinyl[26,85 €]
"Album Blurb:
Robert Plant's ""Saving Grace"", sein erstes Album mit einer neuen, hochkarätig besetzten Band, ist, wie er es nennt, ""ein Liederbuch der Verlorenen und Gefundenen"". Es entstand während der Lockdowns in „The Shire“, als Plants übliches Umherwandern fast verboten war. Auf dem englischen Land fand er engen Kontakt zu einer Gruppe von Musikern - der Sängerin Suzi Dian, dem Schlagzeuger Oli Jefferson, dem Gitarristen Tony Kelsey, dem Banjo- und Streicherspieler Matt Worley und dem Cellisten Barney Morse-Brown -, die alle eine gemeinsame Vorliebe für seine stimmungsvollen Lieder hatten. Saving Grace wurde von Plant und der Band produziert und über sechs Jahre hinweg in den Cotswolds und an den walisischen Grenzen aufgenommen. Das Album haucht einem Schatz von Songs von Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind und Low neues Leben ein."
RELEASE INFO: Robert Plant's "Saving Grace", sein erstes Album mit einer neuen, hochkarätig besetzten Band, ist, wie er es nennt, "ein Liederbuch der Verlorenen und Gefundenen". Es entstand während der Lockdowns in „The Shire“, als Plants übliches Umherwandern fast verboten war. Auf dem englischen Land fand er engen Kontakt zu einer Gruppe von Musikern - der Sängerin Suzi Dian, dem Schlagzeuger Oli Jefferson, dem Gitarristen Tony Kelsey, dem Banjo- und Streicherspieler Matt Worley und dem Cellisten Barney Morse-Brown -, die alle eine gemeinsame Vorliebe für seine stimmungsvollen Lieder hatten. Saving Grace wurde von Plant und der Band produziert und über sechs Jahre hinweg in den Cotswolds und an den walisischen Grenzen aufgenommen. Das Album haucht einem Schatz von Songs von Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind und Low neues Leben ein. MARKETING: Umfassende Marketingkampagne mit Print-Anzeigen in MINT, Classic Rock, ROCKS, Slam Magazine und GoodTimes. Begleitend Digitalmarketing mit Fokus auf Onlineversandhändler.
- A1: Otis Rush - I Can't Quit You Baby
- A2: Muddy Waters - You Shook Me
- A3: B B King - Sugar Mama
- A4: John Lee Hooker - Boogie Chillun
- A5: Sonny Boy Williamson Ii - Nine Below Zero
- A6: Mississippi Fred Mcdowell - Shake 'Em On Down
- A7: Howlin' Wolf - Going Down Slow
- B1: Little Richard - Keep A Knockin
- B2: Elvis Presley - A Mess Of Blues
- B3: Eddie Cochran - Somethin' Else
- B4: Wynonie Harris - I Get A Thrill
- B5: Roy Brown & His Mighty-Mighty Men - Rockin' At Midnight
- B6: Ruth Brown - Sea Of Love
- B7: Amos Milburn - (Let's Have A) Party
- C1: Bob Dylan - In My Time Of Dyin
- C2: Joan Baez - Babe, I'm Gonna Leave You
- C3: Odetta - The Gallows Pole
- C4: Blind Snooks Eaglin - That's All Right
- C5: Sam Cooke & Bumps Blackwell Orchestra - Mary, Mary Lou
- C6: Muddy Waters - You Need Love
- C7: Arthur "Big Boy" Crudup - My Mama Don't Allow Me
- D1: Blind Willie Johnson - It's Nobody's Fault But Mine
- D2: Sonny Boy Williamson – I Got The Bottle Up And Gone
- D3: Robert Johnson - Traveling Riverside Blues
- D4: Big Bill Broonzy - Truckin' Little Woman
- D5: Bukka White - Fixin' To Die Blues
- D6: Sleepy John Estes - The Girl I Love, She Got Long Curly Hair
- D7: Memphis Minnie & Kansas Joe - When The Levee Breaks
Find all the titles that influenced one of the greatest rock band of all times, on a double vinyl. With: B.B. King, John Lee Hooker, Elvis Presley, Little Richard, Bob Dylan, Joan Baez, Muddy Waters, Sonny By Williamson I... The tracklist was made up by the journalist Lionel Eskenazi, who is a true specialist of the what many consider as the best rock band ever
Captures a night at London’s well known vintage venue Bush Hall when the stage was shared with Jerron ‘Blind Boy’ Paxton. Takes you on a musical journey through Mississippi and Louisiana performing music by artists such as Memphis Minnie, Blind Boy Fuller, Rev Gary Davis. Acoustic duo project of Sister Suzie and Andy Twyman. Part of a growing movement in the UK presenting stripped back acoustic blues. Be ready to be transported back to the 1920s with a show of early folk blues evoking the playfulness, power and soul of the music and the people who created it. The duo are singer/songwriter, guitarist, occasional member of Dana Gillespie’s Blues Band and sometime one-man-band Andy Twyman, and Sister Suzie, singer/songwriter and frontperson of The Right Band; both busy and popular artists in their own right. They have toured the UK and Europe extensively.
Nothing In Rambling as the project name is taken from a Memphis Minnie song which Sister Suzie describes as “very poignant – and like so many in that era, it sounds deceptively cheery and upbeat, but the lyrics are dark, telling a tale of danger and bravery in taking to the road rambling especially as a black person. and the struggles that women, especially black women, faced in that era.” Sister Suzie published a dissertation “Women In The Blues, Pre-1960’ detailing the struggle that women, especially black women, had against the ‘patriarchy’ and in their own sexual liberation. The latter element was often written about observing the ‘racy’ side of life, and on songs such as ‘Me And My Chauffeur’ and ‘Kissing In The Dark’ Sister Suzie takes the cue to deliver with particular juke joint panache. PRESS / ADDITIONAL SALES POINTS: Launched at The Sound Lounge (Sutton) September 12th - Feature published in September issue of Blues In Britain magazine - Reviews in Rock n Reel, Blues In Britain, Blues Matters - Radio play on IBBA and RMR stations - Live shows, and Festival appearances through 2024 – Red Rooster, Ealing Blues, Upton Blues, Tenby Blues, Glastonbury
- A1: B B. King - Three O'clock Blues
- A2: Pee Wee Crayton - Blues After Hours
- A3: Little Willie John - Need Your Love So Bad
- A4: Scrapper Blackwell - Kokomo Blues
- A5: Mose Allison - Young Man's Blues
- A6: T-Bone Walker - T-Bone Blues
- A7: Vera Hall - Trouble So Hard
- B1: Chuck Berry - Driftin' Blues
- B2: Bobby "Blue" Bland - It's My Life, Baby
- B3: Screamin' Jay Hawkins - I Put A Spell On You
- B4: Alexis Korner's Blues Incorporated - Hoochie Coochie Ma
- B5: Fat Domino - Blueberry Hill
- B6: Mississippi Fred Mcdowell - Good Morning Little Schoolg
- B7: Memphis Slim - Lonesome
- B8: Muddy Waters - Mannish Boy
- C1: John Lee Hooker - Boom Boom
- C2: Big Joe Williams - Baby Please Don't Go
- C3: Sleepy John Estes - Little Laura Blues
- C4: Memphis Minnie - If You See My Rooster (Please Run Him Home)
- C5: Freddy King - I'm Tore Down
- C6: Sister Rosetta Tharpe - My Journey To The Sky
- C7: Brownie Mcghee - Dealing With The Devil
- C8: Lightnin' Hopkins - Mojo Hand
- D1: Aretha Franklin - Today I Sing The Blues
- D2: Billie Holiday - God Bless The Child
- D3: Sonny Terry - Diggin' My Potatoes
- D4: Lonnie Johnson - Some Day Baby
- D5: Charles Brown - Black Night
- D6: ”Little” Esther Phillips & The Anita Kerr Singers - No Headstone On My Grave
- D7: Howlin' Wolf - Smokestack Lightnin
- E1: Bo Diddley - I'm A Man
- E2: Big Joe Turner - S K. Blues (Part I)
- E3: Slim Harpo - I'm A King Bee
- E4: Elmore James - Blues Before Sunrise
- E5: Lead Belly - Where Did You Sleep Last Night
- E6: C B. & The Ten Others With Axes - Rosie
- E7: Johnny Cash - Home Of The Blues
- F1-: Ray | Charles - Mr Charles' Blues
- F2: Bessie Smith - Nobody Knows You When You're Down And Out
- F3: Jimmy Reed - Big Boss Man
- F4: Robert Johnson - Sweet Home Chicago
- F5: Arthur "Big Boy" Crudup - That's All Right
- F6: Albert King - Don't Throw Your Love On Me So Strong
- F7: Big Mama Thornton - Nightmare
- F8: Elvis Presley - G I. Blues
- A1: Bukka Whte - District Attorney Blues
- A2: Joe Callcott - Fare Thee Well Blues
- A3: Memphis Minnie & Kansas Joe - Can I Do It For You/ (Part 1)
- A4: Skip James - Cherry Ball Blues
- A5: Biig Joe Williams - Little Leg Woman
- A6: Bo Carter - Shake 'En On Down
- A7: Arthur Pettis - Good Boys Blues
- A8: Willie "Poor Boy" Lofton - It's Killin Me
- A9: Mattie Delaney - Down The Big Road Blues
- A10: Charley Patton - Shake It & Break It (But Don't Let It Fall Mama)
- A11: Robert Wilkins - Rolling Stone (Part 1)
- A12: Mississppi Bracey - I'll Come Over Some Day
- A13: Tommy Johnson - Maggie Campbell Blues
- A14: Mississippi Matilda - Happy Home Blues
- A15: Son House - Dry Spell Blues (Part 1)
- A16: Sonny Boy Nelson - Pony Blues
- A17: Rube Lacy - Ham Hound Crave
- A18: Lousie Johnson - All Night Long Blues
- A19: Ishman Bracey - Saturday Blues
- A20: Mississppi Mud Steppers - Vicksnurg Stomp
- A21: Willie Brown - Future Blues
- A22: Garfield Akers - Cottonfield Blues (Part 1)
- A23: Jelly Jaw Short - Grand Daddy Blues
- A24: The Mississiippi Moaner - Mississippi Moan
- A25: Johnny Temple - Big Boat Whitle
- A26: Kid Bailey - Mississippi Bottom Blues
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