Mondo News
- 1: Jaws: Main Theme
- 2: The First Victim
- 3: Remains On The Beach
- 4: The Empty Raft
- 5: The Pier Incident
- 6: Father And Son
- 7: The Alimentary Canal
- 8: Ben Gardner's Boat
- 9: Tourist Montage
- 10: Into The Estuary
- 11: Heading Out To Sea
- 12: Tug On The Line
- 13: Man Against Beast
- 1: Quint's Tale
- 2: Brody Panics
- 3: Barrel Off Starboard
- 4: Great Chase
- 5: Shark Tows Orca
- 6: Three Barrels Under
- 7: From Bad To Worse
- 8: Quint Thinks It Over
- 9: Work Montage (The Shark Cage Fugue)
- 10: The Shark Approaches
- 11: The Shark Hits The Cage
- 12: Quint Meets His End
- 13: Blown To Bits
- 14: Jaws: End Titles
- A1: Fission
- A2: Can Hear The Music
- A3: A Lowly Shoe Salesman
- A4: Quantum Mechanics
- A5: Gravity Swallows Light
- B1: Meeting Kitty
- B2: Groves
- B3: Manhattan Project
- B4: American Prometheus
- B5: Atmospheric Ignition
- C1: Los Alamos
- C2: Fusion
- C3: Colonel Pash
- C4: Theorist
- C5: Ground Zero
- D1: Trinity
- D2: What Have We Done
- D3: Power Stays In The Shadows
- E1: The Trial
- E2: Dr. Hill
- F1: Destroyer Of Worlds
- F2: Oppenheimer
- E3: Kitty Comes To Testify
- E4: Something More Important
Mondo, in partnership with Universal Pictures, are proud to present the premiere physical release of the stunning and deeply emotional soundtrack to Christopher Nolan’s epic Oppenheimer.
Oppenheimer is the IMAX-shot epic from the mind of acclaimed director and writer, Christopher Nolan. Based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the film tells the story of the enigmatic man who led the Manhattan Project and helped create the first nuclear weapons.
Composed by Ludwig Göransson
In celebration of the film’s 10th anniversary, Mondo is proud to present Steven Price’s original score for Edgar Wright’s Sci-Fi Comedy, the final chapter of the Cornetto Trilogy: THE WORLD’S END.
The end of a seminal trilogy of films, but the beginning of an incredible partnership, THE WORLD’S END was the first collaboration between co-writer/director Edgar Wright and composer Steven Price (LAST NIGHT IN SOHO, BABY DRIVER, GRAVITY).
Midwestern psychiatrist Suzanne Mathis' world is turned upside down when she decides to protect Mae, a fragile teenager on the run from a cult. As Suzanne’s daughter Jules begins to suspect there’s more to Mae’s story, a series of incidents – seemingly brought on by Mae’s presence - leave the family in chaos. Soon the Mathis family is fighting for survival against a strange cult while Suzanne and a local police detective try to unravel the clues of Mae’s past and sinister happenings in the town she escaped. Adapted from Daria Polatin’s best-selling book inspired by true events, DEVIL IN OHIO is a thrilling, shocking tale of demonic mayhem and mystery in the heart of small-town America.
British composer Will Bates incredible work on DEVIL IN OHIO began with a hymn for the cult, written before shooting. It expanded with songs for Bishop Briggs and Maiah Manser, with melodies for hurdy-gurdy and synth, until it became a haunting world of its own, blending score, soundtrack and diegesis. Now, together with Netflix Music, we’re excited to release DIO’s first-ever full-length soundtrack on vinyl.
A frequent collaborator of THE BANSHEES OF INISHERIN writer/director Martin McDonagh’s, Academy Award®-nominated composer Carter Burwell previously worked on three of his films, starting with In Bruges. He also worked on Seven Psychopaths, as well as his Oscar-nominated score for Three Billboards Outside Ebbing, Missouri, their last collaboration.
For THE BANSHEES OF INISHERIN, McDonagh already had, for one section of the film, a piece in mind that’s performed by a Balinese gamelan ensemble – mostly metallic instruments. Taking that inspiration, Burwell weaved gamelin instruments alongside the score’s three main instruments: the celeste – a keyboard that plays bell sounds, the harp, and the flute to create the film’s highly-acclaimed score.
“The score to Banshees is, like its slow simmering conflict, delicate and nuanced and heartbreaking all at once,” said Mondo Creative Director Mo Shafeek..” It takes small steps backwards and forwards like crashing waves on a lonely island, strings and woodwinds dancing with one another, in a waltz. The whole score plays like a dance between two overlapping voices - occasionally harmonizing, but never connecting. Occasionally beautiful, but always a bit melancholy.”
Audiences who were lucky enough to have seen the film during its special theatrical sneak preview have already discovered that this highly anticipated sequel is nothing short of epic - and much of that is due to the gorgeous, sweeping score by Nathan Johnson. Johnson keeps intact the delicate balance that made KNIVES OUT such a clever score, never undermining the danger that is around every corner, but also brings an intoxicating romanticism to every gorgeous landscape. It’s playful, and sinister all at once.
“I’m thrilled to announce the release of my score for Glass Onion on vinyl, but more specifically, I’m over the moon to be able to join forces again with the wonderful folks at Mondo,” says Johnson. “Everything they do is one-of-a-kind, but with this release they’ve gone above and beyond. We’ve mastered this version specifically for vinyl so that it retains all the orchestral dynamics I’ve written into the score, and I can’t wait for people to get their hands on the artwork and peel back all of the beautiful layers. I know we live in a world of digital ephemera, but I’ll say it again and again: thank God for Mondo.”
- A1: Teth-Adam
- A2: Kahndaq
- A3: The Awakening
- A4: The Revolution Starts
- A5: Introducing The Jsa
- B1: Shaza-Superman
- B2: Our Only Hope
- B3: Change Your Name
- B4: What Kind Of Magic?
- B5: Is It The Champion?
- B6: Your Enemies
- B7: Black Adam Spotted
- B8: Not Interested
- B9: Just Say Shazam
- C1: Ancient Palace
- C2: Little Man
- C3: Time To Go
- C4: Release Him
- C5: Father & Son
- C6: Black Adam Theme
- C7: Fly Bikes
- C8: Nanobots
- D2: 23Lbs Of Eternium
- D3: Is This The End?
- D4: It Was Him
- D5: Lake Baikal
- D6: Capes And Corpses
- D7: Hawkman's Fate
- E1: The Jsa Fights Back
- E2: A Bad Plan Is A Good Plan
- E3: Dr. Fate
- E4: Prison Break
- E5: Wet Rocks
- E6: Not A Hero
- E7: The Doctor's Destiny
- E8: Slave Champion
- E9: Legions Of Hell
- E10: The Man In Black
- F1: Adam’s Journey
- F2: The Justice Society Theme
- F3: Black Adam Theme (Izniik Remix)
- F4: The Justice Society Theme (Izniik Remix)
- D1: Through The Wall
Der OST der Superhelden-Verfilmung BLACK ADAM von 2022 in der Regie von Jaume Collet-Serra. Der musikalische und philosophische Ansatz des Filmkomponisten Lorne Balfe zu bestand darin, 'dem Publikum die Emotion und Dunkelheit der Hintergrundgeschichte der Hauptfiguren zu vermitteln und gleichzeitig die alten Themen und Vertrautheiten der DC-Comic-Welt zu verknüpfen und eine neue Klasse der Superhelden einzuführen.' Schwarzes 180g Triple-Vinyl.
- A1: Beginners Ballet Class
- A2: Breakfast Of Champignons
- A3: Welcome To The Party
- A4: In The Bedroom
- A5: Margaret's Flashback
- A6: Keeping House
- A7: Trolley To Hq
- A8: Waking Up To An Ever-Decreasing World
- B1: Advanced Ballet Class
- B2: Long Relaxing Bath
- B3: A Doctor Visits
- B4: Whisky By The Hearth
- B5: In The Ladies With Bunny
- B6: Whose World Is It?
- B7: Sorties & Delusions
- C1: Dinner Party Fallout
- C2: We Need To Go
- C3: Rabbit Hole
- C4: Everything Is Good Now
- C5: Catechisms & Catheters
- D1: All For You Alice
- D2: Bunny’s Wise Words
- D3: Victory Chase
- D4: End Credits (Don’t Worry Darling)
- A1: A World Without Love – Peter & Gordon
- A2: Wishin’ And Hopin’ – Dusty Springfield
- A3: Don’t Throw Your Love Away – The Searchers
- A4: Beat Girl (1993 Remaster) – The John Barry Orchestra
- A5: Starstruck – The Kinks
- A6: You’re My World – Cilla Black
- B1: Wade In The Water (Live At Klooks Kleek) – The Graham Bond Organisation
- B2: I’ve Got My Mind Set On You – James Ray
- B3: (Love Is Like A) Heat Wave – The Who
- B4: Puppet On A String – Sandie Shaw
- B5: Land Of 1000 Dances – The Walker Brothers
- B6: There’s A Ghost In My House – R. Dean Taylor
- C1: Happy House – Siouxsie & The Banshees
- C2: (There’s) Always Something There To Remind Me – Sandie Shaw
- C3: Eloise – Barry Ryan
- C4: Anyone Who Had A Heart – Cilla Black
- D1: Last Night In Soho – Dave Dee, Dozy, Beaky, Mick & Tich
- D2: Neon (Soundtrack Edit) – Steven Price
- D3: Downtown (A Capella) – Anya Taylor-Joy
- D4: Downtown (Uptempo) – Anya Taylor-Joy
Those familiar with the incredible work of Nathan Johnson will not be surprised by his melody forward approach to such a dark and cynical film. Occasionally bleak but always gorgeous, the film delivers on its promise of grifters and hubris, but Nathan's score balances the equation with a propulsive and somber and simple score. Nathan Johnson and Guillermo Del Toro made beautiful music together. It is a brilliant partnership, one that I hope continues into future productions.
Pressed on 2x 140 Gram Gold Nugget Vinyl (also available on 2x 140 Black Vinyl) and housed in a gold-foil stamped gatefold jacket, wrapped in a foil stamped belly band, and featuring a bonus track by Hoagy Carmichael ("Stardust") not available on the digital album.
Composed by Nathan Johnson
Manufactured in Czech Republic
ComposedandConducted By John Williams
E.T. the Extra-Terrestrial Original Motion Picture Soundtrack...
The summer of 1982 saw the release of some of the most culture-defining films of our lifetime (STAR TREK II: THE WRATH OF KHAN, POLTERGEIST, TRON, CONAN THE BARBARIAN, THE THING, THE ROAD WARRIOR ... just to name a few!)
But few have had nearly the same impact on film music as the legendary sixth collaboration between Steven Spielberg and John Williams: E.T. THE EXTRA-TERRESTRIAL.
Mondo, along with Geffen Records and Universal Pictures, are proud to celebrate forty years of E.T., with an all new re-issue of John Williams' timeless, essential and period-defining score.
Reissue Produced by Bruce Botnick & Mike Matessino
Composed and Conducted by John Williams
Artwork by Dan McCarthy
Liner Notes by Mike Duquette
Manufactured in Czech Republic
- A1: The Lord Of The Rings: The Rings Of Power Main Title - By Howard Shore
- A2: Galadriel
- A3: Khazad-Dûm
- A4: Nori Brandyfoot
- A5: The Stranger
- B1: Númenor
- B2: Valinor
- B3: Elrond Half-Elven
- B4: Durin Iv
- B5: Bronwyn And Arondir
- B6: Sauron
- C1: This Wandering Day (Feat. Megan Richards)
- C2: Harfoot Life
- C3: Halbrand
- C4: Sundering Seas
- C5: Elendil And Isildur
- C6: A Plea To The Rocks (Feat. Sophia Nomvete)
- C7: Nampat
- D1: Cavalry
- D2: Nolwa Mahtar
- D3: Wise One
- D4: True Creation Requires Sacrifice
Bear McCreary, known for his incomparable world-building and use of innovative musical approaches in the worlds of television, film, and video games, will guide audiences through the major events of the Second Age of Middle-earth, as seen in the series. Working out of the iconic Abbey Road Studios as well as AIR Studios and Synchron Stage in Vienna, he has recorded and composed hours of music for the score, weaving together his original themes into a sonic tapestry for a full symphonic orchestra, alongside vibrant folk instruments and choral singers.
“J.R.R.Tolkien’s stunning novels and their film adaptations have had a profound impact on my imagination for nearly my entire life,” McCreary said. “I am honored to compose the music that will help guide audiences through the major events of the Second Age of Middle-earth."
Legendary composer Howard Shore has composed scores for some of the most memorable and world-renowned film and television series. Globally respected for his passion for J.R.R. Tolkien’s work, he is perhaps best known for his work on The Lord of the Rings and The Hobbit film trilogies.
The Season One: Amazon Original Series Soundtrack also includes two performances by The Lord of the Rings: The Rings of Power actors—Sophia Nomvete (Princess Disa) on the track “A Plea to the Rocks” and “This Wandering Day,” sung by Megan Richards (Poppy Proudfellow).
Available on 2 x 140 Gram Black Vinyl
Mondo, in partnership with WaterTower Music, is proud to present Michael Giacchino's absolutely brilliant score to Matt Reeves’ highly anticipated THE BATMAN. Featuring the music of Academy, Emmy and Grammy Award-winning composer Michael Giacchino, whose credits feature some of the most popular and acclaimed film projects in recent history, including THE INCREDIBLES, COCO, JOJO RABBIT, RATATOUILLE, STAR TREK, JURASSIC WORLD, ROGUE ONE: A STAR WARS STORY, SPIDER-MAN: HOMECOMING, and WAR FOR THE PLANET OF THE APES. This is the fifth film Reeves and Giacchino have collaborated on.
Giacchino proves himself, once more, as one of the greatest living composers, by introducing a powerful and instantly canonized new theme to one of the most musically iconic superheroes. When director Matt Reeves heard the theme for the first time, he was with film producer Dylan Clark. “I was blown away!” He exclaimed. “It was so emotional. The two of us literally cried…it was amazing.”
Though it's not only the world's greatest detective who emerges with a new theme - Selina Kyle / Catwoman's new string heavy theme is slinky and haunted like that of a classic noir's femme fatale. And Giacchino's take on The Riddler is far more haunted, accompanied by the Tiffin Boys choir, a truly terrifying and dread-inducing motif for one of the scariest takes on a Gotham villain, to date.
With nearly two hours of score, housed on three discs, featuring all new artwork by Henry Abrams.
Composed by Michael Giacchino
Artwork by Henry Abrams
Manufactured in Czech Republic
- A1: Would? - Performed By Alice In Chains 3:26
- A2: Breath - Performed By Pearl Jam 5:05
- A3: Seasons - Performed By Chris Cornell 5:45
- B1: Dyslexic Heart - Performed By Paul Westerberg 4:28
- B2: Battle Of Evermore - Performed By The Lovemongers 5:40
- B3: Chloe Dancer / Crown Of Thorns - Performed By Mother Love Bone 8:15
- C1: Birth Ritual - Performed By Soundgarden 6:05
- C2: State Of Love And Trust - Performed By Pearl Jam 3:47
- C3: Overblown - Performed By Mudhoney 2:58
- C4: Waiting For Somebody - Performed By Paul Westerberg 3:25
- D1: May This Be Love - Performed By Jimi Hendrix 3:09
- D2: Nearly Lost You - Performed By Screaming Trees 4:06
- D3: Drown - The Smashing Pumpkins 8:16
The Singles soundtrack was released in early 1992, a full three months before the film opened, and it was an instant hit, eventually selling over two million copies. It's the perfect snapshot of Grunge, Seattle at a certain place and time.
- 1: Dream Of Arrakis
- 2: Herald Of The Change
- 3: Bene Gesserit
- 4: Gom Jabbar
- 5: The One
- 6: Leaving Caladan
- 7: Arrakeen
- 8: Ripples In The Sand
- 9: Visions Of Chani
- 10: Night On Arrakis
- 11: Armada
- 12: Burning Palms
- 13: Stranded
- 14: Blood For Blood
- 15: The Fall
- 16: Holy War
- 17: Sanctuary
- 18: Premonition
- 19: Ornithopter
- 20: Sandstorm
- 21: Stillsuits
- 22: My Road Leads Into The Desert
In association with WaterTower Music, Mondo is proud to present Hans Zimmer's BAFTA Award-winning score to Denis Villeneuve's incredible sci-fi epic DUNE. Mixing more traditional electronic and orchestral elements with Cubase instruments created especially for this project and fused with female voices singing in a language developed by Zimmer himself. The result is nothing short of jaw-dropping. It's otherworldly and completely enveloping, Much like the sands on Arrakis. The music here is vast, open and spawling but at its core is an emotional depth few other composers come close to.
- A1: “Folsom Prison Blues (Live At Folsom State Prison, Folsom, Ca - January 1968)” – Johnny Cash
- A2: “People Who Died” - The Jim Carroll Band
- A3: “Sucker’s Prayer” - The Decemberists
- A4: “Samba Na Sola” - Céu
- A5: “Whistle For The Choir” - The Fratellis
- A6: “Point Of Know Return” - Kansas
- A7: “Sola” - Jessie Reyez
- A8: “Just A Gigolo / I Ain’t Got Nobody (And Nobody Cares For Me) – Medley” - Louis Prima
- B1: “Can’t Sleep” - K.flay
- B2: “Quem Tem Joga (Feat. Gloria Groove & Karol Conka)” – Drik Barbosa
- B3: “Rain” - Grandson & Jessie Reyez
- B4: “Hey” - Pixies
- B5: “So Busted” - Culture Abuse
- B6: “Oh No!!!” - Grandson
Mondo, in conjunction with Troll Court / WaterTower Music, is proud to present the premiere vinyl pressing of the latest mix-tape masterpiece curated by writer/director James Gunn ... the soundtrack for his superhero action-adventure film THE SUICIDE SQUAD
Mondo, in conjunction with WaterTower Music, is proud to present the premiere vinyl pressing of Hans Zimmer’s incredible score to WONDER WOMAN 1984.
Featuring incredible artwork by La Boca and housed in a tri-fold jacket with holo-foil elements, with liner notes by writer and director Patty Jenkins, the vinyl pressing is available on 3x 180 Gram Swirl colored vinyl.
Hans Zimmer’s score to WONDER WOMAN 1984 is quite possibly our favorite piece of superhero film scoring since John Williams’ SUPERMAN: THE MOVIE (1978), and Danny Elfman’s BATMAN (1989). We know that sounds hyperbolic, but even before our test pressings arrived, it was one of our most listened to albums on Spotify of the last 6 months. It’s that good. We can’t wait for you to hear how good it sounds on vinyl, out of big speakers.
Composed by Hans Zimmer
Artwork by La Boca
Manufactured in the Czech Republic
Mondo, in conjunction with Back Lot Music, are proud to present the final chapter of the Jurassic saga: Michael Giacchino’s score to JURASSIC WORLD DOMINION.
Giacchino started his early career at Disney Interactive Division where he had the opportunity to write music for video games. After moving to DreamWorks Interactive, he was asked to score the temp track for the video game adaptation of The Lost World: Jurassic Park. Subsequently, franchise creator Steven Spielberg hired him as the game’s composer and it became the first PlayStation game to have a live orchestral score, recorded with members of the Seattle Symphony. Now, 25 years later, Giacchino comes full circle with this soundtrack to the epic conclusion of the Jurassic era, recorded with 87 orchestra members and 30 choir members at Abbey Road Studios in London. Fans can expect Giacchino’s usual tongue-in-cheek track titles that highlight the action of the score cues.
Mondo has released all Jurassic World franchise series albums on vinyl to date, so complete the trilogy with the Jurassic World Dominion release. Custom artwork was designed by artist Justin Erickson of Phantom City Creative. The package will include liner notes from Jurassic World architect and director of Dominion, Colin Trevorrow, and pressed onto 180-gram webstore exclusive color vinyl.
Composed by Michael Giacchino
Artwork by Phantom City Creative
Manufactured in Czech Republic
- A1: Main Title
- A2: Beth's Story
- A3: Methuen Home For Children
- A4: The Scholars Mate
- A5: You're Gloating
- A6: Training With Mr Schaibel
- A7: Am I Good Enough Now
- A8: Playing Mr Ganz
- A9: Ceiling Games
- A10: First Day At School
- A11: The Green Pills
- A12: Kentucky State Championship 1963
- A13: Top Boards
- A14: Playing Townes
- B1: Playing Beltik
- B2: The Lake - Cincinnati 1963
- B3: Playing Benny - Las Vegas 1966
- B4: Two Sides Of The Same Coin
- B5: Mexico City Invitational 1966
- B6: Playing Girev I
- B7: Playing Girev Ii
- B8: Borgov I
- B9: Beth Alone
- C1: Ohio Us Championship 1967
- C4: Paris Tournament 1967
- C5: Borgov Ii
- C6: Jolene
- C7: Returning To Methuen
- C8: Turning Point
- C9: Ussr
- C10: Moscow Invitational 1968
- D1: Close Your Eyes
- D2: Borgov Iii
- D3: The Final Game
- D4: Take It, It's Yours
- D5: Sygrayem (Let's Play) (Let's Play)
- D6: I Can't Remember Love
- C2: New York
- C3: Training With Benny
A rigorous recollection of all the music that went into last year's Netflix smash The Queen's Gambit. You were probably too busy trying to keep up with actress Anya Taylor-Joy's timer-stopping and piece-placing chops to notice the ingenuity of the soundtrack; packed with contemporaneous music to the time in which the series is set, from Donovan to The Monkees to The Vogues, we're duly thrown back by this new 2xLP edition (which comes to a special black and white colour vinyl). Check it, mate.
Mondo, in partnership with Back Lot Music Wright, are proud to present the premiere physical release of Steven Price's electrifying score to LAST NIGHT IN SOHO, the latest film by Edgar Wright.
Edgar Wright wanted a score to soundtrack the two eras of Last Night in Soho and tie together the stories of these two very different young women. To achieve this, Wright turned once again to his now-regular composer, Academy Award® winner Steven Price, who successfully scored both Baby Driver and The World’s End.
While Price’s influences for the score included contemporary film music by the likes of Ennio Morricone and John Barry, a “’60s session band” sound with echoing fragments of dialogue add a different and sometimes subliminally sinister edge to the score. The sounds of ‘60s Soho blend into the present-day London scenes as Eloise is sucked further into the past. “The idea is that Sandie’s voice becomes part of the film, so you hear her siren song from the ‘60s coming through, and Anya became an intrinsic part of it… I was pleased that the lead actress is also the lead singer in the film score; the whole thing knitted together.”
The album also features songs performed by Anya Taylor-Joy, including the lead single from the film "Downtown (Downtempo Version)"
Mondo, in conjunction with Hollywood Records and Marvel Music, is proud to present the premiere physical release of Joel P West’s original score for Marvel Studios’ SHANG-CHI AND THE LEGEND OF THE TEN RINGS.
Joel P West uses a delicate and inventive mix of Chinese instruments like Tanggu drums and Ehru, mixed with Western symphonic instruments, to symbolically build on the themes and conflicts of the film. Beautifully bridging Shang-Chi’s epic journey from San Francisco to Ta Lo, the score is absolutely gorgeous from beginning to end.
Composed by Joel P West
Artwork by Dani Pendergast
Manufactured in Czech Republic
- A1: Neo & Trinity Theme (Johnny Klimek & Tom Tykwer Exomorph Remix)
- A2: Opening: The Matrix Resurrections (Alessandro Adriani Remix)
- A3: My Dream Ended Here (Marcel Dettmann Remix)
- A4: Nosce (Almost Falling Remix)
- B1: Bullet Time (Moderna Remix)
- B2: Back To The Matrix (Eclectic Youth Remix)
- C1: Welcome To The Crib (System 01 Remix)
- C2: Flowing (Thomas Fehlmann Remix)
- C3: Temet (Esther Silex & Kotelett Remix)
- D1: Choice (Psychic Health Remix)
- D2: Monumental (Gudrun Gut Remix)
The infusion of electronic music into the score ultimately expanded into the inclusion of 11 remixes on the album, and it was an amalgam of inspirations which brought that idea to fruition. Both composers have worked extensively with electronic music, including their work on the celebrated, techno-infused Run Lola Run soundtrack.
- A1: Opening: The Matrix Resurrections
- A2: Two & The Same
- A3: Meeting Trinity
- A4: It's In My Mind
- A5: I Fly Or I Fall
- B1: Set & Setting
- B2: Into The Train
- B3: Exit The Pod
- B4: The Dojo
- B5: Enter Io
- B6: Inside Io
- C1: Escape
- C2: Broadcast Depth
- C3: Exiles
- C4: Factory Fight
- C5: Bullet Time
- C6: Recruiting
- D1: Infiltration
- D2: I Like Tests
- D3: I Can't Be Her
- D4: Simulatte Brawl
- D5: Swarm
- D6: Sky Scrape
- D7: My Dream Ended Here
Tom Tykwer discussed the composers’ work on The Matrix Resurrections. “There’s a powerful and distinct musical legacy here. In my opinion, The Matrix Trilogy is one of the great scores of all time. And what’s particularly fantastic about it is that it was also, to my knowledge, one of the first film scores that so implemented electronic music and connected it with progressive late-modern orchestral music. It started a movement, which we are paying tribute to with this music. And yet, this film is playful and emotional with complex development, open in every direction. Johnny and I felt our challenge for the music was to pay tribute to The Matrix lineage and also support this cinematic endeavor of expanding that legacy to explore new directions. That needs to be represented in the music and that is what we are trying to investigate musically.”
Johnny Klimek elaborated, “We spent several months working on material for The Matrix Resurrections, building the main themes, crafting alternative arrangements and electronic variants. We had a lot of fun mixing electronics with classical orchestra. The technology has come so far since I started scoring film.”
The Matrix Resurrections - Original Motion Picture Soundtrack Includes all 24 tracks composed for the film by Johnny Klimek and Tom Tykwer, mastered for vinyl and pressed on 2x 180 Gram Black vinyl, with original artwork by Mondo's creative director Mo Shafeek
- A1: He’s Here For Us
- A2: A Long Ride Ahead
- A3: Wobani Imperial Labor Camp
- A4: There Are Spies Everywhere
- A5: The Detention Of Jyn Urso
- A6: Jyn’s Interrogation
- A7: Mission To Jedha
- A8: Trust Goes Both Ways
- B1: When Has Become Now
- B2: Jyn’s Memories Of Childhood
- B3: Jedha Arrival
- B4: Hearts Of Kyber
- B5: Ambush In Jedha City
- B6: Jedha City Ambush
- B7: Let Them Pass In Peace Part 1
- B8: Let Them Pass In Peace Part 2
- B9: No Friends Of The Empire
- B10: Imperial Departure
- B11: Reunion At Saw’s Hideout
- B12: Cassian’s Prison
- B13: Today Of All Days
- C1: Star-Dust
- C2: An Imperial Test Of Power
- C3: Apologies Are In Order
- C6: No Trust Among Rebels
- C7: Jyn’s Path Is Clear
- D1: Confrontation On Eadu
- D2: Krennic’s Aspirations
- D3: Rebellions Are Built On Hope
- D4: A Rebel Change Of Heart
- D5: Rogue One
- E1: Cargo Shuttle Sw608
- E2: Good Luck Little Sister
- E3: What Brings You To Scarif
- E4: Are We Blind
- E5: Scrambling The Rebel Fleet
- E6: At-Act Assault
- E7: Finding A Way Through
- F1: Project Star-Dust
- F2: Entering The Imperial Archives
- F3: Get That Beach Under Control
- F4: The Master Switch
- F5: We Have To Press The Attack
- F6: Antenna Alignment
- G1: Your Father Would Be Proud
- G2: Hope
- G3: Jyn Erso & Hope Suite
- G4: The Imperial Suite
- G5: Guardians Of The Whills Suite
- H1: Jyn Erso & Hope Suite (Alternate Open)
- C4: News From The Ashes
- H2: Guardians Of The Whills Suite (Alternate Ending)
- H3: A Long Ride Ahead (Alternate Ending)
- H4: Jedha City Ambush (Alternate)
- H5: Rebellions Are Built On Hope (Alternate)
- H6: Scariff Antenna Alignment (Alternate)
- C5: Approach To Eadu
Mondo, in partnership with Walt Disney Records and Lucasfilm, are proud to present an all new 4XLP expanded edition soundtrack to 2016's ROGUE ONE: A STAR WARS STORY.
In anticipation of its 5th anniversary, Michael Giacchino unearthed nearly over an hour of previously unreleased music and recording sessions from the film.
Featuring all-new original artwork by John Powell, new liner notes by Michael Giacchino, mastered for vinyl, and pressed on 180 gram black vinyl, this collector's set is essential for Star Wars fans.
Composed by Michael Giacchino and John Williams
Artwork by John Powel
- A1: Prologue
- A2: We Don't Wanna Grow Up
- A3: Banning Back Home
- A4: Granny Wendy
- A5: Hook-Napped
- A6: The Arrival Of Tink And The Flight To Neverland
- B1: Presenting The Hook
- B2: From Mermaids To Lost Boys
- B3: The Lost Boy Chase
- B4: Smee's Plan
- B5: The Banquet
- B6: The Never-Feast
- C1: Remembering Childhood
- C2: You Are The Pan
- C3: When You're Alone
- D1: The Ultimate War
- D2: Farewell Neverland
Mondo, Backlot Music and Howe Records are proud to present the a soundtrack nearly 40 years in the making: the complete restored score album to David Cronenberg's 1983 masterpiece VIDEODROME.
- A1: Mission: Impossible Theme
- A2: Factory Rescue
- A3: Evacuation
- A4: Helluvacopter Chase
- A5: Special Agent Lindsey Farris
- A6: Ethan & Julia
- B1: Humpty Dumpty Sat On A Wall
- B2: Masking Agent
- B3: Voice Capture
- B4: See You In The Sewer
- B5: Davian's Brought In
- C1: Bridge Battle
- C2: Davian Gets The Girl
- C3: Imf Escape
- C4: Disguise The Limit
- C5: Shang Way High
- D1: The Chutist
- D2: Hunting For Jules
- D3: World's Worst Last 4 Minutes To Live
- D4: Reparations
- D5: Schifrin & Variations
Mondo, and Jagjaguwar are proud to present a limited edition vinyl pressing of Sharon Van Etten's incredible song 'Let Go,' recorded for the 2020 documentary Feels Good Man, chronicling the emotional journey of comic artist Matt Furie and the discovery that his lovable creation Pepe The Frog had become symbol of the alt-right. A super powerful film about reclamation, artistic expression, and above all else Letting Go.
Featuring the aforementioned original song 'Let Go,' as well as a cover of 'Some Things Last A Long Time' by Texas legend Daniel Johnston as B-Side.
“After watching the documentary, I just followed the feeling of coming to terms with something and tried to evoke peace through my melody and words," says Sharon. "The song and film’s producer, Giorgio Angelini was a great collaborator and communicator and I was given a lot of freedom. That says a lot about the film and the people who made it."
Music by Sharon Van Etten
- A1: God Of War
- A2: Memories Of Mother
- A3: Witch Of The Woods
- A4: Lullaby Of The Giants
- A5: Ashes
- B1: Peaks Pass
- B2: A Giant's Prayer
- B3: The Dragon
- B4: Mimir
- B5: Magni And Modi
- B6: Echoes Of An Old Life
- B7: Helheim
- C1: The Healing
- C2: The Reach Of Your Godhood
- C3: Stone Mason
- C4: Valkyries
- C5: Deliverance
- D1: Salvation
- D2: The Ninth Realm
- D3: The Summit
- D4: Epilogue
Mondo is proud to present the soundtrack to Santa Monica Studio's GOD OF WAR. Composed by Bear McCreary, the soundtrack to GOD OF WAR is truly epic and emotionally powerful. This album features some of Bear's most beautiful compositions to date, bouncing back and forth between solemn and sublime.
Featuring original artwork by Jeff Langevin, and pressed on 2x BLACK 180 gram Vinyl , both the game and the soundtrack are modern masterpieces.
Mondo and WaterTower Music are proud to present Tom Holkenborg's epic complete soundtrack to the fan-fueled phenomenon Zack Snyder's Justice League.
As pure as any film music expression has ever existed, Holkenborg's nearly-four hour opus is as bombastic and singular as the film it compliments, and we are honored to present the premiere physical release of this staggering work of expression.
The filmmaking story behind Zack Snyder's return to his DC Comics juggernaut is well known at this point, but not enough time has been spent on the journey of the film's once-shelved score. The incredible composer behind one of last decade's biggest filmmaking triumphs (MAD MAX FURY ROAD) Tom Holkenborg joined the sadly far too large club of composers, across filmmaking history, to have their blockbuster scores replaced.
But the big-budget redemption arc of Zack Snyder's original vision for Justice League presented Holkenborg with the opportunity to build upon what he had started many years ago, with new skills and tools - this time with no other cook in the kitchen but his director and friend.
Composed by Tom Holkenborg
Artwork by Mo Shafeek
Manufactured in the Czech Republic
Mondo, in partnership with Back Lot Music Wright, are proud to present the premiere physical release of the Various Artists compilation soundtrack to LAST NIGHT IN SOHO, the latest film by Edgar Wright. Featuring songs exclusively curated by Wright from his '60s-inspired film.
Wright is well known for expertly curated soundtracks and deep musical cuts, and LAST NIGHT IN SOHO – itself named for the Dave Dee, Dozy, Beaky, Mick & Tich song – is no exception. He and co-screenwriter Krysty Wilson-Cairns listened to the music he’d assembled as they wrote the script, and he put together a playlist for his cast members to listen to as they read the results.
Alongside the needledrops are three songs performed by Taylor-Joy and a score suite from composer Steven Price.
Various Artists
Manufactured in Czech Republic
Mondo, in conjunction with Konami, are proud to present the premiere US physical release of the soundtrack to 1990's espionage classic METAL GEAR 2: SOLID SNAKE.
Hideo Kojima's direct, chronological sequel to the original MSX2 version of Metal Gear (not to be confused with the NES, ULTRA Games version of Metal Gear, nor is this title to be confused with it's unofficial sequel Snake's Revenge), Solid Snake tells the story of our previously retired hero's infiltration of Zanziberland to rescue a kidnapped Bio-Engineer, and ultimately destroy the latest Metal Gear. Audio-wise it features a step up on audio quality from its predecessor - the soundtrack to Solid Snake is a melodic, and dynamic synth soundtrack album that is heavily inspired by the synth wave soundtracks of 80's action and horror films.
Music by Konami Kukeiha Club
Artwork by Oliver Barrett
Manufactured in the Czech Republic
Mondo Music, in conjunction with Hollywood Records, is proud to present the premiere vinyl pressing of Lorne Balfe’s score to the highly anticipated MARVEL STUDIOS’ BLACK WIDOW.
Pressed on 2x 180 Gram vinyl and housed in a gatefold sleeve, kick-start Phase Four with the latest in our ongoing celebration of the music of the MCU.
Lorne Balfe's first MCU score is a force to be reckoned with. He's no stranger to crafting propulsive music for espionage epics (just listen to his masterful score to “Mission: Impossible - Fallout”) and his take on “Black Widow” is no exception. Balfe blends Russian choirs and soloists, with delicate and haunting piano and acoustic guitar; swirling strings with his trademark layered percussion. Balfe is incredibly elastic, delivering a beautiful score for this long-awaited chapter in Natasha Romanov's story.
Composed by Lorne Balfe
Artwork by Mo Shafeek
Manufactured in the Czech Republic
- 1: Quiver (Extended) (3:59)
- 2: Ace Degenerate (1:5)
- 3: Strike First (1:07)
- 4: Cobra Guy (Extended) (2:32)
- 5: Slither (1:4)
- 6: The Internet (1:25)
- 7: You're The Champ (1:34)
- 8: Johnny's Story (2:29)
- 9: Web Md (1:10)
- 10: A Badass Name For A Dojo (Extended) (3:30)
- 11: Awake The Snake (2:07)
- 12: Worthy Opponent (2:)
- 13: Furious Hawk / Dark Hawk (2:14)
- 14: The All-Valley Tournament (3:34)
- 15: Snake In The Grass (2:05)
- 16: Stone Vs. Diaz (1:41)
- 17: The Cobra Effect (2:34)
- 18: Snap (1:46)
- 19: I'm A Sensei (1:58)
- 20: It Belongs To Me (3:)
- 21: Miyagi-Do Fix-Up (2:15)
- 22: Miyagi Memories (1:35)
- 23: The Wheel Technique (1:54)
- 24: Like A Dance (3:12)
- 25: Miyagi-Do (1:53)
- 26: Balance (1:03)
- 27: Kan-Geiko (1:04)
- 28: Mall Fight (1:39)
- 29: The Wrong Path (1:58)
- 30: Medal Of Honor (1:24)
- 31: Into The Snake Pit (2:26)
- 32: Miyagi's Tomb (2:43)
- 33: Miyagi Metal (2:16)
- 34: Return To Okinawa (3:20)
- 35: Live Or Die, Man (1:41)
- 36: Crane Technique (3:02)
- 37: Secrets Of Miyagi-Do (2:56)
- 38: Two-Time Champion (1:32)
- 39: Chop Shop (2:02)
- 40: The Right Path (3:00)
- 41: Sam And Robby (Extended) (4:26)
- 42: Final Match (1:48)
- 43: The Cobra And The Mongoose (1:19)
- 44: Time Out (1:35)
- 45: No Mercy (1:14)
- 46: New Champion (1:37)
- 47: I'm Coming For You, Bitch (1:38)
- 48: Hallway Hellscape (3:36)
- 49: Scale The School (0:50)
- 50: Hawk's Prey (1:28)
- 51: Rematch (2:08)
- 52: Fallen Soldier (2:38)
- 53: Carol Of The Cobras (2:17)
- 54: Dojo From Hell (1:50)
- 55: Must Not Lose To Fear (1:45)
- 56: Call Of The Cobra (2:12)
- 57: Duel Of The Snakes (Mega-Edit) (9:58)
- 58: Challenger (3:09)
Mondo and Madison Gate are proud to present the premiere vinyl release of Leo Birenberg and Zach Robinson's incredible score to the Netflix streaming phenomenon COBRA KAI. This 3-disc vinyl set features music from the first 3 seasons of the hit series, curated by the composers into themed collections.
This exclusive retail version comes pressed on red, white, and blue marble discs. Also featuring all new artwork from the incredible Matt Ryan Tobin and liner notes from composers Leo Birenberg, Zach Robinson, star Ralph Macchio, and showrunners Josh Heald, Jon Hurwitz, and Hayden Schlossberg.
Music from the first 3 seasons of the series curated into three collections of music:
Disc 1: COBRA KAI - a curated mix of music scoring the most badass dojo in the Vallely
Disc 2: MIYAGI-DO - curated selections from the music scoring Laruso Family, and its ties to the Miyagi legacy.
Disc 3: FINAL FIGHTS - the music from all three of the explosive season finale episodes.
All of the music has been hand selected, and in many cases expanded from their original form for the most definitive Cobra Kai listening experience available.
Mondo is proud to continue its on-going celebration of the DC film universe, with an all-new limited edition pressing of one of the most iconic film soundtracks of all time: John Williams' legendary score for SUPERMAN: THE MOVIE.
The marketing for SUPERMAN: THE MOVIE cleverly described itself as a film that would make you "believe a man could fly," but no one involved in the film could be prepared for how that newfound belief would change the world forever. Now, nearly 43 years later, the superhero film industry shows no signs of slowing, but very few have achieved the visual and sonic miracle that the late Richard Donner and the inimitable John Williams were able to do with their epic origin story.
Featuring all new artwork by DKNG, Produced by, and featuring extensive liner notes by Michael Matessino, and pressed on 2x 180 gram black vinyl.








































