One of the most active bebop trumpeters, Kenny Dorham started in the big bands of Mercer, Ellington, Lionel Hampton, Billy Eckstine and Dizzy Gillespie and eventually landed in the Charlie Parker Quintet. In addition, he was a charter member of Art Blakey’s Jazz Messengers, recorded as a sideman with Thelonious Monk and Sonny Rollins and replaced Clifford Brown in the Max Roach Quintet. Throughout his career he can be heard playing trumpet on various recordings with Lou Donaldson, Sonny Stitt, Fats Navarro, Kenny Clarke, Mary Lou Williams and many more musical legends.
“Quiet Kenny” is a jazz masterpiece. Recorded by the great Rudy Van Gelder with a group of musicians playing at the top of their game, this title continues to be one of the most collectible Jazz LPs due to its high demand and short supply.
PLAYERS:
Kenny Dorham, trumpet
Tommy Flanagan, piano
Paul Chambers, bass
Art Taylor, drums
PUBLIC DOMAIN/LOST MOMENT News
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8
- A1: ‘Deed I Do
- A2: Lover Man (Oh Where Can You Be)
- A3: Everything I’ve Got
- A4: Comment Allez Vous
- A5: More Than You Know
- A6: Thou Swell
- A7: It Might As Well Be Spring
- A8: They Say It’s Spring
- B1: Tout Doucement
- B2: You For Me
- B3: Now At
- B4: I Hear Music
- B5: Wait Till You See Her
- B6: I Won’t Dance
- B7: A Fine Spring Morning
- B8: Blossom’s Blues
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Blossom Dearie was part of the NYC beboppers scene that often gathered at Gil Evans’ apartment, was in the social circle that began developing “Birth of the Cool” and at the same time was a fixture in the Jazz clubs of the 1940’s.
The legendary jazz producer and founder of Verve, Norman Granz, heard Blossom singing in Paris and offered her a contract.
She returned to New York to record her debut album produced by Norman Granz in 1956. The LP spotlights Blossom as a chanteuse and pianist.
Miles Davis once said, “she was the only white woman who had soul”, while Bill Evans noted her playing really “knocked him out”.
PLAYERS:
Blossom Dearie, piano, vocals
Ray Brown, bass
Jo Jones, drums
Herb Ellis, guitar
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