100 Limousines News

Analog Africa is back with another of its eye-opening and mind-altering trips into musical wonderment here as the 20+ year-old label digs deep into the Andean city of Quito. It's the Ecuadorian capital and home to the music which maykes up this vital collection and which owes so much to Polibio Mayorga.

He spent much of his musical career trying to - and succeeding in - modernise the ancient rhythms of his region, namely Huaynito, Sanjuanito and Albazo. He did so with cutting-edge - at the time - electronic equipment and a trusty Moog and the result of his effort was that he is now regarded as a pioneer of tropical psychedelia. Dig in deep to hear how that happened across these superb 16 sounds.

Brand new label VIBRASJON kicks off with a tsunami remix EP, joining two of west-coast Norway's favourite sea-gazers. Following Vullum's "Ohms Love" LP from last year, Telephones reimagines and transforms the material through three elaborate new metamorphosis. Beatless ambient, leftfield trip-hop and euphoric balearic techno - from 0 to 137 bpm.

"Changgu-Satturnu (Telephones' Mind Meld)" takes you on a cinematic ride to the etheral, while the strong emotional tide of "Tustna (Telephones Slowmocean Ambient Mix)" pulls you out, far and deep through rogue waves and swells of starry-eyed nostalgia and pure feel. Flipping the record, not to mention tempo, "Tustna (Telephones Sueñotechno Rush Mix)" is exactly what it sounds like: A pounding 12 minute mind-trip through ambient techno, to a parallel universe where Hawaii, Detroit, Goa and west-coast Norway are all grains of sand at the same beach.. do not miss!

Process of Elimination explores sickness as a teacher for anti-capitalist modes of being; a rewilding of the self. The product of an attempt to be indestructible, this sickness has an unknown diagnosis. The only route to determine the indeterminable is via a process of elimination. Eliminate the noise so it may quieten and make space for listening to what whispers underneath, allowing a return to the present moment. Slowness and queerness as technologies, questions as answers and mysticism as a path to healing when science alone does not suffice.

London-based multidisciplinary artist El Hardwick’s sophomore album follows their experience of becoming chronically ill after years of treating their body like a machine. El explains: “After failing to receive a diagnosis, which is only given via a lengthy process of elimination, I instead turned to autonomous modes of healing rooted in mysticism and herbalism; putting aside the need to be defined. My journey towards accepting my disability is told in parallel to my coming-out as trans. I also see my non-binary identity as a process of elimination: I am neither gender, both, in-between. It is through rewilding myself from capitalism and gender normativity that I learn how to connect to my body and the earth; no longer allowing either’s energy to be extracted from. The less I sought answers, language, metrics and analysis, the more peace I found.”

From House To Disco is a hotly tipped all-female duo known for their fine taste in records, in-depth research into house history and fresh productions. They have been tipped as ones to watch by Brazilian tastemaker Renato Cohen and have released on his Massa Records as well as Get Physical's COCADA Music. Now they tap into the esteemed Definitive Recordings catalogue and add their own spin to four tracks which make up this EP, which will also be included on the 12-track 'Disco House For All' compilation which includes more key selections from the label.

First up, they tackle Blunted Dummies's 'House For All' and flip it into a thumping house cut with old-school synth stabs and a low-slung bassline. Their remix of Las America's 'Look, Listen, Love' brings jacked-up drums with plenty of original Chicago swagger, seductive vocals and a raw analogue bassline. The duo then bring a deep and stylish twist to Wax Fruit's 'Be Yourself', which has rueful pads that encourage you to gaze off into the distance, lost in thought, while the tender piano chords bring extra soul. Last of all is their fresh remix of Barada's 'Gasoline', which is a driving deep house gem with neon chord vamps and another timeless bassline.

Belgian artist Gratts wrote 'Sun Circles' as an empowerment anthem for his two sons and it dropped to plenty of acclaim last year. In its wake, Gratts DJed with Adelaide's multi-talented Alexander Flood on percussion and after some conversations he was enlisted to bring his jazz background to a remix of the original. He did so live as part of a quintet and the result is a super summery, airy rework with soulful vocals that linger long in the air. Detroit-based techno and ambient maestro John Beltran appears on the flip to bring a classy Balearic remix that will have you dreaming of longer, warmer nights and plenty of sun-kissed dancing fun

Originally released in November 2021, Guy Gerber and Albertina’s ‘Bocat’ is now remixed by Michael Bibi & Tel Aviv’s OMRI. Now recruiting Michael Bibi for a hard-hitting club remix, the Solid Grooves founder track delivers a new lease of life to the original. Bringing his signature production style to Rumors, Bibi adds twisted vocal chops amongst spacious percussion, deep acid lines, and pounding kicks. Following appearances on Disco Halal, Mobilee Records, and more, OMRI. now arrives on Guy Gerber’s Rumors imprint with his interpretation of ‘Bocat’. Injecting a solid groove to the track, OMRI. brings skippy hats, pounding kick drums and heavy low end underneath Albertina’s vocals and other select elements of the original to craft a new vibe perfectly curated to move dancefloors worldwide.

2024 Repress

Das 1973 von Neu!- und Cluster-Mitgliedern gegründete Trio markierte eine Wende im Krautrock: Weg von der Fusionitis, weg vom überambitionierten Gegniedel, weg von der Ironie, die allzu oft nur lausige Fähigkeiten kaschierte. Harmonia spielte seine impressionistischen Skizzen mit minimalistischem Gestus. Kein Text trübte den Sound, alles war repetitiv, friedlich atmosphärisch und irgendwie LoFi. Brian Eno hörte sich so tief rein in diese kitschlosen Versponnenheiten, dass er den Ambient erfinden konnte. Heute, nach 31 Jahren, klingt das etwas unfertig, vor allem die Ein- und Ausstiege, doch der naive Charme der Musik blieb erhalten. Das Album bildet den Auftakt einer Reihe von remasterten Neuauflagen legendärer Brain-Platten. Darunter auch "II" von Cluster. Hat Eno natürlich auch intensiv gehört.

The beauty of the abyss is an exploration of the relationship between religious ecstacy via ritual and the hypnotic euphoric experience of dance music. An attempt to combine and create the hypnotic states of religious processes such as prayer ritual or meditation with the mantric hypnosis of tribal dance music. Part of the process was trying to make modern electronic instrumentation sound somehow ancient, which has become the drive of the Heretic project. A desire to make cutting edge ancient ritual dance music. This EP is the most successful results of this experiment.

Faith Disciplines is a sublabel of Subsist Records, and focused on more experimental sound territories.

Simon Huxtable’s alias Inhmost, returns to Tonight's Dream Records with a new album, Breaks & Dreams, a continuation of his 2022 release, Space & Awareness. This album is a captivating blend of deep baselines, downtempo breaks, and atmospheric ambient textures. Its rhythmic breaks and ethereal melodies create a nostalgic tranquillity that invites you to immerse yourself in its delicate atmosphere and let your mind wander and dream.

"Resonance" is the latest offering from K15, arriving on 2000Black.
Resonance opens with a meditative chord arrangement that gets subtly layered with percussion and programmed drums, creating a song of depth and richness.Within Reach is the most playful track on the record. An uptempo ride, filled with class and flair and demonstrates K15's evolution of ambition and composition.

The EP closes with the militant groove that is Resistance. The heavy bass, the wall of synths and the floating shakers create a track pulsing with life.

"Resonance" is filled with life and rhythm, making it a fitting addition to the 2000Black catalogue.

As the 21st century was born, so Kreator underwent what was nothing less than a seismic creative rebirth. By this time, the iconic German band had released nine studio albums in the 1980s and '90s, which had established them as one of the most important metal names of these decades.In the first period, they had helped to shape and pioneer the thrash scene through such releases as 'Pleasure To Kill' (1986), 'Terrible Certainty' ('87) and 'Extreme Aggression' ('89). During the following decade, the band had opened up exciting horizons of experimentation on albums like 'Coma Of Souls' (1990), 'Renewal' ('92) and 'Endorama' ('99).
Now, though, it was time to move into a fresh era, as vocalist/guitarist Mille Petrozza explains.
“During the 1990s, we were definitely experimenting with what the band were doing. But (drummer) Ventor and I decided that for this album – our first of the new millennium – we wanted to go back to the sort of sound that we had at the start of Kreator. In other words, to get back to the reason why we began the band in the first place.”

There was also new guitarist introduced, as Sami Yli-Sirniö (who had made his reputation with Finnish band Waltari) took over from Tommy Vetterli. The latter (also known as Tommy T. Baron) had joined in 1996 and played on the 'Oucast' (1997) and 'Endorama' albums.

The producer for this album was Andy Sneap, who was now making a name for himself as one of the pre-eminent masters of this art in the modern metal world.“I had known and liked Andy since the days he had been the guitarist in Sabbat, as they were signed to Noise Records as Kreator were on that label. He was our first choice to work on this new project. I liked what he'd done for Testament on their album 'The Gathering' (released in 1999). He had given them a sound they'd never had before, and that really was what we were after. It was natural and organic, and also very modern. I remember phoning him at his Backstage Studios in England (Ripley in Derbyshire). And Warrel Dane, the vocalist in Nevermore, answered. Andy was producing their new album at the time ('Dead Heart In A Dead World', 2000). And when I heard this, again I was very impressed. So, I was delighted when he agreed to produce the new Kreator album.”

The album title came from something Petrozza had read. “In a book I came across a comment that John F. Kennedy said (in 1962). This was: "Those who make peaceful revolution impossible will make violent revolution inevitable”. I thought 'Violent Revolution' would make a good title for an album. So, I kept it in my mind for this record. I think 'Violent Revolution' is a title that makes a real impact.”

One interesting aspect of the track listing was that the 52 second instrumental 'The Patriarch' actually came after the opening song 'Reconquering The Throne'. Fans might have been expected that it would have opened the album. But for Petrozza, there was a logical reason for this not to happen. “We really wanted to lead off with a thrashing track, to show everyone what we were now doing musically. After 'Endorama', it was important that everyone should recognise this was a new era for Kreator.”

'Violent Revolution' is without question an excellent album. While in some ways it does hark back to the glories of the band's earlier days, nonetheless it does not sound at all nostalgic. The performances and production values are very much part of the contemporary era, and the strength of the compositions themselves are of the highest values. Rising to the challenge offered by a new generation of ambitious metal bands, Kreator proved they were far from being a spent force. Unlike so many of their peers, here was a band who still had so much creativity to offer, and were also clearly excited themselves by what they were doing. And when you hear the band themselves enjoying the entire process, then you know this is a bona fide revitalisation.

Kreggo showing the full width of his capabilities, delivering the perfect fit for Milano based Nottetempo.

2023 Repress

Ltd Edition remix 12' from Marcus Intalex featuring his own D&B mixes of Lana Del Rey & Little Dragon.

Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

London-based Lewi Boome brings his class to this new release on Well Street, strictly limited to just 100 copies so you better act fast! 'Dust Devil' opens with a deft touch - the pinging synth lines and airy drum loops suspending you in a tripped-out world of futurism. That cerebral style continues through the lithe and elegant, dubbed-out rhythms of 'Etched Alive' and the more unsettling moods of jungle-techno cut 'Tumble', complete with distant bird calls and humid pads. 'Deep Sheer' rounds out with a little more low-end grit as the fourth and final cut on a superb EP.

Phase Group are thrilled to present our next release by newcomers to the label, the excellent Hamburg band, Love-Songs. Their new album 'Passive Progressive' will be out on cassette and digital on October 18th.

Love-Songs are the trio consisting of Thomas Korf (electronics + vocals) Sebastian Kokus (Bass) and Manuel Chittka (Percussion) who make cosmic, kraut-inspired electro-acoustic music. Many will be familiar with their previous output on wonderful labels like Kame House and Bureau B.

'Passive Progressive' lands in the form of 8 enthralling tracks that take us through dreamlike and psychedelic echoing territories, where Korf’s modulating electronics and effected vocals ripple over the grooving rhythm section of percussion and bass supplied by Kokus and Chitka. Across the album, the band are joined by a host of guest musicians and friends from Berlin and Hamburg’s underground and experimental music scenes, supplying Trombone, Mbira, Clarinet, Flute and extra synthesisers and vocals to enhance the mind-expanding and unique sound palette of these incredible tracks.

As with most of the material we’ve released on Phase Group, this is music that’s hard to pin down, that lends itself equally well to creating transcending atmospheres in the early moments of a special kind of club set as to soundtracking a mind-bending and deep personal listening experience. We’ve no doubt that the sound that Love-Songs have crafted with Passive Progressive will be enthusiastically received by all sonic voyagers and fans of the label, and we’re over the moon to welcome them to the Phase Group family.

Passive Progressive is available on limited cassette, with double-sided risograph print artwork by Andrija Čugurović.

Grammy award winner & multi grammy nominated Luisito Quintero grew up with the Latin American and African tradition of percussion. His father is just as much a percussionist as his uncle Carlos Nene Quintero and his cousin Roberto Quintero . He became a member of the Orquesta Simfonica de Venezuela , but soon appeared with ensembles such as Grupo Guaco and El Trabuco
Venezolano and toured with Oscar D'León .

He then moved to New York, where he initially worked with Latin jazz musicians such as Willie Colón , Eddie Palmieri , Tito Puente and Celia Cruz . He then turned to the fusion of jazz, funk, salsa and African music and performed with George Benson , Herbie Hancock , Ravi Coltrane and Toshiko Akiyoshi , but also with pop musicians such as Gloria Estefan and Marc Anthony .

Vega Records are proud to present his new vinyl release “Percussion Maddness Revisited” Part Two. From the Osibisa remake by Luisito Quintero “Music For Gong Gong” to collaborations with the Great Richard Bona, Latin Jazz legend Hilton Ruiz and Salsa Veterans Jose Mangual and Milton Cardona, you can see the caliber of musicians that make up this timeless piece. For the afrohouse heads you have the new track “Yemaya” Featuring Nina Rodriguez remixed by Afrohouse King Manoo. Prepare for the sonic fun with vinyl pressings by Optimal !!

Percussions Maddness Revisited Part Two Double Vinyl Set out soon at a vinyl store near you !!!

For over a decade, Mako has been a distinctive presence, both as an individual and through his music, a talent we've proudly showcased at Metalheadz.



This September, we are honoured to release his third album on the label, and his second solo endeavour, which serves as a seamless continuation of his earlier work. His 2020 album, 'Oeuvre', represented years of dedication and refined production, solidifying Mako's esteemed place within the Metalheadz family.



Now, four years later, we're thrilled to present 'Oeuvre – Part 2'. This 12-track album is a celebration of Mako's deep passion for music, while also reflecting his sometimes disillusioned views on a modern era that often seems to pass us by. In a world where individuality can struggle to shine amidst an overwhelming flood of content, Mako's superior production stands out as a beacon, demanding not just recognition, but active listening.



Mako's commitment to his musical community is evident throughout the album, with contributions from long-time collaborators Fields, Hydro, Villem, and Mikal, each bringing their unique expertise to the project. The album also features a special collaboration with the late Marcus Intalex, a friendship that blossomed in the years before Marcus' untimely passing and one that continues to bear fruit.



Diving into the heart of the album reveals Mako's charm as a producer: from the captivating vocals in 'Feed You', the sleek homage to techstep in "Suspension', to the pure dancefloor energy of 'Direct Source', a track long favoured by Goldie. As expected, Mako also delivers deeper, more contemplative pieces like the album's opener 'True Expression' and the graceful melodies of 'Overshare'

Simple, effective and downright deadly. Mella Dee serves up the perfect sountrack built for basements, dimmed lights and late nights.

Mella Dee's solo sound has evolved from a true passion for all things garage, a perpetual dedication to Hip Hop, combined with a love for house music which was heavily influenced by the darkness of UK funky and Dubstep.

Together these influences have enabled Mella Dee to develop a unique approach to the fusion of these sounds, into one bumpy soundscape that is simultaneously house, garage and techno.

OMENA Omena is finnish for apple. It's also a record label set up by Tobias Lidstrom aka Tooli.
DJ & co-running Local Talk Records & OneOffs.

2024 Repress

Hot off the heels of Bassline 88-89, Mike Huckaby returns on SYNTH with a reissue of two of his most sought after productions- "Flashbacks" from M3 Records (1997), and his very own remix of Precession "Sandcastle," taken from the Adventures Of Techno Soul LP on Ferox Records (1996). The wait is now over!

Mit ihrem vierten Album, das Gastauftritte der malischen Künstlerin Fatoumata Diawara und der kanadischen Sängerin Charlotte Cardin enthält, liefert die Band eine raffinierte und umfassende Interpretation ihrer einzigartigen Klangvision.
Auf ihrem Independent-Debüt „Living In A Haze“ schreiben Milky Chance tanzbare Alternative-Pop-Songs und bringen ihren unverkennbaren Sound ins Jahr 2023. Aufgenommen in den Jazzanova Recording Studios in Berlin mit namhaften Produzenten wie DECCO, Jonas Holle, Tobias Kuhn und Dennis Neuer transportiert das neue Album die musikalische Neugier des Duos und liefert gleichzeitig meisterhafte Song-Kunst.

It is with great pride that we unveil the first release of the label.
Spread across three tracks produced by the label’s owner MJOG and while our good friend Andu Simion serves up a remix, this release proudly celebrates a brand new chapter.



Produced to display his new vision of music, the EP embodies MJOG’s depth of knowledge and showcases his diversity as a producer by drawing from different influences

Label misprint:
A side paired with C side.
D side paired with B side.


Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

On behalf of re:discovery records, it is with great excitement that we announce the 3rd and last EP of the set highlighting the music of 1990's Norwegian electronic act Neural Network. Part 3 hones in on their unreleased album that was never formely named. The band and those in the industry who heard it felt it was their best music yet. There were label suitors for this album including a top tier Belgian label but sadly things did not work out as that label folded. And this project was left on DAT's.

Of the 9 tracks we chose, there were 4 we felt would most fit the vinyl medium and the theme of the first 2 EP's. These fit in with music like B12, Stasis and As One for some lofty comparisons and we think it fit's perfectly in that esteem company. The Detroit-esque beautifully somber 'Lambent' sounds almost 'Tedra' like from Kenny Larkin. 'Jetstream' is pure melodic robotic funk from the future. The side B track 'Floatation' coming in at just over 18 minutes and is a prime example of the sci-fi music they so wonderfully produced. This 3 record series is a great example of re:discovery records' mission to present the past for the future. All feature amazing artwork from UK's Grid Pattern complete with insert that features info on the music and their history. Bring back the Chill Out Rooms!

A collection of work which Nookie himself calls "the best tracks I've ever written", 'Improvisions' embraces the fact that we don't live in a perfect world. Throughout the project, aided in many parts by Ruth Royall, Nookie expresses his deep-rooted love for the music he's devoted so much of his life to, backed further by a total creative freedom.

Relentless techno powerhouses Octave One stride in 2022 with a brand new release that re-affirms their status across two essential tracks. 2021 was another busy year for the Burden Brothers, who re-introduced the world to their Never On Sunday alias. The project first started in the 90s as an outlet for deeper, more introspective sounds and was fittingly brought back last year to great acclaim. The Detroit duo’s Locus of Control series also hit volume number three and the iconic Octave One live show continued to light up clubs everywhere from Barcelona, Paris and Geneva to LA and New York. Despite that, they still had time to cook up more of their famously soulful techno in the studio, the first two tracks of which are presented here.Opener ‘The Blue Drift’ surges ahead on waves of rattling metallic synths. Well swung claps bring that irresistible sense of groove, while twisted melodies add raw dynamics. Add in the heavy underlying bass and you have a classic Octave One track that is both physical yet emotional. On the flip side is ‘It-Just-Is’ a powerful statement of intent. It’s a stripped back track where house and techno meet - there is a seductive slide to the drums and potency in the turbulent synths which bring the energy. The melody is melancholic and as the emotive pads ring out they lodge deep in your brain to make for another standout cut. This vital new release proves Octave One remains right at the forefront of underground music more than 30 years after they started out.

Dance Mania classic from 1994. Parris Mitchell's "Butter Fly" featuring vocals from Adonis.

Fully re mastered for 2016 and released in conjunction with Dance Mania.

Repress!

Today – Friday 9th July – artist, producer, DJ and club culture icon Peggy Gou releases the second of a pair of summer singles. Released via Gou’s own Gudu Records, “I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”.

Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood.

“I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set to soundtrack a summer when we can all hopefully dance together in our thousands again.

Talking about “I Go”, Peggy says:

“When I was a teenager in Korea, we didn’t have rave culture like there was in the UK. “I Go” is a tribute to that era, my own reimagination of the sounds I grew up loving. The lyrics are inspired by a note I wrote on my phone in 2019, staring at myself in the mirror of an airport toilet – I looked so exhausted but there was no way I wasn’t going to keep going! “I Go” is basically me motivating myself, finding courage and returning to a feeling of innocence. I hope people feel the same sense of positivity when they hear it”

Meanwhile, Peggy Gou is set to make a handful of DJ appearances in Europe over the summer. These include a huge sold out London event in August in the form of The Pleasure Gardens; an outdoor party in Finsbury Park created and curated by Gou herself and featuring a stellar supporting line up including DJ Harvey, Anz and Spencer.

Track List:

Petter B delivers an outstanding new EP on Drumcode proving that Swedish techno is thriving! The first track which, is a collaboration between Petter B, John H & M.E.E.O, uses an arpegiated synth before storming to the main section of the track and breaking down the doors.

The gliding synth sounds really fire with all guns blazing to produce a techno monster that growls. Petter B's next two tracks involve two solo offerings that are heavily techno based.

'Voltage Controlled Time' uses raw distorted drums and a catchy synth line to really give the track a lot of energy and power.

And off we go with the sixth release on Guillotine Recordings!

So much for beta testing of mechanical amplitudes… I knew it! I told you, no guests in the orbital workshop until the final correction of the trajectory!", — Spacelunch managed to put on a spacesuit before complete depressurization. He was incredibly lucky that the destruction of the compartment had occurred before the emergency evacuation, and it did not develop into ebullism.


Cat was out for some time, making smooth somersaults around its axis. Almost all important developments were destroyed by decompression or turned inside out. Laboratory utensils, fuel system tubes torn to shreds, favourite doughnuts, even fragments of a travelator with its shattered glass cloches as tall as a human — everything was subjected to the silent vacuum torture.


On the eve of the launch of a new intelligence campaign, such circumstances could mean a collapse of technological equipment and a long restoration of the theoretical base. It is not easy to be smart in outer space, especially when the breathing mixture is running out, and the body becomes uncontrollable in the absence of a winch…

From Delhi, India to your ears.

Finally understand your true meaning on this Earth. Land in Ravana’s bass, tabla and dub dissertation on Evolution.

6 tracks of essential underground deep house created from 2004 - 2010 by Chicago's RICARDO MIRANDA. This mini LP of lost and unreleased tracks captures the sound of RICARDO'S youth in the deep Chicago underground of the 90s and early 2000s.

Proper Fachwerk style techno with vocals by Envoy. Comes with remixes by Mike Dehnert and Roman Lindau.

+++ Braindance Alert +++ RTR delivering an energetic and diverse album full of infectious acid and breakbeat injected tunes. Flirting with Squarepusher and Luke Vibert influences '61 Cygni' will sound familiar, yet still fresh, adventurous and bubbly!

feat. Rey Khan

If you are a true fan of Anthony Nicholson aka Miquifaye and Clairaudience; then join us as we celebrate a full circle moment with this release. We are privileged to present Sunrise – Scientific Map feat Rey Khan. Scientific Map is led by guitarist Matt Hudson, with Will Baggett-bass, Dave Holloway-keys & Anthony Reid- drums. Matt has been a session musician of Miquifaye Studios and is one of it’s All Stars for over 15 years and recorded on countless Anthony Nicholson Classics. Sunrise features the soaring and soulful vocal performance from Rey Khan, an accomplished singer-songwriter, who has gained 1 million+ streams, and hit #2 on US dance charts. The tune is also graced with a guest feature from Stephen Bidwell drummer for the Grammy-nominated band Black Pumas. Almost forgot the punchy description: The Funk meets the Boogie on a dark dance floor over Rhumba / Afro informed rhythms and wrapped itself around a soulful vocal performance delivered with pop sensibilities….

Hotflush continues its celebratory 20th anniversary year with a vinyl-only sequel to Scuba’s Record Store Day UK release, “Hardcore Heaven”.

‘Hardcore Heaven II’ develops the theme of that first release back in April. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets a Scuba-in-2023 update.

The tracks on this EP add a twist of twisted breaks, early 2-step, and classic broken beat to the mix, as well as some moody vocal rubs and the customary dancefloor flavours.

The six tracks included here are presented on red and black splatter vinyl, limited to 500 copies with definitely no represses.

From listening to pirate radio recordings, putting on illegal parties and working for one of the UK’s original rave promoters, Greg Hepworth, aka Settle Down, has always had roots in the foundations of UK dance music.

Settle Down’s 30 year journey began when the sounds of Fantazia drifted into his childhood bedroom at the age of 10. After wearing out cassettes of pirate radio recordings and immersing himself in a growing culture, what followed was putting on illegal raves across the South Coast and packing tapes for Dreamscape, before crossing over to Creator and releasing for Metalheadz and Reinforced as 'Ulterior Motive' and reinventing himself as 'Settle Down'.

From fan to facilitator to maker. Voyage is a documentation of Settle Down's 30 year journey through UK breakbeat culture. Presented as a recording of a 90’s rave cassette mix, it chronicles the journey through house, breakbeat, hardcore and jungle and the influences that make up these genres, a love letter to the past and an ode to the vibe.

Voyage will be released on a limited edition mixtape cassette, 12” vinyl and digitally mixed and unmixed single tracks alongside some limited edition merchandise.

Shlomi Aber with a stomper peak time EP on his Be As One imprint, limited copies - No repress.

Hand the king of re-edits Late Nite Tuff Guy the keys to an unreleased Silk recording from the ‘70s hey days and you’ve got yourself a recipe for greatness. A’s and Bees line up their second heavyweight 12 inch pressing, with two exhilarating edits from LNTG alongside the first ever release of the original recording. As ever 50% of the profits from this release will be donated towards the British Beekeepers Association.

It's rare to crack the vaults on a recording that’s as good as this, that never saw the light of day. Courtesy of ‘70s Philly International wonders Silk, most famed for their soul sensation ‘I Can't Stop (Turning You On)’ that was sampled by LF System for their 8 week strong number 1 release, ‘Somethin' 'Bout The Way’ has all the elements of a smash hit. As catchy as they come, singalong sensibilities and musicianship of the highest order with vocal harmonies to match, it’s genuinely astonishing that this never got released. Who better to tweak this into an all-out disco stomper, than re-edit royalty Late Nite Tuff Guy. His Disco Dub teases in, loops up and adds extra punch to all the elements that make the original such a standout track, before letting loose those joyous vocals. Big room, full body, DJ friendly business this!

On the B side, the original mix gets it’s first ever release, with LNTG providing a shorter edit of his full throttle re-work to round off the package.

After contributing Double O s VIP of 'Future Shock' to the 'Message From the Parazone' project, we are proud to present a full EP of a true veteran and beat-smith of the Jungle scene on Parallax: Sonar Circle aka Domu aka Sonar's Ghost. With releases on various labels such as Reinforced, Metalheadz, Rupture, Future Retro and AKO Beatz under his belt, we feel blessed that Dominic found time and inspiration to write music for us. Welcome to the world of 'A Future Passed'.





d b2 | Riddim Come Again 05 32

Dive into Sreya & Cilon"s first LP, "Atençao com Coraçao." With bossa nova tunes, this project delivers caring and beautiful messages about self-realization and living in the present moment. "Atençao com Coraçao" is more than an album; it"s a journey into self-discovery and moments of contemplation. The lyrics, elegantly simple yet profound, convey direct ideas while weaving narratives from everyday life. The songs resonate with the theme of realizing one"s potential on life"s odyssey.

With so much going on in the world right now, it's safe to say we need to spread far more Joy then is circulating…

And who else deliver's Joy of this magnitude? The king of disco, Dr Packer. The Legendary Champion Records has enlisted the mirror ball man of the last decade to flip this absolute classic from Staxx and the gorgeous vocals of Carol Leeming. Perfect for sunsets AND sunrises, charge your cocktails!


DJ Feedback:

David Guetta - tasty update

Utah Saints - Minitsry Of Sound / FFRR - Cool groove. Production on point

DJ Kue - Dope!

MING - Nice one, I'll Play !!!

Steven 'Sugar' Harding - Milk & Sugar / M&S Recs - Love it!

DJ Rae - Good memories, nice work

Ember - Huge!

D.O.N.S. - Cool House tune. Support!

Black Legend - Defected / Simma Black - big one

Ruben Mandolini - Snatch! / Mother / Saved - Nice!

Sugarstarr - Defected / Toolroom / Vienna - Excellent

Tommie Sunshine - PACKER ALWAYS DELIVERS!!!

Vanilla Ace - Nice sounds

Kyle Kinch - Realm / Solotoko / Farris Wheel / HUGS - groovy

Severino - sweeet

MB Mgmt - top draw !

Jerk Boy - I've been eye'ing of this for a reboot for years ! I played this to death back in the day!..great remix !

Yolanda Be Cool - Sweat It Out / Club Sweat - cool...

A unique italo disco masterpiece and one of the most obscure italo “barn finds” that most Italo world learned about thanks to the “Lost Treasures Of Italo disco” mix by Fleming Dalum and Filippo Bachini as well as the Hysteric’s edit from the “Mothball Dance Classics” sampler a few years back. Now Vintage Pleasure Boutique has prepared a fully official 12″ reissue with extended versions and Italoconnection remix. The material has been remastered from the original master tape, which was stored in Vittorio Acunzo’s archives for the entire 35 years.

The Jaffa Kid's prolific music-making is well known at this point, with a wide-ranging palette that takes in the full range of electronic genres, from jungle to techno to ambient.

But here on his second EP for Gated - appropriately titled Second Frequencies - the boy named after a biscuit (or is it a cake?) goes deep. Really deep. Kicking off with the beatless but driving Phased For Days, the EP has a kind of relentless hypnotism to it, with Trinian's almost 7 minutes of spaced out electro.

Flip to the B and the acid comes to the fore, with War On Words and its addictive 303 line pulsing over the Kid's signature pads.
Tangential throws in some breaks under gritty acid, and Not The Way rounds out the EP with a truly poignant melodic beatdown.

"Still", eine Kollaboration der beiden Pianisten The Vernon Spring und Gwilym Gold, besteht aus vier meditativen Werken, die aus dreieinhalb Stunden kollektiver Klavierimprovisationen nach einem Trauerfall entstanden sind. Die Aufführung erfolgte am präparierten Klavier und Flügel, die beide mit dem Mechanical Resonator Piano (einer Andrew McPherson-Erfindung) ausgestattet sind. Das Ergebnis ist gekennzeichnet von Freundschaft und Grosszügigkeit in einer Zeit der Verletzlichkeit und unterstreicht die Schönheit sowohl der reinen menschlichen Interaktion als auch der modernen technologischen Instrumentierung.

repress

Hallo animaers!

The new chapter of animæ​ series is ready. Welcome on board of our new artist Toguè , his sound ranges from the warm sounds of Minimal to a breakbeat trip projected into the future!

Vinyl only as always, limited 300 copies without repress!

Dance music traditionalist Tom Carruthers joins Craigie Knowes. Tom’s commitment to the ruff n’ ready sound of dance music’s formative years is unshaken on the De-Facto EP, bundled with the same synths, drum machines, samplers and FX used in the by-gone golden era of the UK acid, breaks and hardcore scenes. Soul is found in disorder, not in a world that places false hope in perfectionism.

Two jazz-funk heavyweights get the chop on this Semi-Secret 12 inch hailing from the north of England.

Ultra Heat Treated for maximum punch.

12” Black Vinyl - Hand-Stamped – Single Side Ltd to 150 Copies

Pure raw madness with the Baz Line fourth round. Ltd series on hand-staped copies.
Be fast!

The first release from KLV has arrived, and it is shrouded in mystery. The enigmatic faces behind the label aren't driven by ego, but rather by a deep reverence for the ethereal vibrations that unite us all.With meticulous edits that defy the boundaries of time and space, Kool Little Vibes seeks to take us back to the basics. To a place where raw, unadulterated sound reigns supreme, and the essence of music is palpable.

Auch ZYX Italo Disco: Best Of Vol. 2 gibt es wieder als 2LP-Set
in farbigem Vinyl. 16 unvergessene Hits und Raritäten aus den 80er Jahren in bester analoger Soundqualität. Mit dabei sind diesmal: Radiorama, Fake, Den Harrow, Hysterical Fit, Jonathan Gable, Italian Boys, Scotch uvm.

Multi Culti launch a new quarterly 12" series in step with the seasons beginning with SOLSTICE I:

Post-pandemic lockdown inspiration can be found in the great planetary balancing act that has taken place since a cataclysmic impact with an asteroid caused mass extinction and set our earth’s orbit off axis. This AXIAL TILT, or obliquity, is responsible for the seasons, and life as we know it has evolved around these unleashed forces. As our lives and for many, careers, have spun dramatically off axis as of late, we look ahead to the coming seasons, with the hope that we can weather the changes, and maintain inner stability. To aid in this quest, Multi Culti promises to deliver sonic support with utmost regularity at the peak moments of cosmic significance, with each Solstice and Equinox.

Beginning this journey are some of the label’s most beloved artists. Israeli duo RED AXES provide a chakra-elevating soundtrack with their inimitable blend of psych-garage-tronica, a sun-kissed banger that signals a long-awaited return to the togetherness of the dancefloor.

ZILLAS ON ACID turn in a robustly wiggly jam that electrifies, frazzling zaps and frenetic percussion recall the fritzy tension of the past year, a cathartic shock-treatment for traumatized dancers looking to get back to prime spine-shaking shape.

Mexico managed to stay open for the most part, and TYU seems to have not skipped a beat here, still in perfect form after breaking out as one of the hottest young producers to emerge in recent years. Dark disco, Mexi-chug, call it what you want, but the emergent genre is never better represented than here… spooky, phosphorescent tribal dance, Tulumminati-tested and approved.

Finally, the big guy - MANFREDAS - whose remixes and edits have been highlight-reel material the past couple of years, delivers a long awaited original track with his requisite heavy-weight swag. Wonky tunings and a chunky downtempo beat underpin Manny’s trademark masterful arrangement style, building patiently, with breakdowns that managed to wring every last drop of impact out of an odd, other-worldy assortment of sounds.

After the success we achieved with the first vol. of Empirical Test, we return to the game from our laboratory with a new Bohrium Records-style release: new musical perspectives, deep basslines, and dancefloor bangers with a minimalistic touch.

A1 ‘Awarawati’ by Dorothy's Dream aka Fabrizio Maurizi will mesmerize you with simple percussion and his abstract, futuristic & ambient sounds united by a minimalist bass line.


A2 ‘Promise’ by Techu, the young promise of rominimal directly from Brasov, Romania has already gained the support of Raresh, Priku & Arapu with their minimalistic sounds. On this occasion, he proposes a track of bass drums running smoothly with his mysterious bass cadence.


B1 From Colonia’s Kpo brings us 'Psithurism', a track focused on the dancefloor with lively hi-hats and heavenly bass seasoned with a catchy clubby melody.


B2 ‘Disturbed System’ with Moroccan Origins Of Time closes the vinyl with a well-rounded track, an authentic late-night banger with resounding kicks and vigorous bass, reminiscent of Detroit in spacey vocals. 180g & limited copies.


Artwork by Jose Álvarez

‘Crossing the Red Line’ is the eleventh release on First Cut and the second part of the label’s public transport-related trilogy.

As anyone who has used Dublin’s light rail knows, crossing the red line is an unforgettable experience.

Soundtracking the ups and downs of daily life on the tracks is Tr-One. ‘VCO Friday’ is a fist-pumping affair, as a flurry of razor-sharp percussion collides with rousing melodic builds and drops.

On ‘Uncle Bulgaria’, Giles Armstrong drops a pulsating, throbbing groove and swirling hooks, with this combination hitting harder than city centre gridlock.

Rounding off the release is the inimitable Reflection Port Assembly – the distinctive, shuffling drums and dusty synths of ‘Tranquilo’ the perfect, calming antidote to rush hour.

Amp Fiddler was one of Detroit's most prominent musicians of the past 40+ years, widely known as a longtime member of George Clinton’s Parliament Funkadelic touring outfit, a collaborator with luminaries like Prince, Raphael Saadiq and J Dilla, and was a co-writer and performer on classic singles such as Seal’s “Kiss from a Rose” and Maxwell’s “Til The Cops Come Knockin.”

Amp was well known for teaching a young J Dilla to play the Akai MPC drum machine, as well as effectively catapulting him towards a successful career by introducing him to Q-Tip from A Tribe Called Quest in 1994 on the Lollapalooza tour.

Amp Fiddler passed away in December 2023, shocking the music world and receiving published obituaries in the New York Times and Los Angeles Times, as well as nationally-televised recognition at the Grammy Awards and BET Awards.

Detroit City Council declared May 16 as Amp Fiddler Day in the city of Detroit, planned as a yearly event, as defined by the Detroit Free Press as "a “collective acknowledgment” by the Detroit community of his impact and legacy."

Will Sessions are a mainstay on the Detroit music scene, having released masterful full-length projects in vastly different styles, from the faithful hip hop recreations of “The Elmatic Instrumentals,” the futuristic jazz of 2022’s “Electromagnetic Reality,” and the deep 70’s funk of 2017’s “Deluxe.”

Dames Brown is a Detroit-based vocal trio who have a forthcoming full-length LP ”As I Am” on dance-music powerhouse Defected Records, as well as a self-titled EP on Sessions Sounds dropping in 2025.

The overlooked 2018 boogie masterpiece from Detroit maestro Amp Fiddler and jazz/funk virtuosos Will Sessions is finally back on vinyl! "The One" transports you to a time when rich arrangements and big-studio production values didn’t mean sacrificing the funk!

Fronted by powerhouse lead vocals from Amp, "The One" features everything you want out of a roller disco classic: analog synths, snappy guitars, air-tight percussion, Fender Rhodes & Clavinet mastery, and plenty of slap bass. Sprinkle in some lush string and horn arrangements, and the cherries on top are supreme background vocals from the unstoppable female trio Dames Brown.

Xylitol is the alias of Catherine Backhouse, producer and DJ under the name DJ Bunnyhausen. She was a resident DJ at Kosmische, the now dormant Krautrock club and is a fan of jungle and hardcore. She currently co-hosts the radio show Slav To The Rhythm, which focuses on vintage central and eastern European pop and electronica and she's also co-writing a book on Yugoslavian pop culture. 'Anemones' is a total project from the cover to the music. Backhouse is fascinated by early botanical illustrations of anemones and other aquatic fauna, and how the act of taxonomy reveals as much about human psychology, desire and sublimation as it does about the organic specimen as a thing in itself. Each track is a microcosm of this 'other life', an allegory for the extraordinary potential latent within bodies that the dancefloor has the power to activate. Using early jungle and garage as starting points to connect dots and open up contrasts between dance music and vintage electronics, Backhouse finds a sweet spot which, in her words "feels like something that's simultaneously still and ancient yet propulsive and ecstatic." Not afraid of letting the the hiss and flutter of the music show, 'Anemones' holds attention with ancient bubbling synths and gracefully drifting arpeggiations, occasionally brought to heel by charming melodies, all accompanied by breakbeats that explode like fireworks. 'Anemones' has a lively and unpolished aesthetic that's a kindred spirit to Nondi_'s 2023 album of smeary, water-damaged footwork, 'Flood City Trax'. 'Moebius' pits the spaced out neon chords of the track's namesake against absolutely tearing breaks, allowing time for this almost overwhelming combination to become near enough transcendental, while the bleeping melody and sad slavic chorus motif in 'Okko' feels like an artifact from an alternative future. The Drexciya meets 2-step garage of 'Dobro Jutro' creates a welcome respite at the album's midpoint before the flow builds up again to 'Daša' with its glassy sounds from a lost radiophonic workshop miniature meeting bruising kicks and snares. Meanwhile 'Iskria' has purring synth chords and 8-bit melodies evoking the cosmonaut age. The subliminal influence of the Yugo era is felt in DIY synthesis and Mitteleuropean melody and seen in song titles such as 'Jelena', 'Miha', 'Daša' (named after novelist Daša Drndič) and 'Iskria' (taken from the fictitious Balkan region in Ottessa Moshfegh's bleak fable 'Lapvona'). 'Anemones' very effectively folds experimental genres from different times and places into a very enjoyable new sound.

ØKSE's eponymous debut album is a daring experimental Jazz project that features contributions from some of hip-hop's most unique voices. The band itself is an international all-star team of avant-garde musicians; NYC based drummer Savannah Harris, Danish saxophonist Mette Rasmussen, Haitian electronic musician Val Jeanty, and Swede Petter Eldh on bass, synths and sampler. Each already established as solo artists, as ØKSE they collectively mine new ground, pushing and pulling at the edges of genre. Four rappers come along for the ride, each more than capable of bending these tracks to their will; ELUCID and billy woods (aka Armand Hammer), and fellow Brooklynites Maassai, and Cavalier.

ØKSE means AXE in Danish. The Axe has a lot of connotations, being one of humankind's oldest tools. Axe is also Ashe; the life-force that runs through all things, living and inanimate. Ashe is a current or flow, a groove that initiates can channel so that it carries them along their road in life. These are the energies that flow through ØKSE, and animate this ambitious record.



Features a single black vinyl packaged in a 12" jacket and custom sleeve with design by Ashes57.

NEW ØKSE SINGLE “AMAGER” FT BILLY WOODS

Mit "Dark Superstition" schlagen Gatecreeper ein neues Kapitel in ihrer Bandhistorie auf: Das kommende Studioalbum ist gleichzeitig die erste Veröffentlichung der Death-Metaller bei Nuclear Blast.

Dafür hat sich die US-Band unter anderem Unterstützung von Fred Etsby (Dismember) und Converge-Gitarrist Kurt Ballou geholt. Zum Hintergrund des Albums, auf das es mit "Caught In The Treads" bereits einen ersten Ausblick gegeben hatte, erklärt Frontmann Chase Mason: "Viele der Songs handeln von übernatürliche Ideen, gepaart meinen eigenen Erfahrungen. Allerdings ist der Titel selbst eine Referenz an die Superstition Mountains in unserem Heimatstaat Arizona. Es ist eine wunderschöne Bergkette, umgeben von Tragödien und Legenden über verborgenes Glück." An das Thema des Übernatürlichen schließen sie auch mit der neuesten Singleveröffentlichung "The Black Curtain" sowie dem dazugehörigen Musikvideo an.

Darin ist die Band von einer Friedhofskulisse umgeben, der sie mit ihrer Mischung aus straightem Rock, peitschenden Death Metal und ausufernden Shoutings Kontur und standesgemäße Düsternis verleihen. Dazu führt Mason weiter aus: "Es geht darum, zwischen Leben und Sterben gefangen zu sein. Eine Seele, die im Fegefeuer gefangen ist und darum bettelt, von einer übernatürlichen Kraft zurückgebracht zu werden."

Mit "Nobody Loves You More" veröffentlicht Kim Deal am 22.11.24 auf 4AD ihr erstes Soloalbum. Die elf Songs umfassende Sammlung ist das erste Album der in Dayton, Ohio lebenden Künstlerin unter ihrem eigenen Namen. "Nobody Loves You More" ist Kim Deals Debütalbum, obwohl es nicht das erste Mal ist, dass sie einen Alleingang unternimmt - 2013 veröffentlichte sie im Eigenverlag eine fünfteilige Reihe von zehn Songs, die limitiert als 7" erschienen. Im Einklang mit Deals akribischer Herangehensweise an ihre Kunst, wurde das Album über mehrere Jahre hinweg verfeinert. Die ältesten Songs, "Are You Mine?" und "Wish I Was", wurden 2011 geschrieben und aufgenommen, kurz nachdem Deal von der "Lost Cities Tour" der Pixies zurückkam und nach Los Angeles umzog (frühe Versionen dieser Songs waren in der besagten Vinyl-Serie enthalten). Die letzten Aufnahmen für "Nobody Loves You More" fanden im November 2022 mit dem legendären Tontechniker und engen Freund Steve Albini statt, der den letzten Track "A Good Time Pushed" in seinem Electrical Audio Studio in Chicago einspielte. Auf dem Weg dorthin hat sie eine Vielzahl von Mitstreitern aus der Vergangenheit und Gegenwart hinzugezogen, von den Breeders (Mando Lopez, Zwillingsschwester Kelley Deal, Jim Macpherson, Britt Walford) oder auch Raymond McGinley (Teenage Fanclub), Jack Lawrence (Raconteurs) sowie Fay Milton und Ayse Hassan von den Savages. "Nobody Loves You More" wurde von Marta Salogni gemischt und von Heba Kadry gemastert. Zu jedem Song gibt es eine persönliche Geschichte. Sie handeln von den Winterferien mit ihren Eltern auf den Florida Keys ("Summerland"), einem Hochzeitsband-Cover von "Margaritaville" ("Coast") oder auch der Demenz ihrer Mutter ("Are You Mine?"). Die Platte zelebriert Deals unvergleichliche Kunstfertigkeit, die nicht nur auf die Höhepunkte ihrer Karriere mit gefeierten Bands der Alternative-Landschaft (Pixies, The Amps, The Breeders) verweist, sondern auch auf ihr unverrückbares kulturelles Gewicht, das über Generationen hinweg Musiker und Musikerinnen wie Kurt Cobain und Olivia Rodrigo beeinflusst hat.

7 years since it's release; the iconic debut from GODTET.

First repress since 2018.

Godtet is the debut LP and live band project from Sydney guitarist, Producer & Beat-maker Godriguez. Praised for his production on 'The Great Mixtape' for Sampa the Great, Godtet sees Godriguez stepping back into the live format of production with a full band.

To commemorate the 30th anniversary of Therapy?'s Troublegum album , this 2LP set contains the original album pressed on 180g silver vinyl plus a further 14 tracks rounding up B-sides and bonus tracks of the era pressed on 180g lavender vinyl. By the time Therapy? released Troublegum in 1994 they were already well established, but it was the first time many had encountered the group's intensely melodic blend of hard rock and indie, an arresting combination of old and new, striking in its immediacy. Formed by schoolfriends in Larne, Northern Ireland, Therapy? consistently pushed the rock trio to its limits, often saying that their use of feedback was their fourth instrument. Singer, guitarist and writer Andy Cairns, bassist Michael McKeegan and drummer Fyfe Ewing had been playing together since 1989, and were signed to indie label Wiiija the following year on the strength of their live reputation. After two albums with Wiiija, they were signed to A&M Records, and their 1992 album, Nurse, reached the UK Top 40. The group paired with Mission producer Chris Sheldon and went to Chipping Norton Studios to record a follow-up. The results were stunning. Lead single "Screamager" (on the Shortsharpshock EP) reached the UK Top 10 in March 1993; follow-up "Turn" made the Top 20. By the time Troublegum was released in February 1994, it contained both singles, plus "Nowhere" and "Trigger Inside", further hits from the album. Troublegum is warm and powerful, showing that grunge was not just the preserve of bands from the western seaboard of the US. Mixed without any discernible gaps between tracks, the album offers 45 minutes of attack. Amid the originals, the band's post punk roots are shown by their storming cover of Isolation by Joy Division. Widely acclaimed, Troublegum reached No 5 in the UK charts, went Gold and was nominated for the Mercury Music Prize. It sounds as fresh today as it did in 1994.

Die legendäre Chicagoer Band The Effigies kehrt mit ihrem neuen Album 'Burned' zurück!
„Sortie“ ist der erste Track aus dem brandneuen Studioalbum der Effigies. Der legendäre Punk-Act ist zurück mit der neuen Albumveröffentlichung
„Burned“, einem neuen Mix zum 40-jährigen Jubiläum des klassischen 1984er Albums „For Ever Grounded“ und einem speziellen Tribut- und
Gedenk-Event zu Ehren ihres gefallenen Frontmanns John Kezdy, der tragischerweise im Jahr 2023 verstarb.

Das vierte Soloalbum von Lost Dog Street Band-Frontmann Benjamin Tod, Shooting Star, ist eine Hommage an mehrere Jahrzehnte Country-Musik
durch Tods hochgeschätztes und ehrliches Songwriting.

Portuguese artist A Thousand Details distills four expertly crafted dark and percussive gems

STAR CREATURE teamed up with Russian Cosmonaut production extraordinaire A VISION OF PANORAMA to give a double bubble of bassline trouble. Deep house nu boogie grapes freshly ripe off the vine and aged to perfection. Future boogie for the class of 2080 or 3022? Insta classic.

Al Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations.
This is the first vinyl release for the band and includes original music, which has not been available until today.


نشأت فرقة الفجر في الكويت في العام 1987 بمبادرة ذاتية من قِبَل أعضائها الأربعة وهم سيما كنعان (غناء) وبشار شموط (غيتار) وجميل سراج (عود وغيتار) ونزار عليان (أيقاع). تميزت الفرقة بأدائها الموسيقي الشفاف والهادئ والذي اعتمدت به على استعمال آلتي العود والغيتار وبعض الآلات الايقاعية المتنوعة وتجنبت استخدام أي آلات كهربائية. اعتمدت الفرقة في بدايتها على إعادة أداء بعض الأغنيات الوطنية الفلسطينية ذات الكلمات الواضحة والهادفة. أصدرت فرقة الفجر ألبومها الوحيد في ظلال الانتفاضة الأولي في العام 1988 ثم بدأت في تلحين أغانيها الخاصة بها والتحضير لإنتاج ألبومها الثاني، لكن لم تتمكن من تسجيله وإنتاجه وذلك بسبب نشوب حرب الخليج عام 1990 في الكويت حيث اضطر أعضائها للرحيل من هناك ولم تعد الفرقة قادرة على الاستمرار. رغم المدة المحدودة جداً التي نشطت فيها فرقة الفجر، إلا أنها شاركت في عدد لافت من العروض والمهرجانات في الكويت والعراق وألمانيا وغيرها.