Ratiug Recordings News

Ratiug Recordings presents a new vinyl with the Uruguayans, Elías Sternin and Nicolas Arin.

4 hypnotic tracks designed for the dancefloor.

IMPORTANT: These are often unplayed, sealed or barely played copies, but have been stored in a humid environment. Some copies might have slight storage damage like deformed sleeves or some mold. Even though a quick cleaning session of the item (if needed) will probably make it as good as new, these are still sold as is! HORIZON HAS BEEN ONE OF HIS BIGGEST HITS AND ONE OF COCOONS & SOMAS BEST SELLING VINYL. A MASSIVE HIT ON MOST FESTIVALS. ULRICH SCHNAUSS COMES WITH A GORGEOUS TECHHOUSE MIX. YOU ALL MUST HAVE HEARD OF TIGERSKIN AND HIS WELL CRAFTED MUSIC. THIS OUTSTANDING PRODUCERS COMES WITH A CLASSIC FLOORSTOMPER AMERICAN STYLE. THE FUNKDVOID MIX IS STILL ONE OF OUR ALL TIME FAVOURITES NEXT TO BEROSHIMAS SKYFLYER

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.

Presenting this limited edition 300 picture disc vinyl on Warehouse Manifesto from label boss GAMADON with the original sci-fi inspired Daleks In The Dancehall and five excellent remixes by Kafkactrl, C-System, Code Rising, Robodrum and EKATA. The style of tracks vary considerably and encompass a variety of Techno and Electro infused influences - all with a heavy punch and sure to get you moving on the dancefloor. This is part two of a three part series from GAMADON with remixes from some of the best in the business.

Maazn Records unveils its inaugural release "Lost in Transit” by Guzman & Terraflow. Inspired by the breadth of London's current sounds, this record gives a taste of their vision for the future.

The A-side features label co-founder Terraflow infusing his signature style of old-school drums and intricate synth work. "Atomic" lays down a catchy bass riff that summons an ethereal feeling of the past, whilst "Totaled Larynx" takes a hypnotic turn, embellished with haunted melodies suited to the early hours of a certain pit in Norfolk.

Guzman takes the wheel on the B-side, starting with the punchy, sleazed-out rhythms of “Neo (Trance Mix)”, steering the EP further into the depths of the peak-time dance floor. Finally, “Time Deprivation” details clever vocal sampling atop of an arsenal of dangerous waveforms - a fitting verdict that is guaranteed to send the audience into a bass-laden frenzy.

These are no warmup tracks, play out at your own risk

The label say "Fresh from impressing with the pulsating techno of Boris Werner and the fuzzy live house jams of San Proper, Tom Trago's Voyage Direct label turns to a man who needs little introduction: Dutch legend and man of many pseudonyms Danny Wolfers.
Best known under his Legowelt alias, Wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. Throughout, he's kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. While his music may be steeped in the past, Wolfers' productions always sound like the future.

For this first outing on Voyage Direct, Wolfers resurrects the House of Jezebel alias - a pseudonym previously only used for the twinkling deep house warmth of 2010's 'Love & Happiness' - and delivers two tracks of synth-laden analogue house goodness.

'Back In Dogtown USA' sets the tone, as Wolfers layers rising chords, darting electronics and wide-eyed synthesizer melodies over a clattering analogue house groove. As with much of the legendary Dutch producer's work, the track ripples with rush-inducing melodic intent. It's the soundtrack to a party on Jupiter, and we're all invited.

Wolfers' ups the tempo dramatically on 'I Took A Train In 1979', transplanting us to the far reaches of our galaxy via jackin' techno drums, picturesque organ melodies, drifting chords and intoxicating pads. There are echoes of classic Detroit techno, surging Rotterdam electro and vintage cosmic disco, yet it doesn't really sound like any of these things. Like 'Back In Dogtown USA', 'I Took A Train In 1979' sounds like the past, reconfigured and rearranged for the consumption of future generations. In other words, it's a classic Wolfers production."

Portuguese powerhouse Ka§par joins the Snuff Trax family!

With the »Catch 22« EP, he delivers three precisely crafted club tracks bursting with energy and soul. Stripped-back, razor-sharp grooves intertwine with raw, preacher-style vocals, lush pads, and fierce basslines — a hypnotic blend designed to move both body and mind.

As a special treat, 2Jack4U turn up the heat with their psychedelic acid remix that pushes the EP into full-blown dancefloor ecstasy.

»Catch 22«: Pure dancefloor alchemy, straight from Lisbon on Snuff Trax.

Praise Him is a strong gospel styled anthem with even stronger vocals and catchy organ riffs that will lift you up! Jovonn on the mix here, taking this gospel shouter off into the deep territory with some Hammond style keys and tough Brooklyn beats.

Support from: Cream, Lady Duracell, Makossa, Robert Harding, Paul Thomas, Kiberu, Ede, Yves Eaux, Yas Cepeda, Francesco Chiocci, Lonya, PAAX, Yet More, Themba, Noel Sanger, Alex Neri, Gavin Hardkiss, Nicolas Masseyeff, Luke Garcia, Nhar / Bernhard Siefert, Underspreche,

Now, pushing the envelope with a fresh, contemporary flavor, Kwanzaa Posse offers African Kolors,
a gorgeous, warm Afro-inspired gem that exudes good vibes, while the alternative mixes take us deeper and
more underground. The vinyl includes two exclusive versions by Fulvio Perniola (FATHERS OF SOUND).

Written, Composed and Produced b: Kwanzaa Posse & Piero De Asmundis
at Kwanzaa Posse Studio, Pozzuoli, Naples (Italy) for Undiscovered Recordings Ltd.

Layton Giordani’s two-track stunner ‘Life Moves Fast’ continues his inspiring run of form.

The young New Yorker begins the year in a similar vein to how he ended 2022; working tirelessly to push his sound forward, while delivering captivating studio results in the process. Case in point, ‘Rabbit Hole’ his collaboration with HI-LO, that not only topped charts to end the year as one of 2022’s standout techno tracks, but also marked a definitive step in the development of his sound signature.

His latest offering ‘Life Moves Fast’ continues in this adventurous vein. First tested at Warehouse Project and at the Gashouder for Awakenings late last year, the title track is characterised by a distinctive lead, which is both playful and pensive and arouses a dramatic energy, before a series of magnetic drops lobs it into peak-time dancefloor territory.

‘Heart is King’ is an elegant, rhythmic slice of techno that balances euphoria and tension on a knife’s edge, while showcasing Giordani’s classy sound design.

Like sneaking an extra scoop (or two) of ice cream for dessert, what do you do when you know something’s bad for you, but its vice-like nature makes it all the more irresistible? Vega Records explores this conundrum in its latest release, “Can’t Let You Go” by the late, great Loleatta Holloway.

“Can’t Let You Go” is one of the last unreleased recordings Loleatta completed before her passing in 2011. In the main mix, she addresses a relationship she knows she should end but can’t bring herself to leave because the lovin’ is just too good: “I keep coming back time and time again,” she ruminates with raw emotion. “We got to make things better or we got to do whatever to make it right… oh, let’s make it right, ‘cause I can’t let you go.”

For the unfamiliar, Loleatta Holloway, a.k.a. the “Queen of the Night,” is a bona fide disco and soul icon. The singer behind successful singles such as “Hit and Run” and “Love Sensation,” she is one of the most sampled artists from the disco era.

The posthumous single was written and produced by prolific artist Yvonne Turner, whose resume includes production and remix credits for music greats such as Whitney Houston, Willie Colon, and Jeffrey Osborne; as well as mixes for Lenny Kravitz, Lalah Hathaway, Mica Paris, and more. Providing subtle, smooth background vocals for the track, she allows Loleatta’s belting vocals to be the star of the percussive house groover; while Vega Records boss Louie Vega offers a “Roots” mix and emotion-charged “Soul House” mix. Louie Vega also invited his vocalist friends Tawatha Agee (of seminal R&B and soul group Mtume) and Cindy Mizelle (Louie Vega’s longtime collaborator) to add powerful hooks and new background arrangements, enhancing the track with some call and response to Loleatta's adlibs during the vamp. Gene Perez on Bass, Axel Tosca on Fender Rhodes, and Roberto Quintero on percussion. In all, the record is club-ready catharsis made for dancing all your troubles away.

“Loleatta Holloway was one of the most dynamic vocalists of our time,” says Yvonne Turner. “She was blessed with the gift of song and her energy was electric! Loleatta's passion and artistry is on full display as she masterfully interprets a lyric then delivers her signature adlibs, which never disappoint. To describe her in a few words, Loleatta Holloway was the truth... my friend... extraordinary!”

Adds Louie Vega, “Loleatta Holloway has had a huge impact in my life as a DJ, producer, and clubber. She touched me in many ways through my music-making and even style of DJing; to this day, I still play many of her songs and acapellas. This is just our little way of saying thank you so much for what you've done for so many lives with your beautiful voice, you've affected us all!!!”

The record’s cover artwork is a mural of Loleatta Holloway created by Richard Wilson, a London-based artist who takes inspiration from DJs and producers from the house music and disco scene. Last month, Louie traveled to Liverpool, England for the mural’s unveiling.

No Static Automatic is proud to cap off the year with the electrifying *Cabin Pressure EP* from seasoned producer and sound designer **Luke Sanger**.

Set for release on limited edition vinyl, this four-track weapon is a potent fusion of classic electro rhythms and Sanger’s signature world of bleeps, wobbles, and modulated
chaos.

With a career spanning two decades at the nexus of music and technology, Luke Sanger is a relentless innovator. While his roots are often linked to techno, his artistic output defies easy categorization, constantly exploring the full spectrum of electronic music. On the

*Cabin Pressure EP*, he turns his focus to electro, injecting the genre with his uniquely off- kilter and captivating sound.

The EP is a masterful display of analog synthesis. Sanger crafts simple, infectious basslines and leads, then sets them in motion, allowing them to converse, modulate, and evolve into a complex tapestry of sound. The result is a listening experience that is as intellectually fascinating as it is physically compelling. Over a bedrock of sturdy electro beats, Sanger layers acid basslines with wild envelope modulation, distorted humanoid samples, and an array of wobbly, techy textures designed to bring dancefloors to a state of ecstatic, unstable bliss.

This is a record built for impact. The *Cabin Pressure EP* is not just a collection of tracks; it's a dynamic tool for DJs, guaranteed to become a secret weapon in sets that demand character and forward-thinking energy.

KAIZEN Label Boss MADAM X marks her debut into production & the record label's 10 YR reign with her self-released 'Homecoming' EP.

Early support from Hudson Mohawke, Bicep, James Blake, Mella Dee, TEED, Zed Bias, Florentino, and Sally C.

4 club functional bangers, designed for sweaty dark rooms and dingy basements.

The four-track release is a 'back-to-the-roots' call to the underground, with collaborations from DJ JM, Cartridge, Andy Martin & Doctor Jeep inside.

Based between Athens & London, Madam X’s debut EP ‘HOMECOMING’ honours the multi-disciplined artist’s musical roots in the UK, merging Dubstep, wobbly Bass, moody Techno, and playful club-driven aesthetics.

“I’m super pleased to share the product of many late-night studio sessions, Zoom calls, B2B voice memos and football-field recordings,” says Madam X.

"'HOMECOMING' is a back-to-the-roots call to the underground, celebrating everything I know and love about music, honouring my UK heritage and drawing influence from the styles and scenes that shaped my DJ journey. Each track is a collaboration with some of my favourite powerhouse producers. Couldn’t have done it without them.”

Night is about to fall, the day slowly fades away, and it is this twilight time that Magda Drozd’s latest album inhabits. Divided by Dusk carries the promise of a crepuscular otherworldliness. Inspired by Drozd’s stays in Japan, its rich tradition in ambient and experimental music and a collaboration with Japanese flutist Rai Tateishi, as well as a renewed engagement with her roots in Poland and its folk and ancient history, her work is a form of sonic excavation. Layers of dark-ambient tones intertwine with field recordings, textured violin, and luminous folk motifs, invoking long-gone, unspecified rituals.

The album freely interprets traditional folklore, unleashing those ghosts of past cultures we inherit through music that has been passed down to us. Paired with experimental ambient sonic textures, the album carries a magnificent, wandering, melancholic air. The compositions take on an incantatory dimension, welcoming us into a liminal world—one filled with buried treasures.

Dies ist das erste Release von Saxophonist, DJ und Produzent Marc Spieler auf seinem neu gegründeten Label FLOVE.

Ein wahres Meisterwerk, das seine einzigartige Art elektronische Musik zu produzieren und seinen unverwechselbaren Style präsentiert.

Jeder einzelne Track ist ein wahres Kunstwerk. Gönn dir diese Platte und lass dich von seiner emotionalen und echten Musik treiben und verzaubern.

Hol dir jetzt dein eigenes Exemplar der limitierten Vinyl Auflage inklusive einem im Bleisatz handgefertigten Kunstdruck Cover.



This is the first release from saxophonist, DJ, and producer Marc Spieler on his newly founded label FLOVE.

A true masterpiece that showcases his unique way of producing electronic music and his unmistakable style.

Every single track is a true piece of art. Treat yourself with this record and let yourself be carried away and enchanted by his emotional and authentic music.

Get your own copy of the limited vinyl edition now, including a handcrafted art print cover in lead type.

Amazing mixup between Techno and Dub. Hypnotic grooving banger. Part 2 of his Museum Series.

Amazing mixup between Techno and Dub. Hypnotic grooving banger. Part 2 of his Museum Series.

Finally, Marlena Shaw's timeless cover of Diana Ross' 'Touch Me In The Morning' gets the official, remastered, reissue treatment alongside the downtempo, slow jam - 'Shaw Biz / Suddenly It's How I Like To Feel'.

'Touch Me In The Morning' is as iconic a track as you'll ever hear, becoming a huge anthem of discotheques the world over. A tale of lost love, capturing the emotions and exposed honesty of a separation, contrasted with those intrinsically uplifting string and horn sections. It is a truly epic embodiment of strength and courage that Shaw's vocals summon from your very soul.

Hunee melted hearts by dropping 'Touch Me In The Morning' to close out the main stage of Dekmantel 2017 - a spine-tingling moment of inclusion, hope and emotional outpouring, bringing a whole festival that little bit closer together. This is a 7-and-a-half-minute journey to completely lose yourself in and few have done it better than Marlena Shaw.

On the B side is 'Shaw Biz/Suddenly (Its How I Like To Feel)' - Marlena's cautionary account of the emptiness and loneliness that can come with success and material possessions, before finding true love just when it was needed. It's slow, sultry and passionate, much to do with Shaw's voice bringing a pure outpouring of the soul that she duly became famous for.

From Buenos Aires, Argentina, Dialektica Records presents its first release by Memory Operators, the duo formed by Mich & Vinz.

Dialogues EP is a creation born from communication. Each track is the result of a deep exchange of words, sounds, and emotions. The record dialogues between genres such as Synthwave, New Beat, Electro and Techno, exploring sampling, mysterious melodies, high-energy arpeggios, and a
nostalgic sensitivity.

The EP closes with a remix by Dani Labb, who true to his style, managed to give it a fresh twist without losing its essence.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

Red Vinyl

"New Life' is melodic hardtechno at its best. Floating strings over rolling beats.
'Coming' combines old skool rimshots with strong techno and has a catchy and famous vocal break. Limited edition on red vinyl.

unslinger is a true hardtechno stomper with a very classic whistle from everybodies favorite Western movie.

2xLP produced by Hashman at DubStation.
Ten extremely heady and emotionally significant cuts straight from one mind to another, designed to connect.

Anthea's UNIT-Y project is back with another collab with Mood Waves. This time they co-signed Dutch underground hit-maker Pelle. The tracks of this EP are played out by some of the biggest names in the DJ scene. Cap a copy when you can, because this one is hot as a flaming Tequila shot!

B2 is a track made in collaboration with his good friend Herra, both known as pH project.

Yes, after a hiatus of 15 months, The ReMix Collection makes a highly anticipated return as Yotto steps up to take on the Shakra Mix of Power Circle’s ‘Garden Of Peace’.

Originally released in 1993, the track was an immediate Renaissance anthem, finding favour with all their key DJs. However, it became synonymous with one man in particular, namely, John Digweed, who cemented the track’s legendary status when he included it on his Journeys By DJ compilation the following year. Even today he’s been known to slide it into the mix, most recently episode 10 of his legendary Bunker streams. And the track has other contemporary fans too; a certain Mr. Plex was heard dropping it in 2020.

In short, it’s one of those records that’s stood the test of time and grown in stature year on year. Now, its evolution takes yet another step as it joins the ranks of Renaissance’ flagship ReMix Collection series.

Yotto’s modern interpretation is a high-octane juxtaposition of thunderous bass, rising pads and THAT vocal. ”Garden Of Peace is a record I missed first time around as a kid and had only heard on a mix, never knowing what it was, so when Renaissance approached me about a remix there was a strange sense of familiarity,” he explains, “The original is full of classic progressive house mystery and, while I took the whole thing apart, I wanted to keep that emotion with my interpretation.” On the B-side there’s a re-mastered cut of the original Shakra Mix, which isn’t released digitally and remains exclusive to vinyl only.

More Water pairs the dancefloor stylings of Sub Basics and Witch Trials through the platform of Temple Of Sound. Beckoning the listener to the centre of the dancefloor with haste, there they will remain as the tracks appropriately travel from light, to dusk, to dark. All the while holding a high-paced tumbling percussion, encouraging complete expressive movement.

Encapsulating bright keys travelling on a wave of undulating rhythm, littered with muffled vocals that enhance the persistent energy that traverses daytime house. All the way to warehouse rackets that hiss and pump with 4 AM energy, this release has something for every moment of the night.

Rising multi-media artist Shaboozey intends to build his own world.

Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.

Remaining true to his Virginia roots, Shaboozey hopes to continue the region’s long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.

Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles “Let It Burn,” “Vegas,” “Anabelle,” & the infectiously fun singalong anthem “A Bar Song (Tipsy).” Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.

Sohrab unveils “Dreams of Dawn”, on his newly born Toneblind label, a sonic journey that bridges the space between night’s final whispers and the first light of a new day. A fusion of styles with a progressive imprint, this release is a reflection of movement, crafted as a distinct evolution from the artists previous work

Each track, a fragment of a larger vision, pulses with the energy of transition, capturing the essence of dreams dissolving into reality. More than just a collection of sounds, Dreams of Dawn is a statement of intention, dedicated to friendships forged on the road and the experiences around the globe lived so far

The anticipated new record will comprise 14 tracks by Sub Focus, with featured artists including Grimes, John Summit, Katy B, bbyclose, Fireboy DML, IRAH, Subsonic, Poppy Baskomb, Connie Constance, Emily Makis, Inez and more.

2025 has been a landmark year for Sub Focus. Beginning the year selling out London’s Alexandra Palace, he then performed his biggest-ever set at Glastonbury Festival, closing out their IICON stage. He will be taking his acclaimed live production ‘Circular Sound’ to the US later this month, with a show in Los Angeles, as well as a landmark, sold out performance at Red Rocks Amphitheatre in Colorado, becoming the the first-ever Drum & Bass act to headline the iconic Denver venue as well as being the first-ever Drum & Bass artist to achieve #1 Dance Airplay status in the US with ‘Push The Tempo’

SEVEN welcomes Seoul-based Suman, whose vocal-driven signature sound marks our seventh release. This EP, exclusively showcasing the talents of Korean artists, features longtime affiliates of Seoul's club FAUST and early friends of SEVEN. The B-side is enriched with two remixes by female artists, DAMIE and Mars Parck. While the opening track drives forward with a more energetic, fast-paced vibe, the remaining tracks on the A-Side embrace dreamy, laidback house grooves accented by slightly cheesy yet classic vocals - perfect for a daytime dance.

RSD 2024 release

The music producer from Girls of the Internet steps away from the band and messes around with synths & samplers - resulting in a smorgasbord of styles and influences from UR, Aphex Twin's Selected Ambient Works, Andrew Wetherall's Bloodsugar, string-laden Detroit Techno, Drexciya, Microhouse, Underworld, and some oddball house stylings.

Sleeve Records & Dig This Way teamed back to bring to light the history and the tracks of this iconic early 70' Psychedelic Afro-funk East Nigeria group.
The Hygrades's album will include all 4 rare 45"s united in a single LP with an insert of their story told by a true Uchenna narrator.

THREE DRIVES released GREECE 2000 in 1997 and this huge trance bomb became an instant classic which was & is supported by just about anyone & everyone, ask any trance jock for
his or hers all time top 10 and you defeinitely find GREECE 2000 in it.....no the mention the immense pile of compilations featuring GREECE 2000..... literarily millions of compilations










worldwide incorporates this timeless gem...

Voyage Direct's message comes through loud and clear on the label's first compilation, a collection that takes in both unreleased tracks and a hand-picked selection of classics from the imprint's first five years..

2023 Repress

A bleeding ears CLUSTER with s**t hot techno gems from Steve Mills, A.P. , Cyber Steve, Dynamic intervention & Ceri Suss

Twenty vinyl releases is a strong landmark in any labels life most especially in these ever unpredictable days. Tropical Disco Records have reached that number with some verve. Over the last three years they have had a succession of chart-topping, sell-out releases fusing their love of the Jazzier edges of house music with contemporary disco and plenty of sure-fire club hits. So successful has the label been that they have in a short space of time that they have quickly become one of the most established labels releasing across the disco spectrum.

As you would expect Tropical Disco Records have put together a very special collection of tracks to celebrate their twentieth edition. Uniting Italian producer Paul Older with England’s Tung-Sol, Greek disco don C. Da Afro and London’s label head Sartorial the EP marks all points on the European compass. It’s an EP which shows the clear impact that Disco has had across the continent and indeed that we are all united by the power of music.

The opening move goes to Paul Older with his delightful track ‘Nothing’ and it’s the perfect feel-good moment. Wonderfully warm vocals, layers of Saxophone, guitar licks aplenty and some tight drum programming give it an energetic live feel as if Salsoul’s band are playing this in the corner of your club. ‘Nothing’ is a track which transcends pigeon holing and as such is perfect for a variety of situations from sun soaked day parties to peak-time dance-floors.

Tung-Sol’s ‘One for Frida’ is packed with layers of brass giving it a truly enigmatic feel. It’s a track which has discernible African overtones but as seen through the lens of American funk and transcribed by a disco loving auteur. Its effervescent feel is hammered home even further with the addition of Jazzy keys. ‘One For Frida’ is as multicultural a track as you will find in the Disco pantheon and as such will see this picked up by a multitude of genre hopping DJ’s.

‘Shiva’s Chant’ see’s label co-boss Sartorial adding Eastern influences to what is already a globe trotting selection of sounds on Volume 20. Its smooth keys and brass stabs give it an undeniable charm which will see it in heavy demand with sun worshiping DJ’s and for summer playlists alike. Sitars, guitars and trumpets combine here for an intoxicating mix of sounds which help this track stand out from the crowd.

Closing the EP out is perhaps Disco’s most prolific producer C. Da Afro. His sure hands deliver yet another club smash in the shape of 'Street Jam'. Powerful strings immediately establish this as a track which has no intention of letting you do anything other than dance with abandon. It’s a straight to the dance-floor combination of percussion, guitar licks and delightfully effusive vocals. Combining the best moments of 70’s disco he’s crated a sensational club jam.

With their twentieth release Tropical Disco Records continue to redefine the notions of what disco is in 2020. With releases this exciting we can’t wait for the next twenty.

Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with this 12” release of their vital tracks revisited by leading selectors of today.

The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. In this fashion, ‘Nu Groove Edits, Vol. 4’ opens with ‘Tonight’s The Night’ by NYC favourites How & Little, AKA The Sound Vandals, re-edited by Italian duo NiCe7.

More monikers of Rheji Burrell appear in the collection too, with N.Y. House’n Authority’s seminal classic ‘APT. 2A’ reworked by UK deep tech aficionado Hugo Massien, and The Utopia Project’s ‘File #3’ remixed by Leeds underground duo Mak & Pasteman. Closing out this collection of future classics, GRAMMY award winning production duo Honey Dijon & Luke Solomon return to edit ‘Luv 2 Luv U’ by A.B.T.

Soul Quest Records, one of the most exciting new labels to emerge from the soulful end of the deep house spectrum recently, proudly announces the release of ‘Quest One’ its first-ever vinyl-only compilation. This limited-edition vinyl release brings together five of the most popular tracks from the label’s impressive catalogue, offering a must-have collector's item for deep house enthusiasts. Since its inception just 18 months ago, Soul Quest Records has made waves with a string of eight successful releases, capturing the hearts of fans and tastemaker DJs such as Gilles Peterson, Antal, Danny Krivit, Glenn Underground, Laurent Garnier & Kai Alce with its signature blend of deep, soulful, and sexy sounds.

Now, ‘Quest One’ spotlights that winning formula with tracks from standout artists such as 2fox, KingCrowney, Zoe Kypri, as well as two of the label's co-founders, Slxm Sol and Max Sinàl.

The release cements Soul Quest Records' reputation for curating quality music that resonates deeply within the house community. The attention to detail and passion that has defined Soul Quest’s journey is encapsulated in this exclusive release, making it a must-have for vinyl collectors and house music aficionados.

Straight from the lowlands. Holland House delivers four floor-ready jams from Dutch producers keeping it raw, rolling, and real. Bumpin’ drums, deep basslines, and heads-down grooves built for the basement. No filler — just proper underground heat, Dutch style.

After several years, revered dub techno craftsman Andrey Pushkarev finally return with a solo release - Simbioza. Taking its name from the Romanian word for symbiosis, this release is a testament to creative exchange, built entirely from collaborations with dear friends & artists that have crossed Pushkarev’s path numerous times during his 20 years long musical journey. While staying true to Andrey’s signature deep & dubby aesthetic, the release also includes the artist’s first drum and bass output, featuring Los Angeles based Svetti’s haunting & mesmerizing vocals. The EP will be released on the well regarded BERG AUDIO during the month of September 2025 - limited vinyl copies.

The darker side of Arbilla well known since the Moving Forward EP released. “Wave Function” is absolutely mind-melting here, classy Detroit Techno elements inviting with FM bass line, intensive stabs build and complete the track.

“Shadow Of Dance” is the track for those closed eye moments - a perfect opening track...

The Japanese DJ/producer, label owner who released music on Yore, Motech and Compufunk Records now signed to an another great label.

What more is there to say? It’s a soulful techno thing…

Biz (Peter Elmaloglou) is back to Xistence Records with a track “Everything Changed”.

It’s with full of energy, heavenly melodies, frenetic acid and heavy stabs that builds up and down the track. SuperB!

“Lost In Space” as the title says is a spacey techno track of the highest order, Aubrey brings his signature sound with a massive distorted kicks and destroying bass that perfectly fits the dark atmosphere.

This is definitely a must have for every deep techno fans out there.

After several years of existence Rite Of Passage have naturally progressed into the launch of their vinyl label. Based between Rotterdam & Slovenia the label called on four intriguing characters to assist with the soundtrack of RoP01, "I Want To Shower With Your Emotions". A nod to the Dutch underground as the VA features DJ Tjizza, new kids on the block Young Adults, Nathan Homan and the sought after Eversines.

Straight from the heart of the Motor City, Detroit Techno Records presents From The Basement With Love, a double-vinyl transmission from the legendary Detroit Basement, where the pulse of real techno still beats in raw electricity and sweat. This isn’t nostalgia. This is living history, a direct line from the city that invented techno to the artists who continue to keep its soul alive. Across two slabs of black wax, the pioneers and torchbearers of Detroit gather in one place: Suburban Knight, Body Mechanic, Erotek, Ray 7, The BS Project, Detroit Electronic Authority, Spade The Specialist, and more. Each cut drips with the signature elements that defined a movement, machine funk, militant rhythm, deep emotional circuitry, and that unmistakable underground grit. Curated straight out of the Detroit Basement, this compilation captures the true spirit of a city that never stopped creating, never stopped fighting, never stopped dancing. Every groove is a love letter to the origin, pressed by the hands that built the sound — not a recreation, but a continuation.

Global Underground ist sehr stolz, "#GU44 Amelie Lens - Antwerp" ankündigen zu können. Ein atemberaubender Mix der wohl größten Underground-Techno-DJane der Welt. Er enthält 14 bisher unveröffentlichte, exklusive melodische Tracks und Musik von Anyma & Chris Avantgarde, Farrago, Florian Meindl, Sam Paganini, Adam
Beyer, Maxxi Rossi und Amelie Lens selbst. GU44 ist ein furioser Ritt durch Peaktime-Techno zu exklusiven melodischen Tracks und fängt die Essenz von Amelie Lens' Vollgas-DJ-Sets ein

A new year, a fresh chapter. Outside In returns with a richly textured EP by Brazilian producer Villaça, marking their first release of 2025.

Four tracks, four moods—each one unfolding like a short story. A standout collaborative piece with Paraguayan artist Wildo adds depth and soul to an already emotive project. This is music for the mind, the heart, and the dance floor.

Produce, arranged and mixed by Visnadi at 77 Studio, Mestre – Venice
X-Static are: Paolo Visnadi, Massimo Artusi, Riccardo Stecca and Cristina Dori (vocals)
A1 Additional Production & Remix by Alex Neri and Marco Baroni For Bass Productions
B1 & B2 Remix & Additional production by Gianni Bini at House of Glass Studio for HOG Productions
℗ ©2025 Undiscovered Recordings Ltd.

"I'm Standing" is a popular 1990s dance and house song by Italian band X-Static, produced by Visnadi. Originally released in 1994, the single was a huge success, spawning multiple remixes and versions, including the "Heavy Organ Mix" and the "Kamasutra Remix" by Alex Neri and Marco Baroni. This vinyl reissue features these two remastered mixes, along with two "2025" versions produced by Gianni Bini for HOG Productions.

Quarter Inch Homage Slingers

The second expedition goes even further into the darker realms of A:G's soundscapes, where "Staying In" kicks it all off with its mysterious synth layers paired with a bassline to get the dancefloor moving in a hurry, before "Random Trance Track" shows homage to early 90s trance with a pinch of new beat and house.

Flip to the B-side where "Might Be" sets things over to electro territory, with its sizzling hats and spooky synth splashes, propelled heavily by a fast-paced bassline made to shake the bass bins and move the feet.

...and last but not least, the title track "Xylo" takes us back towards the trancier vibes, only broken up by trippy live-improvised xylophone over the steady polymeter subsonics to get those F1 rigs breathing heavily.

Evitative Records ist ein junges Techno-Label aus Deutschland und präsentiert technologische Tanzmusik, sorgfältig ausgewählt, mit Stil und in vielfältigen Variationen. Neben digitalen Veröffentlichungen werden ausgewählte Tracks in einem Album vereint und auf Platte gepresst. Die neue Vinylpressung "Timeless" (EVITA 02-05) besteht aus vier melodische Techno Tracks von den deutschen Artists "Art und Weise", "Red Apple" und "Maurice Burgbacher". Kraftvolle Stücke mit klaren Linien, die Geschichten erzählen und neue Geschichten schreiben.

Evitative Records is a young techno label from Germany and presents technological dance music, carefully selected, with style and in many variations. Besides digital releases, selected tracks are combined in one album and pressed on record. The new vinyl pressing "Timeless" (EVITA 02-05) consists of four melodic techno tracks by the German artists "Weise", "Red Apple" and "Maurice Burgbacher". Powerful tracks with clear lines that tell stories and write new stories.

'B.E.D' is the new collaboration from Baxter Dury, French dance music pioneer Etienne De Crécy and Delilah Holiday of London punks Skinny Girl Diet. They release their debut album via Heavenly Recordings. The album is available on CD, LP and digital download album. The record was recorded between 2017 and the start of 2018 and produced by Etienne De Crécy and Baxter Dury in France. Baxter Dury says 'Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It's an unlikely mix that works because its short, simple and honest.'

2024 Repress

Witness the fusion of two distinctive creative forces in the "Demons & The Ghost" EP, an unparalleled collaboration between VOXNOX's core artists, Blame The Mono & DLV.

This groundbreaking 4-track EP is an explosive blend of raw energy and unmatched creativity, designed to ignite dance floors across the globe. Prepare yourself for a sonic journey as Blame The Mono & DLV unleash a bold and unforgettable testament to the VOXNOX sound. Don't miss it - destined to become a classic.

DJ Boora is a Russian hip-hop head with a sample-driven style shaped by Soviet-era sounds and here he brings his class to Scruniversal's latest 7". Classic bits of gear like the SP-1200 and MPC define his approach here as Boora blends dusty loops and analogue realness with tight boom-bap swing, all served up with effortless finesse. 'Dedicado Ao Rei' has a sunny disposition with some Latin heat infusing the rolling breaks, then 'Party Groove' is a playful one with James Brown ad-libs and big chord stabs.

On the A side with ‘Joy’, Bruise head in a jubilant direction. Chanting vocal chops ride along deep cut kick grooves and vivid piano riffs; modernising the classic house sound and forming a track that would as likely go off in a club in the UK as it would on the sun-soaked beaches of Ibiza.

In ‘The Theme’, Bruise switches things up and offers up a weighty, bass-driven progressive techno heater; bolstered with rattling break chops and polyrhythmic analogue synth arpeggios. As the track progresses, rip-roaring, squelching acid-lines are introduced at the crescendo; creating a versatile club record; primed and ready for the clubs reopening.

On this single ‘When Pianos Attack’, the vibe is instantly recognisable. Piano chords lead the charge of yet another dancefloor destroyer, with that signature sound of swinging beats, layered pianos, lashings of strings, and hosts of heavenly soulful choirs. Just close your eyes, look up, feel the rush, and dance.

+ Includes the unreleased vinyl exclusive ‘Akiba Choirs’. A new school dance anthem!



Huge support from: Annie Mac, Pete Tong, Laurent Garnier, Severino / Horse Meat Disco, Sasha, A Trak, Andhim, Spiller, Graeme Park, DJ EZ, John Digweed, Fatboy Slim, Sam Devine, Laurence Guy, Gilles Peterson, Fred Everything, Soul Clap, James Lavel, Basement Jaxx, Francois K, Luke Solomun.

'Joy'
- Pete Tong’s Essential New Tune + Tong asked Bruise to record a Joy themed Essential Mix for BBC Radio 1.
- Premiered by leading dance authority Mixmag.
- Featured in Defected / Faith’s behind the counter.

‘When Pianos Attack’
- Played by Blessed Madonna as an artist to watch 2022!
- Played at Warehouse Project by Graeme Park, and then again by Terry Farley.
- Magnetic Magazines Best of Month

Bruise appeared in Faith Magazines taking a full page for interview with a heavy focus on When Pianos Attack.

Definitive Recordings revisits 1994 house classic 'Get House' by Calisto with a new version by legend Josh Wink. The iconic house music classic 'Get House' by Calisto from 1994, is now being revitalized by the legendary house music pioneer Josh Wink. Josh Wink, renowned for his pioneering contributions to the Acid House movement, infuses his signature style into 'Get House,' breathing new life into the timeless anthem. The remix pays homage to the roots of electronic music while propelling it into the future, creating an immersive sonic experience that captivates listeners and ignites dance floors with its infectious energy. But the journey doesn't end there. Alongside Wink's groundbreaking remix, the release includes the raw and percussive original version of 'Get House,' straight from the depths of 1994. With a bassline that delves deep into the soul of the dance floor and cut-up vocals interlaced with stiff snares, this track delivers an edgy groove that remains as exhilarating as ever. Remastered for contemporary audiences, the original version retains its raw intensity while boasting enhanced clarity and depth. "I used to rock the original at parties and raves all over the world in the mid-'90s, and it was one of those special records of the time that combined house, acid house, and electro-breaks. It was perfect to segue from different styles as a DJ. One of my favorites on the mighty Definitive Recordings catalog!" says Josh Wink about the original. Adding to the excitement, the release also features the acapella version of 'Get House,' providing DJs and producers with a versatile tool for creative remixing and reimagining. 'Get House' by Calisto, including the Josh Wink remix, the original version, and the acapella, will be available on all major streaming platforms as well as on vinyl.

Perlon welcomes Gaetano Caruana.

…»Welcome to another polymeter dance! Feel free to express yourself, subordinate to any measures and cycles you prefer, there are plenty for everyone and any purpose.
Every track represents a variety of rhythmic possibilities for any part of the body to communicate with. This allows you to resonate with the universe, but please always care for the environment!
The dunning voice of today will introduce to you the core issues of tomorrow. As if a paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an array of machines that will take further action to communicate, supported by complex
polymeters. The repetition of measures and cycles of different lengths reflect the repeatedly pronounced statements of a narrative of awareness.
Where music visionaries once celebrated the transfer of human creation into machines, Chris Korda’s machines are creators themselves – creators of a safer dance into the future. The machines speak to you with a sparkling, funky tone to gain your confidence. Here are the rules of interaction: 1) Humans may not injure these
machines or, through inaction, allow a machine to come to harm. 2) Humans must obey the orders given by the machines except where such orders would conflict with the engagement in environmental issues. 3) Machines must protect their own existence as long as such protection does not conflict with the engagement in environmental issues. Take care and enjoy the future!

Christopher Schwarzwalder strikes again for Denature Records, this time with a 5 tracks EP: 'Leaves'. The tracks 'Catjammer' and 'Slow Down' were produced with Feathered Sun lead singer Jo.Ke and have a wonderfully uniquely slow and melancholic groove. On the other side 'Setup' and 'The List' will take you more darker and hypnotic places. The EP ends with 'Leaves' which sounds like an invitation to an endless ballad into the sunset.

Dajusch unleashes the 'Ambition EP', a raw and uncompromising statement of techno tradition. Berlin-based producer, DJ and sound engineer Dajusch returns with his latest four-track EP, a high-powered offering that channels the essence of Detroit and Chicago techno while pushing the boundaries of contemporary club sound. Known for his deep connection to electronic music's pioneering roots and his work behind the scenes as a mastering engineer, Dajusch brings an intense and refined energy to this release. The EP opens with the single 'No Mas', a relentless percussive workout where hypnotic synths intertwine with driving drum patterns, setting the stage for an unyielding ride. The title track 'Ambition' follows suit with a high-octane groove, combining raw machine-funk aesthetics with a pulsating bassline and intricate, evolving textures that command the dance floor. On the flip side, 'Split' takes a darker and more cerebral turn, layering industrial-tinged sonics over a tight, rolling beat, blurring the line between peak-time energy and introspective depth. Closing out the EP is '36g', a heady, propulsive cut that builds into a whirlwind of syncopated rhythms and distorted stabs, rounding off the record with a powerful, no-holds-barred climax. With Ambition, the Spandau20 artist Dajusch reinforces his position as a purist and innovator, delivering a release that feels both timeless and forward-thinking. Whether experienced in the heart of a sweaty warehouse or through the pulse of a late-night drive, this EP stands as a testament to the raw, unfiltered power of techno.

The interstellar electronics are once more pushed to the fore on closer '80 Axes', where jaunty synth lines combine with soft bongo hits to create an instinctive rhythm, and intergalactic melodies sprint between the speakers. You can dance if you want to, but lying down is very much encouraged.
As part of the label's mission to champion Dutch talent, Voyage Direct has always promoted new, up and coming, and little-known producers. Boss Tom Trago's master plan includes building a family of artists, in part through helping unheralded local producers to fulfill their potential.

On the label's latest release, he continues that approach, serving up a debut 12' from a mysterious young producer known only as Darling. Those paying close attention to the wider Dutch house and techno scene may have spotted his recent rework of Awanto3's 'Star Butchers' on Dekmantel, in which the man or woman of mystery added some killer keys to the Amsterdam legend's woozy, deep house original.

While that rework was undoubtedly superb, Jacob's Lead offers a truer reflection of the shadowy producer's previously hidden talents. As debut EPs go, it's a bit of a cracker.

The title track, in particular, is a beauty. Its' restless, hypnotic rhythm tips a wink to classic Dutch techno of old, while the undulating, analogue electronics and swirling pads recall the far-sighted retro-futurism of vintage Motor City material. Throw in some of Darling's trademark spine-tingling keys and a deliciously loved-up breakdown, and you have a choice chunk of life-affirming techno.

On the flip, Darling heads towards deeper territory with the bubbling melodies, starburst electronics and saucer-eyed chords of 'Video'. Unashamedly positive in sound and intent, it sounds like the kind of track that will be cited as a classic in two decades time. Melodious and infectious, it casts Darling as the Netherlands' answer to Larry Heard.

Dallas based producer Decoder lands on Delsin with four versatile techno interpretations. From deep and immersive techno hypnotica to emotive electro bliss. It's a well rounded EP with some type of elegance from a young producer who seems to have been doing this for decades. Decoder's sound palette is warm and forceful, very direct yet still sensitive.

Welcome to a whole new stage from Akasha Records, introducing the label into the analog world.

To begin with, Delazar brings us three delightful dancefloor dishes together with an ambient mix from the timeless gem "Memory Access", released in the first Akasha's digital appearance.

Monkey Slayer, this new EP, brings us so much flavour with acid touch, funny percussive bounces and synth sounds. A1 brings the perfect mood. It's remix version from master Deep Mariano takes us to an intense and happy trip, so that alter on, "Reincarnation" makes us close the stadium. "After" well... You already know when to play this one. And to come back to Earth at some point, as dessert, you can delight with an ambient masterpiece.

Repress

Official re-release of this 'lost' 6-track mini album by New Yorker Ben Cenac (of Newcleus fame). Recorded and released in 1990 and is an absolute gem of a record - very much in the vein of Larry Heard's best recordings. MASSIVE TIP!
Electronic soul classic! Now available again for the first time in 22 years, remastered + full artwork.

Lucas Rodenbush aka E.B.E. is one of the most renowned producers in the electronic scene from the late 90's / early 2000's years.
"Neural Response EP", originally out in 2000, now finally gets its first official repress after 23 years !

VALIS continues his climb with a new Ep with 3 cuts per side of pure techno tools for plastic lovers. The EP includes work from Eduardo De La Calle plus some work belonging to his new project RSCA alongside Aureal, which previously released work on Jamaika Suk's Gradient label and soon on the Berlin label Mole Audio.

With Dominik Eulberg and Arne Schaffhausen (of EXTRAWELT) we welcome back two longtime Cocoon heroes to the label. The two were featured in a VICE Magazine special last year for a 'field recording' documentary. you-need-to-hear-this/dominik-eulberg-westerwald-extrawelt-zurich-lost-and-found) which marked the beginning of a new collaboration. Dominik and Arne checked their fresh recorded sounds in the studio and found out that there have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time. The first results of their mutual work is 'A Little Further' which will be released in three different versions on Cocoon Recordings in the next weeks (COR12117). So let's start with 'Not On A Map' version: This one seems to be tailor made for the next afterhour and the rising sun. Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming. So many layers and different levels however the overall picture never gets overcharged or too demanding. Coming up next is the '37 Routes' version which quite stands out with the used breakbeats and no standard 4/4 kick drum. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions. Last but not least there's the 'Imaginery Escort' version which appears a bit like the dub edit of 'A Little Further".

Fracture & Neptune return to Astrophonica with their first collaborative 12” on the label since 2010.

Two epic, psychedelic, and deeply authentic tracks for both the floor and the head, carrying the unmistakable hallmarks of the duo’s classic sound — A psychedelic concoction of Jazz, Sci-Fi, Dub, and Breakbeat Choppage. Rooted in the lineage of Jungle and Drum & Bass, yet delivered in Fracture & Neptune’s unmistakably unique style.

To celebrate the release, UTILE — responsible for all Astrophonica design — have gone all out on the artwork, creating an iconic, type-based image for both tracks, presented on a full-colour, double-sided printed sleeve. Massive shout to UTILE for being as important to the label as the music.

“Erase Everything” is a journey through LA 2049 via London 1999 — as if Deckard were blasting an AWOL tape in his Spinner. Merging classic breaks and analogue saturation with soaring, cutting-edge pads and city-wide reverb, the result is both devastating and deeply thoughtful.

“Good Stuff” is inspired by a love of digging for samples across Jazz, Hip Hop, and Rock, and by a dedication to crafting kaleidoscopic soundscapes — All that good stuff, blended into one hallucinogenic trip.

Meeting at Islington Sixth Form College in 1996, Charlie (Fracture) and Nelson (Neptune) bonded over their deep love for the defining sound of London at the time — Jungle and Drum & Bass. Countless trips to Black Market Records in Soho, playing on pirate radio stations, and eventually, a makeshift bedroom studio — complete with an E-Mu ESI4000, a Mackie desk, and a few FX units — set the foundation for their journey. Their first release arrived in 2002 on Droppin’ Science, the label run by legendary Hardcore and Jungle pioneer — and fellow breakbeat manipulator — Danny Breaks. A run of mid-2000s releases on Ireland’s Bassbin, Paradox’s Outsider, and London’s Inperspective Records propelled Fracture & Neptune further into the cosmos. In 2009, they founded Astrophonica — initially as a home for their own music, but it quickly evolved into a hub for like-minded artists to experiment and explore freely. Almost 30 years on, they’re back in the studio with APHA034 — with more to come.

The cultured Seasons Limited imprint is back with more gold from French house mainstay Franck Roger, who continues his recent run of more vocal-leaning sounds. His 'One Of Mine' EP opens with the title cut and the main man himself on the mic. He delivers spoken words in a smoky, sultry tone over a deep, cuddly groove that harks back to 90s classics. 'Pacific Ave' is another icy and sparse sound with dubby low ends and pensive pads lingering in the air above. 'Versalife' shuts down with a gorgeous baseline and more trippy melodic energy that brings some colour and charm to another cool groove.

Eudaimonia is the outcome of a spontaneous connection between two artists, united by a shared passion for deep and emotional sounds. What began as an unplanned session evolved into a deeper exploration, flowing so naturally that it felt inevitable to create something more.

Inspired by the ancient Greek concept of Eudaimonia - a profound sense of fulfillment found through living authentically and purposefully - this EP dives into the inner world of its creators. From moments of reflection to waves of intensity -each track serves as a chapter in a journey toward inner exploration, embracing both the light and shadow within.
Eudaimonia celebrates the beauty of imperfection, the power of acceptance, and the pursuit of authentic expression. It invites listeners to lose themselves, to feel deeply, and to find meaning and healing through sound, connecting to something greater within themselves and the world around them.

Self Expression marks the fourth release from Project Indigo and highlights Hame's talent for crafting melancholic house tracks that balance emotion and raw energy. The EP blends atmospheric melodies with thoughtful production, creating a sound that is both introspective and danceable.