Evocative Rhythm Experience Новости

A vast pulse from a distant past gets lost in incantations from the future. Ascending divine harmonies are reminiscent of specters of forgotten dreams. Followed by a trance like state of mind all spirits are transferred to arcane items and form evocative rhythms for evocative rituals. New imprint by Rupert Marnie exploring the atmospheric and minimal sides of techno. The first release features two extended hypnotic cuts built from acid influenced basslines, ethereal pads and constantly shifting sound structures for late hour dancefloors. Both sides end in locked grooves to keep the beat going. All tracks written and produced by Matthias Schubert Additional Mixing Bendrik Grossterlinden Mastered by Isabel Schröer at Olo Mastering and cut at Scape Mastering Berlin Artwork by Martha Jokier

Limited to 200 copies.

In der Heimat der Wettbüros wird zurzeit ein Name groß gehandelt: SHAME. Die Band lebt von Konfrontation. Sei es die brodelnde Intensität, die auf ihrem Debüt ,Songs of Praise" knistert, oder das Adrenalin-pumpende Chaos, das sich bei ihren aufregenden von großen Emotionen angetriebenen Shows entfaltet. Bestehend aus dem Sänger Charlie Steen, den Gitarristen Sean Coyle-Smith und Eddie Green, dem Bassisten John Finerty und dem Schlagzeuger Charlie Forbes, begann das in London lebende Quintett bereits im Schuljungenalter. Mit einem gesunden DIY-Ethos als Grundlage und mit The Fall und Wire als musikalische Einflüsse schafften sich SHAME eine Nische in der Musikszene Südlondons und entwickelten furchtlos ihren aufrichtigen, eckigen, peitschenden Post-Punk. Die zehn Songs von ,Songs of Praise" lassen keine Fragen offen. Ob "Gold Hole", ein augenzwinkernder Takedown von Rock-Narzissmus, oder die Single "Concrete", die den überwältigenden Moment der Erkenntnis einer zum Scheitern verurteilten Beziehung beschreibt, oder das frustrierte "Tasteless", das die Monotonie des Alltags beschreibt. ,Songs of Praise" bietet keine Atempause.

ReVINYL Random Color Edition. Concrete is a bracing jolt of a song, racing forward on a tightly wound post-punk riff, its call-and-response vocals capturing the turmoil and schizophrenic internal dialogue of the song's subject matter."It's about someone who's trapped in a relationship and they're being pummelled into surrender," says singer and lyricist Charlie Steen. "It's not about a physically abusive relationship - more an emotionally and psychologically draining one. The call-and-response vocals between Steen and bassist Josh Finerty is the central figure's own internal dialogue. They are dealing with two different things that they don't want to address."The band cite The Fall, Country Teasers, Television Personalities and Wire among their biggest influences, and the icily claustrophobic sound of Concrete sets it in a lineage with Magazine, Joy Division. As a lyricist, Steen is a modern flâneur, forensically observing the lives of others around him as they unspool and fracture, with Hubert Selby Jr and Irvine Welsh his primary literary influences. "That graphic and harsh style of writing always interested me," he explains. "It's not about the shock factor; it's about the fact they are talking about these things in such great detail without stripping anything back."The London five piece have swiftly earned a reputation as one of the most visceral and exhilarating live bands in the UK, their combustible shows being honed through a heavy touring schedule in the UK and across Europe. Cutting their teeth on the squat-punk scene in the Queen's Head in Brixton in 2015, where they were taken under the wing of Fat White Family, the white heat of their gigs quickly landed them support slots with Slaves and Warpaint. They were also personally invited by Billy Bragg to play the Left Field stage at Glastonbury this year.Following two singles - the AA single The Lick/Gold Hole and Tasteless on Fnord Communications as well as the digital-only Theresa May-baiting Visa Vulture (described by Steen as "the worst love song ever") - Concrete is the first track to be released as part of their record deal with Dead Oceans."We started this band as a joke that went too far," deadpans Steen. "What we do is quite strange and quite weird, but I get to meet a lot of people and I get to hear a lot of things. I am interested in the surrealism of reality."

DJ Support: Joseph capriati, Joris Delacroix, A-Trak, Eliza Rose, Damian Lazarus, Laurence guy, TSHA, Ame, Maslow Unknown, Malugi, DJ Heartstring, Anna Lunoe, Mera Bhai, Mat.Joe, Swoosh, Tyson, THELMA, Speaking Minds, Cole Knight, Joris Voorn, Peggy Gou, Eden Prince, Tony and many more

SHEE is a Dublin born house music producer and DJ whose sound bridges deep, soulful club music with a distinctly Irish identity. Built on years of consistent releases, relentless touring, and grassroots community, SHEE has established himself as one of Ireland's most exciting house music exports. The Rosebud EP anchored by lead single 'The Groove' in collaboration with New York legend A-Trak and Dub Katz is the most significant release of his career to date.

Shit Robot and DFA are psyched to rerelease 2015 anthem "Where It's At", a collaboration with the singer/comedian/television star Reggie Watts. Reggie Watts' vocal performance runs the gamut of Chicago dance music history - from the gloom and melodrama of iconic label Wax Trax, to the jubilant choruses of Frankie Knuckles' house anthems. But let's not de-emphasize the solid instrumentation provided by Mr. Marcus 'Shit Robot' Lambkin - we've got that classic DFA bassline, claps, and bleeps and bloops aplenty - mixed and manipulated by none other than our own James Murphy. The flip features a remix by London producer Johnny Aux, who turns the track into a staticy, stripped down, raw Deep House banger, with hissing glimmers of icy cymbals peeking through the smog.

Silk Cuts returns with its second fresh drop of "nameless and shameless" series edits. These essential 7-inch mashups are floor-fillers lovingly crafted for all the party DJs, turntablists bods and heads. Highly recommended and available exclusively as a limited edition vinyl only release, stay tuned for more.

After a year of silence since the last catalog a new record is now coming to life, notes from the imaginary-world played & programmed by So-Fi.

“Mind Migration” is So-Fi’s debut release on Superluminal Recordings, four tracks inspired by unexplored old and modern techno sectors. Tribal rhythms are wildly unleashed in dialogue with obscure-spectral textures, a musical composition within its influences being reflected also by the artist’s prowess as DJ been witnessed in many clubs.

α1 ѕтrαɴɢε ѕyѕтεм
α2 ɴεѕтιɴɢ
в1 voιd ѕυɴ & ѕтorм
в2 ѕwεαтy coɴvεrѕαтιoɴѕ

Written and produced by So-Fi
Master & Cutting by Analog Cut Mastering Studio
Artwork by Cleymoore
Front cover photo by Elena Tredici
Catalog: superluminal02
©+Ⓟ Superluminal

CHIWAX presents St. David & Wildbox - Dance revival EP
This record was made strictly for the dance floor!
Highly recommended!

Single-Sided 12 inch with etched B Side, cut and remastered from the original tapes and housed in a new foil sleeve printed on 300gsm card with gold Stardust is Thomas Bangalter, Alan Braxe and vocalist Benjamin Diamond. Twenty one years since its original release in 1998, their iconic track "Music Sounds Better With You" is now available again on vinyl and digitally for the first time.

Repress!

LOUIE VEGA RE-IGNITES THE DISCO CLASSIC 'DANCE (DISCO HEAT)' BY SYLVESTER
Grammy awarding winning producer & 5 time Grammy nominated Louie Vega continues to send dance floors into a peak hour frenzy with his remixes of disco classics on Nervous Records. The inspiration to delve into masters from this era began when he started remixing masters from the SAM Records catalogue, which is owned by Nervous Records, and with whom Louie has a long history going back to Nervous' early 90's origins. Louie is that unique producer who has had success in multiple genres of music including House, R&B, & Freestyle and he has brought that talent to help re-ignite New York disco classics like Vicky D's "This Beat Is Mine" and Convertion's "Let's Do It" featuring Leroy Burgess, as well as charting topping disco hits from John Davis & The Monster Orchestra "Bourgie Bourgie" & "Up Jumped The Devil".
This time, Louie put his focus on a track outside of the SAM Records catalogue, and one that was an international disco hit that also crossed over to becoming a 1978 pop hit, namely Sylvester / Dance (Disco Heat). Using elements from the 1978 version and combining them with his own original musical and percussion contributions, along with new vocal performances from renowned singer Cindy Mizelle, Louie has refashioned and reignited this 39 year-old production into a 2018 club anthem.
This past year has seen Louie continue to fortify his position as one of the industry's most prolific producers. Remixes from his Grammy - nominated best dance album "Louie Vega Starring...XXVIII' have consistently sold out on its vinyl release and hit number 1 on charts on multiple digital platforms. 2018 will see collaborations with Kenny Dope under their legendary and world-renowned Masters At Work and Kenlou monikers, as well as co-productions with The Martinez Brothers and Joseph Capriati.
Louie along with Anané Vega recently created one of the summer's premier club destination at their Ibiza summer residency The Ritual with Anané & Louie Vega at Heart. He continues to cross the globe from Europe to South Africa to Asia and back as one of the world's most sought after DJ's, and incredibly is able to maintain a weekly radio show on WBLS for the last 8 years and his NYC residency at Cielo under The Roots NYC moniker for over 13 years.

Terry Francis makes his debut on Pariter with a rare and essential reissue from one of the UK Tech House's original pioneers. A cornerstone of the London scene, long time Fabric resident and a driving force behind the early Housey Doingz and Wiggle movements, Terry's influence runs deep in the foundations of underground house music as we know it today.

This release marks the first installment in a short-series with a carefully selected tracks from Terry's archive. Engineered by Wubble-U at the legendary Strange Weather studios and originally released on Eukahouse 25 years ago, these tracks capture the raw energy and spirit of the late 90's London Tech House at its finest. A timeless, sought-after release specially reissued and remastered with an unreleased retake, a vital document from a pivotal era.

Ambient-Post-Rock aus San Diego, dem Rückzugsort der Millennials für Post-Hardcore. Aufgenommen zwischen den Tourneen zu "Tristeza", verwebt das zweite Album von The Album Leaf zarte Gitarrenklänge, klimperndes Klavier, nachdenkliche Synthesizer, unheimliche Feldaufnahmen und treibende Percussion zu einer Meditation über das Vergehen der Zeit. Diese remasterte 25-jährige Jubiläumsausgabe entspricht dem Original, mit neuen Anmerkungen des Autors Adam Gnade und bisher unveröffentlichten Fotos. Eine beeindruckende Stunde akustischer Photosynthese.

Last Year's Altered Mind Opus, Sapa Inca Delirium, Showcased The Cyclist At His Most Eclectic, Spanning Ayahuasca Break-beat And Rave Jungle Pop, But His Latest Ep Returns To The Uniquely Kinetic And Shredded Mode Of Churning Electronic Rhythm He Both Named And Perfected: 'tape Throb.' Alabaster Thrones Collects Four Of Andrew Morrison's Recent And Most Vibrantly Blasted House Constructs, Tracked At His Home Studio In Birmingham, Uk During 'the Height Of Mania - A Time When I Had No Time.' The Context Translates: This Is Urgent, Accelerating Music, Shifting Gears At High Speed In Dim Twisting Tunnels. The Title Is 'a Deflation Of Grandiosity' Cribbed From Ulysses ('...a Noble Race, Rulers Of The Waves, Who Sit On Thrones Of Alabaster, Silent As The Deathless Gods'), Though Morrison's Meaning Is More Personal: 'it's A Reminder To Level Yourself And Think Of All Those Around You.' A Captivating Capsule Of Ravaged Forward Motion For A Ravaged Forward-moving Age. Mastered By Eric Hanson. Design By Britt Brown.

The Hacker teams up with Rein for ‘We Come Alive’ on Rekids. French producer The Hacker joins forces with vocalist, songwriter, and producer Rein for ‘We Come Alive’ on Rekids, arriving 19th June 2026. A longstanding figure within the underground, The Hacker helped shape the early electroclash movement through his analogue-heavy sound and influential releases on labels including Turbo Recordings and Dark Entries, while Rein has built an international reputation through a darkwave-influenced sound that blurs underground and crossover electronics, alongside releases on Boysnoize Records and live appearances with Front 242 and Nitzer Ebb.

Built as a tribute to the dance floor “We Come Alive” explores the feeling of liberation and connection that only exists late at night. Think an Alison Moyet-inspired vocal over stripped-back machine funk somewhere between LFO and Kraftwerk.” - The Hacker & Rein

The Hacker & Rein’s ‘We Come Alive’ pairs sharp, angular rhythms with punishing low-end pressure as acid lines twist through scintillating percussion and jacked-up drums. Amid the machine-heavy intensity, Rein’s vocals cut through the mix with clarity and emotion, lending a euphoric edge to the track’s raw, strobe-lit energy.

DJ Support: Luke Una, Darryn Jones, Red Greg, Gilles Peterson, Patrick Forge

The second EP in the set from the dynamic duo themselves, The Mighty Zaf and Linkwood. 2 more killer edits to devastate the more headsy dancefloors.
Limited stock of these early copies. Act fast.

A song that has transcended time, genres and trends since it was released in 2004, 'Lola's Theme' continues to light up dancefloors over two decades since release. Now this modern day house classic is repressed for the first time since 2004 by Glitterbox featuring the original mix and Norman Jay’s Good Times Vocal from the 2004 release backed by Purple Disco Machine’s 2017 remix and 2025’s massive Tripolism remix.