Rouge De Colere News

A second cut was done and new viuals, that was needed for sound conveniance :)

Livesets from 1998.
Amiga set-up in parties.

A side at Concarneau "fête de la musique". June 1998. (12 minutes)
B Side at the Teknival from St-Goazec, Mai 1998. (15.30 Minutes)

This should have been released as Keltik 02, a label from Bretagne. But it never came out finally...

All sources are DAT, extracted at DK mastering in Paris.
Mastered by Fred in Rennes and cut at... DK Mastering in Paris again.

NBT sound posse first release. Ragga tek and Pumpin Acid Tribe influenced by FKY, with a fatter kick. Hartek Familly there.. No Tribecore and no Electro Techno. Just a fidelity to a sound and to a spirit. Roma power linking south to north, unity ! Limited 300.

The first track is a hardware masterpiece of a kind ! Don't miss that classic way...
Then comes a cool Tekno banger, again very analogic.
The other side is more some kind of meeting between Win and Jaquarius, Win for the structures and the global ambiances and Jaquarius for the way of using and growing the acid gimmics...

Serious Newskool Pumpin' sound !!!

Fat dancefloor pearl !

Superb second opus for T.I.R. !

The record open on a flood raving Tribe tune from Spinhell...
Then his second tune brings something definitly more old school Tribe, minimal and jumpy/pumping, annoncing the style that carries the flip from CRLTTO and Dottor Gonzo

Double LP for a travel into darkness, Tribe to Hardcore with lots of storytellings... At the concept album frontier !

Unique !

Double pack of full Pumpin Tribe !!
Newcommers and old schoolers meeting !!

Superb new EP from the Adam Vandal mental master sweet sound... Inviting GRE and M4rty Epitom.

A Pico is a bus/truck/jeep transformed into a rolling sound system.
It's a very popular caribean/south and center american way to make a carnival or a party, or a birthday, a wedding... whatever.

The music they play is defenitely banging, and minimal home made... Those trucks are full painted and the Pico : it also a way to name a street-art style.


DISTROPIKO is a project born from the encounter between traveling producer Luca Zod, visual artist and DJ Nicho Line, and Bari-based writer PERK aka Maffia of the UG crew. Their Apulian roots and respective influences—tropical wave, tribal imagery, and urban-funky aesthetics—merge in a dystopian sonic journey toward an urban tropical, where a piko de sonido spreads a new psychedelic vibe ready to shake the dance floor. Studio production is being handled by the historic Quadraro Basement studio in Rome.

New tunes, old tunes : an artist cannot escape his sound.
And this is a good sound !

LTD 300.

50 hand numbered 10 inches copies, leathe cut.
White colored high quality with sticked sleeve !

---- ATTE?NTION ! LIMITED TO 1 PER CUSTOMMER !!! ---- If more ordered you'll get refund 100% and you will get none !!! Be aware of that.

Delsin's Inertia sub continues their dancefloor focussed series with a fierce four-track EP by Danza Nativa co-owner Forest On Stasys. Influenced by tribal minimalist techno in the nineties and the abstract side of contemporary techno his first EP on Delsin includes all of this. A flawless pack of well balanced playful yet deep immersive techno.

Kaizen is a Japanese philosophy that means “continuous improvement.”

The new Lisbon-based label is built around a vision of constant evolution in groove and rhythm. The label’s debut release comes from its founder, Stan Yaroslavsky, delivering a deeply personal project that reflects his artistic growth throughout years of musical exploration and production.

The 4-track EP showcases different sides of his musical identity, with each track representing a unique approach to sound, groove, and atmosphere. Blending elements of House and Tech House with subtle minimal influences, the release captures both movement and progression while staying true to the label’s core philosophy of continuous change.

“The Calling” is a hidden gem of ’90s ambient trance, crafted for mental spaces and inner landscapes. Its pristine production, downtempo rhythm, and immersive ambient soul give it a timeless quality that remains strikingly relevant today. This long-awaited reissue — featuring all three versions — arrives via Orange Wedge in a full cover edition, following the limited run for RSD 2026.

Norwegian producer A:G heads up the debut release on Tanzform’s Algobub label with his signature dynamite energy. Rippling shades of acid, making this a fine example of modern electro sounds doing the damage on the floor this summer. His essential sound continues to evolve in recent years, and sets the label up for some exciting years ahead.

Summer is around the corner and what a perfect timing to introduce you to Admo’s latest musical project - Charlottenzbeul Science Club. After three years since his last solo EP, many live acts around the globe and releases on Limousine Dream, Haws and Ordinateuf, the mad bassist is back at it again with his first release on his new label - Two-Headed Fish Records - which he co-runs with his wife. Definitely an EP that stays in the family.

It’s another four-tracker - you know the kind of vinyl that keeps on giving. A celebration of his time in the vibrant German capital, Berlin (West is the best). A1 opens the ball : bassy, catchy and this infectious chromatic melodic line. The recipe for a summer hit. Now onto A2 (and we’re not talking about his German language skills here): a regular laidback approach where acid sounds mesh together with this high-energy baseline. A classic in the making. If you’ve seen him live, you must’ve recognised B1 as it used to be his closing. A dreamy touch, where storytelling is the key word. You will have your head bopping from the first minute - mellow moment guaranteed. And B2 wraps it up - it takes you by the hand, you hop onto the next U-bahn and straight to the dance floor. The analogic bass keeps on bringing the track higher, progressively transforming into this groover that gets your feet stomping. It’s a proper farewell and a perfect conclusion to this beautifully crafted record.

With the launch of Flirt, Alarico distills the essence of his current techno vision while sketching its next phase.
This is techno stripped to its most instinctive form: rolling basslines, teasing vocals and seductive rhythms with hints towards deeper and more melodic realms.

With the Hormesis EP, Alric Aerial explores the delicate threshold between pressure and growth. The title a reference to the biological phenomenon where stress triggers a positive adaptation serves as the conceptual foundation for a sound born from deep introspection.

It is a testament to the idea that resilience is not just about enduring, but about evolving through the friction.

In his productions, Alric Aerial weaves together personal and cultural fragments, bridging the echoes of his heritage (Tales From The Desert Part II) with a conscious departure from familiar scenes and habits (Good To Be Gone). This work marks a natural evolution a shift from the noise of the outside world toward a more refined, intentional focus in the studio.

The tracks strike a balance between "dirty" authenticity and infectious, groovy basslines. From driving, straight-forward rhythms to melodic leads, the work shifts between cinematic tension and uncompromising momentum. Especially in the title track, Hormesis, Alric’s vision culminates in the transformation of fragmentation into energy. The music invites the listener to find a new kind of presence within the act of disappearing to get lost in the pulse, only to emerge more resilient.

Following his previous appearances on Figure, French producer Arkan returns with Mad Race, a four-track EP that further sharpens his distinct vision of mental techno. Balancing hypnotic restraint with driving intensity, the release finds the artist navigating deeper into textured, immersive territory while maintaining a strong sense of propulsion throughout.

The title track Mad Race opens the record in forceful fashion, locking into a tightly wound groove as restless synth movements and looming atmospheres continuously build pressure around the rhythm section. Revival follows with a more spacious approach, letting emotive chords and swelling layers unfold gradually over a firm, rolling foundation, capturing a feeling of momentum suspended somewhere between tension and release.

On the flipside, Sawlim pushes further into trippy terrain. Dense percussion and spiralling effects interact with pulsing low-end pressure to create a heads-down club tool filled with subtle movement and detail. Closing track Interlude shifts the focus once more, exploring a more restrained and introspective mood through cavernous textures and hypnotic repetition while still holding onto the EP's underlying drive.

Digital bonus track Make You Horny rounds out the package with a rawer and more playful energy, bringing punchy drums and jagged synth work together into a functional late-night workout.

With Mad Race, Arkan continues refining his own blend of deep, atmospheric and cerebral techno, further cementing his place within the evolving sound of Figure.