Fushin Records News

“Chapter Georgia” is a various artists compilation showcasing the diversity of Georgia’s electronic underground.

Rather than following a single stylistic direction, the release was conceived as a platform for individual expression. Each artist brings their own sound, vision and energy, creating a collection of distinct tracks that reflect the richness and variety of the scene.

LN013 presents a four-track electro compilation entitled Network Not Found. On the A1, Watts provides an electro-funk workout reminiscent of early Kraftwerk. Modulating basslines, delayed breakbeats, and haunting synths call back to early tropes of the sound while contributing to and reinventing the style. LA's 5tr8tch debuts his future classic, "Sleight of Hand." This track delivers tight 808 programming and unique sound design that takes the listener on a timeless journey. The B1 features The Advent and Zein in classic Kombination Research fashion—advanced B-side business for true lovers of the movement. Pulling from the Teknotika archives, GiGi Galaxy provides a rare DAT recording from 1997. The track's growling bassline, warm 808 beats, and experimental sound design take the listener on an ever-changing journey.

Liepāja’s Elektrons is a contemporary electronic music compilation on vinyl, bringing together artists connected to the Baltic city of Liepāja. The LP features eleven original tracks that reflect the diversity and vitality of the local electronic scene — from deep techno and liquid funk to experimental ambient, IDM, and broken beats. Across the record’s two sides, Liepāja’s Elektrons brings together a diverse constellation of producers shaping the city’s electronic identity. The A-side features Cliché, Nejauši, Kristaps Puķītis, DJ KEDA feat. Ieva Dreimane-Sidare, BAZIITS, and NiklāvZ feat. Kenji, moving fluidly from intricate IDM textures and atmospheric experimentation to liquid funk rhythms and high-energy drum’n’bass. The B-side continues the journey with Ksenia Kamikaza, Eque, OMIROS, ALTER V and Existal, exploring deep and peak-time techno, minimal house and progressive sonic structures.

The second VA release from Méchante Recording continues with a new identity, bringing together a refined selection of artists across different generations. At its core, a reissued and repress of a 1994 track by Jay Tripwire creates a timeless bridge between past and present.

Alongside this piece, UK producers Quidders and Ferg deliver fresh and captivating productions, as well as Arion, a prodigious talent from Lyon, who charms us with each of his tracks and brings depth and character.

This Various Artists blends dub tech house and progressive minimal, offering hypnotic, groove-driven tracks designed for both listening and the dancefloor, while affirming the evolving sonic identity of Méchante Recording.

VA – Paradisi Artificiali brings together four distinct sound compositions, each resisting the urge to resemble the others but united by the way they manipulate perception.
Polygonia crafts shifting rhythmic paths where the groove warps and regenerates in real time, maintaining an organic tension that keeps the body in motion without ever truly settling into place.
Feral operates through subtraction, slowing time and excavating sound’s spatial depth. Its tracks don’t progress so much as they envelop, drawing the listener inward into a layered, introspective space.
Agonis introduces a more unstable, sensory thread, weaving transitions and accumulations that build in stages. Frequencies become tangible matter, and the progression unfolds without ever erupting entirely.
Crossing Avenue weaves these directions together without hardening them, infusing the record with a more rooted, almost ancestral rhythmic element that surfaces in the structure of the patterns and the choice of timbre.
The result isn’t a neat synthesis, but a coexistence. The tracks unfold along a shared line without ever converging, articulating a dynamic balance between tension and release. It’s an album that works through gradual alterations, through subtle slippages in perception, as in “Les Paradis Artificiels”. The point isn’t escape, but intensification. The sound burrows deep, reshaping how things are experienced, until a denser, more ambiguous, more alive reality emerges.

X – Ochenta y Tres 06

Tremendo Various Artists con seis pelotazos originales, editado por el sello 83 para su sexta referencia en vinilo.

Following the global success of its first chapter and in that spirit, “MoBlack presents: FROM LATIN AMERICA WITH LOVE ” gathers four tracks that channel the pulse, colour and vocal character of the region. Rather than following a single stylistic path, the compilation moves through different shades of Latin-influenced club music, where percussion, groove and spanish-tinged vocals play a central role.

Between Tides marks the next chapter for Deep Steppe—a various artists cut balancing forward motion with the deeper foundation the label’s built on. The A-side leans into a newer lane. Mungo Sound Machine opens with a direct, no-frills party starter. Ballan follows, bringing an overseas touch that stretches the palette—loose, rolling, and just off-center in the right way. On the flip, things return to deeper territory. Kerouac kicks off the B-side with a funky, stripped-back groover—effective across a range of settings. Closing the record, Adam Rose, Miro, & JJ Selects come together on a collaborative tune. Subtle, patient, and dialed in. Two sides, one current.

The mysterious, presumed missing-in-action Modwerks 10 reports back to HQ carrying 2 special remixes from Rodhad and Rene Wise

For RCR003, we looked to someone carrying the West Coast lineage forward with our first full solo EP from upcoming producer Adam Rose.

“Gravitation of the Past” honors the past while setting its sights on the future.

A quiet drag from somewhere behind, like the past has unfinished business.

A moment suspended Time Ahead & Standby caught between where you’ve been and where you’re headed. Mostly static, then a brief moment where everything clicks. Then the voice shows up.

Familiar enough to trust. Dangerous enough not to.

Out by the still waters of Atitlán, watching the surface hold everything and nothing at once, it becomes clear some things aren’t meant to be solved. Just seen.
You can look, just don’t linger.

What’s left is lighter funked out, a little crooked, still moving.

Mit Africanism Vol. 5 kehrt das legendäre Afro-House-Kollektiv rund um Bob Sinclar zurück und präsentiert ein kraftvolles, globales Club-Statement voller Rhythmus, Identität und musikalischer Verbindung. Das Album vereint herausragende Produzenten und Artists wie DJ Gregory, Moonlight Benjamin, Boddhi Satva, Arkadyan, Jesús Fernández, Bonga u. v. a. in zwölf Tracks, die moderne House-Produktionen mit afrikanischer Energie, traditionellen Instrumenten und organischen Grooves verschmelzen lassen. Von der voodoo-getränkten Intensität von "Zanmi Kanmarad" über die angolanische Tiefenwärme von "Mulemba Xangola" bis hin zum treibenden Club-Momentum von "Block Party (Baron Remix)" oder "Salsa House" liefert Africanism Vol. 5 ein Panorama aktueller Afro-House-Kultur. Die musikalische Bandbreite reicht von haitianischer Soul-Elektronik über pan-afrikanische Percussion bis zu modernen House-Arrangements mit französischer Produktionshandschrift. Ein hochkarätiges Producer-Album, das die DNA des Africanism-Sounds konsequent fortschreibt: international, zeitgemäß, tanzbar und voller musikalischer Identität.

2 tracks
45 RPM

Compiled by Rey Colino.
Design by AJAM.

Hear ye, hear ye the notable diplomats are back spreading the message of swing. Advocating for groove across the globe. Championing cheek one handshake at a time.

Few French house artists have the canon and credibility of Franck Roger over such a long period of time. It seems hardly a week goes by without a new drop - or a new old drop - of gold, and here he continues his work with Seasons Limited. 'Tapis Rouge' kicks off with the sort of warming depths that have long been his trademark, this time underpinned with dubby swing. 'If I Had' is a more soulful cut with a cheeky bassline and swirling synths that are utterly ageless. 'Love Potion' is a romantic sound with dreamy pads and 'Have I Lost You' has a zoned-out feel for when you want to give yourself over to the groove and gaze at distant chords.

RAWAX proudly presents the 6th release by Fresh & Low on their own RAWAX TREASURES series!
This time we have the honor to re-issue "Interact/ Get Up" formerly released on Bomba Records in 1996!

The new version on RAWAX is re-mastered

GiGi FM is going back to her first love, Jungle. It’s one of the defining genres that shaped her journey into music. The DJ, music producer, dancer and poet is releasing her first jungle EP, Shelter Our Time on her label Sea-rène.



Following her 2025 techno EP Virgo Space Acid, GiGi FM turns inward on these 5 deeply personal, pop-infused liquid drum & bass tracks. It also marks the first time GiGi prominently centers her own lyrics and singing at the emotional core that thread the rhythm and movement of the music.



Written during a period of enforced stillness, the record became a form of transportation to imaginary realms; warm sunsets, liquid horizons and underwater dreamscapes that became portals to spaces where GiGi’s mind could still move freely.



Beyond its warmth, Shelter Our Time became a space of processing. The music acted as a catalyst – transforming experience into rhythm, memory into melody. For GiGi, music has always been a form of therapy, a way to metabolize life in real time. As she puts it, “It’s about learning to hold joy and pain in the same body and choosing to keep dancing anyway.”

The first release of Sub Culture, Puzzle by Gregory Shiff, is a tech house masterpiece with both delicacy and an innate strength. The original release came out in 2003 on the American label Matter/:Form Records and immediately caught the attention of lovers of the genre. The release features four versions of Puzzle, including an “Unreleased mix” produced in 2003. A highly respectable repress for record bags, not only for those who love tech house.

Love International return with the second release in their Floor Series, welcoming Iñigo Vontier with a remix from Eden Burns, as it rolls on - continuing its run of records shaped by the dancefloor and late-night pulse in Tisno.

For 002, Mexican producer Iñigo Vontier steps in. Known for moving between styles with ease, he lands here with something that locks to the floor - rolling, hypnotic, and just off-centre enough to keep things interesting.

On the flip, Eden Burns comes through with a killer remix that pushes the original into more immediate, dancefloor destruction, completing the four-track EP.

2026 Repress

Magic Carpet ring in the new year with a standout debut EP from English-born, Berlin-baked artist Jack D. With senses honed by days spent front left at clubs like Hoppetosse, Closer and Fold, Jack delivers four superb tracks bursting with energy and quirk. Somehow fusing wonk with groove, his style feels both strangely familiar and highly original at the same time. One for the heads!