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As it often happens, while Richie Weeks and Jerome Derradji were working on Volume 3 of the Love Magician Archives, Richie uncovered a couple more unreleased Jammers tracks that never saw release on Salsoul. He believes these songs were intended for a second Jammers album that, sadly, never materialized.

So here you go—two absolute stormers of NYC Boogie and post-disco madness. All the usual suspects are on the tracks, delivering that signature sound. What can we say but: thank you, Richie, for giving us even more heat to play out!

The Mysterious MYOKEN crew return with number 5 in the series. Once again, they delivery with a set of Monster housed up dubbed out edits aimed at the dancefloor.

As usual, a limited pressing, so act fast!

New Japanese Ambient Electronica from Tokyo

Composing primarily with the piano, Kotaro Maruyama creates music for a variety of visual media, including commercials and short films. Influenced by the composer Toru Takemitsu, he places importance on the “silence” and "ambience" of sound, aiming to create works where the music quietly depicts a scene.

Kotaro Maruyama's first solo album, "Vapor Curve," is constructed entirely from the sound source of the OP-Z digital synthesizer. Notably, he avoids the concept of harmony for a single tone, instead pursuing a unique "woven harmony" created by intricately layering multiple independent melodies. Using only the OP-Z, and recording everything in a single take without using a computer, Kotaro Maruyama's "Vapor Curve" is distinguished by its uncompromising production style. The minimalist melodies that are layered to create an ambient soundscape, along with the incidental noise that gives an organic texture to the inorganic electronic sound, showcase the raw appeal of sound that is imperfect."

Originally scheduled for release September 2025, this album faced delays due to a series of errors involving the distributor, pressing plant, and cutting engineer. However, earlier this year, Personal Affair teamed up with a new distributor, Rubadub, who introduced them new pressing plant, allowing them to restart the entire pressing process from scratch. Emerging from Tokyo via Glasgow, this release is now ready to deliver a fresh sound to the world."

Some 15 years into the label's story, Japanese deep house minimalist Sasaki Hiroaki continues to offer up EPs rich in ultra-deep ambient chords, hushed and hypnotic beats, and the kind of beautiful musical touches that have always been a key part of Japanese deep house culture. Opener 'Geograph' sees him place echoing piano motifs and pulsing ambient electronics atop a sparse tech-house groove, while 'Projection' is a deliciously deep, dreamy and shuffling slab of ambient house excellence. Over on side B, 'Do It (repeat)' is a spaced-out chunk of minimalist dub techno goodness and title track 'The Last Bohemian' is a warming and meditative dancefloor drift.

Jerome Hill, Lukes Anger, Dark Vektor and Computer Madness deliver a no-nonsense 12 Inch strike between Electro, Detroit pressure and machine funk. Punchy drums, icy synth cuts, raw momentum, built for DJs, built for floors. Four producers, four angles, one shared language of body-ready electronics, driven by Detroit energy and sharp-edged Electro.

Ralph Session is a direct connection to the old school and original house values and he brings all those to the fore here. 'Move Your Body' (feat Mr Flip - main mix) touches on hip-house energy with jacked drums and rapped vocals. 'You Never Know (Party Break)' is deeper, smoother and soulful for when you need a nice late-night pick-me-up and 'Feel That Spirit' plays around with jazzy, off-grid chords and expressive vocals that play with pitch. The highlight might be the effortlessly breezy closer 'Listen', which is a broken-beat and sun-bathed delight for summer sessions.

Ohm & Octal Industries made their mark on this label with their Northwest Passages album back in 2023, and now they return with more heavy but equally serene dub tech excursions. 'Blizzard' has none of the frenzy of that weather type but does have gentle synth winds swirling around the rooted drums. 'Fly Boy' is a delicate dub with the most subtle pads and effects marbling the airwaves, while 'Goodbye Sunshine' has more forward intent and beautifully hits that glide over the minimal drums. 'Jah Rule' then dials into a heads-down and more warehouse-ready dub techno sound built from the sort of perfect loops that could play for days and never get annoying.

2026 Repress

Trickpony rightfully return with their sensual sophomore record, a six track tip of downtempo anthems elaborating on the sonic blueprint established through Pillow Talk (STEP11). Contemporary trip hop revivalists at the core; the trio specialise in new age pop collages, stripped, subbed and dubbed for your pleasure. With whispered secrets tangled over atmospheric decay and hooks that tug at heartstrings, the trickpony DNA is embedded deep in the musical discourse; “24/7 Heaven” elevates even the most devious to a divine higher place.

From top to tail slung breaks crash like waves, rolling and seeping into opulent synthesis which fills the room. Sometimes music can say a thousand words without a single lyric; Ripple and Trick Trick fixating on textural constructions, layers of harmonic delight working in unison with forward thinking percussion patterns. Angel and No/Direction delve deeper into a more sparse, stripped back landscape; delayed fragments with room to breathe between vocal stylings that will lodge themselves into your memory one word at a time.

Closing with a psychedelic exploration, Memphis Light derails structure formula and drum&bass starts to feel technicolour. With an understated maturity exuding from all angles, STEP17 offers an introspective assortment of illustrious songs ready to reach into your subconscious.

Fantastic Friends Recordings drops a new 12” bringing together long-time label pillars Daniel Meister and Brizman, alongside first-time vinyl appearances on the label from Ilario Liburni (Italy/Belgium) and San Dee (Miami). Moving across deep house, minimal, subtle techno and electro influences, each artist delivers a distinct sonic identity while contributing to a cohesive overall vision. The EP reflects the collaborative and eclectic spirit that has defined Fantastic Friends since its early days, with tracks built around groove, tension and durability on the dancefloor. A timeless vinyl EP for lovers of deep, minimal and forward-thinking club music.

'Trying Times' is a record about being in love whilst battling the limits of the self against a backdrop of global uncertainty. James Blake explores the tension between intimacy and isolation, the pressure to curate and perform even as everything, inside and out, feels fragile and precarious. Themes of reflection, both literally and metaphorically, run through the record’s visual presentation, as Blake holds a mirror to the contradictions of modern connection - how we see ourselves, how we’re seen by others, and what gets lost in between. It’s about the disorienting loop of joy and dread: feeling safe in love, yet knowing the bubble could burst at any moment; struggling to stay present while global anxiety and private doubt pull you in different directions. A meditation on love, identity, and fragility in an age where the world feels balanced on a knife edge

13 Track Album is James' seventh studio album and first fully independent release Album features British rapper Dave, and singer-songwriter Monica Martin Marketing plan will support long term growth, audience building and connecting with super fans Strong Content Plan including Single / Focus Track Performance Videos Alternative album versions TBC inducing deluxe, piano version and more

Long considered a "Holy Grail" of Latin vinyl, The Booga Mambo Beat (1967) by Steve Hernández y Su Orquesta Latinoamericana returns.

This LP has puzzled collectors for decades: who was Steve Hernández, the shadowy figure behind this powerful orchestra including top Puerto Rican and New York musicians?

Arranged by Ray Santos and featuring vocalist Vitín Avilés, the album delivers a unique mix of mambo, boogaloo, descarga, proto-salsa and 1950s big-band swing. A rare bridge between the Palladium sound and the emerging salsa era. Originally self-released and barely promoted, the record became a cult favorite among DJs and collectors.

Sourced directly from the original master tapes, discovered in outstanding condition, this edition is pressed on 180-gram vinyl and includes extensive liner notes by Pablo E. Yglesias (DJ Bongohead).and a digital download code.


A must-have archival release for collectors, DJs, and anyone fascinated by the hidden corners of Latin music history.

Since I have announced this repress, originally released in 1993, I have had a few people contact me to say that this was their secret battle record. One thats been under the radar but every track is an absolute Halloween Monster! I think it's time to share how amazing this record is with everyone - plus DJ Sphinx gets to make a few quid too... so win win!

Fresh for 2026, Something System Records returns with its second four-track EP, showcasing a carefully curated selection of forward-thinking underground sounds from across the DnB and jungle spectrum.

A1 – Creativity
Oxford-based producer SR makes his label debut with Creativity. Having already built a strong reputation through multiple vinyl releases and production collaborations with JEMONE on Metalheadz, SR delivers a powerful opener defined by tense atmospheres, razor-sharp drum programming, and weighty sub-bass. Designed to move both dancefloors and minds, this is a standout introduction.

A2 – 3 Times Around The Sun
Duburban & Peeb return to Something System Records for their second appearance following a prolific period of releases on some of the scene’s most respected labels. This track channels lush, uplifting pads reminiscent of the golden era of Good Looking Records, underpinned by warm sub frequencies and expertly edited drumfunk breaks that evolve beautifully throughout. A deeply musical and rewarding listen.

B1 – Fresh Outlook
Bristol-based producer Loma returns to the imprint with Fresh Outlook, a finely crafted 140 BPM jungle roller. Featuring intricately layered breaks, precisely placed subs, and an immersive atmospheric backdrop, the track takes the listener on a dynamic journey. With previous releases on John B’s BETA Recordings, Loma continues to demonstrate a bright and promising trajectory.

B2 – Tell Em Purdie
Closing the EP, Something System Records proudly welcomes Pixl to the label for the first time, collaborating alongside Duburban & Peeb. A seasoned producer with releases on numerous highly respected DnB labels and founder of Loop Progression Records, Pixl brings depth and experience to this jazz-infused finale. Smoky club atmospheres, textured breaks, deep subs, saxophone lines, and a spoken-word sample referencing a legendary drummer combine to deliver a rich, soulful conclusion to the EP.

At the core of the creative process behind “HPC” and “Bor3d” lies meta-irony, a quality that permeates much of today’s digital content landscape.

Both tracks are a deliberate attempt to push the sound toward a barely perceptible absurdity and ironic unseriousness in their interpretation of well-familiar styles of dance club music. It is a play with form, expectation, and recognizability — balancing sincerity with sarcastic exaggeration.

Okay
Okay is built around interruption. Voices, fragments of dialogue, yawns, irritation — people seem to step inside the track uninvited. Someone is bored, someone is annoyed, someone tries to stop the flow entirely. Just like in real life, the process is constantly disrupted. The track reflects the experience of being surrounded by opinions, noise, and skepticism — especially the kind that will never be convinced, no matter what you do. “Okay” becomes a quiet, ironic response to this pressure: not agreement, not approval, but endurance. The track continues anyway.

Tripatura
Tripatura is a fictional creature — a warped echo of cryptid mythology. In this narrative, Tripatura doesn’t simply exist, it hunts. Once it finds you, it drags you into an endless trip with no exit point. Time stretches, perception blurs, and the track itself becomes the trap. Its prolonged, unresolved ending mirrors the experience of being stuck inside a loop that refuses closure. Tripatura doesn’t rush. It lingers, slowly pulling you deeper, until the trip no longer feels temporary.

2026 Repress

since his first ep tips' on luciano's label cadenza in 2007 producer and dj petre inspirescu emerged into one of the key figures of the romanian electronic music scene.

so far he released music on labels such as vinyl club, lick my deck or amphia. together with his buddies rhadoo and raresh he also launched in 2007 the label (a:rpia:r) -  a platform where he, his two friends and many producers from romania and abroad released detailed grooving house and techno, that stands out with delicate structures and one-of-a-kind grooves.

both of his more dance floor oriented solo albums intr-o seara organica...' and gradina onirica for (a:rpia:r) are enlarged with melodies, sounds and harmonies that go beyond the usual characteristics of a dance album.

furthermore his love for classic musicians like mily alexejewitsch balakirev, alexander porfiryevich borodin or or nicolai andrejewitsch rimsky-korsakow can be felt in the album padurea de aur (opus 2 in re major) and two more eps that he released under the alias pensemble on the romanian label yojik concon in order to unite classical spheres with analogue electronic music production.

in february 2013 he also released his highly acclaimed fabric mix cd that only features dance floor leaning music produced by himself. with talking waters' he published in late 2014 his first 12inch on mule musiq that is now followed by the full-length album vin ploile' which he produced without the intention to entertain with easy to hook up rhythms, melodies and harmonies.

even tough he established himself as a internationally playing house dj that regularly performs at all major clubs, festivals and other party destinations around the globe: as a musician petre inspirescu always tries to enter new territories to explore with a heartfelt human touch the infinite space of sound.

for his latest album the man that originally comes from the eastern romanian town braila stepped away from his former experiments of melting classical spheres with electronic music. instead the 36-years old man from bucharest only used some piano, string and wind instrument elements and analogue electronics to arrange a gracefully deep ocean of sound.

all slow grooving tracks spread the atmosphere of live improvised sessions that are edited, tweaked and mixed to perfection. in-the-moment moods of strange and unusual analogue synth sounds groove in a fluid quality with subliminal bass shapes, latinate percussions, jazz rhythms and acoustic melodies.

together they create a gaseous kinetic atmosphere full of tangible rhythm patterns, delicate chords and ghostly modular synth pads - all mixed subtle to create space for the tones between the tones.

you can call it a hypnotic after hour album for after hours that are dedicated to a deep listening experience. you can tag his arrangements as brilliantly textured and musically super-charged ambient, which goes beyond the usual definition of the genre.

all nine suspenseful compositions seduce with a deep melodic sensibility, harmonic adventures and an overall rhythmic ambiance of freshness and laidback enthusiasm. together they represent a challenging auditory experience that will resonate in your mind long after the music has finished. 

Gregor Tresher is finally back on his own imprint with a track that once more showcases his impeccable songwriting skills and even though he manages to deliver a song that fans will recognize as a Tresher production, it's not a repetition of his earlier works in any way, but another step forward in his ever evolving sound.. "Sleeping Giants" has been a secret weapon in Gregor´s DJ-sets, often dropped as the closing track if the night was really a special one. It's a journey driven by arpeggios and layered drumming that culminates just before a mysterious vocal sets the tone for the second coming. Gregor is obviously back on top of his game. And well, then there´s the B-Side: A world renowned DJ and producer, and a dear friend of Gregor and the BNS family delivered a remix that can only be described as pure perfection. It forces the original track on to the most massive warehouse floor you can imagine. Mr. Enrico Sangiuliano invites you to witness a true masterclass in remixing by delivering nothing short of an absolute peaktime monster, while keeping the vibe of the original respectfully intact. Ladies and Gentlemen, we give to you: Sleeping Giants!

Roman Khropko delivers four cuts balancing precision club mechanics with flashes of emotion. The record moves between stripped minimal techno and warmer electro, designed to unfold gradually.
The A side opens with Glimpse, a straight-forward roller driven by tight drums and a suspenseful build. Piece of Truth follows with a funkier swing, blending elastic basslines with subtle tech house inflections that keep things in motion.
On the B side, Fractum settles into a hypnotic minimal tech mood, laying steady groundwork for an extended club stretch. The closing track, Among The Machines, shifts into emotional electro territory, carrying melodic tension that leaves a melancholic aftertaste.
A concise and functional toolset for the dancefloor. This is one to stay in your bag for a long time.

Cinthie’s Collective Cuts sub-label of her 803 Crystal Grooves label welcomes the UK’s Black Eyes onto its roster this March with his ‘Hydrocity Reflex’ EP, comprised of four original soul drenched House Jams.
Cinthie’s 803 Crystal Grooves Collective Cuts welcomes Black Eyes with a fresh four-track EP that distils the Manchester-born, Berlin-based artist’s signature aesthetic into its purest form. Fusing deep, trippy and soulful house with a raw, Detroit-leaning sensibility, Black Eyes channels the influence of House music’s roots into rolling rhythms and fluid textures alongside shaped by his enduring love of water. Now firmly embedded in Berlin’s underground while carrying the grit of his northern roots, he delivers a release that feels both immersive and driving a natural fit for 803 Crystal Grooves’ dance floor focused sonic vision.
Opening the EP is ‘Can You Dig That Depth’, an emotive slice of House driven by saturated keys, soulful vocal lines, heavily swung drums and a buoyant bassline. ‘Pressure Malfunction’ follows, stripping things back to organic percussion, sweeping filtered funk loops and intricately processed spoken-word chants. The B-side begins with ‘Loyalty To Tha Deep’, living up to its name as it embraces classic Deep House sensibilities through choppy, airy chord progressions, hypnotic breathy vocals, fluttering melodies and slow-slung, crunchy drums. ‘Funky Oxygen’ then brings the release to a close, channelling the spirit of Motor City House with a refined blend of cut-up samples, shuffled percussion, jazzy keys and a snaking bass groove.

Daskal debuts on DJ Tennis’s Life and Death label today with the release of “Changes,” the first single from his forthcoming album OD, out March 6. The release marks a defining moment for the producer and composer, whose work moves fluidly between contemporary dance, film, and electronic music, and represents his first full-length statement reconnecting his compositional practice with the dancefloor.

“Changes” arrives alongside a striking accompanying video directed by award-winning filmmaker Tamir Faingold, featuring dancers from the world-renowned Batsheva Dance Company. Rather than functioning as a traditional music video, the piece uses contemporary dance as its primary language, translating the emotional charge and magnetism of nightlife into movement. Together, the single and visual introduction frame OD as a bridge between club culture and the expressive traditions of modern dance and composition.

A classically trained composer with deep ties to the world of choreography, Daskal has spent recent years creating original scores for institutions including Los Angeles Dance Project and the Royal Danish Ballet, while simultaneously developing a parallel body of work across ambient and experimental electronic music. OD emerges as a convergence of those paths: a ten-track album shaped as much by physical movement and spatial awareness as by club tradition, positioning Daskal between concert hall, black box theater, and late-night club environments.

Recorded and mixed primarily using vintage hardware — including a rare 1980s German mixer in a high-end Tel Aviv jazz studio — OD reflects a deliberate shift away from purely atmospheric writing toward rhythm, repetition, and physicality, while retaining the precision and restraint of his compositional background.

Natalie Imbruglia ist Millionen von Menschen mit ihrem weltweiten Hit "Torn" bekannt, einer der bis heute prägendsten Songs der Neunziger. Damit begann eine außergewöhnliche Erfolgsserie, die u.a. 2 BRIT Awards, 3 Grammy-Nominierungen, 8 ARIA Awards und 7 Mio. verkaufte Exemplare ihres Debütalbums "Left Of The Middle" umfasst. In jüngerer Zeit stand sie durch Auftritte an der Seite von Olivia Rodrigo erneut im Rampenlicht. Jetzt ist der perfekte Moment für ein neues Kapitel: ihr neues Album Algorithm mit der Lead-Single "Upside Down".

Algorithm zeigt Natalie Imbruglia in einer neuen Ära – geprägt von Selbstermächtigung, Freiheit und kreativer Erfüllung. Das erste Album der australisch-britischen Pop-Ikone seit fünf Jahren ist eine echte Tour de Force: ein zutiefst persönliches Werk, das eindrucksvoll daran erinnert, warum wir uns ursprünglich in ihre Musik verliebt haben. Es erscheint in einer Zeit, in der sich der kulturelle Zeitgeist wandelt und Popmusik wieder stärker zur Tanzfläche tendiert – mit einer Ausrichtung, die sich an den eleganten Pop-, Disco- und House-Elementen von Robyn orientiert.

Nach dem UK-Top-10-Comeback mit Firebird (2021) meldet sich Natalie Imbruglia auf Algorithm voller Energie und Tatendrang zurück. Sie ist Co-Produzentin und -Autorin jedes Songs, neben namhaften Kollaborateur:innen wie MyRiot (London Grammar), David Sneddon (Lana Del Rey), Fraser T Smith (Adele, Stormzy, Sam Smith), Gary Lightbody von Snow Patrol, Anu Pillai (Lewis Capaldi), Tobie Tripp (George Ezra), Mark Crew (Bastille, James Arthur) und Dan Priddy (Rag’n’Bone Man, Bastille). Im Anschluss an die Veröffentlichung des Albums wird Natalie Imbruglia ausgewählte Festivaltermine spielen und auf Tour gehen.