Search:a ha

Erstpressung des Soundtracks zum Netflix-Originalfilm mit Cillian Murphy, Tracey Ullman und Jay Lycurgo. Die Originalmusik wurde von Ben Salisbury und Geoff Barrow komponiert und enthält außerdem ,Don't Leave Too Soon" von Little Simz (die auch in dem Film mitspielt), den sie exklusiv für die Figur Shy geschrieben hat. Der Soundtrack enthält auch Beiträge des renommierten Elektro-Produzenten und DJs Slipmatt. Ben Salisbury und Geoff Barrow haben unter anderem die Soundtracks und Filmmusik für Annihilation, Ex-Machina, Civil War, Black Mirror und Devs geschrieben und produziert.

2026 Repress

Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided that its high time to give these seminal albums another airing.

2026 Repress

In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.
"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and hardware reconfigured tracks into dierent constellations, creating an inspiring vortex of unpredicted events where ideas could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their eectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the album, like a textural motif, carving new variants and creating a cohesive work full of recollection.

Damian Dalla Torre returns with People Pleaser, a record shaped by movement, collaboration and an ever-deepening relationship with sound as environment.
The Leipzig-based multi-instrumentalist, composer and producer first found wide attention with his 2022 debut Happy Floating, and his subsequent album I Can Feel My Dreams was named the #1 Contemporary Album of 2024 by The Guardian, an accolade that broadened his audience and deepened confidence in his evolving voice. That second album, written between Europe and South America, opened unexpected doors and took Dalla Torre to stages across New York, Japan and Italy. “When you release music, it’s very intimate,” he reflects. “You show your emotions pretty raw. I was kind of scared. But getting so much positive feedback gave me a lot of self-confidence to try out more.”

People Pleaser begins in that quiet shift of confidence.

The title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession.
At the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.

Parra for Cuva returns in 2026 with a new LP – Nacar – and world tour, marking the next step in his ongoing artistic evolution. Known for creating immersive electronic soundscapes that combine organic instruments with detailed, emotive production, he now extends his vision with a renewed visual language and live experience that deepen the connection between sound and space.

Parra for Cuva returns in 2026 with a new LP – Nacar – and world tour, marking the next step in his ongoing artistic evolution. Known for creating immersive electronic soundscapes that combine organic instruments with detailed, emotive production, he now extends his vision with a renewed visual language and live experience that deepen the connection between sound and space.

Original Funk Band from Paris

With just three years on the scene, Jéroboam is already considered as one of the most exciting and essential new voices in contemporary soul funk.

A true manifesto for live music and the dancefloor, this 11-piece live machine hits the stage like a juggernaut and doesn’t just play funk, they live and breathe it.

After a slew of certified underground classic releases on Space Grapes and Chuwanaga which have been supported worldwide by tastemakers and connoisseurs, Jéroboam is now presenting its long awaited first LP on Favorite Recordings.

From boogie-funk to 2-step soul crossover, Jéroboam delivers 8 heartelf songs, combining razor-sharp compositions with genuine and relatable lyrics.

Achieving such an exciting and challenging piece of work is the outcome of a long and inspiring process started more than 10 years ago in Paris.

From their early beginnings on the local scene, the core musicians of Jéroboam thrived on their mutual love for funk music under the name and concept of Echoes Of.

Building on these successful experiences and expanding its line up over the years, the band has been able to sharpen its sound, craft a distinctive crossover identity and create its own original music under a brand new entity : Jéroboam.

This momentum culminates in their debut full-length album, set for release in june 2026 on Favorite Recordings, a defining moment for one of Europe’s most vital modern funk acts.

Luis Ripa is already making big waves, with a number of his tracks receiving support from someof the most respected DJs in the underground house music scene. As part of Amsterdam’s Naked collective, he is one of the most promising talents carrying theflag for raw, stripped-back grooves and drum aesthetics. Pisco Slap EP marks his debut on Salty Nuts and showcases his ability to create energy and atmosphere without overproducing. Elegant yet edgy drum programming, combined with innovative sample chops, adds a special essence to his outstanding grooves. The title track, Pisco Slap, is already gaining support from some of the biggest names in the scene and has already caused serious damage on dancefloors worldwide. Accompanied by two more high-end grooves, A10 and Hippie Joint, the release is completed on the flip side by Fabe’s twist on Pisco Slap - a deeper stomper that delivers the well-known signature groove Fabe is known for.

Mike Gordon's debut album as Mk.gee, "Two Star & the Dream Police," is a groundbreaking fusion of pop, rock, and soul. Hailing from New Jersey, the 26-year-old musician redefines familiar genres with his unique approach to sound, incorporating unconventional tones, tempos, and textures. His distorted guitar riffs and soulful vocals, reminiscent of Prince, cut through murky, experimental mixes, creating a captivating sonic landscape that refuses to conform to traditional boundaries.

Despite his experimental tendencies, Gordon demonstrates a mastery of melody, crafting intricate and engaging pop songs from seemingly chaotic compositions. "Two Star" is both innovative and accessible, offering a fresh take on contemporary music while retaining a timeless quality.

While Gordon has been releasing EPs and mixtapes since 2017, it was his collaboration with Dijon on the latter's debut album, "Absolutely," that introduced him to a wider audience in 2021. Their dynamic live performances, characterized by Gordon's frenetic guitar playing and Dijon's charismatic stage presence, exemplify the creative synergy between the two artists. Dijon credits Gordon with pushing him to new creative heights, infusing his music with a newfound rhythm and freedom. "Absolutely" marked a significant evolution for Dijon's sound, with Gordon's influence recognized as invaluable to the project's success.

Golden Earring were together between 1961 and 2021, and their last and best known line-up included two founding members George Kooymans (vocals and guitar) and Rinus Gerritsen (bass, keyboard) along with Barry Hay (vocals, guitar, flute and saxophone) a member since 1968 and Cesar Zuiderwijk (drums) a member since 1970.

They had over 40 hits and released 30 albums, many achieving either gold or platinum status in their home country, The Netherlands. They are best known for their 1973 hit single "Radar Love" and their 1982 single "Twilight Zone".

Around 1992, the unplugged sessions on MTV were a trend; almost every rock band or artist was doing them. Bass player Rinus Gerritsen suggested to record an acoustic album themselves. The record company wasn't very enthusiastic at first so with a small budget the band recorded the album live in an intimate cafe in Amsterdam. The Naked Truth turned out to be the Golden Earring's best selling album.

The Naked Truth is available as a limited edition of 2000 individually numbered copies on purple vinyl. The 2LP is packaged in a deluxe sleeve with linen laminate finish and includes an insert.

Mr. B is the album recorded in 1983 by Chet Baker and is considered one of the best from that period. Baker plays compositions by Herbie Hancock (Dolphin Dance), Horace Silver (Strollin') and Dave Brubeck (In Your Own Sweet Way).

The sadness of the songs is felt throughout, in a lazy sometimes slow and sluggish tempo. The album includes two bonus tracks “White Blues” and “Father X-mas” and band members include Michel Graillier (piano) and Ricardo Del Fra (bass).

Mr. B is available as a limited edition on silver vinyl. The album sleeve contains liner notes by Wim van Eyle and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker.

Art Blakey is one of the inventors of the modern bebop style of drumming. Known as a powerful musician and a vital groover his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz. For more than 30 years, his band Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz.

Released in the late fifties, A Night In Tunisia is a jazz milestone and prime example of Blakey's exceptional rhythmic prowess. This album is not all about drumming though; it leaves much space for great melodical interplay by fellow musicians Sam Dockery on piano, John Griffin and Ferris Benda on saxophone, Bill Hardman on trumpet and Jimmy De Brest on double bass.

A Night In Tunisia is available as a limited edition of 1500 individually numbered copies on orange vinyl, and is packaged in a deluxe sleeve with linen laminate finish.

The small print:
• Due to rights restrictions, this item is only available in the MOV store to European customers.

Digi Dub re-enter the vinyl world with a handful of archival 10” releases, the first collating tracks harvested from four releases which originally came out in the early 90s.

The Aliens EP provides a perfect showcase of the adventurous and experimental approach that the label took at a time when breakbeat hardcore was starting to fragment. Taking none of the paths that their peers took, the artists in the Digi Dub stable infused their breakbeat science with a playful dubwise methodology to create idiosyncratic dance music operating at the interstice between modern dub mechanics and rave dynamics that was a premonition of much of the experimental bass music that the UK has become known for.

The first track comes from the trio L.S. Diezel whose Alien In The Woods marries cosmic interference with a steppers reinforced breakbeat and a tough digital bassline. The Diezel boys are joined by label owner Lee Berwick under his Launch DAT pseudonym for the second track Rougher Than A Lion. Beginning with what sounds like a sort of distorted tribal ritual, the track erupts into a symphony of skittering breakbeats, processed jazz lines, bursts of acid and discombobulated ragga chat.

On the second side the collaboration between Diezel and DAT continues with Poor Mans Glory that sees a weighty sped-up funk break allied with a suitably robust dub bassline overlaid with bursts of rasta invocation rattling around in the echo chamber. L.S. Diezel’s Get Your Spear Out rounds out the package with a clangorous proto-dubstep breaker forging the link between a Jah Shaka dance and Horsepower Productions.

With the original 12s now rare as rocking horse shit, grab yourself a 10” and make your bass bins smile.

Ursprünglich 1968 in New York auf Barakas eigenem Label Jihad veröffentlicht, ist "Black And Beautiful Soul And Madness" ein leidenschaftliches Zeitdokument der 1960er Jahre. Man könnte es leicht für eine verschollene Veröffentlichung von ESP-DISK halten, fügt es sich doch nahtlos zwischen Sun Ra, The Fugs und Albert Ayler ein. Die Band nutzte ihre Stimmen auf vielfältige Weise: mal singend im Stil von Doo-Wop und Soul, mal rappend im Stil der Last Poets, und oft auch beides gleichzeitig. Emotional fesselnd und von enormer Kraft, wird dieses Werk nun erstmals wieder auf Vinyl zugänglich.

Wir begehen den 50. Jahrestag jenes Moments, als der 22-jährige Michael Gregory Jackson seine bahnbrechende erste Veröffentlichung "CLARITY / CIRCLE / TRIANGLE / SQUARE" aufnahm, eingespielt gemeinsam mit einer atemberaubenden Riege seiner Zeitgenossen: Oliver Lake, David Murray und Leo Smith. Es handelt sich um ein seltenes Dokument des New Yorker Loft-Jazz, das eine perfekte Balance zwischen verschiedenen Genres wahrt. 1976 aufgenommen, erscheint es nun erstmals als autorisierte LP-Neuauflage. Remastert und restauriert, ist es das perfekte Album, um sich in diesen komplizierten Zeiten in der Musik zu verlieren – und/oder sich selbst wiederzufinden.

Der New Yorker Jazzmusiker Bill Buchen verbrachte zwei Jahre seines Lebens in Indien, spricht fließend Hindi und hat eine tiefe Verbindung zur dortigen Musikszene. Die Dichotomie dieser beiden Welten manifestiert sich auf beiden Seiten des Debütalbums seines Electric Village-Projekts. Aufgebaut auf unerbittlichen rhythmischen Mustern und sinnlichen Höhenflügen und getragen vom Flötenspiel des bemerkenswert vielseitigen Jose James, präsentiert sich die gleichnamige LP auf der A-Seite als pulsierende Energie, die auf der B-Seite in einen kathartischen, vom Latin-Jazz inspirierten Tanz mündet. Deluxe Edition auf schwarzem 180g Vinyl mit Glanzlaminierung in PVC-Außenhülle samt 30×60 cm Einleger inkl. Interview mit Tony Higgins und exklusiven Bildern, gedruckt auf 300g Soporset "EU Ecolabel" Premium-Papier.

Key To World Peace is the third release by Prophetic Justice Ministry - aka Australian musician Sam Perry. An atmospheric, cinematic album that belies a striking pop songwriting nous at its core, its conductor Prophetic Justice Ministry is at the centre of a new wave of creative, rule-bending Melbourne artists. Romantic, smudged and hazy, Perry emerges from behind a wall of
half-light with a clutch of earworms and affecting emotions.

Recorded in home studios in Belgrade (Serbia), Christchurch (New Zealand) and Melbourne (Australia) over the course of three years, Key To World Peace offers a dichotomy in approach. Shifting on a dime between ambient, filmic washes of sound and more traditional song structures, the approach feels natural, casually acid-tipped and emotionally revealing. While Perry’s
distinctive keys and production melding with melody is evidenced in Melbourne group Who Cares?, as Prophetic Justice Ministry there’s a heightened sense of mystery and space being used.

Swirling in a psychedelic fog with dry iced chords falling down like melting stars, the album pulses with an ominous, distorted intro that sculpts air into blocks of sound before Psyop offers a glimpse through the gloom at the artist navigating through crushed, shoe-gazing chords, singing a consolation into an abandoned building. Side A’s more abstract tone veers from industrial tracks (T-A) to pastoral, impressionistic pieces (Trance) before album highlight Life’s A Party showcases the effortless, classic songwriting lurking in Prophetic Justice Ministry. Built on the tension between the upbeat lyrics and suppressed, rich delivery, the song lopes on an alluring loop with acoustic guitars and Perry’s voice walking a tightrope between irony and sincerity. The song blooms into a bright burst of light, almost inducing synesthesia in the listener and reminding a little of The Beta Band’s most outre and catchy moments.

Opening Side B, Naked Shine’s scintillating guitar is punctuated by a sub bass swell that offsets the yearning vocal performance. With palpable sensitivity the song is shepherded into short, atmospheric passages before Love Drum’s direct delivery: Perry’s vocal and guitar, dancing over a hint of distortion feels like Syd Barrett at his most casually brilliant. Carrying on the tradition of a single cover on every Prophetic Justice Ministry release, here Lana Del Rey’s Mariner’s Apartment Complex is given a stripped back but faithful treatment. With a sound that feels like a hushed, Chris Isaak classic it’s testament to Perry’s own compositions that the cover doesn’t outshine the rest of the album. Album closer and single Spirit House Party combines a classic chord progression with Perry’s double-tracked vocal into a murky but brilliantly catchy chorus. While nowhere near as lush in its production, there’s something in the atmosphere of Prophetic Justice Ministry’s vocal sitting in the mix just so that reminds us of The Electric Prunes’ Holy Are You-era work with David Axelrod.
Key To World Peace flits between displaying a spectrum of blurred emotional resonance in its instrumental passages and vulnerability in the shape of raw, melodic songwriting. With his first release outside of Australia and vinyl debut, Sam Perry’s Prophetic Justice Ministry is a beguiling dance in and out shadows.

We’re thrilled to present Volume 2 of ‘30 Years Of Freerange’. Six more, brand-new and exclusive tracks from a variety of label regulars including Fouk, Aroop Roy, Coflo, Fred Everything, Matt Masters & Radic The Myth

Three decades in, Freerange doesn’t look back - it expands. 30 Years Of Freerange - 30 tracks from 30 artists across Five EPs. A slow-burn rollout culminating in a beautiful boxset meticulously assembled to outlast trends, algorithms, and short attention spans. A handpicked cross-section of the Freerange continuum from artists who’ve shaped the sound alongside up and coming voices pushing it somewhere new.