Cerca:a inc

Straight outta Hoxton, Law & Auder were part of that incredible East London jungle scene. Martin (also of Utomica) and Phil made some absolute classics in their time and are often in ‘The rarest jungle records’ lists that float around online, put together by magazines or websites. But they are both incredibly down to earth and humble.

These two tracks were written in 1995 but never released, sitting on a DAT in Phil’s studio ever since. This is the third release by Law & Auder on Vinyl Fanatiks and we are super proud as ever to be working with them once more. And I think this is possibly the strongest release we have done so far by the band.

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Earth and part of a 4 vinyl Cosmik series.

One small leap for man kind…

Vinyl Only


SR002 “Nuestra Lucha” by He Did, incl. Priku & Franco Cinelli remixes.

2024 Repress

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as
DC-10 and Fabric.

This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father's night club - and it now leads to her first outing with Kompakt:
SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt's records have always been a staple in her sets: I have so many
records from Kompakt, I've had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.' Her very own release on the label, however, seemed like a distant dream', she says. Turns out it wasn't that distant after all - thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.

2024 Repress

Brazil born - Barcelona based ANNA returns to her new home SPEICHER - for the second time this year - following an incredible breakthrough year. If you went out to a club in 2018 you undoubtedly heard HIDDEN BEAUTIES and touched countless people with her sincere and unabashed passion for techno and DJing.

SPEICHER 105 presents a different side of ANNA - her remarkable production skills continue to shine as she looks more inward with REMEMBRANCE. This depth charged masterpiece needed to be concocted into a duel; a broken beat main mix and a four to the floor rendition of which you can choose your own adventure with. WHEN I AM ONLY A DREAM continues the path she trail blazed on SPEICHER 101 that both is punishing and caressing the dance floors of tomorrow.

Die gebürtige Brasilianerin ANNA aus Barcelona legt nach ihrem unglaublichen Durchbruch mit SPEICHER 101 zum zweiten Mal in diesem Jahr auf SPEICHER vor. HIDDEN BEAUTIES war 2018 zweifellos in keinem Club zu überhören und ANNA berührte dieses Jahr unzählige Dancer mit ihrer aufrichtigen und unerschrockenen Leidenschaft für Techno und DJing.

Auf SPEICHER 105 präsentiert sich ANNA von einer anderen Seite - ihre bemerkenswerten Studio-Skills glänzen weiter, wenn sie mit REMEMBRANCE nach innen schaut. Dieses tief aufgeladene Meisterwerk musste wie in einem Zweikampf gegenüberstehen: der gebrochene "Main Mix' und sein four-to-the-floor Rendering sind je ein Abendteuer für sich. WHEN I AM ONLY A DREAM setzt den Weg fort, den sie auf SPEICHER 101 eingeschlagen hat: höchste Höhen und tiefste Tiefen für den Dancefloor von morgen.

2024 Repress

Siberian born and since 2010, a proud resident of Naples where her musical journey began, Anfisa Letyago has brought to the next generation of techno DJ/producers a sincerity and passion few others can. Of which she is successfully channeling to an incredible growing fanbase. From her releases on Drumcode, Rekids and her newly minted imprint N:S:DA, Kompakt are ecstatic to welcome her to our long running SPEICHER series.

“Keep Flight” is bare and punishing. Taking cues from the greats – think early Hood, Broom or Surgeon – Anfisa takes us down a relentless wormhole fortified by a pulsing vocal and EBM synth. In contrast, the flip side “Rhythm Tension” is a more slowed down, acid squelched affair where Anfisa’s vocals keep the vibe fully in check for those feel good moments everyone is currently needing in a DJ set.

Anfisa Letyago stammt ursprünglich aus Sibirien und ist seit 2010 stolze Einwohnerin von Neapel, wo sie auch ihre musikalische Reise begonnen hat. Sie hat der nächsten Generation von Techno-DJs und -Produzenten eine Aufrichtigkeit und Leidenschaft vermittelt, die nur wenige andere haben. Diese Leidenschaft hat sie erfolgreich an ihre stetig wachsende Fanbase weitergegeben. Nach Veröffentlichungen auf Drumcode, Rekids und ihrem neu gegründeten Imprint N:S:DA freuen wir uns sehr, Anfisa als Gast in unserer langjährigen KOMPAKT Extra/SPEICHER-Reihe begrüßen zu dürfen. "Keep Flight" ist so einfach wie gnadenlos. Erinnerungen werden wach an einige der ganz Großen - an den frühen Hood, Broom oder Surgeon. Anfisa führt uns in ein unerbittliches Wurmloch, dessen Sog durch eindringliche Vocals und EBM-artige Synthies noch verstärkt wird. Im Gegensatz dazu ist die Rückseite "Rhythm Tension" ein entschleunigter Acid-Mahlstrom, bei der Anfisas Gesang für genau die Wohlfühlmomente sorgt, die wir alle derzeit in einem DJ-Set brauchen.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.
Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

É Soul Cultura captain, originator of Manchester’s legendary Electric Chair and definitive people’s champion, Luke Una taps into a lifetime’s worth of musical discovery for the second volume in our Mr Bongo Edits series. A cosmic coming together that sees two of Luke’s secret weapons, re-edited and re-contextualised by the man himself to provide optimal dancefloor euphoria.

A stalwart of the underground for nearly 40 years, Luke has become an appointed leader of the late night disenfranchised, with an unquestionable ability to pick records that make minds tick. Not least through his two É Soul Cultura compilations released on Mr Bongo over the past two years.

A taste that traverses genres as much as it does emotions and decades, who better to give an insight into the tracks he has chosen to edit, than the man himself. “I've been an avid collector of afro-beat house, techno and underground black heart disco since before the basement soul days of Electric Chair 30 years ago. Both these bombs were very much holy grail finds, plucked from the last four decades of digging in random crates of dusty vinyl all over the world.”

First up, Thandi Zulu & The Young Five’s interpretation of Pure Energy’s early ‘80s disco power play – ‘Love Game’. With a distinctive South African synth bass and killer keys combo, Luke explains the original has this “bonkers alchemy of heavy machine soul, uptempo rawness and a majestic disco evangelism”, making it ripe for a re-edit.

On the B side, Lionel Pillay’s Jazz dancer ‘Plum’. “The original was a relentless 18-minute raw jam”, Luke states, “which despite its late ‘70s South African origin kinda reminded me of a 1986 Chicago piano House record”.

“These edits strip the tracks back and rebuild them, giving them more sonic weight with that looped up drum jacking militancy from the days of Chicago, combined with a boosted sense of transcendental, psychedelic, cosmic disco. They have always had such an explosive reaction on so many dancefloors including the heavier electronic club, so it felt only right to reshare them”.

LIMITED 200 COPIES POSTER EDITION (inclusive stickers)

Zodiak commune records resident G303 delivers 4 acid tracks for the volume 1 of the new 'Acid Machines' series.
As we can clearly hear on this first ep, 'Acid Machines' will be focussed more on the raw, industrial side of acid, with respect for the past and open to the future.
While 'acid dropping' and 'power corrupts' transport you straight back to the nineties, beelzebub rising starts off as raw electro acid evolving into a 4/4 dancefloorkiller.
Finally 'walk on by' is a fresh electro take on a sixties classic.

Mode_1 Reclaim EP by DIG Records

Cover // Augmented reality by Omer Avarkan


********************************AUGMENTED REALITY COVER ***********************************

After a stellar debut release in 2023, vinyl-only label Dust in Grooves, sees its anticipated second EP Reclaim, showcasing one of Dublin's gleaming underground talents Mode_1. Establishing DIG as a progressive sonic platform, founder Olivia Mendez is also curating a series of dynamic augmented reality covers for each EP. Adding more layers into the sound experience of the Reclaim vinyl is motion designer and visual artist Omer Avarkan.


Mode_1's dedication to uncovering layers of tough but rhythmic grooves, both as a DJ and a producer, has led him to make a mark on legendary techno imprints such as Knotweed, FiedelTwo, Truncate and Naked Lunch. Staying true to his advancing, dynamic sound laid with dexterous technique, Robert Kavanagh delivers a collection of four ominous tracks, pulsating with incandescent pads and pacey drums.


The EP opens with the relentless and driving Sigma, setting the tone for a swiftly moving ride across the record. With playful shifting of gears and jacking rhythms, the A2 flows into the next track Dusty Room, utilising the bleepy pitches in contrast to the expansive spheric tones, offering an energetic boost of a melodic techno work-out, with hints of sharp dub edges.


Reclaim on B1 highlights the versatility of Mode_1, comprising multi-layered scales, evolving spiral sounds and a build-up of reverberating tones that escalate with poise. As a closing track of the record, Platform 8 is one of those B2 sides that you keep reaching out to. This ultimate big-floor tool is loaded with advancing movement, keys with mystical undertones, and depth of texture that play with the infinite nature of the number eight.


Unlocking the animated cover of the EP and seeing it come to life virtually, adds a new dimension to the classic format of the vinyls. To unlock its motion, follow the riddle on the back.


All tracks mastered by Nihad Tule.


Words by Lora Mateeva, Orb Mag

Harlem's legendary Disco label Queen Constance has long been a cult favourite among fans of underground dance music for decades.

One of many labels operating under the equally legendary P&P family of imprints Queen Constance was operated by one Peter Brown, a truly colossal figure in NYC's music scene, it's catalogue still fascinates music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds it way into the playlists of respected DJ's and selectors across the globe. The mighty 'Roller Rink Funk' by Shift is the next reissue from the archives and never has a jam been more aptly named!

Another class act from the plethora of uptown groups that were associated with Queen Constance and her orbiting planets, Shift was possibly yet another 'studio' group put together for this one time release. The co-production nous and involvement of long-time associate Bernard Thomas lends these cuts some serious B-boy credentials. Thomas was involved in a lot of the P&P era early Rap material, as well as working with BDP and lending his skills to releases on the cult Rap label Zakia too. Needless to say, this particular release is that magic funky frisson between Disco, Funk and the earliest stirrings of Hip-Hop, an especially rich vein of music. As the title suggests this one is meant to be heard at the roller rink, the syncopated rhythms mimicking the skaters movements and repetitions. As with any good roller-skating Funk record (there are many!) it doesn't take long for you to want to hit the dance-floor, whether it's to skate or to simply get down. An often tricky record to find in it's OG state, commanding 'collectors' prices, 'Roller Rink Funk' is back on the block for all the Disco freaks for 2018. Perfect.

This is a 100% legit reissue, made in conjunction with Above Board distribution and the Demon Music group, lovingly remastered with love by Optimum Mastering, Bristol UK.

Same track on both sides

Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family".

Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".

Another classic in the making...

Repress.

MFM044 sees the reissue of the cult Spanish studio project Música Esporádica with their incredible one off, self-titled album.

Another Suso Saiz side project, this one grew out of his work with his band Orquesta De Las Nubes, who were themselves the subject of a Music From Memory compilation last year.

The idea of getting Orquesta De Las Nubes to collaborate with Glen Velez and Layne Redmond arose after the two American musicians visited Spain during a series of seminars on frame drum techniques in 1985. Having met Glen Velez some years before in Madrid whilst Glen was performing with the Steve Reich Ensemble, Suso Saiz and Glen Velez quickly formed a strong friendship over their mutual love of non-Western music and the potentials of repetition within music. The two would play, talk and drinks for many hours in Suso’s studio space whenever Glen was in Madrid.

During one such session in 1985, Glen and Suso would be joined by Orquesta De Las Nubes and Spanish friend and musician Miguel Herrero. With exciting new ideas flowing quickly and easily, Suso decided to immediately call Track Studios in Madrid to see if they might have a space to record some of the material. With just a few days available the group would record for about 12, with what Suso would describe as ‘incredible fluency’, by which time they would have recorded the album they would later title Música Esporádica.

After its release 34 years ago Música Esporádica sounds as stunning as ever and Music From Memory are delighted to be able to share the fluency, spontaneity and close friendship which fuelled the recording of this amazing album.

repressed !

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin's Plus8, Sven Vath's Cocoon and of course, Adam Beyer's Drumcode. In his time he has been responsible for underground hits like 'Zoe', 'Polyester' and 'Fire In My Arms', all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, 'Satellite' is Sam's first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around.

A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.

Take to the B side for another staple, and go-to gem, for some of the biggest around including, Antal, Hunee, Ge-ology and Sadar Bahar. ‘Happy Music’ is one of those funk-heavy, mesmerising cuts that seemingly evaporates all prior worries and instantly injects the urge to dance, no matter the scenario.

Two certified must-haves on either side of a 12 inch, gold for sure.

Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.

Talman15 Courtesy of Our Long Time Friend Jorge Savoretti ( Bass Culture, Savor ) - Including a Phat Remix From Reflex Blue ( Craigie Knows, Limousine Dream )....

Get ready to hit the dance floor with the Tech-House Remix by DFRST of Michael Jackson’s ‘Thriller’, presented by Deacon Frost Music. This song infuses the classic with fresh and electrifying rhythms, perfect for any party. Celebrate the 40th anniversary of ‘Thriller’ with a remix as fresh as it is nostalgic. Keep the legend alive and your feet moving with more remixes from Deacon Frost Music.

This is the Tech-House Remix by DFRST… First and foremost, this album is a tribute to the pop legend, the incomparable Michael Jackson, on the 40th anniversary of his best-selling album of all time, Thriller. Additionally, I want to express my gratitude to my loved ones for their unwavering support since my return to music production.

Undoubtedly, this is one of my most anticipated projects since I started producing music, although back in 1983, I used to cower in fear to cover up when those Jupiter 8 tracks came on the radio… I would like to express my gratitude to Lenny Jay for believing in my project and delivering an impeccable performance that showcases his talent and devotion to the artist.

Furthermore, I appreciate my engineer and vocal arranger, Austin, from Austin Music Spain, for his exceptional contribution to this track, always inspiring me with his friendship and motivation. It’s impossible not to mention my musical father, mentor, cricket player, and great friend, Mike Platinas.

He not only provided valuable guidance but also recorded the vocals, portraying Vincent Price in earnest. His work is unsurpassed

"DUBTERNAL" is an ode to the healing power of instruments.
An ode to human touch in an ever-increasing artificial world.
An ode to that young punk with a guitar on his back, heading to rehearsal space, reminding him that it's always worth pursuing creativity in all forms and shapes."
Egoless 2024

An adventurous percussion playground Trio inclassable qui explore les rythmes et les sons, Spëcht a ouvert un terrain de jeu singulier autour des percussions en donnant une nouvelle dimension à des instruments acoustiques.

Darbuka, gongs, kalimbas, riqq, doholla, bendirs,... sont à la base de leur univers percussif et mélodique qui oscille entre sons organiques et textures atmosphériques, paysages sonores aux accents de transe et grooves entraînants.

Après la sortie du premier EP "Dawn" sous le nom de groupe "Hands in Motion” », letrio sort « Triptyques » et propose une expérience évolutive en trois temps progressifs.


“The trio includes three of the top percussionists in Belgium Simon Leleux, Robbe Kieckens, Célestin Massot their music is a rich world of stimulating transglobal rhythms and transfixing sounds” World Music Central It's an exciting time for music lovers and fans of innovative sounds, as the band formerly known as 'Hands in Motion' makes a refreshing re-entry into the music world under a new name: Spëcht. With their latest album, 'Triptyques', Spëcht promises an immersive listening experience that retains the deep-rooted essence of the band while exploring new musical horizons.

After a period of artistic development and introspection, Spëcht has decided that the name change is a natural step in their musical journey. The name 'Spëcht' not only reflects their renewed focus and energy but also their commitment to creating music that is both powerful and sophisticated, just like the bird of the same name.

Triptyques' is an album composed of three parts, each highlighting a unique aspect of the band. This conceptual masterpiece takes the listener on a journey through various musical landscapes, from melodic harmonies and huge percussion elements with complex rhythms to bold experimental sounds. Each 'triptych' stands alone as an individual work of art, yet together they form a cohesive and captivating story.

With 'Triptyques', Spëcht demonstrates a maturity and depth in their musical expression that will surprise and charm both loyal fans and new listeners.

After the success of the 1st vinyl edition of Techno Club 25 years anniversary, Talla 2XLC and his ZYX team proudly present the 2nd vinyl edition including 12 trance classics in their full extended DJ friendly glory. Imagine on the same colored vinyl (gold and black) outstanding productions and remixes by Talla 2XLC, Terry Bones, DJ Kalpa, Paul van Dyk feat Plumb, John O’Callaghan, Chakra, Alex M.O.R.P.H., Lange & Sarah Howells, Aly & Fila, CRW, DJ Jamx & De Leon aka Dumonde, Markus Schulz and Tony-H. Finally has arrived the ultimate vinyl set of 12 eternal trance classics selected with love by Talla 2XLC and his Techno Club team. Add in your basket and purchase now this very limited edition colored vinyl set!