Los Angeles-based producer and composer Hayes Bradley returns with his most ambitious work yet, Audience, out now via StrataSonic Records. A departure from his years composing for film and fashion, the 14-track album marks a return to his dancefloor roots by melding breakbeats, trip-hop, and ambient textures into something both nostalgic and forward-thinking.
After two beatless, melodic LPs on Secular Sabbath, Bradley arrives at Los Angeles’ StrataSonic—an independent label celebrated for prioritizing artistic freedom—with Audience, a record defined by moody, churning breaks and rich soundscapes. Across the album, he merges the emotional depth of his scoring work with the kinetic energy of underground dance music, crafting a deeply-layed and adventurous project that exists beyond trends while highlighting his versatility as both producer and performer.
The album features collaborations with Luna on the ethereal “Dear Treasure” (accompanied by a music video with collaborator and partner Luna Blaise) Amtrac on “Be Right With You,” and Oxis on “Wishes,” alongside a range of instrumental cuts that highlight Bradley’s approach to rhythm and sound design.
At its core, Audience is an exploration of embracing personal and musical chaos. Bradley channels moments of anxiety, uncertainty, and raw emotion into tracks that are unpredictable and immersive. The album reflects his philosophy of leaning into disorder—turning moments of anxiety, unpredictability, and chaos into kinetic music that moves both body and mind.
quête:a produce
2025 Repress
DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
finally repressed! Two producers on duty for Gerd's Palm Leaves remixes. Sometimes an amazing track like Palm Leaves just screams for a rework by someone who really could do something nice with it. And this seems to be the perfect remix duo... Larry Heard aka Mr Fingers and Deetron. One for the body and one for the soul!
- 01: Back At School
- 02: Dead Roo
- 03: I'm Up You're Out
- 04: Loser
- 05: Nightshift
- 06: Hooray Fuck
- 07: Do It To Me
- 08: Never Grow Old
- 09: What
- 10: Elle
40 Years COSMIC PSYCHOS, 40 years dirty, mean, simple, garagey punk rock & roll! EU pressing of the guys seminal 1991 album, the first for Amphetamine Reptile Records back then Noisy alternative punk rock from Down Under for fans of Stiff Richards, The Chats, Nashville Pussy, Supersuckers, Hard -Ons, AmpRep, early Sub Pop "As 1990 set in, Jones vacated the guitar spot. Knight and Walsh asked their friend Robbie Watts, a self-taught guitarist, to join the fold. Watts said yes and Cosmic Psychos ventured to Wisconsin to record their third full-length release at producer Butch Vig's Smart Studios. Released in 1991, Blokes You Can Trust was the band's first record for the American noise rock label Amphetamine Reptile, after the bandmembers became drinking buddies with label head Tom Hazelmeyer. ... The Psychos conducted a European tour during which they developed an unusual trademark. After seeing many other rock bands take bows after performances, at the end of a show in Potsdam, Germany, Cosmic Psychos decided to alter the tradition by pulling down their pants and mooning the unsuspecting audience." - Do we have to say more? Classic.
Killer tune produced by Sly & Robbie at Channel 1 in the early '80s. Never released at the time, but it was played by some sounds on dubplate and has become hunted by steel seekers ever since. Great lyrics and the early Taxi trademark spare, heavy mix elevates this tune to something more. Warning for the punters, this is mastered from dubplate - loud and raw.
- A1: Love Rocket
- A2: I Could Be Free
- A3: You Are Yours
- A4: Listening To The Rain
- A5: Romance
- A6: Love
- A7: Circle Of Friends
- B1: Are You Happy?
- B2: Parade
- B3: Vacation
- B4: Navy Blue
- B5: Embracing The Burning Sun
- B6: Let's Take It Easy
Tomoyo Harada x Tore Johansson's "I Could Be Free," a shining monument in the history of '90s J-Pop, is finally being reissued on vinyl!
JUDGMENT! RECORDS Vinyl Odyssey: Part I
Produced by Swedish virtuoso Tore Johansson, this album is renowned as the pinnacle of Tomoyo Harada's "Swedish Pop Trilogy."
This delicate worldview has been meticulously recreated on vinyl by the new label, JUDGMENT! RECORDS, headed by acclaimed record designer
Koki Hanawa, with a unique aesthetic and meticulous attention to detail. The meticulous binding, featuring an E-style trifold cover, enhances the album's
appeal both visually and aurally.
- A1: Cruel Park
- A2: Colorful City
- A3: You And Me
- A4: Are You There?
- A5: I Will
- A6: Wonderful Life
- B1: The House Of The Linden Tree
- B2: Cynthia
- B3: Aie
- B4: Nostalgia
- B5: Gardenia Hill
- B6: The Girl Who Leapt Through Time
Tomoyo Harada's crystalline masterpiece, "music & me," finally reissued on vinyl.
JUDGMENT! RECORDS Vinyl Odyssey: Part II
In 2007, Tomoyo Harada's album "music & me," produced by Goro Ito, was released to commemorate her 25th anniversary since her debut.
This album, which combines an acoustic vibe with a soft, limpid vocals, continues to garner overwhelming support from fans even 18 years after its release.
Her self-covers, "Cynthia" and "The Girl Who Leapt Through Time," are masterful bossa nova arrangements that resonate with her roots and maturity,
making them truly exceptional works to be enjoyed on vinyl. To maximize their appeal, the new label "JUDGMENT! RECORDS," headed by acclaimed record
designer Koki Hanawa, has released the album on vinyl with his unique aesthetic and craftsmanship.
The meticulous binding, featuring an A-type semi-double cover, recreates the album's worldview both aurally and visually.
■ Participating Artists: Keiichi Suzuki, Yukihiro Takahashi, Masakatsu Takagi, Taeko Onuki, Kiseru, Yuji Oniki, etc
Househead London launch their 2nd 12" release - a limited-edition Chicago Vs London sampler featuring Glenn Underground and Emmaculate Remixes.
Following a string of critically acclaimed events featuring Chi-Town royalty, Househead London further cement their relationship with Chicago on this vinyl release which features two of the city’s esteemed producers - Glenn Underground & Emmaculate - remixing two sterling new tracks from two of the UK’s most exciting producers - Prefix One and Wez Whynt.
Opening the EP is an artist who needs very little introduction, Glenn Underground. A leading international producer & DJ who seems to effortlessly slide between Deep, Soulful, Disco, Jazz and beyond, Glenn boasts an exceptional discography that very few could compete with. His Cosmic Disco Journey Mix here weaves its lo slung groove in a funky off-kilter disco style with piano ripples as Nambi’s voice shimmers on top. Nambi’s heartfelt soars across Glenn’s Cosmic Journey remix unfurling beautiful piano and taut Chi-town beats. Deep and vocal, it’s got that raw soul power that both Glenn and Chicago are known for.
Known for his exquisitely high attention to detail and quality, Emmaculate is one of the go-to producers and sound engineers in Chicago. Working closely with Terry Hunter on a multitude of projects and a shining light across the global soulful house scene, he’s regularly featured across impressive labels such as Dopewax, Yorubasoul, United Music, Soulstice Music and S&S Records. His lush, tough-edged Remix of ‘Feelin’, rolls on with melodic piano hooks to unlock the groove and boosted with extra keys and vocal refrains before the full vocal unfolds. Solid and deep, “Feelin’ is pure joy for the dance floor.
- A1: I Saw Her Standing There (Take 2)
- A2: Money (That’s What I Want) (Rm7 Undubbed)
- A3: This Boy (Takes 12 And 13)
- A4: Tell Me Why (Takes 4 And 5)
- A5: If I Fell (Take 11)
- A6: Matchbox (Take 1)
- A7: Every Little Thing (Takes 6 And 7)
- A8: I Need You (Take 1)
- B1: I’ve Just Seen A Face (Take 3)
- B2: In My Life (Take 1)
- B3: Nowhere Man (First Version – Take 2)
- B4: Got To Get You Into My Life (Second Version – Unnumbered Mix)
- B5: Love You To (Take 7)
- B6: Strawberry Fields Forever (Take 26)
- B7: She’s Leaving Home (Take 1 – Instrumental)
- C1: Baby, You’re A Rich Man (Takes 11 And 12)
- C2: All You Need Is Love (Rehearsal For Bbc Broadcast)
- C3: The Fool On The Hill (Take 5 – Instrumental)
- C4: I Am The Walrus (Take 19 – Strings, Brass, Clarinet Overdub)
- D1: Hey Bulldog (Take 4 – Instrumental)
- D2: Good Night (Take 10 With A Guitar Part From Take 5)
- D3: While My Guitar Gently Weeps (Third Version – Take 27)
- D4: (You're So Square) Baby I Don't Care (Studio Jam)
- D5: Helter Skelter (Second Version – Take 17)
- D8: Julia (Two Rehearsals)
- E1: Get Back (Take 8)
- E2: Octopus's Garden (Rehearsal)
- E3: Don't Let Me Down (First Rooftop Performance)
- E4: You Never Give Me Your Money (Take 36)
- E5: Here Comes The Sun (Take 9)
- E6: Something (Take 39 – Instrumental – Strings Only)
- F1: Free As A Bird (2025 Mix)
- F2: Real Love (2025 Mix)
- F3: Now And Then
- D6: I Will (Take 29)
- D7: Can You Take Me Back? (Take 1)
Anthology 4 - Triple LP. The new volume from The Beatles Anthology Collection.
Anthology 4, is newly curated by Giles Martin, including 13 previously unreleased demos, plus fascinating session and other rare recordings dating from 1963 to 1969. It also includes the band’s final single, ‘Now And Then’, released in 2023, and new mixes of The Beatles’ Anthology-associated hit singles: the GRAMMY-winning ‘Free As A Bird’ and ‘Real Love’, given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals. Furthermore, Anthology 4 presents 26 tracks that have never previously been released on vinyl.
The track notes are written by Kevin Howlett with an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.
Pressed on 180g black vinyl, the triple LP is housed within poly-lined inner bags and a triple gatefold sleeve.
- 1: Sign Of A Storm
- 2: Pouring
- 3: By Silent Wings
- 4: The Rising Of The Flames
- 5: The Gallant Crow
- 6: The Everdarkgreen
- 7: The Rising Of The Flames (Bonus Track)
- 8: Chorale (Bonus Track)
Amber/Black Smoke Vinyl[36,35 €]
Skepticism's celebrated debut album's 30th anniversary edition with bonus material out in November Stormcrowfleet, Skepticism's monumental 1995 debut, remains a landmark of funeral doom — an album that defined both a sound and a legacy. This 30th anniversary edition of the classic was newly mixed from the original tape reels by Anssi Kippo in 2018 at Astia Studio under supervision of the band and is now freshly cut for vinyl. "Stormcrowfleet was originally released on CD. Instead of taking the easiest route we wanted to make the vinyl version the best it can be. We bought the multi-track tapes at the end of the recording sessions back in the day and have stored them for possible later use. This use became the Stromcrowfleet reissue - not just a vinyl edition but a complete remix of the album from the original recordings." "In the remix sessions nothing was added or changed in the original recordings. The mix was done at Astia-studio with high quality analog equipment. In fact most of the equipment used did exist in 1995. What did not exist back in then was more than two decades of audio engineering tradition dedicated to processing extreme metal. In this process that tradition manifested in the form of Anssi Kippo - multiple award winning producer who handled the mixing in co-operation with the band members. In short the target was not to do a different mix but one with the original vision for the album with better equipment and engineering." comments the band. The 30th anniversary edition of Stormcrowfleet features two bonus tracks from the 1994 demo cassette AEOTHE KAEAR cut directly from the original studio master tape, released on vinyl now for the first time ever. Also including a special anniversary edition booklet illustrating the making of the album. A milestone of doom metal history, expanded and reintroduced for a new generation.
- 1: Sign Of A Storm
- 2: Pouring
- 3: By Silent Wings
- 4: The Rising Of The Flames
- 5: The Gallant Crow
- 6: The Everdarkgreen
- 7: The Rising Of The Flames (Bonus Track)
- 8: Chorale (Bonus Track)
Black Vinyl[32,35 €]
Skepticism's celebrated debut album's 30th anniversary edition with bonus material out in November Stormcrowfleet, Skepticism's monumental 1995 debut, remains a landmark of funeral doom — an album that defined both a sound and a legacy. This 30th anniversary edition of the classic was newly mixed from the original tape reels by Anssi Kippo in 2018 at Astia Studio under supervision of the band and is now freshly cut for vinyl. "Stormcrowfleet was originally released on CD. Instead of taking the easiest route we wanted to make the vinyl version the best it can be. We bought the multi-track tapes at the end of the recording sessions back in the day and have stored them for possible later use. This use became the Stromcrowfleet reissue - not just a vinyl edition but a complete remix of the album from the original recordings." "In the remix sessions nothing was added or changed in the original recordings. The mix was done at Astia-studio with high quality analog equipment. In fact most of the equipment used did exist in 1995. What did not exist back in then was more than two decades of audio engineering tradition dedicated to processing extreme metal. In this process that tradition manifested in the form of Anssi Kippo - multiple award winning producer who handled the mixing in co-operation with the band members. In short the target was not to do a different mix but one with the original vision for the album with better equipment and engineering." comments the band. The 30th anniversary edition of Stormcrowfleet features two bonus tracks from the 1994 demo cassette AEOTHE KAEAR cut directly from the original studio master tape, released on vinyl now for the first time ever. Also including a special anniversary edition booklet illustrating the making of the album. A milestone of doom metal history, expanded and reintroduced for a new generation.
Berlin’s ZentaSkai returns to his Mask Records with the ‘Billie’ EP, collaborating with Palawan, Jeremy Reinhard, and Thomas Grün for release on vinyl only, 2nd November 2025. He kicks off with the solo cut 'A1', which is quick, sophisticated, raw House with a funky clip to the beats that diffuses heat in the grainy sustained pads. It brings serene emotional release through stylish hypnosis and gorgeous vocals that blend seamlessly into the mix. Next, ZentaSkai collaborates with the mysterious Palawan, as he did on one track of his 2023 album The Architecture Of The Mind, on 'A2.' This one suspends you in backlit synth glows while rounded drums and funky claps tap out the supple rhythm. Cautious hope comes from the quiet chord stabs and soft focus melodies in what is a masterclass in deep Techno minimalism. 'B1' reunites ZentaSkai with Cologne's Jeremy Reinhard following previous cuts on that same 2023 album. Reinhard has long been a pillar of his local Berlin scene as a resident DJ, but also the wider underground with his own label Lekker Record. Their track taps into dub depths but ups the pace and allows radiant synths to piece the surface next to muttered spoken word that keep it intimate and perfectly seductive for body and mind. Last of all is a collab with Austrian Thomas Grün, who has been shaping deep and Tech House with his immaculate grooves for decades. Their 'B2' brings US garage snares to buoyant drums and douses them in layers of fuzzy synth warmth. It's meditative yet direct with an ever-rising sense of hope that makes it all the more indelible. ZentaSkai (aka No Mad Ronin, Matt Nowak, and MASK) is a German DJ and producer active since 1997. Based out of his studio in Berlin, ZentaSkai runs the Zaijenroots label and, since 2017, the Mask sub-label, which houses his stunning 2023 ‘Architecture of the Mind’ LP as well as his Cuddling Monsters project with Laura Merino Allue, who has been significantly involved in the label's work since 2023. - with other credits including a release on Jerome Sydenham’s Ibadan Records and support from the likes of Richie Hawtin, Joseph Capriati, Marcel Dettmann, Luke Slater, Laurent Garnier, DVS1, Ben Sims, and Radio Slave.
Moving Pressure marks its fifth release, and the first one to stretch across a double vinyl with full sleeve artwork. It isn't framed as an album, yet its sequencing carries a narrative weight that lingers between immediacy and introspection.
MP05 welcomes on board Australian producer Connor Wall, whose work fuses tightly wound rhythm and immersive atmosphere, balancing precision with a sense of openness. His sound is rooted in the physical pull of the dancefloor, yet drawn toward zones of suspension and elusion. And Moving Pressure 05 captures that duality very clearly. Momentum sets the tone from the outset - taut drum programming, metallic accents, and structures that build energy in decisive bursts. There's a sense of propulsion that feels engineered for peak hours, exuding a tightening grip on the floor. Gradually, tension loosens up, stretching patterns into spirals, layering vaporous pads and resonant low-end that opens a more interior space.
Together, the two arcs trace Wall's range with clarity: body and mind, force and dissolve. Rather than presenting opposites, they reveal different angles of the same language. An exploration of density, atmosphere, and the subtle thresholds between the two.
Sonetos del Amor Oscuro is an ode performed by four enchanted souls who have intertwined their hearts and conjured harmonies and rhythms that wander endlessly among the spellbinding words of a poet from Granada... Federico García Lorca;
He wrung, pushed and vibrated words like tectonic plates, transforming plains into poetic mountain landscapes. He then covered them with a Moorish carpet of snow crystals and had them reflected by the dark locks of hair of a gypsy girl from Albaicín who, with a voice forged in gold and silver, sings her little sister to sleep with a soothing lullaby.
Helena Casella – vocals
Myrddin De Cauter – flamenco guitar
Stijn Kuppens – cello
Stefan Bracaval – flute, bass flute
Helena Casella, the Belgian-Brazilian vocalist with a deep, soft and warm voice, translates her multicultural background and personal thoughts into music in a passionate, soulful and refined way. With her roots in an exceptionally musical family, her music exudes this unique heritage. She effortlessly interweaves genres such as R&B, soul, hip hop and modern jazz, while remaining true to the vibrant sounds of Brazil, an essential part of her roots.
Her debut album was released earlier this year on W.E.R.F. records.
Myrddin De Cauter's music is deeply moving, complex, passionately rhythmic and deeply emotional. He has mastered the compás of flamenco, which gives him the freedom to converse with elements from jazz or classical music. His speed sometimes seems otherworldly, but those who take the time to listen closely to his music will quickly discover an immense world of pure emotion, beauty and tranquillity. After six albums and countless concerts, Myrddin proves that great virtuosos do not necessarily have to come from Spain. At the tender age of eleven, his father taught him to play the clarinet in jazz and gypsy swing style; he became part of the family orchestra and gained his first experiences on stage. A classical melody composed on the guitar prompted him to ask his father to teach him the basics of flamenco guitar. Soon after, Myrddin seemed ready for the real thing and went to Andalusia to learn from Manolo Sanlucar and Gerardo Núñez. This inspired him to compose in his own unique language, deeply rooted in the pure flamenco tradition but enriched by boundless creativity.
Stijn Kuppens is a cellist, composer and producer. In his own genre, which he describes as non-classical cello, he uses the cello in his own unique way. His profound knowledge of the complex history and techniques of the style is clearly audible: Kuppens' mastery of classical music is evident in every note he plays, whether he is performing solo or collaborating with other musicians. His skill as a musician and ambition to explore the boundaries of conventional classical music is evident in his ability to seamlessly blend different genres.
Stefan Bracaval is a classically trained flutist who graduated from the Royal Conservatory of Antwerp. His fascination with the expressive potential of improvisation led him to jazz, where he became a self-taught jazz flutist. Bracaval has collaborated on projects with prominent jazz figures such as Charles Loos, Bert Joris and the Brussels Jazz Orchestra. In addition, he worked as a soloist and arranger with the VRT Radio Choir in 2016. Bracaval leads the Stefan Bracaval QU4RTET, which emphasises the flute as a central jazz instrument and brings new repertoire rooted in jazz traditions.
Live
31/10/2025 – Café Silverio, Gent (BE)
15/01/2026 – Kloosterkapel Diepenbeek (BE)
16/01/2026 – ‘t Ey, Belsele (BE)
17/01/2026 – Sint-Luciakerk (kerkconcerten Merode), Engsbergen (BE)
23/01/2026 – Muziekcentrum Dranouter (BE)
- 1: The Prince
- 2: One Step Beyond
- 3: My Girl
- 4: Night Boat To Cairo
- 5: Baggy Trousers
- 6: Embarrassment
- 7: The Return Of The Los Palmas
- 8: Grey Day
- 9: Shut Up (Single Edit)
- 10: It Must Be Love
- 11: Cardiac Arrest
- 12: House Of Fun
- 13: Driving In My Car
- 14: Our House
- 15: Tomorrow's (Just Another Day)
- 16: Wings Of A Dove
- 17: The Sun And The Rain
- 18: Michael Caine
- 19: One Better Day
- 20: Yesterday's Men (Single Edit)
- 21: Uncle Sam (Single Edit)
- 22: Sweetest Girl (Single Edit)
- 23: (Waiting For) The Ghost Train
Relive the early years of Madness with 'Hit Parade Vol. 1 1979-1986'. This 23-track 2LP set remembers the early years of Madness; containing a selection of their biggest hits and best loved tunes. It includes 23 UK Top 40 hits such as 'One Step Beyond', 'Embarrassment', 'My Girl', and 'Night Boat To Cairo'.
Beautifully packaged in a deluxe, gatefold sleeve, this 2LP collection is pressed on translucent red vinyl. The fully illustrated inner sleeves contain new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley, in conversation with renowned author and journalist Paul Sexton.
Firmly established as national treasures and as one of the UK’s most cherished and beloved bands, Madness are adored by their loyal and huge following. Their consistently sold-out shows illustrate their enduring qualities resulting in their popularity continuing to grow and grow.
- 1: The Harder They Come (Live At Madstock 992)
- 2: Lovestruck
- 3: Johnny The Horse
- 4: Drip Fed Fred (The Conspiracy Mix)
- 5: Shame And Scandal
- 6: Girl Why Don’t You
- 7: Sorry (Radio Edit)
- 8: Nw5 (Radio Edit)
- 9: Dust Devil (Radio Edit)
- 10: Sugar And Spice (Radio Edit)
- 11: Forever Young (Melt Music Radio Edit)
- 12: My Girl 2 (Radio Edit)
- 13: Never Knew Your Name
- 14: How Can I Tell You (Radio Edit)
- 15: Misery
- 16: La Luna
- 17: Mr.apples (Toerag Mix)
- 18: Can't Touch Us Now
- 19: Bullingdon Boys
- 20: C'est La Vie
- 21: Baby Burglar
- 22: Round We Go (Single Version)
Experience the modern era of Madness with 'Hit Parade Vol. 2 1992-2024'. This 22-track 2LP set relives the more modern, contemporary years of Madness; containing a selection of hit singles, fan favourites and much-loved tunes. Including 'NW5', 'Shame and Scandal', 'Sorry', 'Drip Fed Fred', 'Mr Apples' and the Top 10 single 'Lovestruck'.
Beautifully packaged in a deluxe, gatefold sleeve, this 2LP collection is pressed on translucent blue vinyl. The fully illustrated inner sleeves contain new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley, in conversation with renowned author and journalist Paul Sexton.
Firmly established as national treasures and as one of the UK’s most cherished and beloved bands, Madness are adored by their loyal and huge following. Their consistently sold-out shows illustrate their enduring qualities resulting in their popularity continuing to grow and grow.
- A1: Baggy Trousers
- A2: Our House
- A3: It Must Be Love
- A4: One Step Beyond
- A5: House Of Fun
- A6: Night Boat To Cairo
- A7: My Girl
- A8: Embarrassment
- B1: Wings Of A Dove
- B2: Mr.apples (Toerag Mix)
- B3: Michael Caine
- B4: Driving In My Car
- B5: Never Knew Your Name
- B6: Lovestruck
- B7: Nw5 (Radio Edit)
Enjoy a Madness career-spanning overview with Hit Parade; a 15-track highlights LP, featuring 13 UK Top 40 hits including Our House, It Must Be Love, Baggy Trousers, Lovestruck, and the No.1 single House of Fun.
Pressed on classic black vinyl, the fully illustrated inner sleeve contains new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley, in conversation with renowned author and journalist Paul Sexton.
- 1: The Prince
- 2: One Step Beyond
- 3: My Girl
- 4: Night Boat To Cairo
- 5: Baggy Trousers
- 6: Embarrassment
- 7: The Return Of The Los Palmas
- 8: Grey Day
- 9: Shut Up (Single Edit)
- 10: It Must Be Love
- 11: Cardiac Arrest
- 12: House Of Fun
- 13: Driving In My Car
- 14: Our House
- 15: Tomorrow's (Just Another Day)
- 16: Wings Of A Dove
- 17: The Sun And The Rain
- 18: Michael Caine
- 19: One Better Day
- 20: Yesterday's Men (Single Edit)
- 21: Uncle Sam (Single Edit)
- 22: Sweetest Girl (Single Edit)
- 23: (Waiting For) The Ghost Train
- 1: The Harder They Come (Live At Madstock 992)
- 4: Drip Fed Fred (The Conspiracy Mix)
- 5: Shame And Scandal
- 6: Girl Why Don’t You
- 7: Sorry (Radio Edit)
- 8: Nw5 (Radio Edit)
- 9: Dust Devil (Radio Edit)
- 10: Sugar And Spice (Radio Edit)
- 11: Forever Young (Melt Music Radio Edit)
- 12: My Girl 2 (Radio Edit)
- 13: Never Knew Your Name
- 14: How Can I Tell You (Radio Edit)
- 15: Misery
- 16: La Luna
- 17: Mr.apples (Toerag Mix)
- 18: Can't Touch Us Now
- 19: Bullingdon Boys
- 20: C'est La Vie
- 21: Baby Burglar
- 22: Round We Go (Single Version)
- 2: Lovestruck
- 3: Johnny The Horse
Beautifully packaged in a deluxe slipcase, this 4LP box set combines the red vinyl.
Volume 1 and blue vinyl Volume 2 2LP collections. The fully illustrated inner sleeves contain new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley,
in conversation with renowned author and journalist Paul Sexton.
Thelonious Monk once famously said "the piano ain't got no wrong notes", and this mantra is evident in his playing: full of angular, challenging harmonies combined with a harsh and percussive technique. Though his style of playing was unorthodox, he could also play runs and arpeggios with great speed and accuracy. All in all Monk would prove to be a long-lasting influence on jazz piano. All this is highlighted on 1967's Straight, No Chaser, Monk's sixth album for Columbia. On it, you'll find the album's namesake "Straight, No Chaser", a composition by Thelonious himself that became one of the most important blues-based standards in the jazz repertoire. Furthermore, the album features "Japanese Folk Song", a two-century old tune that Ryan Gosling's character is practicing in the movie La La Land. Charlie Rouse plays the tenor saxophone and the liner notes are writting by jazz writer and producer Orrin Keepnews. Straight, No Chaser is available as a limited edition of 2500 individually numbered copies on crystal clear vinyl and comes in a deluxe, heavy duty sleeve.
By 1967, the Jamaican music industry in the UK was flourishing, its success primarily due to the efforts of a number of talented British-based singers, songwriters and producers, among them being the young multi-talented music maker Robert Thompson a.k.a. Dandy. Thompson’s popularity on the UK Jamaican music scene resulted in the release of his popular debut album ‘Rock Steady With Dandy’. This record contains one of the biggest rocksteady hits ever made: "People Do Rock Steady" also known as "Let's Do Rock Steady", and was first released in October 1967 as the flip side to his single "We Are Still Rude".
The classic album Rock Steady With Dandy is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.




















