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irst remix single cut from latest eddie c album "country city country". we invited two favorite new producers. one is italian edit master "marvin&guy". after the big success of their record on let's get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia "tornado wallace" reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it's for the fan of quiet village or andrew weatherall. vol.2 of remix single with kza&young marco is coming very soon!

The EP starts with Mikael Jonasson's, 'Benefit of the Doubt' which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track 'Never Really Left Home' that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother's supply another big track named 'Different Directions' using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, 'Kill Room' that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; 'Rimson' that uses hypnotic drums to captures the listener's attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. 'Second Coming' is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called 'Xylopeggiator', conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

Stefan Goldmann's very first release from 2001, thoroughly remastered. Long out of print, this has been extremely sought after classic vinyl. In their day, these tracks (together with Missing Days / That Ghost) created the prototype of today's stripped down house sound. Especially 'Gee Baby' has recently been rediscovered and became a signature tune of Ibiza's DC10 / Circo Loco with DJs like Raresh and Matthias Tanzmann - which made it swap back to its native Berlin and its legendary eternal afterhours. The A side's 'Closing In' with its broken funk predated a lot of convergence happening now between house and bass music. And last but not least, Stefan Goldmann provides a brand new, ultra-stripped down EDIT of the mesmerizing 'Read That Lips.' Essential all the way. Remastered by D+M's Rashad from the original DAT source and cut to premium vinyl, they are finally available again in unprecedented quality.

"In Dub Vol.1" ist die erste Collection einer Serie mit raren, klassischen und neuen Dub Exkursionen des Bob Marley & The Wailers Kataloges. Sie beinhaltet 10 Dub Remixe und die neu angefertigte Dub Version von "Lively Up Yourself" als
"Lively Up Your Dub".

"Black Aroma EP Vol. 4" is the 4th release of an EP series that blends slow, mid-tempo and upbeat jams.

Well, the ìdeep, raw and realî series has come to an end with volume 4, but Quintessentials
keep these lovely compilations coming. The ìthank you freaksî series is about hot tunes from
hot producers. And part 1 is offering a lot of them: Andy Ash, Uncle Deep, Chicago Damn
and Marcos Cabral! Quite essential!

Here we are again! Decoside is now an established producer of italian dub techno scene, and with this latest chapter Reload Vol.3 ends up his successful series of Reload releases.

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

The next various artist release on Houseworx "Lost Housetracks vol.3 " welcomes 4 new artists to the Houseworx family!

Siggatunez from Germany, Anton Mayer from Russia, Freischwimmer from Japan and last but not least, Rhymos from UK.

Autumn is inevitable, so is another 12' from Absys Records. This time it's an album sampler for the forthcoming second compilation by the name of 'Mystical Deep vol 2'. In a similar vein to the previous wax release, we've got three exceptional tracks to present to you.

It is a great honor for us to welcome such a living legend, a pioneer from the Chicago House scene: Mr K' Alexi Shelby !
At the age of 12 he was already moving in the right circles, befriending Frankie Knuckles and Ron Hardy whilst frequenting the famous Warehouse. His upbringing in Chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including Stevie Wonder, Prince, Curtis Mayfield and David Huff. These same names would prove to be the roots of his influences.

Follow-up 4 Track 12' to the first Volume that was released earlier this year.In line with the concept of these two EP's, the tracks were again taken from Juergen Junker's
Live-Set, recorded straight out of the machines.

Space-electronic beats from Saint Petersburg. Please welcome Lyosha Nocow. Dope!

Jetaime, staying true to our name, drop yet another large helping of sensual beats, with Volume 2 of our 'Love Session' series.

New album is split across a series of 4 ltd 12" singles.

The new album will be released across a series of 4 limited edition 12" vinyls. This is the 2nd 12 inch From Tronic Jazz The Berlin Sessions. A Guy Called Gerald has spent the last couple of years flitting through shadows, turning up on labels like Perlon, Beatstreet and Sender like a peripatetic prophet of the Berlin underground, seeding the scene with cryptic singles that return to the past to suggest alternate futures. Now he returns to Berlin's Laboratory Instinct label with the follow-up to 2006's Proto Acid: The Berlin Sessions, the album that re-established Gerald as an acid hero and techno auteur. Tronic Jazz: The Berlin Sessions builds upon the foundation established by its predecessor to create an even more powerful statement of intent, one that communicates more persuasively than ever Gerald's vision for techno in its third decade of existence. One immediate difference stands out, this time around. Where Proto Acid offered a seamless mix of 24 cuts, recorded in one epic session, Tronic Jazz collects 13 standalone tracks. That's welcome news to DJs. After so many years of digital anything-goes, you might have forgotten the kind of sounds that are possible with "old" machines: the way a lead stacked against tuned percussion and shrouded in pads can evoke still other sounds, hidden in the mix, or maybe not really there at all. It's a ghostly, suggestive presence, a kind of evocation of infinite possibility within the context of a limited set of inputs. In that sense, Tronic Jazz follows a certain minimalist impulse, but it's far too lush ever to be mistaken for the dread "mnml" of recent years. This stuff is wide-eyed and full of life. When it funks, it funks hard, and when it smoothes out, it can be as intimate as a hand-written note left on a lover's pillow. As "class ic" as Tronic Jazz may be, the album refutes any notion that "class ic" equals "retro," that the ideas have all been expressed before. Tronic Jazz takes the foundations of house and techno as though they were a kind of language, and speaks volumes with them.