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Byard Lancaster - The Complete Palm Recordings 1973-1974 (5x12") (BOXSET)

Souffle Continu records presents Byard Lancaster – The Complete Palm Recordings 1973-1974, the definitive package of Philadelphia-born jazz wizard Byard Lancaster including his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s, Us, Mother Africa, Exactement and Funny Funky Rib Crib, along with the first ever standalone edition of Love Always, a fifteen minute modal jazz beauty plus a 20 page booklet with rare photos and in-depth article about Byard Lancaster’s Parisian years by Pierre Crépon.

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music! A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions. When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa.

Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!

The magnificent “Love Always” was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975.
Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running!
On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing. And if further proof was required of the confidence that Byard Lancaster and Jef Gilson inspire, “Love Always” provides it on this one sided release exclusive to the box set.

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110,04
Vakula - Dinsync EP

Vakula

Dinsync EP

12inchPHONOGRAMME49
PHONOGRAMME
14.10.2024

Phonogramme Records welcomes Vakula ! Vakula joins forces to Logich in its latest musical masterpiece : “DINSYNC”. Him and Logich weave their musical magic, creating a harmonious dialogue of sound. Sometimes, words fail us, but music speaks volumes. Vakula’s EP captures this sentiment beautifully. Let the rhythm guide you, and let the music do the talking.Whether you’re on the dance floor or simply vibing at home, these beats will move you.

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14,50
Various - Surinam Funk Force LP 2x12"

2024 Repress

A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended!

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22,90
Various - Down & Wired 8

RARE & PREV. UNRELEASED PSYCH-FUNK AND GARAGE ROCK !!!

Say hello to Down & Wired Vol. 7 as Perfect Toy Records unleashes yet another instalment in its long-running compilation series! Once more, the label provides a delectable selection of obscure funk and soul-influenced psychedelic and garage rock tracks to delight even hardcore collectors of both genres.

And make no mistake, there is plenty to discover among these eleven tracks. At the funkiest end of things, Function's Free Style morphs from West Coast psychedelia to country funk to swamp rock and back again in its sub-three minute length, Dandy King provide psychedelic funky-soul and The Whiz Kids take a heavy dose of funkiness with them into psych-rock territory – sample fiends watch out for the fat twenty-second drum break towards the end of the latter! Purer psychedelia can be found in the offering from Third Stone while Würzburg band Prisma provide all-out epic psych-rock carnage. And if rock carnage is your thing, you'll be feeling the dirty garage rock onslaught of The Comin' Generation and a previously unreleased cut by Synod - soon to be a 45 single on Perfect Toy. That just leaves The General Store, The Soul Society, The Vestells and another unreleased cut from The Villagers (from whom the label will be dropping more unreleased material soon!), to close the circle by adding a heavy dose of garage soul.

A worthy successor to the previous volumes, Down & Wired Vol. 7 is once again accompanied by an insert containing detailed information and photos of the bands and a download code is also included with every vinyl LP.

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Various - The Blue Hour EP

“The Blue Hour” is the second VA of Berlin-based THISBE Recordings, following “Black Ink” released in 2022. Curated by label owner Pyrame, The new compilation is an invitation to cruise through the blue hour, that unique time of the day from dusk to night.

During that special time lapse, as the sky goes through several shades of blue, so goes the record: Dominik Marz´s “Bura´s Hymn” brings us straight above the Earth´s surface with a track as atmospheric as it can get, before Radial Gaze & Balam´s collab tune “Foreclosed” sets the scene for a groovy dance above the clouds.

We have already lost sight of the ground when World Wild Web initiates an immersion into an enigmatic phase of the voyage with his track “Extase”, where we do not really know in which time-space we find ourselves any more. Agle hints at a possible spot: “Sahel”, a tune that feels like a breeze across the desert, before Philip Lawns shakes everyone up with the upbeat “Johns”, bringing our feet back just above the ground. Volta Cab wraps up our imaginary trip with “Krasnodar Nights”, bringing a treat for the soul and some peace of mind. The night can now settle down.

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15,34
Coldplay - Moon Music

Coldplay

Moon Music

12inch5021732278883
WMG
04.10.2024

Am 04. Oktober 2024 erscheint das neue Coldplay Album „Moon Music“.

„Moon Music“ ist das erste Album von Coldplay seit „Music Of The Spheres“ (2021), das unter anderem #1 in UK, #2 in Deutschland und #4 in den USA erreichte und als „Album of the Year“ bei den Grammy Awards nominiert war.

Was macht das neue Album zusätzlich zur Musik so besonders? Die physischen Veröffentlichungen des Albums setzen neue Nachhaltigkeitsstandard. U.a. mit neuartiger EcoRecord ePET LP hergestellt aus 100% recycelten Plastikflaschen.

Nachdem Coldplay auf ihrer aktuellen Tour bereits völlig neue Wege in Sachen Nachhaltigkeit gehen - im Vergleich zur letzten Stadiontour konnten die CO2e-Emissionen bisher um 59% reduziert werden - hat die Band alles daran gesetzt, auch die physische Veröffentlichung von „Moon Music“ so nachhaltig wie möglich zu gestalten.
So wird „Moon Music“ als weltweit erstes Album als 140g EcoRecord rPET LP veröffentlicht. Das bedeutet: Jedes Exemplar enthält neun recycelte PET-Kunststoffflaschen, die aus Haushaltsabfällen gewonnen wurden. Dadurch wird die Produktion von mehr als 25 Tonnen neuem Plastik vermieden und die CO2-Emissionen bei der Herstellung im Vergleich zu herkömmlichem 140g Vinyl um 85 Prozent pro Kilogramm reduziert. Auch die CD-Edition von „Moon Music“ setzt neue Maßstäbe. Sie erscheint als weltweit erste auf einer EcoCD, die zu 90 % aus recyceltem Polycarbonat besteht, das aus Haushaltsabfällen gewonnen wurde. Mindestens 78 % weniger CO2-Emissionen pro Kilogramm werden auf diese Weise produziert, außerdem entfällt die Produktion von mehr als fünf Tonnen Neuplastik.

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27,31
Coldplay - Moon Music

Coldplay

Moon Music

12inch5021732278920
WMG
04.10.2024

Am 04. Oktober 2024 erscheint das neue Coldplay Album „Moon Music“.

„Moon Music“ ist das erste Album von Coldplay seit „Music Of The Spheres“ (2021), das unter anderem #1 in UK, #2 in Deutschland und #4 in den USA erreichte und als „Album of the Year“ bei den Grammy Awards nominiert war.

Was macht das neue Album zusätzlich zur Musik so besonders? Die physischen Veröffentlichungen des Albums setzen neue Nachhaltigkeitsstandard. U.a. mit neuartiger EcoRecord ePET LP hergestellt aus 100% recycelten Plastikflaschen.

Nachdem Coldplay auf ihrer aktuellen Tour bereits völlig neue Wege in Sachen Nachhaltigkeit gehen - im Vergleich zur letzten Stadiontour konnten die CO2e-Emissionen bisher um 59% reduziert werden - hat die Band alles daran gesetzt, auch die physische Veröffentlichung von „Moon Music“ so nachhaltig wie möglich zu gestalten.
So wird „Moon Music“ als weltweit erstes Album als 140g EcoRecord rPET LP veröffentlicht. Das bedeutet: Jedes Exemplar enthält neun recycelte PET-Kunststoffflaschen, die aus Haushaltsabfällen gewonnen wurden. Dadurch wird die Produktion von mehr als 25 Tonnen neuem Plastik vermieden und die CO2-Emissionen bei der Herstellung im Vergleich zu herkömmlichem 140g Vinyl um 85 Prozent pro Kilogramm reduziert. Auch die CD-Edition von „Moon Music“ setzt neue Maßstäbe. Sie erscheint als weltweit erste auf einer EcoCD, die zu 90 % aus recyceltem Polycarbonat besteht, das aus Haushaltsabfällen gewonnen wurde. Mindestens 78 % weniger CO2-Emissionen pro Kilogramm werden auf diese Weise produziert, außerdem entfällt die Produktion von mehr als fünf Tonnen Neuplastik.

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30,21
Bread & Souls - A Family Gathering: Chapter 4

Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. Franco invited Mark de Clive-Lowe on board to direct and produce an album of collaborations with some of our favorite artists including the likes of Bembé Segué, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more...

Presenting Chapter 4! Working On It (here’s the original - you heard the remix on Chapter 3), a mid tempo bossa-inspired track features the wordsmithery of Philadelphia’s Rich Medina speaking on the idiosyncrasies and journey of life, joined by Bembe Segue. Together features Vanessa Freeman on vocals - previously heard in remix form on Chapter 2 - a timelessly uplifting soulful house excursion. Domu returns to the project with a second remix of Little Did I Know - this time flipping it for the broken beat dancefloor in classic Domu style, and we wrap up with Neroli’s Volcov remixing Anybody Out There for the 4/4 lovers.

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13,40
Various - Café Soda Selects Volume One

Season by season, we raise a toast to our artists and guests by creating a new collection of sounds. Cafe Soda Selects Volume One captures all the memories of the past year. The A-side starts with Crymes . The track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. A2 sets the stage for Ben Balances , a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. It is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. On the flip, check out the two originals from FMN, the latest project by Frag Maddin and Najeh. is a catchy groove that easily grabs every dancer with its rolling bassline. The song has no breaks, allowing ravers to stay in trance. With , B2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. An homage to the 90s powerhouse era.

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11,72
Various - Omni VA

Various

Omni VA

12inchBLUEHOUR026
BLUE HOUR
23.09.2024

Omni – meaning all-encompassing – is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hour's imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.

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11,35
Black Disco - Black Disco LP

Black Disco

Black Disco LP

12inchAF1009
Afrodelic
17.09.2024

Mit einer Yamaha-Orgel und einem Traum begann der Südafrikaner Pops Mohamed seine musikalische Reise Mitte der 1970er als Bandleader von Black Disco und schuf eine angesagte Chill-Out-Jazz-Melange mit futuristischen Drum-Machine-Sounds und spirituellen Obertönen. Ihm zur Seite standen die beiden gefragten Sessionmusiker Basil Coetzee (sax) und Sipho Gumede (bass). Mit den polyphonen Beats von Mohameds E-Orgel und später mit einem Drummer ausgestattet, schuf Black Disco in einem Ausbruch von Kreativität 1975-76 einen unverwechselbaren Sound und eine Trilogie innovativer Alben. Das italienische Boutique-Label Afrodelic präsentiert die erste vollständige Reissue des 1975er Debütalbums von den Originalmasters.

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23,49
RUSSIAN CIRCLES - EMPROS

Russian Circles

EMPROS

12inchSH067LP
SARGENT HOUSE
11.09.2024

Russian Circles kehrt mit einer Wiederveröffentlichung ihres legendären Albums Empros zurück, komplett mit einem neu gestalteten, geprägten Klappcover, erhältlich auf klassisch schwarzem Vinyl. Empros machte da weiter, wo die hymnischen Riffs und Melodien des 2009er Albums Geneva aufgehört haben, und injiziert noch mehr schleppende Rhythmen inmitten von Schädel-zerschmetternder Wucht mit der ganzen viszeralen Intensität von Godflesh, Swans und Neurosis. Einfach ausgedrückt: Empros ist Russian Circles' Master of Reality: eine radikale Überarbeitung von sowohl Heavy als auch Melodie, die in ihrer Klarheit und Perfektion monolithisch ist. Oder, wie ein einzelnes überlebendes Wolltier, das aus dem brutalen Frost des Winters auftaucht, ist Empros der Sound einer Band, die das Alter von ihren Schultern schüttelt, mit all der brutalen Kraft eines erwachten Ungetüms. Seit jeher arbeiten Mike, Dave und Brian an derselben Statue. Sie meißeln, sie schlagen, sie hämmern auf sie ein. Manchmal mit voller Wucht, manchmal sehr filigran. Die Meister monolithischer Melodien und monumentaler Rhythmen in absoluter Klarheit dargelegt, sind wieder am Werk. Mit "Empros" legen sie wieder ein Stück dieser gewaltigen Statue frei. Und vielleicht gibt es sogar ein paar Überraschungen in den sechs Tracks des Albums. Es gibt Riffs, ja - viele davon. Aber bei Empros scheint die gesamte Band die Verkörperung des Riffs selbst zu sein. "The six-song album intricately blends fat, grisly, discordant riffage with melodic, atmospheric, proggy sprinklings to create a sonically elaborate and raw package." - Premier Guitar

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28,15
Frank Bretschneider - Pounding LP

Frank Bretschneider

Pounding LP

12inchR-M214-2
Raster
10.09.2024

Unequal cycles in search of synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often regarded as an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.

In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, such as dub effects that listen to themselves disintegrate; but also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.

Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through small manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never obvious, always restless and exciting.

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23,32
Various - All Trades: Volume One 2x12"

You can never really pin down what the excellent Emotional Repose label does and that is exactly the sinking behind the title of its superb All Trades show on NTS. The sheer eclecticism of that show is now reflected in this new two-part compilation, also called All Trades, which offers up little morsels of what they do, something like a sonic tasting menu at a fancy restaurant. There is chugging electronic dub from Apiento & Tepper, industrial clatter from Black Bones, cosmic ambient breakbeat from Paperclip Minimiser and blissed out dub from Yamila & SoFa Elsewhere amongst many more highlights.

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28,78
OK MATTHEW - CONTROL VOLTAGE LP

Ok Matthew

CONTROL VOLTAGE LP

12inch015CAF?
CAF?
09.09.2024

This concept album, recorded between 2020 and 2023, compiles electronic experiments based on analog synthesizers and hardware sequencers. The focus was made on generative patterns and oscillators wave shaping, resulting in long and repetitive pieces, each being the result of a constrain intrinsic to vintage hardware.

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22,90
Luis Luchetti / Richard Rozen - Carnedd Llewelyn (Llewelyn’s Cairn)

22 Units Ltd as F*K.

The third highest of the fourteen peaks, Carnedd Llewelyn possibly referring to Llewelyn Fawr - Llewelyn the Great, who had a manor house at Abergwyngregin, however, more probable that it refers to his grandson Llewelyn the Last, who fell foul of Edward 1st , and ended up with his head displayed on a pike at the Tower of London. Thanks England x The cairn referred to almost certainly dates back to the bronze age, and the name Carneddau, refers to the many prehistoric burial cairns found high up in the nippi peaks.

Mountain peaks and foregone legends aside - let the music tell another story… one of advanced dreamy electronica inviting Argentinian Luis Luchetti to the rucksack club with 2 slices of ultra squelchy hypnotic dream nip and the flip from long-time friend Richard Rozen giving us his deep bass tribal jams - these 2 secret artists are for the fans, for the heads and we’re extremely proud to present 3000.11 - volume 11 of 14 highly collectable records from the NiP headquarters pressed on ridiculously naughty transparent violet vinyl!

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15,54
Various - Volume Eleven

Here at Rube Goldberg Series we pride ourselves on having everything you need to complete your ski gear set-up this season. So, whether it's ski bindings, ski goggles, ski poles, helmets, thermals and base layers, or a new 4 track VA record, Trust us. We have it all in our collection.

While you're here, why not check out our stylish new release? Discover tunes from Velvet Velour, Picasso, Bowyer and Kawaii San. Shop our selection online or at your nearest store today and find quality tunes fit for your next adventure to the dancefloor.

As well as increasing cardiovascular fitness and muscle growth, DJing is a thrilling snow sport that allows you to glide across snowy slopes with speed, grace, dexterity. Getting the right records for your build, experience, and terrain type can make all the difference to performance and enjoyment on the dancefloor.

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Ültimo hace: 20 Meses
Heaven’s Chair - Trust

Heaven’s Chair

Trust

12inchH.C.L10001
H.C.L
02.09.2024

Heaven’s Chair is the musical collaboration of Jake Norris and Miles Smith from Naarm, Australia. The Australian duo debuts on their own newly established label, H.C.L, with “Trust,” an 8-track album. "Trust" was written and recorded during the winter of 2023 in isolation in deep rural Victoria. The seclusion in which the album was created is audibly reflected through a certain longing derived from idiosyncratic melodies and atmospheres. The album drifts between ambience and distorted club-ready cuts, yet remains melancholic throughout.

300 Copies Only.
Pressed at Program Records in Melbourne, Victoria.

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17,02
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