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The first in a four-volume retrospective of Kuduro and tarraxinha pioneer DJ ZNOBIA. Incoming unto the world for a very long time from the musseke of Rangel, home of Casa da Mé&e Ju, in the Angolan capital o Ldanda, one if not the pivotal visionary of his country’s music electronic and digital modernism DJ Znobia, o/fum/an inventor. Usually considered the first purveyor of the fluency regarding tarraxinha (drinking in its foundational slow shuffle from the city of Benguela), as well as a main player in free thinking, spontaneous, funny, depressive, silly, melancholic, hilarious all encompassing beats within kuduro, batida, techno and beyond, his influence as a producer, DJ, MC and public fiuce has had a great imprint in Angolan culture for the better part of the last three ecades. This venture went through over 700 tracks of his archive (more than double are lost in the meantime between his and the NNT library) in order to collaboratively select a fiercely representative albeit balanced affair from his production, between instrumentals for sung kuduro, instrumental kuduro/batida, sung and instrumental tarraxinha, and other creative styling from the late 90’s to the mid 2000’s. Forms now heard around the world which started here, with Znobia a decisively influential contributor, along with several of his peers and collaborators, which will be also in evidence in this four volume retrospective. His story is way too far flung for this endeavor to try and make a simple narrative out of it. You have to be him, you have to be within this territory, and we ask of the people who will approach to ask him what has happened with the history of this music and what is the current reality at ground zero Luanda, as he is a mirror and visionary of its streets, in a country with such complicated dynamics and brutal treatment of its citizens. To try to put in a clean slate for this conversation, let’s talk to a genius of street music. Your question. First, here's the opening collection of what we have to share with you.

During the dreaded lockdown of 2020, many people found themselves working from home, or with much more time spare than they had previously. Vasts amounts of music was being offered during this period as a result. I’ll be honest, the name Riffz I had no experience of at the time, unlike Msymiakos, which was a name I was already familiar with. The most compelling aspect of my curiosity before listening was that I was intrigued by the geographic blend of Poland and Norway. How would these distant locales combine to decipher their thoughts into this great sound we all know and love. Once I had listened, the word ‘no’ was nowhere within the vicinity of my vocabulary. Hear for yourself.

Certainly going out to all Imperial Junglists, this track first started doing the rounds on dubplate in 1993, making an immediate impact on dancefloors across the UK and beyond. Whilst this track made waves, there were several other mixes, which were confined to DAT, never to see the light of day… Until now! Now, after many years, it’s time to liberate these mixes, as they’re just too good to be forgotten! Featuring the vocal talents of none other than Stevie Hyper D, with the original concept and premise from Remo Don and Colin Grainge. Remix production comes from Danny Styles and Eternal Bass.

In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa. »Organic Music Tapes Vol. 3,« the third instalment in Tiago’s ongoing series, continues to develop a freeform dual approach to organic and fluid compositions for Piano and Organ - this time adding a real church tube organ to the proceedings.

Evolving from the foundation laid in the first two volumes, Sousa introduces the pipe organ into his signature piano compositions, expanding his sonic palette into an even more otherworldly organic realm.

Much like its predecessors, »Organic Music Tapes Vol.3« immerses listeners in a nebulous sonic landscape, where the compositions exist in a nebulae-like state— eternally floating over stars and planets. The contours of these musical pieces are indefinite and indeterminate, refusing to settle or conform, a testament to Sousa's commitment to pushing the boundaries of traditional minimalism while still paying respect to the American pioneers of the genre, such as Terry Riley and Steve Reich.

Enter then the third volume and be locked in a new theatre of eternal music by an artists that keeps pushing his own style to ebullient highs.

The follow up to last years initial release, The Key To Our Love Vol.2 continues to highlight the rarer side of Sweet Soul by recording artists from the late 60s onwards.

The album comprises of musicians who shared their hope & dreams through independent vinyl releases. The obscurity of these privately pressed singles limited their audience; originally released in small quantities and sold locally, the artists remained largely unknown but created some of the most poignant & timeless tracks.

repressed !

Love cut & paste old skool bangers?
You need to own Pillz - Vol. 3....it's more of the same!

Number 4 in the Bad Timin' series is here, featuring a quartet of shovel-ready tunes perfect for ur club set, radio show or gym session. Let the gains begin... Six months in the making, the "Sound Man" (aka Jex Opolis) spent the extended winter slumped in his studio crafting these tunes... "Pneumatic" builds pressure with crunchy synth riffs, while "Molecools" drops slide guitar over some proggy breaks. Filling out the EP are two mixes of "Catalytic," a tune that came to life after the muffler on Jexy's 2003 Toyota went kaput.

Mephis is back with All Killer No Filler Vol. 2; yet another faithful compilation of the eclectic Uruguayan underground sound.

Elias brings the timeless, hypnotic and energetic loopiness. Stonem comes with the intense and tense, acidic and robotic electro breaks.

Alfalfa serves an introspective acid trance bonanza extravaganza and Two Phase U delivers a majestic and melancholic acid-tech-dubby masterpiece.

If you don't have enough cash for holidays in Montevideo, feel free to get MPHS004 and have a nice little mind trip to the south.

Following the release of the first volume of Music 4 Tesla last April, Kaba and Hyas (ex-residents of Le Sucre & Rinse FM) continue their musical exploration between rap and UKG/electronic music, going even further on volume 2.

While the influences already present on the first album are still present: UK Garage, Acid House, Ghetto House and 2step, Kaba and Hyas experiment with new sounds. Incisive flow is joined by more sung, almost r&b vocals (10 Machines, Facts, Coup du sort), new textures with crunchy sounds (Mood 4 A Classic), and sampling (Lick It).

The 7 tracks that make up "Music 4 Tesla Vol.2", including a featuring with Detroit trio HiTech (the latest signing to Omar-S's label), are a blend of pervasive house influences and bouncy basslines borrowed from the sounds of funk. Over the course of 20 minutes, they depict a captivating gradation of festive ambiences, proving once again that the marriage of rap and house is definitely made to last.

After a first festival tour, including a notable appearance at Grünt in September, the Kaba x Hyas duo will be in concert at Point Éphémère on December 16, 2023.

Here it is; the third release on Hell’s Recordings

A new release on this label; this time several well known tracks from the past!

Samosa Records quickly follows up the first volume of Afrikano treats with Volume 2; a veritable melting pot of Afro beats and rhythms packed in to an exceptional four tracker.

Kicking the EP off on the A-side is Vincent Galgo and J’ngolo. This hypnotic Afro sizzler takes full advantage of the effortless bass, congo beats, African horns and (subtle) funky guitar. Add the mesmerising chanting and you have a perfect ‘Bunny Chow’ of a tune that will tantalise the tastebuds for a long time after the music has stopped. Second helpings? Why not?

A2 unleashes ‘Zaire’ by the supremely talented Matalo! Dark and broody beats take centre stage with this one, as you’re slowly enveloped in a ritual you never knew you were part of but now you can’t help sway with the rest of the worshippers. ‘Zaire’ is one of those rare tracks that you feel could create fire if you let it. With sweeping synths, tribal chanting and a detached sense of being, this monster lives under your bed and waits for lights out. Beware!

On the B-side Leslie Lello ups the tempo with ‘Alcyone’. Solid, punchy bass, driving guitar and gorgeous piano riff and vocal combine with a synth lead you absolutely need in your life. The track morphs and transforms into a full-on (almost housey) stomper; nailing its tribal colours to the mast with intent. A real beast of a tune.

Closing this superbly diverse EP is label boss De Gama and ‘E.T.A’. You know De Gama doesn’t mess about. You know De Gama wants to hit you with all he has and with ‘E.T.A’ he unleashes his ‘inner Chief. Indigenous beats pound, roll and build up to a Ramkie guitar infused chorus that’s as joyful, uplifting and inspiring as the dawn itself. A genuine, incredible slice of Afrikano from a master of the genre.

Afrikano Vol. 2 proves once again that Samosa Records know this genre like no other label out there. If this isn’t in your record box on release day, then we simply can’t be friends.