REPRESS!! Although he is still completely unknown to Western audiences, for Ethiopians, Tlahoun Gèssèssè (pronounced Guèssèssè) is THE VOICE.The first-ever pan-Ethiopian star, he has embodied such nonstop unanimity since the end of the 1950s that is a role-model and a point of reference.
Repress!
Second in the remix series from A Man Called Adam’s acclaimed Farmarama album, this 12" features spacious deep house earworms from wunderkind Aleksandirand jazzy vibes from Columbian rising star Felipe Gordon - The FG mix is exclusive to this vinyl release.
'AMCA' rework their own track Michael into a swing laden dub &
redit Aleksandir’s demo & monitor mixes into sparkling big room Balearic.
Eels präsentiert Vol. 2 von EELS So Good – eine Best of/Essential-Compilation mit 20 Titeln aus den Jahren 2007–2020. Fünf Songs geben hier ihr Vinyl-Debüt, von denen drei bisher unveröffentlicht waren, darunter „Christmas, Why You Gotta Do Me Like This“. Mark Oliver Everett fügt hinzu: “Everyone should have at least three Christmas songs in their catalogue. I’m sorry it took me so long.”
Eight individual projects with various international origins, these two ep’s contain reworked and remixed material of Takuya Sogimoto’s early work that has been released on acido in 2020 and 2022, as well as some unreleased trax from 1994/95. Packaged in two editions of 300 copies, released separately.
After a stellar release on Saoirse's label trUst—which caught the attention of DJs like Ben UFO, rRoxymore and dBridge—Ryan Aitchison aka Mella Dee is back on the dials for another outing of quality tech ‘aus fodder.
Rug Cutters Vol. 1 kicks off a slew of upcoming dancefloor weapons from the Warehouse Music boss. Visually underlined by his own original artworks, the EP shows off Mella Dee’s signature flair for whipping up raw, no-nonsense ingredients into irresistibly infectious grooves.
Vol. 1 starts strong with ‘Cutting Snakes (Keep on Moving)’, a track that screams instant classic with its shuffling beat and fat, sassy synthline. A2 track ‘Bumps (You Say)’ dives deep into those bassbin vibrations—it’s big, rude, and dead set on shaking up even the swampiest of dancefloors. Together, these cuts are not messing around.
On the flip, ‘Cutters (They Don't Get It)’ plays with the more futuristic, percussive end of the techno continuum. Drum breaks slither over each other, while a minimal vocal and bass hook locks everything down. Finally, ‘Pay No Mind (Who Am I)’ pulls the EP back to euphoria. This one will have the club cruising to its cocktail of flirty chord stabs and soulful house vocals—you’ll never want to go home.
Luckily, it won’t be long before we get one more tune from Ryan Aitchison—with plenty on the horizon, ‘Rug Cutters Vol. 1’ is also a taste of what’s to come. Stay tuned!
Leo Zero finally gets some of his much sort after edits onto the black wax, with some classic cut-ups that have all been road tested for max dance-floor detonation.
On this first EP a set of classic soul / disco groovers that have been meticulously remastered and extended for the modern floor.
One for the dancers and romancers, ‘Love Affair’ hits you square in the heart - a big spin at the Faith parties. Next up, a classic mid-tempo Soul weekender cut gets a nice chunky re-version.
The flip kicks off with some new live drums and chunkiness added to a huge underground gem, then we head off into more bulletproof dance-floor disco territory with a souped up version that’s been given maximum wallop to compete with house cuts when played out.
Thomas Bartlett ist ein Grammy- und Oscar-nominierter Pianist, Produzent und Sänger, der bereits mit Yoko Ono, Norah Jones, Florence & The Machine und vielen anderen zusammengearbeitet hat. Sein neues Album mit dem Titel Standards besteht aus intimen Solo-Piano-Aufnahmen von Jazz-Klassikern.
"Tenderly" ist natürlich ein Jazz-Klassiker, der von allen Großen interpretiert wurde - aber Bartlett macht dieses Stück zu seinem ganz eigenen: zart, intim und ein wenig melancholisch. Allein mit seinem Klavier zaubert Thomas Bartlett berührende, universelle Momente.
