Octave One return with Never On Sunday Vol.2, an EP with new remixes from Orbital and Giorgia Angiuli next to three standout recent tracks.
The Detroit duo’s Never On Sunday alias was born in the nineties with a view to making a mix of downtempo, deeper and more thoughtful electronic sounds. After just two EPs, it lay dormant until last year when the new EP The Bearer on their own 430 West label brought it back to life to a great reception. Then came the Octave One Presents Never On Sunday album this year that collected together a wealth of originals and remixes which are now coming on 12".
First up is legendary brotherly duo Orbital - a UK antecedent to the Burden brothers who have been crafting pioneering electronic sounds for decades. Their remix of ‘Price We Pay’ feat. Karina Mia is deep house excellence. It has a bouncy groove, elastic bassline and simmering vocals that send shivers down the spine and the sci-fi synths twinkle up top. Italian multi-instrumentalist Giorgia Angiuli has long been innovating in the techno world, drawing on her classical background to craft standout sounds for the likes of Kevin Saunderson’s KMS label. Her remix is six uplifting minutes of synth arpeggios, soulful techno drums and epic breakdowns that will captivate any dance floor.
The b-side features three cuts from the Never On Sunday (Deluxe) album and opens up with 'Lifelike', a slow, pulsing dub with mysterious melodies and sinewy synths reflecting light like stars in a night sky. A textured bassline arrives to bring a real sense of tension to the melodic beauty. 'Soon After' is another cosmic cut that rides on hammering bass beneath lush synths capes and rays of hope that pierce the darkness. The blissful 'Mona' closes down with heavenly and expansive pads that shimmer and shine as rich bell sounds and choral pads bring a warm sense of atmosphere.
Never On Sunday Vol.2 is another package of deeply emotional electronic sounds.
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PRSPCT Recordings and Redrum Recordz are a match made in the underground.
They bring you another groundbreaking release, this time building sonic bridges between the UK and The Netherlands.
Dutch Jungle legend Mike Redman is known for internationally spreading the Hardcore Jungle gospel as Deformer, Voodoom and under his own name since the early 90's. Recently his well received 'Roffadamn Jungle' track set international dance-floors on fire while paying tribute to the nightlife connoisseurs of bygone times, mixing UK inspired Jungle with uncompromising Rotterdam Hardcore.
This time around he's supported by the most legendary artists in the field providing stunning remixes. Such as UK Drum 'n Bass heroes Bizzy B and Ed Rush, both founders of the genre, providing remixes that knock you off your socks. He's also teamed up with hardcore legends Akira, Rotterdam Terror Corps as well as Mackadena providing that original sound of Rotterdam. Not to mention Redman's own ear-shattering remix under his alias Deformer, making this album a must-have for anyone that likes it ruff. By the way, the cover art by legendary graffiti artist Cosh is worth framing too!
Gegründet von Sänger Jake E (ex-AMARANTHE) und Gitarrist Jesper Strömblad (ex-IN FLAMES), hat sich CYHRA von einer Band, die an die früheren Projekte des Duos erinnert, zu einer ganz eigenen Identität entwickelt.
Mit der Ergänzung von Lead-Gitarrist Euge Valovirta (ex-SHINING) und Schlagzeuger Alex Landenburg (KAMELOT) hat die Gruppe zwei von der Kritik gefeierte Alben veröffentlicht: “Letters To Myself“ (Spinefarm) aus dem Jahr 2017 und “No Halos In Hell“ (Nuclear Blast) aus dem Jahr 2019 - ein Album, das von Rock TV (Japan) als "Bestes Album des Jahres 2019" ausgezeichnet und vom Power Play Magazine (UK) mit einer perfekten 10/10 bewertet wurde!
Und jetzt, im Jahr 2023, ist die Band mit dem kürzlich hinzugekommenen Gitarristen Marcus Sunesson (ex-THE CROWN / ENGEL) bereit, sich mit ihrem dritten und bisher stärksten Album „The Vertigo Trigger“ zurückzumelden.
Sänger Jake E.: "Ich denke, dass wir einen fantastischen Nachfolger für die ersten beiden Alben gemacht haben. Gleichzeitig haben wir es auch geschafft, das Songwriting zu modernisieren. Ich kann euch versichern, dass kein CYHRA-Fan enttäuscht sein wird!“
- A1: The Goat (Intro)
- A2: Massacre
- A3: Who Told You (Feat Drake)
- A4: Millterian (Feat Naira Marley)
- A5: Palm Tree
- B1: Nice Body (Feat Jorja Smith)
- B2: Masculine (Feat Burna Boy)
- B3: Come Look
- B4: Cream (Feat Cb)
- C1: Comeback (Feat Villz)
- C2: Alien Girl
- C3: Fresh Water/Safa Kara
- C4: My Baby
- C5: Problem Fixer
- D1: Killy (Feat Popcaan)
- D2: It's Crazy
- D3: Bim Bim
- D4: Come Cully Bun (Gambian President) (Gambian President)
- D5: Playing Chess
Black Vinyl[33,91 €]
J Hus is back with his highly anticipated third album ‘Beautiful And Brutal Yard’, preceded by the raucous street track ‘It’s Crazy’ which charted Top 15 and ‘Who Told You’ (featuring Drake) which debuted at #2 with the 3rd highest UK week 1 singles sales of the year and Hus’ highest single chart to date.
‘B.A.B.Y.’ is the follow-up to his chart-topping album ‘Big Conspiracy’ which earned him the Best Male Award at the Brits and his Top 10 platinum debut ‘Common Sense’ which won an NME award and was nominated for the Mercury Music Prize and Best Album at the Brits.
Fans have come to expect a range of influences and musical styles from Hus’ albums and they will not be disappointed. Across ‘B.A.B.Y’ Hus incorporates elements of afrobeats, drill, R&B and bashment, all delivered in his inimitable lyrical style. The album includes features from Drake, Burna Boy, Jorja Smith, Popcaan and Naira Marley as well as from UK up and comers CB, Villz and Boss Belly.
Having not played his own live shows since 2017 J Hus is announcing a UK Arena tour on Thursday 29th June.
- A1: What In The World
- A2: Alive
- A3: Hero
- A4: The Good
- A5: Day Off
- A6: A Window
- B1: I Might Be In Love
- B2: Sweet Sarah
- B3: Tears
- B4: You're Not Here
- B5: Glowing Up
- B6: Mama
it ihrem Debütalbum „Ch. 1, Vs. 1“, einem modernen Soul-Pop-Album von Weltklasse, zeigte Cynthia Erivo, Hauptdarstellerin der Erfolgsserie „Aretha“ (Disney Plus), der Bühnenversion
von „The Color Purple“ und diverser erfolgreicher Hollywoodfilme, erstmals ihr Riesentalent als Sängerin und Songschreiberin.
Auf Wunsch ihrer Fans erscheint es jetzt auch als LP!
- 1: Let Me Go, Rock ’N Roll
- 2: I Stole Your Love
- 3: Makin’ Love
- 4: King Of The Night Time World
- 5: Ladies Room
- 6: Christine Sixteen
- 7: Shock Me
- 8: Firehouse
- 9: Love Gun
- 10: I Want You
- 11: Rock And Roll All Nite
- 12: Calling Dr. Love
- 13: Detroit Rock City
- 14: Beth
- 15: Shout It Out Loud
- 16: God Of Thunder
- 17: Black Diamond
Am 9. September erscheint von der Band KISS der nächste Teil der beliebten offiziellen Off The SoundboardLive-Bootleg-Serie – „KISS - Off The Soundboard: Live In Des Moines 1977“.
Das Album wurde, während der bahnbrechenden und aufwendig produzierten KISS Alive II-Tour aufgenommen und bietet eine authentische und kraftvolle Performance klassischer KISS-Konzertklassiker wie ”Love Gun”, ”Rock And Roll All Nite”, ”Shout It Out Loud” und ”Beth”. KISS - Off The Soundboard: Live In
Des Moines 1977 fängt einen monumentalen Augenblick in der KISStory ein und ist eine Hommage an die legendäre Band, die den Rock ’n’ Roll-Fans das ultimative Live-KISS-Erlebnis bietet.
- A1: Realities . Com
- A2: I'm Starting A New Life Today
- B1: Mother Cross (We Think We Think)
- B2: A Better Day
- C1: Casting A Spell
- C2: You May Leave But This Will Bring You Back
- D1: Mother Cross (We Think We Think)
- D2: Itopia Chant
- D3: A Better Day
Nach dem Albumvorgänger „Acoustic Space“ (2019) ist „Spells“ der zweite Teil der ungewöhnlichen MusikTrilogie „The Invisible Light“, mit der der legendäre Grammy- und Oscar-Gewinner T Bone Burnett in Zusammenarbeit mit Jay Bellerose und Keefus Ciancia eine Verschmelzung von Trance, elektronischer, Folk-, Tribal- und Weltmusik versucht. Die „The Invisible Light“-Alben beschäftigen sich mit der These, dass unsere Gesellschaft über ein Jahrhundert lang elektronischer Programmierung, einer sogenannten „Programmierpandemie“, unterworfen wurde, die dazu führt, dass wir unsere Fähigkeit verlieren, Fakten von Fiktion zu unterscheiden.
Der mehrfache Grammy- und Oscar-Gewinner Burnett ist Produzent, Musiker und Songwriter. Er hat mit Bob Dylan, Elvis Costello, Roy Orbison u.a. zusammengearbeitet. Für das Album „Raising Sand“ von
Robert Plant und Alison Krauss wurde er mit dem Grammy für das Album des Jahres ausgezeichnet. Als Komponist für Film & TV ist Burnett inzwischen ebenso bekannt, u.a. für “The Big Lebowski” und “The Hunger Games”.
Paul Bradley, one of Kniteforces leading creators, is adept at any style of old skool rave, but when he turned his hand to the original old skool sound, he chose a new Alias, in Alias 303. This EP is a heavyweight slice of proper original rave music. Sounding like something Frank De Wulf or R&S might have released in 1991, its a dirty techno rave EP with filthy stabs but crystal clean production!
Ron Maney also known as DJ Skull lived in the Southside of Chicago (IL, USA). His musical career started during the summer of 1986, while recovering from a broken bone. During the following years he homed his craft, DJing first at basement parties, building his reputation to go on to larger events such as, loft and hotel parties, and eventually the infamous Music Box and Power Plant clubs. At the age of fifteen Ron shopped his first demo at Trax Records.
There he first met Chicago's legendary DJ Ron Hardy, working as A&R for Trax Records. Two years, and a new alias later (DJ Skull) later while at the Power Plant, Chicago's own Steve Poindexter heard a DJ playing one of Rons tracks, and met Ron. Steve was now A&R at Saber Records and invited Ron to release some tracks. So in October of 1991 DJ Skull's first record "N.R.G. Music" was released.
In 1993, he released the EP "The Stomping Grounds" on Djax-Up-Beats, which was more noted than the first one. Over the years that followed DJ Skull released lots of EP's on several labels. He has become well-respected producer and DJ in the Techno industry.
Very limited Red Opaque vinyl. Single LP w/ printed inner sleeve + Download card. "a startling balance between chaos and structure, building up gorgeous torrents of sound that land with a crash" - THE NEW YORKER // A terrific blend of hardcore, punk, noise, and yes, pop. - INTERVIEW MAGAZINE // one of 2021's most thrilling listens. - STEREOGUM // What if Andy Warhol was really into Converge and CrossFit? That's the logline, as the now eight-piece band attempts to reflect pop music and pop culture through the heaviest, most swole lens possible. - PITCHFORK Best New Music // The Armed are set to release ULTRAPOP: Live at the Masonic Temple, an incredible live soundtrack from the band's narrative-driven concert film of the same name. The album and film were captured in the opulent chapels, imposing asylum rooms, full-size indoor handball courts, halls (and more) of the mysterious Masonic Temple of Detroit; a 550,000 square foot fortress in the heart of the city. ULTRAPOP: Live at the Masonic features breathtaking, hyperactive performances of tracks off The Armed's break-out album ULTRAPOP, selections from their second LP, Only Love, the CYBERPUNK 2077 single "Night City Aliens" and culminates in the ultimate catharsis with the entire collective converging for the devastating closer "On Jupiter." The Armed's latest album ULTRAPOP, released in April of 2021, received acclaim across the board, gaining the highly coveted Pitchfork Best New Music and praise from The New Yorker Magazine, Vulture, Stereogum, Revolver. AV Club, Fader, Bandcamp, Entertainment Weekly, Interview Magazine, and so much more. Reaching the same extremities of sonic expression as the furthest depths of metal, noise, and otherwise "heavy" counterculture music subgenres, it finds its foundation firmly in pop music and pop culture. A joyous, genderless, post-nihilist, anti-punk, razor-focused take on creating the most intense listening experience possible, and now with ULTRAPOP: Live At The Masonic, the most intense live experience possible.
- A1: Alive And Buried
- B1: Timeless Time
- C1: In Luton Airport No-One Can Hear You Scream
- D1: The Beast In The Cage
Four full-cast radio episodes based on the hit series, adapted by David Renwick from his TV scripts.
Having been made redundant from his job by an electronic box, crabby Victor Meldrew is faced with the
prospect of finding his feet in an increasingly frustrating world. In these four episodes – Alive and Buried,
Timeless Time, In Luton Airport No-one Can Hear You Scream and The Beast in the Cage – things hilariously
go from bad to worse for Victor and his long-suffering wife, Margaret.
Written by David Renwick, and starring Richard Wilson as Victor and Annette Crosbie as Margaret, these
highly entertaining BBC Radio 2 adaptations also feature a supporting cast including Doreen Mantle, Owen
Brenman, Sally Grace, Jeffrey Holland, Jon Glover and Michael Fenton-Stevens.
Presented in full-colour inner bags, depicting the everyday trappings of Victor’s life, two burgundy 140g
vinyl LPs are housed in an illustrated wide-spine outer sleeve -complete with coffee-spilled rear. You simply
won’t believe it!
The Fall's fourth studio album Perverted by Language was released in 1983. The album was produced by the band's vocalist and songwriter Mark E. Smith and recorded at various studios in Manchester.
Perverted by Language features some of The Fall's most renowned tracks, including "Garden". The album's sound is characterized by its sharp and angular post-punk guitar riffs, driven by a heavy bass and drums rhythm section, all layered with Mark E. Smith's distinctive vocals.
Lyrically, Perverted by Language deals with themes of alienation, disorder, and the unpredictability of modern life. Smith's idiosyncratic and cryptic wordplay, including his penchant for inventing new words and phrases, adds to the album's overall sense of unease and dislocation.
Despite its challenging sound and lyrics, Perverted by Language is considered by many critics and fans to be one of The Fall's finest albums, showcasing the band at their creative and innovative peak. The album is available as a limited edition of 1500 individually numbered copies on pink coloured vinyl and includes an insert.
- 1: Tears Don't Care 02:46
- 2: He's A Flirt 0:19
- 3: Thrills And Chills 02:8
- 4: Too Darn Soulful 02:32
- 5: Demanding Man 02:27
- 6: How I Need Your Love 02:02
- 7: That's Alright 02:21
- 8: That Girl 02:26
- 9: I'll Be On My Way 01:54
- 10: Lift This Hurt 02:40
- 11: One Way Ticket To Nowhere 02:29
- 12: Standing By Love 02:26
- 13: My Mind Holds On To Yesterday 02:52
- 14: Lighten Up Baby 02:42
- 15: I Won't Stop To Cry 02:52
- 16: Use Your Head 02:00
- 17: I'm Ready For Love
Clear Brown Smoke[28,53 €]
"Compiling 17 handpicked gems from across the Numeroverse, this album keeps the faith for both newcomers and veterans alike. Soaring vocals, driving beats, and syrupy strings... expect a blend of classic Motown-inspired sounds with a unique British flair that is sure to get your feet moving. The only northern soul record you’ll ever need. "
- 1: Tears Don't Care 02:46
- 2: He's A Flirt 0:19
- 3: Thrills And Chills 02:8
- 4: Too Darn Soulful 02:32
- 5: Demanding Man 02:27
- 6: How I Need Your Love 02:02
- 7: That's Alright 02:21
- 8: That Girl 02:26
- 9: I'll Be On My Way 01:54
- 10: Lift This Hurt 02:40
- 11: One Way Ticket To Nowhere 02:29
- 12: Standing By Love 02:26
- 13: My Mind Holds On To Yesterday 02:52
- 14: Lighten Up Baby 02:42
- 15: I Won't Stop To Cry 02:52
- 16: Use Your Head 02:00
- 17: I'm Ready For Love
Black Vinyl[26,68 €]
"Compiling 17 handpicked gems from across the Numeroverse, this album keeps the faith for both newcomers and veterans alike. Soaring vocals, driving beats, and syrupy strings... expect a blend of classic Motown-inspired sounds with a unique British flair that is sure to get your feet moving. The only northern soul record you’ll ever need. "
Bold arrangements, excitingly honest lyricism and a riveting voice: Viennese Singer-Songwriter “Lorenz Ambeek” emanates the virtuosity of José Gonzalez and Eliott Smith (MUSIKEXPRESS / FM4). With his first two singles counting over a million streams, paired with chart positions and international airplay, Lorenz’ first album “Look at Me Now” sets sail for a promising musical future: 2023 will thus see the young artist release his 10-track debut-album, alongside several singles and live concerts.
“Look at Me Now” comes with a professional marketing-campaign of visualizer promotion on social media (TikTok & Meta), online marketing and print&online PR for Europe. Previously on chart positions and rotation in Germany (NDR2, EgoFm, FluxFM), Austria (FM4, 88.6) and France (FIP).




















