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Mal-One - Not Another Punk Rock 45 7"

Mal-One’s seventh single sets out to tell the listener in 3 minutes and 21 seconds, everything that it is not. But in doing so by default or design, becomes everything it says it is not!!!

So here it is for your listening pleasure. The non-Punk, Punk single. As Mal-One is asked at the end of the song what this song is all about…seems he runs out of time….
Hope you enjoy the illusion…..

Let me tell you what these songs all about…

This is not a song about Young Parisians
This is not a song about an Outside View
Ripping Her to Shreds, Hong Kong Garden
One Chord Wonders or a Freak Show

This is not a song about Complete Control
This is not a song about Less Than Zero
New Rose, Defiant Pose
Sex & Drugs & Rock & Roll

This is not a song about the Blitzkrieg Bop
This not a song about Top of the Pops
God Save the Queen, Something Better Change
I’ve Got a Right or Life’s A Gamble

This is not a song about London Girls
This not a song about Identity
An Alternative Ulster, Baby Does Good Sculptures
Or Everybody being Happy NowaDays

Hey Mal-One…..Yeah
So what’s this song about ?
Do you really want to know ?
Yeah well let me tell ya

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6,09
MARCEL DETTMANN - FEAR OF PROGRAMMING LP 2x12"

Nearly 10 years on since his last solo LP, Berlin techno icon Marcel Dettmann arrives on Dekmantel with an expansive album captured in a flash of inspiration.

In many ways Fear Of Programming is a reflection on the artistic process – the critical hurdles one has to overcome, the constant strive for originality, the ability to capture inspiration in its pure moment of inception. Bar the closing title track (and we all know Marcel loves a surprise closing), these 13 tracks came together during a period in which our hirsute host was able to immerse himself in studio practice and set the intention to record an album’s worth of material every single day. From the resulting mass of work there were many options to choose from, and Fear Of Programming stood out as one of the most complete statements on Dettmann’s approach in the here and now.

Unconcerned with an overarching concept, it was the work in the studio which drove the musical direction. No labouring over knotty arrangements, no painstaking mix downs – just honest expression, a moment caught, a groove locked, a stroke of synth sent pirouetting over a cavernous bed of texture. The results are varied, and while you might well hear plenty of bruising machinations in line with the techno Dettmann has made his name on, there are plenty of other shades expressed across the album.

Ambient sojourns, beatless epics and angular electronica have equal footing with strident, floor-friendly workouts. Standout piece ‘Water’ offers an icy ballet of swinging minimal and drip-drop melodics fronted by Ryan Elliott on lesser-spotted vocal duties, urging, ‘give me a sign, just a little something to let me know that you’re mine’. It’s playful, but still underpinned with the sincerity that comes with Dettmann’s work.

Running on instinct, Dettmann presents an honest version of himself in the here and now, speaking through the sonics and not over-thinking the results. His decades of experience helming a thousand techno parties speak for themselves, while his evolution as a musical entity through collaboration and his own BAD MANNERS label demonstrate his appetite for change. Indeed, the working method which resulted in the album also spurred him on to create a live set beyond his well-established DJ practice. Without resorting to a conceited overhaul, Fear Of Programming opens up the idea of what Dettmann represents in the modern techno landscape.

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22,65
Lil' Mark - Make You Feel Project

Finger Prince recordings debut with the ‘Make U Feel Project’

A four tracker with the same assignment handed to four artists including some of the original Music For Freaks and Classic Music Company recording artists.

The first release is a close-knit affair with Lil’Mark handing out the project to who he regards as three close family members. No brief was given with the material so that all versions were unique. No spoilers either.

First up on side A, Mark provides a true groove with the swing he’s renowned for. Chords, catchy muting, stabs of vocal and a heavy rolling bassline sets the scene. Straight up house.

Track 2 is from Pale People who takes a great dub approach looping the bass and keys beneath the Vox adding tight percussion reminiscent of his Phonic Crunch collab’s with Mark. After a long hiatus it's great to have him back.

Side B Track 1 comes from Rob Mello doing his ’No Ears’ spectacular. It’s the Classic No Ears sound making great use of original elements and sounding fantastic as always.

Belgium’s export to Ibiza Bart Ricardo gets the final say on track 2. Taking it deeper Bart brings stretched chords into focus over a HEAVY kick and big bottom end. This track has a relentless groove with some well executed breaks.

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12,56

Last In: 3 years ago
MOVEMENT IN THE CITY - MOVEMENT IN THE CITY LP

In the wake of a 2020 edition of Movement in the City's second album Black Teardrops (1981), Sharp-Flat Records returns with a prequel by way of a reissue of the band's self-titled debut from 1979.

As the 1970s were drawing to a close, the epic Black Disco studio project with its signature pairing of drum machine and organ had run it course. After delivering a killer trilogy of cosmic lounge outings dating back to 1975, the group yearned for funkier grooves and the core trio of composer Pops Mohamed on organ with Basil Coetzee on tenor sax and Sipho Gumede on bass decided to hire a drummer and rebrand as Movement in the City. In contrast with the New Age detachment of Black Disco, Movement in the City was conceptually grounded in the bleak social realism depicted on its photographic album covers and leaned into the vivid sensibilities of library music from the era. Blending Cape jazz with funk and soul, the group's output evokes a soundtrack for South African city life at the outset of the 1980s while nodding allegorically to the subterranean movements that were in the course of shaking the cage for political change.

With its cast of jazz fusion all-stars, Movement in the City is the manifesto of a band in transition - a bold and slick first offering that delivers a modern South African sound capable of both the funky exuberances of "Mister Lucky" as well as the down-home pathos of "Blue Sunday." Restored from its original tape masters and released in partnership with As-Shams Archive and Pops Mohamed, this rare artefact of South African jazz history is back in print for the very first time since its original 1979 release.

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16,77
TRANQUIL EYES - FACT & FICTION LP

''Fact & Fiction" The second Tranquil Eyes album delivers poignant & exciting synthwave songs. Drenched in an eternal 80s feel, well crafted & complete.Tranquil Eyes is a Dutch minimal synth band formed in 1982. Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed the band. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, they recorded a great amount of songs and made a fine selection on Walks. Their first and only release. Today, after digging into the archives, a lot of restoring, recording & re-mastering, there�s Fact & Fiction. The album is an extension to the Walks album both in genre and in spirit. Comprising a selection of lost tracks, compilation only releases, unreleased songs and even two newly recorded songs, Fact & Fiction gives a great view on the bands musical abilities & influences over the years.

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15,08
Marc Acardipane - The Most Famous Unknown - Expansion Pack 3

2022 Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.

His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!

The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.

All original tracks have been re-mastered to the highest possible standard of quality.

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10,80
Reznik & Mikesh - One More EP

Reznik & Mikesh

One More EP

12inchKM063
Keinemusik
08.12.2022

Keinemusik’s Reznik once again is pairing up with long time friend and kindred spirit Good Guy Mikesh to lay down One More EP. The like-titled A-side is captioned with the tagline „Let’s give it one more try.“ - emotively crooned by Mikesh himself. We’ve all said it at some point in our life’s, right? Be it over a post-breakup coffee with the ex, be it at the black jack-table, be it in an early stage of a juggle practice. And it might cross our minds even now in the DJ booth, loading this very tune onto the player, curious if its heartfelt yearning might resonate with the crowd. Chances are it’ll resonate quite well. This sensitive yet grooving, string and piano-kissed tune shows all qualities of a future anthem. And so does the B-side „Read The Room“ - yet another directive one should always be aware of, in or outside the DJ-booth. Chances are, with this übermelodic, suspenseful, synth-hook-laden choon it’ll be almost impossible to misread the dancefloor. The vinyl version of this release comes with one exclusive bonus track.

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9,87
JOHANNES KLINGEBIEL - FOR NOW LP

The train hurtled forward, rocking side to side as field after field rushed by under an unmoving sky. Her gaze was transfixed on the blurred landscape that passed her by. Behind her, she had left a city with lifelong memories, and as her mind cast back to thoughts of home, a salty tear welled in her eye. It did not fall. She yearned to go back, but her heart knew that this would never again be possible. Inhaling, she held her breath for a moment, almost unexpectedly. A nostalgia was within her, but she knew she must continue, direct her own life and maintain this motion before it dwindled into inertia. She exhaled and the tear rolled down. Looking out toward the horizon she dabbed her cheek, then gently sat upright. Her journey was only just beginning.

Tübingen born, then Frankfurt raised Berlin artist - Johannes Klingebiel, unleashes a potent and untiringly emotive work for the fourth imprint on Amsterdam’s Bloomer Records. A man of many disciplines, he combines his background in jazz drumming with an insatiable appetite for all varieties of electronic music.

Beginning with fond nostalgia that is juxtaposed by the driving motion of organic breakbeats, one is immediately engulfed. Rich synth leads play on minor chord variations to begin and work towards complex and richly cinematic compositions. After the first four tracks, ‘Break Something’ stutters in with a club-ready feel. Capable of both at-home and party environments, this thought-provoking release cannot be boxed into clear-cut categories.

Johannes Klingebiel uses delicate percussion skills to speak to his electronic orchestra. His lust for crisp, clean breaks results in an often inexorable motion that punctuates pensive chords and crescendos. Beginning with breakbeat variations the release ebbs towards half-time drum structures, IDM and experimental expressions later on. Among these quirky and often nostalgic gems, one can find a few driving and noticeably danceable numbers, offering glimpse of familiarity amidst emotive and inquisitive soundscapes.

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13,03
Joyce with Mauricio Maestro - Natureza LP

(Produced, Arranged and Conducted by Claus Ogerman)

Not long after the dawn of her career, as a teenager in Rio de Janeiro, Joyce was declared “one of the greatest singers” by Antonio Carlos Jobim. Yet despite reputable accolades and the fact that she has since recorded over thirty acclaimed albums, Joyce never quite achieved the international recognition of the likes of Jobim, João Gilberto and Sergio Mendes, all of whom became global stars after releasing with major labels in the US.

There was a moment when it seemed she might be on the cusp of an international breakthrough. While living in New York, Joyce was approached by the great German producer Claus Ogerman. Ogerman had already played a pivotal role in the development and popularisation of Brazilian music in the 1960s, recording with some of the all-time greats like Jobim and João Gilberto, as well as North American idols like Frank Sinatra, Billie Holiday and Bill Evans.

"I met him in New York City, in 1977”, recalls Joyce. “I was living and playing there, and João Palma, Brazilian drummer who used to play with Jobim, introduced me to Claus. We had an audition, he liked what we were doing and decided to produce an album with us.”

Featuring fellow Brazilian musicians Mauricio Maestro (who wrote/co-wrote four of the songs), Nana Vasconcelos and Tutty Moreno, and some of the most in-demand stateside players including Michael Brecker, Joe Farrell and Buster Williams, the recordings for Natureza took place at Columbia Studios and Ogerman produced the album, provided the arrangements and conducted the orchestra.

But mysteriously, Natureza was never released, and what should have been Joyce’s big moment never happened. As Joyce remembers, “I returned home, but Claus and I remained in contact, by letters and phone calls. He was very enthusiastic about the album and tried to hook me up with Michael Franks. He wanted me to go back to NYC in order to re-record the vocals in English with new lyrics, which I actually wasn’t too happy about. But then I got pregnant with my third child and could not leave Brazil. And little by little our contact became rare, until I lost track of him completely. And that was it. I never heard from him again."

While Claus was known to be something of an elusive character, the album’s disappearance might also have been a result of timing. The Brazilian craze was coming to an end, making way for disco and new wave at the end of the seventies, and Ogerman struggled to find a major label interested in a new Brazilian sensation. Additionally, as Joyce mentions, it wasn’t quite finished. Ogerman wanted to add finishing touches to the mix and to record alternative English lyrics for the US and international markets - a critical artistic difference between Joyce and Ogerman.

As the military dictatorship’s grip on Brazil began to subside in the 1980s, Joyce had a handful of hits in her home county, including a tribute to her daughters ‘Clareana’, and the iconic ‘Feminina’ - an intergenerational conversation between mother and daughter about what it means to be a woman. But already a feminist pioneer, these successes were hard fought. Joyce had caused controversy as a nineteen-year-old when she became the first in Brazil to sing from the first-person feminine perspective, and the institutional sexism she faced was worsened by the dictatorship who would often censor her music. Even once the Junta was out of the way, Joyce found herself up against the male-dominated major record companies in Brazil, who sought to dictate her career and sexualise her image, before dropping her for refusing to play along.

A few years after the success of her albums Feminina and Agua E Luz in Brazil, Joyce’s music began to find its way to the UK, Europe and Japan, and “Feminina” and “Aldeia de Ogum” became classics on the underground jazz-dance scenes of the mid to late-eighties and early-nineties.

The full-length version of “Feminina” from the Natureza sessions was first heard on a Brazilian Jazz compilation in 1999 and “Descompassadamente” was licensed for a CD compiling the work of Claus Ogerman in 2002. Following these, word began to get out about an unreleased Joyce album with Claus Ogerman and the legend of Natureza grew.

Forty-five years since it was recorded, Natureza finally sees the light of day, as Joyce intended: with her own Portuguese lyrics and vocals. Featuring the fabled 11-minute version of ‘Feminina’, as well as the never before heard ‘Coração Sonhador’ composed and performed by Mauricio Maestro, Natureza’s release is a landmark in Brazilian music history and represents a triumphant, if overdue victory for Joyce as an outspoken female artist who has consistently refused to bow to patriarchal pressure.

***Disclaimer! While “Feminina” and “Descompassadamente'' were mixed by legendary engineer Al Schmitt and mastered from the original master tapes, the remaining five tracks are unmixed. Due to significant deterioration of the master-tapes, the best audio source for these tracks was an unmixed tape copy Joyce had kept of the recordings. The best care has been taken in the restoration and mastering of this release, but the sound quality may differ from other releases on Far Out Recordings. We advise listening to sound clips before buying where possible.

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27,52
Josh Burke - A Life of Mystery

Josh Burke is a guitarist/keyboardist/programmer from Chicago, USA, who specialises in a music that could, perhaps, best be described as an amalgamation of drone, kosmische and ambient, all with a distinctly euphoric flavour, as though these sounds were channelled rather than thoroughly composed.

He has over 30 solo releases to his name as well as splits with Jeffrey Astin (of Xiphiidae), Spirals and Body Morph, and also - like most of his peers - operates under several additional aliases - Ocean Diamond, Futuresport, The Masque, Silk Fountain, 56K, Sky Limousine and Nehal Shah - as well as ensemble and collaborative projects including Bermuda Link, Cartoon Drips, White Prism, Practical Applications Of The Chaossphere, Starfox, Camp Crystal Lake and Holographic Communications Of The Third Sky.

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10,88
Various - Sneaker presents Give'n'Take 2

Eight years after Cuthead's "Give'n'Take", it's Sneaker's turn to put together four of his favorite tracks for Uncanny Valley's compilation series. The artwork is once again by Planetluke com aka Luca Lozano. "This record is a vista of my world where music inhabits the air between people. As an exchange of genius, emotions, gestures - even conventions, rituals, and love. Dedicated to L.B. BaD, whose music I inhaled and whose records inspired me on my quest for deepness. You will be missed!" (Sneaker) Besides L.B. BaD's wonderful "Late In The Evening (Music's Seeping Thru)" you'll get three absolute bangers on top. The Optimistic Misanthropes are Mystic Bill, VeXaTioN and Sneaker himself. One of the most influential Chicago House DJs, true to the underground for over three decades now, and once part of the Trax Records roster... Mystic Bill. VeXaTioN already got to know him back in the days but is currently hailing from Mexico City. His track was born in Los Angeles and remixed by Sneaker in Berlin. Also, Left Unknown's "Maedchen" got the jacking Midas touch from Sneaker, a touch you've come to recognize. Behind the one-off project is Saxonian Gnista aka DJ Detox and somebody who wants to remain incognito. Jacob Korn however is well-known since the early days of Uncanny Valley and is above all Sneaker's best buddy at TailOut Studio, Dresden.

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16,18
Pete Bandit - Wild Feelings EP

We have a very special new artist for you from Berlin. Dutch native Pete Bandit relocated to Berlin some years ago where we first met in 2018 when he was part of the “Times Are Ruff” collective. They contributed a track on Dirt Crew for our “Deep Love 2018” compilation.
Now recently going solo he developed his sound even more towards Detroit-ish house with dabs of techno and a bit of high tech jazz in there as well. This debut EP offers Loads of deep soulful grooves, spiritual “computer” music at it’s best!

The A-side “Wild Feelings” is such a beautiful opener to this record, with it’s lush spread out intro it paves the way with that perfect mood for what is to come, a mix of soul, funk and electronics and overall well crafted deepness. The keys on this one were contributed by the mysterious “Nelson of the East” topped with vocals by Pete himself. “It’s Happening Again” continues the story with soulful deep house textures and this one especially reminds us a lot of those early 90s Chicago/ New York House gems, the track is building towards a great breakdown key change and with its atmospheric strings and pads it’s a truly uplifting “Good Times” tune.

On the flip we have “Computer’s Creativity”. This track picks up the pace and is centered around a funky, almost slap like, bass line. Here again topped by a vocal add of Pete about “Computer’s Creativity” and with it’s cool break this one will also be a sure floor filler, guaranteed! The closing track on this record is the driving “Luv Your Body”, great percussion guides us through a loose set arrangement and make this one a perfect late hours or early mornings tune in any mix, it could go on forever!


All tracks have been mixed by Ariel Schlichter in Berlin and mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

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10,71
2Pac - All Eyez On Me LP 4x12"

2Pac

All Eyez On Me LP 4x12"

4x12inchPAC0001
UMC
18.11.2022

All Eyez on Me is the fourth studio album by 2Pac and the last to be released during his lifetime. Released on 13th February, 1996, by Death Row and Interscope Records, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo, and the Outlawz, among others.

The album features productions by Shakur alongside a variety of producers including DJ Quik, Johnny “J”, Dr. Dre, DJ Bobcat, Dat Nigga Daz, DJ Pooh, DeVante Swing, among others.

The album includes the number-one singles “How Do U Want It” (featuring K-Ci and JoJo) and “California Love” (with Dr. Dre, featuring Roger Troutman) and the hip-hop ballad “I Ain’t Mad at Cha”, along with the Snoop Dogg collaboration “2 of Amerikaz Most Wanted” as a promotional single. It featured four singles in all, the most of any of Shakur’s albums. Moreover, All Eyez on Me made history as the first ever double-full-length hip-hop solo studio album released for mass consumption globally.

All Eyez on Me was the second album by 2Pac to chart at number one on both the Top R&B/Hip-Hop Albums charts, selling 566,000 copies in the first week.

Upon release, All Eyez on Me received instant critical acclaim, and it has been ranked by critics as one of the greatest hip hop albums, as well as one of the greatest albums of all time. In 2020 the album was ranked 436th on Rolling Stone‘s updated list of the 500 Greatest Albums of All Time.

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55,04
RAMIN DJAWADI - Game Of Thrones Season 7 (2x12")

The seventh and penultimate season of the HBO fantasy drama series Game Of Thrones premiered in 2017. The series received 22 nominations for the 70th Primetime Emmy Awards and won Outstanding Drama Series and Outstanding Supporting Actor in a Drama Series for Peter Dinklage (who plays the role of Tyrion Lannister).

The music for this seventh season was composed by Ramin Djawadi, just like the previous six seasons. The albums opens with a new version of the well-known main title. Djawadi is best known for his scores for Iron Man, Pacific Rim, Prison Break and Westworld amongst many others. For his work for Game Of Thrones, he has won two consecutive Emmy Awards and a nomination for a Grammy Award.

Game Of Thrones Season 7 is available as a limited edition of 1000 individually numbered copies on smoke coloured vinyl, is housed in a gatefold sleeve and includes an insert.

• 180 GRAM AUDIOPHILE VINYL
• GATEFOLD SLEEVE
• INCLUDES INSERT
• PVC PROTECTIVE SLEEVE
• MUSIC BY RAMIN DJAWADI (WESTWORLD, PACIFIC RIM, IRONMAN)
• GOT SEASON 7 RECEIVED 22 NOMINATIONS FOR THE PRIMETIME EMMY AWARDS AND WON 2 (OUTSTANDING DRAMA SERIES AND OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES FOR PETER DINKLAGE)
• GOT SEASON 7 RECEIVED A GRAMMY AWARD NOMINATION FOR BEST SCORE SOUNDTRACK FOR VISUAL MEDIA
• LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON SMOKE COLOURED VINYL

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39,45
A WINGED VICTORY FOR THE SULLEN - A WINGED VICTORY FOR THE SULLEN LP

'A Winged Victory For The Sullen' is the first installment of the new collaboration between Stars Of The Lid member Adam Wiltzie and L.A. composer Dustin O'Halloran. The duo agreed to leave the comfort zone of their home studios and develop the recordings with the help of large acoustic spaces, hunting down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end.

Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began with one late night session in the famed Grunewald Church in Berlin on a 1950's imperial B?sendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree. One last session on a handmade Fazioli piano in a private studio on the Northern cusp of Italy, before the final mixes took place in a 17th century villa near Ferrara with the assistance of Francesco Donadello. All songs were then processed completely analogue straight to magnetic tape.

Their secret to harvesting new melodic structures from the thin air of existence was for the duo to push themselves to dangerous territory, realising that clear thinking at the wrong moment could stifle the compositions. The final result is seven landscapes of harmonic ingemination. In 'Requiem For The Static King Part One' ? created in memory of the untimely passing of Mark Linkous ? they have taken the age-old idea of a string quartet and then shot it out of a cannon to reveal exquisite new levels of sonic bliss.

Of the 13 minute track 'Symphony Path?tique', Wiltzie says 'after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing'. Notable guest musicians include Icelandic cellist Hildur Gudnadottir, as well as Erased Tapes label comrade Peter Broderick on violin. A Winged Victory For The Sullen is not a side project ? it is the future of the late night record you have always dreamed of. A Major release for Forte, Non exportable.

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22,40
DAZION - GROOVEBOXX LP 2x12"

DAZION

GROOVEBOXX LP 2x12"

2x12inchDKMNTL093
Dekmantel Records
28.10.2022

Welcome to Dazion’s Grooveboxxx – a maxi-sized love letter to The Hague’s 80s and 90s club scene crafted with minimal tools and loaded with vibe. It’s no coincidence it arrives on Dekmantel, a label with its own roots in the same Dutch city’s electronic music culture.

Dazion is The Hague’s Cris Kuhlen, previously spotted releasing on Second Circle, Safe Trip and Animals Dancing. He cut his teeth clubbing and working at long-since closed clubs like Eau, described in Kuhlen’s own words as, “clubs with blocks to dance on, lazers, decorations, crazy extravert sic parties.”

In capturing the spirit of Eau and the other formative parties of his youth, Kuhlen limited himself to just one machine to make his longest work to date – the Roland MC-303 Groovebox. While these entry level units from the mid-90s had stripped down functionality in the wider spectrum of studio gear, they contained all the iconic Roland sounds in a Rompler style, giving the user access to everything necessary to make raw, immediate club tracks without requiring an entire studio’s worth of hardware.

The brash gear of choice set the tone for a record of rough, ready and playful jams which end up more sophisticated than you’d expect from such limited means. ‘La DS’ jacks with a freaky, bleep techno intensity, while ‘Kimberly & Nance Backstage Rehearsal’ rides an angular groove tooled to inspire the weirdest dance moves of the night. Every track is named in reference to a particular nightspot, a hazy memory or moment from Kuhlen’s formative raving years.

This is the sound of Dazion having the time of his life. You might well hear a nod to the odd rock totem being given a re-version in irreverent new beat style or some gnarly US acid breaks vibes riding underneath helium rap licks. But for all the cheekiness, the tracks stand up both as nods to halcyon days and relevant workouts for the sweatiest parties in the here and now. As MC Paul T says in dramatic style heralding the intro of Grooveboxxx, “This movement will live on forever.”

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16,60
Bs As Deep - House Experience Vol. 2

After our last release titled “jazz Baileys” we are back with House Experience Vol.2., this time in Ep format, presented by Bs As deep.
The previous volume was clearly dedicated to being a various artists, also with the participation of Bs As deep.

We have been working since vinyl number 4 with musicians, who have a participation in almost all the tracks released.

When we talk about musicians, we are including keyboardists, saxophonists, percussionists, guitarists or bassists.

Our goal or common thread has always been to achieve a warm and forceful sound, so that it can be heard in any environment, and at the same time be used at any time of the night, on a dance floor.
With those involved in both past and current releases, we share a common idea, which guides us in the interpretation of each song.
We also base ourselves on house influences from the late 90s (96,97,98,99)

Personally, we are moved by those times in which the sounds become more sophisticated, more elaborated in detail, and that is when we believe that the house that we listen to today with soul and jazz sounds, take on more relevance.

They also promote Afro and Latin percussion, leaning towards that New York and Puerto Rican fusion.

For all this, we like to include classic instruments, such as roland rhodes, the much-loved Juno, or korg packages with their inevitable M1.

Many shots are made live through a session expressed by the musician, who improvises for a while, from there we extract some part, which can be used several times in several tracks.

It is always necessary to do an editing job to adapt and correct any dissonance or variation in time that implies desynchronization in the beat. All this working in the sequencer of the daw to use.
On this album you will be able to hear soulful house sounds strongly impacted by keyboards, flutes and session basses, as well as some perfectly adapted percussion samples.

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10,88

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Horsey - Debonair LP

Horsey

Debonair LP

12inchUR007
Untitled (Recs)
21.10.2022

Horsey’s critically acclaimed debut album Debonair arrives on vinyl via London label untitled (recs). Made up of Jacob Read, Theo McCabe, Jack Marshall and George Bass, Horsey have built a cult live following having toured with the likes of King Krule, Goat Girl and Hinds, as well as playing sold-out shows across their hometown venues with the likes of YOWL, Hotel Lux, Norman, Ugly, Lazarus Kane and more. Horsey refused to be pigeonholed at every turn. “Debonair” is propelled forwards from the opener with an incomparable wide-eyed intensity that blurs the lines between dark, glam inflected noise-rock, surreal jazz breakouts, wonky apocalyptic pop, emphatic rock opera-esque histrionics and melancholic lo-fi without abating. The juxtaposition between maturity and immaturity is central to the album’s themes, and this contrast is not only found in the album’s dynamic instrumentation but is also prominent in Horsey’s intoxicating and coltish lyrical prose, which is all at once deeply personal, tumultuous and utterly abstract. Though often delivered with overtones of sardonic humour the subject matter carries a sincere message, one that channels the spirit of when the band first met in nursery whilst tackling the tropes of modern living. The result is a gripping and exuberant reminder that there is great value in applying some childlike lateral mentality to the all too serious events of adult life. Tracklist: A1/Sippy Cup A2/Arms and Legs A3/Underground A4/Everyone’s Tongue A5/Wharf B1/Lagoon B2/1070 B3/Clown B4/Leaving Song B5/Seahorse (Feat. King Krule)

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21,43
TROPA MACACA - ANIMAIS SINTÉTICOS EP

Very limited priEvate press.

The new record by Tropa Macaca brings together two pieces, Animais Sintéticos and Aerossol, which were previously presented in an exhibition context, at gnration in Braga and at PADA in Barreiro, in the years 2022 and 2020, respectively. Both exhibitions, which took the title of the pieces, presented themselves as immersive installations that allied music to Joana da Conceição's paintings and videos. These two exhibitions are different pacts between the audible and the visible, and of both with the world.

Here are the texts that accompanied the exhibitions, as well as links to visual report.
Animais Sintéticos, gnration, Braga, 2022
The exhibition Animais Sintéticos exists like a landscape, the kind we remember
when we are not there, alive, but suspended inside us. Enigmatic for us who created
them, they accompany us, and if we imagine that one day they had a beginning, an
original referent outside of us, the time they have already spent with us forces us to
doubt that this is so. Time has uprooted them, torn them from that place. We look
closer, we reflect, we examine, we meditate, and when, as in a quantum leap, we
originate what becomes there, we believe that it has always been there, that we have
crossed the glass, that we have come close to the mystery. It is a landscape like this
that is offered in this exhibition. One of those that say more about us than about the
world, at a time when we already know what we already felt, that we are not the
world. An exercise in quantum paleontology, where the painting, the music, and the
moving image are echoes of this place we inhabit, between promise and ruin. A
confrontation, in the form of an elegy, in search of reconciliation.

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10,04
Various - Tropical Disco Records, Vol. 25
 
4
also available

Vol. 1[14,24 €]

Vol. 2[14,50 €]

Vol. 4[13,66 €]

Vol. 5[14,24 €]

Vol. 7[14,50 €]

Vol. 11[13,87 €]

Vol. 19[14,50 €]

Vol. 20[14,08 €]

Vol. 22[14,24 €]

Vol. 24[14,50 €]

Vol. 27[13,87 €]

028[14,24 €]


Tropical Disco continue to rewrite the disco handbook as they clock up an impressive quarter century of vinyl releases with a sublime Volume 25 of their series.

Featuring four disco cuts laced with jazz, funk, touches of electro and lots of dancefloor swagger it perfectly continues to build and diversify the sound of the series. Getting in on the party are a trio of Italian disco lovers Musta, an artist whose releases regularly set the disco and house charts alight, alongside the highly rated Corrado Alunni and the mysterious Fun Kool both of whom also hail from Italy.

Opening proceedings, and in stellar form, is co-label boss Sartorial whose ‘Hootin N Tootin’ is a real jazz funk gem. Incessant piano riffs, a groove of a bassline which edges towards acidic in places, guitar licks aplenty and choppy drums all combine for a track which could be played anywhere from a jazz inspired pool party to the funkiest of clubs. ‘Hootin N Tootin’ is as musical as it is dance worthy, two very handy traits which will see it survive the ever onwards march of time.

Musta’s ‘El Matador’ meanwhile has a high energy, fun-filled approach to life. It’s a track which very much defies pigeon holing but which comes from the same effusive family of earworms as Samin’s ‘Heater’ and may well prove to be just as big a breakthrough hit if it lands in the right hands over the summer. It’s very much a track with a big mischievous smile on its sun worshiping face.

Corrado Alunni’s ‘Funk Decision (Dub Mix)’ falls very much into the early Soulfuric camp of Soulful house music, a sound which Tropical Disco has regularly flirted with recently with some fantastic results. Divine live sax, guitar loops and ass shakin’ bass all merge perfectly for a very classy six = minutes of shimmering dancefloor groove.

Fun Kool’s ‘Low Tow’ sees out the EP and takes us off on an 80’s inspired electro journey. Stabby synths, subtle cowbell and Vangelis-esque keys all combine for a track which brings Metro Area’s take on the genre immediately to mind. ‘Low Toe’ deserves all the plaudits which undoubtedly come its way, a future classic for sure.

That Tropical Disco keep conjuring up EP’s of this quality is a major cause for celebration in itself. Disco in 2022 is a progressively more and more interesting place to live given the multifarious avenues which it continues to open up and this EP is a perfect example of the depth, diversity and incredible quality of a genre overflowing with passion. We very much hope that the first 25 volumes are only the beginning.

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13,87
Red Hot Chili Peppers - RETURN OF THE DREAM CANTEEN LP 2x12" - Deluxe Edition

Red Hot Chili Peppers announce their brand new studio album, Return of the Dream Canteen which will be released October 14th on Warner Records. The surprise announcement was dropped at Denver’s Empower Field to rapturous response as the North American leg of their critically and commercially acclaimed global stadium tour kicked off.

The news of Return of the Dream Canteen's imminent release marks the band’s second album of 2022, hot on the heels of the platinum-selling chart topper Unlimited Love which was released in April debuting at #1 in the UK. It will also be the band's second Rick Rubin produced album of 2022, and reinforces their reputation as a band at their absolute peak, riding the crest of an undeniable creative wave.

Continuing to win over audiences across the generations, the band performed a run of sold-out UK/EU dates earlier this year, including two nights at London Stadium. "A scorching European touch-down from the California legends" – CLASH

We went in search of ourselves as the band that we have somehow always been. Just for the fun of it we jammed and learned some old songs. Before long we started the mysterious process of building new songs. A beautiful bit of chemistry meddling that had befriended us hundreds of times along the way. Once we found that slip stream of sound and vision, we just kept mining. With time turned into an elastic waist band of oversized underwear, we had no reason to stop writing and rocking. It felt like a dream. When all was said and done, our moody love for each other and the magic of music had gifted us with more songs than we knew what to do with. Well we figured it out. 2 double albums released back to back. The second of which is easily as meaningful as the first or should that be reversed. 'Return of the Dream Canteen' is everything we are and ever dreamed of being. It’s packed. Made with the blood of our hearts, yours truly, the Red Hot Chili Peppers.

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35,50
MOAB DEP - ART OF HEART EP

restock

Melodies Of Ancient Beats Depth or Deep, (with Dep also meaning beautiful in Indonesian) is the meaning of this newly created persona from the artist DemoDc. After many years of experimenting with music making, releasing digital eps and albums, Demo has come to an end of a cycle arriving to a mature state of craftsmanship, ready to deliver his dream onto the vinyl medium.

This is the 1st ep that kickstarts a volume of a 5 ep project. Its own kind of album type edition so to speak. Down the rabbit hole is a deeply rich exploration of the unknown, immersing oneself with faith and love into a pandora’s box type scenario to find not chaos and random violence of destruction yet a carefully arranged melodic structure of orderly tapestry, traveling through the expression of quirky acid gobbles, with a steady deep chord of drive, arriving at a climatic unwind of free moving dance type melodies and wonder. This track gives electro a fresh stroke to a well founded genre, giving it a different approach to the medium. Today’s special is a track held close to heart, made back in 2007 after a skiing incident left MOAB DEP immobilized for 2 weeks. Whilst having travelled to NZ Queenstown for the trip, it dawned on the wounded artist to make sense elsewhere with his time, using it to create a very special track, of course unknowingly at the time. Returning home to Adelaide it quickly become a favourite for many underground artists yet the track has never really been given a chance to shine, to be heard…. not until now 12 years later, 2019. 
All made on his laptop, no midi used ( which is to be said mostly with all tracks created at heartheartrecords studios).

Today’s Special has a certain energy and vibe that immediately calls for the listener to pay attention. From its moody beginnings with lush rhodes keys, glitch ambient sounds, followed by the groovy-type horn sounding hook, whisking the listener away into a sunsetting type mood elevating itself onto new ground each step of the way. With some subtle bass movements and emotive chord progression, we arrive at a very warm heartfelt dance track that can only leave any dedicated listener and lover of common deep house music, with a tingling effervescence of radiant glow and smiles.
 Today’s Special proves to be its own cult hit within the archives of tracks made in the heartheartrecords realm. Today's special celebrates the meaning of 'NOW' the present moment.

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8,36
Controlled Weirdness - Presence Unknown 002

Back in stock!

Presence Unknown is a new vinyl and digital label curated by longtime producer and DJ, Neil Keating aka Controlled Weirdness. Neil has been behind the decks and deeply involved in all aspects of club and underground sound system culture since the early Eighties. He has released his music on numerous underground labels and performed all over the world, from plush clubs to dirty warehouses. Worth a read are a couple of published articles by Neil regarding his experiences on the dance floor of underground clubs in London and New York in the Eighties. See links at the bottom of this page for these as well as a detailed biography and discography. There is also a link to a recent 40-minute interview with Distant Planet TV that explores his cultured rave history.

The second release on Presence Unknown contains four future-retro house grooves from Controlled Weirdness crafted using a variety of analogue and digital hardware in his South London studio.

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8,82
Francisco Allendes - What You Do

Chilean-born Francisco Allendes returns to Crosstown Rebels for the first time in six years this May. Serving up the three-track What You Do, the title number has already received global airplay via Damian Lazarus himself. Now, the full release will be made available next month and includes a remix by US-legend Harry Romero.

A contemporary dose of four-on-the-floor house, What You Do leaves few prisoners in its wake, as rampant drum patterns converge on a heady combination of kicks, synths and irresistible vocals right the way through. There’s an infectious energy to the track, paving the way for Harry Romero’s similarly up-tempo remix. It’s feel-good, club-ready dance music at its best, packed full of low-slung groove that opens neatly into the closing sequence: Maratone, a stripped-back, techy cut that bears all the hallmarks of a true Ibiza anthem.

Hailing from Chile and now based in Ibiza, Francisco Allendes is a leading light in today’s scene. Be it Loco Dice’s Desolat, Steve Lawler’s VIVA or Damian Lazarus’ Crosstown Rebels, his productions have graced some of the industry’s most well-respected labels. Such quality hasn’t gone unnoticed - he picked up the ‘Best Ibiza’ DJ Award in September 2019 and has gone on to complete several South American tours. A much loved affiliate of ANTS, Francisco has a long standing residency at both Ushuaïa in Ibiza and their affiliated tours, in addition to hosting the weekly radio show.

Seminal American house talent Harry Romero is a well-established figure on the worldwide music circuit. A prominent global DJ and producer since the ‘90s, early productions on Cutting Records and Cutting Traxx helped set the tone for Harry’s career trajectory, opening the doors to a coveted BBC Radio 1 ‘Essential Mix’ in recent years.

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12,14
DJ Clyde - Hypnotyk Lost Tape LP

Dj Clyde

Hypnotyk Lost Tape LP

12inchTVLP23 (SPLATTER VINYL)
Trad Vibe Records
29.08.2022

Trad Vibe records is happy and proud to present you this project as well execptional as unpublished!

We are in 1994, DJ Clyde left the group Assassin and launched the 1st French Mixtapes but he sees even further and launches into the production for the 1st time since he became a hip-hop activist. His set up seems very simple but unusual and innovative for the time especially in France with a SP1200 and two S950 and a maximum of Soul, Funk, Jazz vinyls that he digs with his crew Hypnotyc Djs (Dj Clyde, Dj Max, Dj Asko). The project is also exceptional because it comes from a cassette archived by Clyde of beats sent for the album Paris Sous Les Bombes of the famous group Suprême NTM (3rd album of the group).

Of course you will not find the beats released with his last but all the unselected gems that reveals the talent and the advance that Dj Clyde had taken in the production at that time! More than an instrumental album or beat tape, this project is a testimony of the history of Hip-Hop and moreover of Beatmaking in France in the 90s which was not supposed to see the day.

The cover is made by the talented grafiti artist Cyril "Kongo" of the famous and historical crew of graffiti artists MAC (founded in 1986 in Montreuil).

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17,61
Butane & Riko Forinson - Too Hot For Humans

The next release in CUE Music's catalogue sees Butane teaming up once more with Riko Forinson for "Brainstorm" EP alongside Nima Gorji on remix duties. The record definitely adds extra magic to the label's discography, lining up to the previous releases from Elchinsoul, Sascha Dive, Sascha Sonido, Danilo Schneider, Dubphone, Heerd and label head Sven Jaeger, among many many others.

A firm believer that the long hours of studio work keep a musician grounded, Butane boasts an impressive discography, released by some of the most highly regarded labels in the business, such as Crosstown Rebels, Sci+Tec, Hottrax, Fuse Records, Lauter and Get Physical. As a label owner, he's the founder of three influential underground dance music imprints of his own, Alphahouse, Little Helpers and Extrasketch.

Riko Forinson is an Italian artist passionate about the sound of drums and piano which he studied intensively from an early age. After a while of exploring the acoustic dimensions of music, he immersed himself in the world of digital electronica, performing as a DJ at various events and releasing with labels like Orpheus Recordings, Lucidflow, Dushe Label and Bar 25 Music. Nowadays he's an author, composer and producer who loves to play with various techniques while integrating jazz, reggae or classical aspects into his compositions or sets.

In charge of the reinterpretation of the title track, Ibiza-based Nima Gorji is well-known on the international scene, with a career that spans more than three decades. In 1999 he founded Welt Recordings followed by NG Trax and Need For Sound, relentlessly following his passion for electronic music by releasing numerous personal works as well as promoting other artists. His rich discography includes materials published through labels like Sci+Tec, Deeperfect, Fuse London, Bondage Music, Out Of Orbit, Love Letters From Oslo, Indigo Raw, Out Of Orbit, Cocoon, Murmur, Natural Rhythm, Bla Bla Records, ÉTÉ,

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4,16
KiNK - Hyper Epic

Kink

Hyper Epic

12inchSOF007
Sofia
22.07.2022

KiNK's first release on Sofia Records this year lives up to its title and its creator's reputation. The relentless energy, love of musical adventure and undamped enthusiasm of a KiNK live set can be found here in all its glory.

Wake Up is not only an instruction and a hidden compliment to Laurent Garnier, it's also evidence of the Bulgarians uncanny ability to deliver steamrollers with various twists and turns, while hitting the peak effortlessly.
Beep Beep adds a certain element of mania to the menu. For the lack of a better description, please imagine Mr. Oizo and Steve Poindexter making a record together. Not for the faint at heart.
That can be said for the rest of the EP as well. Featuring Redeye, Room To Jack is on the same level of Beep Beep. Traditional topics of Chicago House get a bench test on a speed farm.
Dancing to Scrambler one would probably need the same room to jack. Swapping the Windy City with British raving fields, KiNK and Raredub deliver a take on the early sound of UK that might miss breakbeats, but manage to re-use all the other ingredients to a hair: fine-tuned and updated. Quotation without modern misinterpretation. Hyper and epic at the same time. And always remember the future!

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10,04
La Famille & Caron Wheeler - Dancer

Freestyle comes with it again - presenting the first officially licensed reissue for a previously white label-only slice of fantastic 1982 UK boogie funk, featuring the vocal talents of a then 19 year-old Caron Wheeler!

La Famille were a group put together at the turn of the 1980s by seasoned reggae & jazz guitarist (and later band-member with the award-winning Jazz Jamaica) Alan Weekes. The band's main line-up consisted not only of a young Wheeler, but also a young Cleveland Watkiss - as well as the late Claudia Fontaine (who would go on to pair with Caron as Afrodiziak) & Roy Hamilton - with guitar, arrangement and production provided by Weekes.

While the group was short-lived - recording only this 12" alongside a couple of singles for Leonard "Santic" Chin's Sanity label (a stellar cover of the Mary Jane Girl's classic All Night Long) and Alan's later Bpop label (the down-tempo groover Lost in Paradise, co-arranged alongside Watkiss) - there is no denying the talent on display here, as the years and decades that followed can surely attest.

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8,36
Magou - Who Is Magou? LP 2x12"

Magou

Who Is Magou? LP 2x12"

2x12inchTOYT134
TOY TONICS
17.06.2022

Who is Magou? All we know is that, 2 years ago, Toy Tonics released a 12” EP that created a little buzz on this artist without a face and social media.
The only clue is that Magou is allegedly a mysterious side-project by an otherwise well-known Italian music maker, producer and dj.
Who cares about fame? This one is all about the music, so Toy Tonics is now back with a sassy 2LP release of Magou's full album.

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18,45
Mike.D - Mente Transcendente

Mike.d

Mente Transcendente

exclFUTURA006
Futura
24.05.2022

The fast rising FUTURA imprint from Leon, releases its new release from Mexican DJ Producer Mike.D with stellar remixes from Len Lewis and Do Or Die to complete the package .



Salomon Records founder Mike.D hails from Juarez Chihuahua, and is considered one of the new generation talents of DJs and producers from northern Mexico. His music selection and mixing abilities have given him the opportunity to play at the legendary Mexican venue Hardpop for many years. As a producer he’s released on labels like Kanja Records, Kina Music, The Lab, Dream Culture and more which has cemented his place in the scene. His music is regularly supported and played by the likes of Arapu, Sepp, Cosmjn, Maher Daniel, Mihai Pol, Sublee, YokoO and more.


For his debut release on Futura, he drops 2 originals the first of which is the title track ‘Mente Trascendente’. An edgy minimal deep tech house track with a grooving electronic bassline, deep atmospheric pads, classy beat pattern all combining to create an elegant 8 minute journey. The second on the package is Len Lewis’s remix of ‘Mente Trascendente’. Len Lewis released his first track back in ‘93 on Jumpin & Pumpin, which then led to records on the likes of the legendary Swag. Lewis’ designated name for his sound is, SiTH, Sinister Tech House, claiming its mysterious name after a Mixmag reviewer used this description for his music many years ago. His remix fits this name perfectly, powerful low bassline drives the track effortlessly, and smooth breakdown combining with eerie incidentals and pads, treated vocal cuts providing the signature hook for the track. This is a remix that’s perfect for the heads in the scene.



Next up we have ‘Sendero Interno’. The original mix is a pure minimal work out right from the outset. The stripped back and delicate beats use popping sounds for filling the frequencies, and work perfectly against the backdrop of the brooding pads and synths make this an classy introspective underground track, which is everything the Futura label is about. To round things off we have the final remix which comes from My Own Jupiter DJ Producer, Do Or Die. Well known for producer techno and electro the fast rising producer, delivers an acid house sci-fi esq work out on this remix with punching beats cutting through the mix, whilst retaining the brooding synths and samples from the original and adding in some special vocal cuts to keep this remix unique and perfect for the floor.

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10,04

Last In: 4 years ago
Son of Chi & Clara Brea - The Wetland Remixes 2x12"

Son of Chi returns to Astral Industries, alongside Spanish artist Clara Brea, for the collaborative release of AI-29. A product of fate, chance experiments, but most of all, sensitive artistry - ’The Wetland Remixes’ exists as a confluence of two kindred musical spirits, a wayfaring epic that draws together a rich archive of ecological field recordings, live instrumentation and higher inspirations.

Ahead of Hanyo’s concert at Calma (Madrid) at the end of 2019, the curators organised a special dinner and arranged the meeting of Clara and Hanyo. As Hanyo recalls,“It was like stereochemistry. There was an instant match and understanding, and basically we decided in a split second to exchange recordings and to collaborate on future live and studio experiments.”

The auspicious meeting of the two ignited a remote exchange of materials and ideas, as the world descended into a series of pandemic-related lockdowns. The first of said recordings included the stems of Clara’s ‘Wetland Project’ - a site-specific audiovisual project originally produced for Eufonic Festival (Spain), using field recordings from the Ebro Delta nature reserve (one of the most threatened regions of climate change on the Iberian peninsula).

From this initial impetus, Hanyo began working on the first sketches of the album back in Rotterdam, Netherlands. Just like their meeting in Madrid, the project developed naturally and spontaneously with extraordinary ease. Later, Hanyo started adding field recordings from the Magic Cave and Wetlands of the ‘Kallikatsou’ (Patmos, Greece) as well as organic and acoustic overdubs, featuring bass, drums, percussion, guitars, oud, piano, hammond organ, wurlitzer, flutes, bells, and mouth harp.

In the distance, the sound of birds peak through the effervescent wash of the wetland soundscapes. The pass of running water flows deeper into a land full of secrets never told. On the strike of dusk, the silhouettes of shapely trunks and foliage melt slowly into the impenetrable darkness. As darkness passes, light emerges, with exquisite moments of tranquility that seemingly emerge from nothingness.

Beneath the shimmering veneer of textures, wildlife and melodies, one may hear the deeper references of ’The Wetland Remixes’. With credit to Clara’s input, for Hanyo the album process became a kind of refuge, and ultimately inspired the return to the core of Abstract Sound - what the Sufis call“Saut-i Sarmad.”Such references allude to the spiritual quality embedded in the music - the autonomous process of self-expression, the great mystery. Hanyo: “An ambience like this cannot be created by routine. There is no blueprint. The music has to find you. It’s like a blessing if it happens. You should not interfere, just observe and be impressed...”

Deep, luscious mind trips as per the classic Chi sound, ‘The Wetland Remixes’ beautifully correlates the interconnecting dots of geography, ecology, and mythology’s forgotten lore.

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24,16
Kota Motomura - Pay It Forward LP

Three years after he released the incredible New Experience EP (picking up plaudits from Bill Brewster, Tim Sweeney, Laurent Garnier, Horse Meat Disco, Leo Mas & 6Music’s Tom Ravenscroft, among many more), Tokyo’s Kota Motomura returns to Hobbes Music for his debut LP, Pay It Forward. This is the first vinyl release on Hobbes Music since the much-loved ‘Aranath’ EP by Leonidas & Hobbes last Spring. While the label maintains the level of quality control for which it has become recognised, the artist continues to subvert electronic and dance music norms in his iconoclastic way on this extraordinary record.

He’s a mysterious character with an ear for idiosyncratic music that runs the gamut from ambient, exotica and jazz to disco, house and techno via post punk, new wave and funk. It’s highly original and all adds up to a confection perhaps best described as ‘Balearic’.

Album opener Paradise is a certified jazz-funk JAM. Destined for dance floors worldwide, this one’s been dropping well with DJs, Motomura demonstrating his piano chops alongside Mutsumi Takeuchi’s sax. Tropical pushes the boat in a more rhythmic direction, some pretty wild drum programming laced with more sounds of the, um, tropics, before mad vocal yelps suggest something yet more tribal. To Be Free initially resembles early 90s progressive house (pulsing bassline, synth-driven melodies), before the arrival of some new wave guitar licks a la classic Talking Heads/David Byrne and ooh ooh vocal chants take it to another dimension altogether.

B-side opener Emotion features Takeuchi again (on flute this time) and more vocal chants before things take a dramatic turn, threatening to open up into a full fanfare before calming and then bursting into wild life again with the exhortation that “C’mon, everybody dancing!” Rhythm flirts with an energy and pace more akin to a techno record: drums, drums, more drums plus a fair few yelps and chants - the kind of DJ tool that will send a simmering dance floor wild in the right hands. Flower closes things in a more melancholy style, familiar to fans of ‘Aboy’ from the New Experience EP, with plaintive acoustic guitar (performed by Akichi), birdsong and big piano chords.

Support from Bill Brewster, Leo Mas, Al Kent, Red Rack’em, Nick The Record, Phil Mison, Phat Phil Cooper, KZA, Sean Johnston (ALFOS), S/A/M, Dribbler, Joe Muggs, Monolith Cocktail and more…

‘Gonna review in MÜ mag... very fine stuff!’ JOE MUGGS
‘Will be reviewed on the blog’ MONOLITH COCKTAIL 
BILL BREWSTER played Flower on the DJ History podcast #641 (25.3.22)
'I really like this album, Flower and Paradise are my favourite' LEO MAS
‘I like Paradise’ AL KENT
‘Woo this is tasty. DEFO playing on my next radio show. The label’s A&R is defo getting better and better. HM has been putting out some dope stuff and this one seems really good quality’ RED RACK’EM
‘Paradise and Flower sounding good’ NICK THE RECORD
‘Tunes sound great!’ PHIL MISON
‘Going to include Paradise and Flower on my Sunday Ibiza global radio show PHAT PHIL COOPER (Nu Northern Soul)
‘Very nice album with influences from many different genres. I especially like To Be Free with nice synths and guitar cutting, and Flower, which is a chill vibe’ KZA (Mule Musiq, Endless Flight) 
'100% correct about the ALFOS potential of To Be Free!' SEAN JOHNSTON (A Love From Outer Space)
'Stunning, will fit perfectly with the vibe of my radio show’ S/A/M (Music For Dreams, DK; Playa Del Sol, Ibiza)
'Stellar work, i'll make a bet that Flowers is a Balaeric classic this summer' DRIBBLER (Breakfast Club, Ibiza)
‘It's cool in a nice smelling psycho sense, it was a very DEEP sound that I couldn't produce. Congrats!’ ALTZ (Altzmusica)
‘Paradise is my jam, it's deep, sunny and never boring. I'm interested to see how this will work on the dance floor. Overall a great album with solid composition and impressive use of live instruments!’ SOBRIETY (fka Chloé Juliette)
'Very tidy selection' ASTROJAZZ (Kelburn Garden Party, Wee Dub, Samedia Shebeen, Disco Makossa)
‘This is a lovely release. Follows on from New Experience in the best way possible. It's got lots of vibes going on but holds together as a cohesive piece of work. Love it’ JAMIE THOMSON (La Cheetah, Glasgow)
‘To Be Free is a track i could imagine Andy Weatherall playing in one of his sets at A Love From Outer Space’ KIRSTIE PATON aka She-Bang Rave Unit (Threads Radio, Radio Magnetic)

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19,03
Werkha - All Werk Is Play LP (2x12")

First Word Records is very pleased to bring you the sophomore album from Werkha, a 14-track double LP entitled 'All Werk Is Play'.

Werkha hails from Manchester and has been releasing music for a decade, collaborating and remixing artists such as Quantic, Bryony Jarman-Pinto, Marcos Valles and Andrew Ashong. Werkha and his live band have been lighting up dancefloors in recent months at venues such as Low Four Studio in Manchester and The Jazz Cafe in London, with festival appearances locked for the Summer at the likes of We Out Here and Moovin. In past years, he has toured extensively with artists like Bonobo, Chet Faker and Mr Scruff.

In 2020, Werkha released 'The Rigour' on First Word, and dropped 'Beat Tapestry' in late 2021 on a limited cassette. 'All Werk Is Play' marks Werkha's first full-length solo project since his debut album 'Colours Of A Red Brick Raft' on Tru Thoughts in 2015, and sees this multi-talented musician produce a delightfully vibrant body of werk.

This album is predominantly a set of uptempo compositions from Werkha (real name Tom Leah), fusing analogue jazz-funk vibes with modern dance music sensibilities. Nestling somewhere between broken beat and breakbeat, Werkha has been nurturing his own unique sonics for some time; incorporating live horns & wind instruments with bass, double-bass, harp and guitar, along with a selection of sweet squelchy synths and deliciously delectable drum programming.

We've had several single releases from this project so far, namely 'Eterno Retorno' (with Portuguese singer Moreiya),'In Saint-Gilles' (with Brussels DJ & producer, Le Motel), 'Move Different' (with Mancunian singer & musician Ellen Beth Abdi), 'Beauty & The Bloc' and 'Battered Mars Bar'. As well as the afore-mentioned collaborations, this album also features bars from legendary MCR MC Chunky (Swamp81 / Levelz) on 'May Day', soulful vocals from Kemani Anderson (Secret Night Gang) on 'Count Yer Pace' and some heavyweight accompaniment from the likes of bassists Nick Blacka (GoGo Penguin) and Tom Driessler (Adele, Tom Misch, Jordan Rakei) amongst others.

'All Werk Is Play' was an opportunity for Werkha to produce a full body of work in the conceptual formation of an album, as opposed to a set of singles strung together. From 'The Rigour' EP to the subsequent releases, this album completes a circle in his current creative curve, from a design perspective and sonically. Werkha has been steadily pushing his own self-production and musicality, embracing mistakes, and challenging himself both creatively and mentally. As a self-edutaining piece, the depth, nuances and examples of work as play are numerous, and whilst each track was thematically inspired by different topics, the fun element of "play" was always forefront in his mind, to ultimately create something powerful, yet positive.

In Werkha's words "this record is dedicated to mixing things up, to walking down that street for once because your feet took you that way, to deciding not to take the bus today, to moments of improv, to breaking with convenience, to challenging structure, to play."

Tracks have received recent spins & support from BBC Radio heavyweights on 1Xtra & 6 Music like Jamz Supernova, Tom Ravenscroft, Huey Morgan and Afrodeutsche, as well as love from selectors such as DJ Paulette, Scratcha DVA, Harvey Sutherland, Zakia Sewell (NTS) & Jyoty (Rinse).

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16,77
No More - Suicide Commando 7"

No More

Suicide Commando 7"

7"-VinylSTUTE002-PURPLE
EL CABALLO SEMENTAL
29.04.2022

Pink Vinyl

The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrainedin the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is
back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.

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11,39
Superchunk - Wild Loneliness LP

Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude.

I’ve been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I’m writing these words feels like a minor miracle.) On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem the “secret ingredient” is surprise. Perhaps the same is

true of songs. Like when the sax comes in on the title track, played by Wye Oak’s Andy Stack, adding a completely new texture to the song. Or when Owen Pallett’s strings come in on “This Night.” But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on “Endless Summer.”

It’s as perfect a pop song as you’ll ever hear sweet, bright, flat-out gorgeous and yet it grapples with the depressing reality of climate change: “Is this the year the leaves don’t lose their color / and hummingbirds, they don’t come back to hover / I don’t mean to be a giant bummer but / I’m not ready / for an endless summer, no / I’m not ready for an endless summer.” I love how the music acts as a kind of counterweight to the lyrics.

Because of COVID, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.’s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like “Wild Loneliness,” were written from and about isolation.

I’ve been thinking of songs as memory machines. Every time we play a record, we remember when we heard it before, and where we were, and who we were. Music crystallizes memories so well: listening to “Detroit Has a Skyline,” suddenly I’m shout1singing along with it at a show in Detroit twenty years ago; listening to Overflows,” I’m transported back to whisper-singing a slowed-down version of it to my young son, that year it was his most-requested lullaby.

Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together beauty, possibility, surprise during this alarming (and alarmingly isolated) time. But why wait? Let’s marvel now. - Maggie Smith

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23,11
grad_u - T2N0 (2x12")

Grad_U

T2N0 (2x12")

2x12inchGREYSCALE08
GREYSCALE
08.04.2022

White Vinyl

Greyscale's most personal release and perhaps the most important for label owner grad_u aka Aleksandr Martinkevič. Earlier this year, Alex was diagnosed with cancer. Certainly a horrible thing to hear and there has definitely been some low moments in certain stages of the journey. At just 36 years old, many of us are shocked that such a young person can develop cancer. After some research he found out that younger and younger people are randomly getting cancer studies show. An alarming trend to learn about. However, there has also been a lot of other learning and different new levels of appreciation for the simple things in life as a new higher level of inspiration in making music has manifested. And this new release encapsulates that. Alex has also felt a duty to make things better for others. Focusing on what can be improved as he wants to highlight research, treatment and the overall communication of this disease to more people in the electronic music scene. Part of the proceeds from this new album will be donated to the National Cancer Institute in his homeland of Lithuania.
Alex wants everyone to know that catching these signs early and getting regular checkups are your best chance at beating cancer. Thankfully Alex did this also and his treatments have gone well. Alex plans still stay steadfast with his label and his life. Simplifying things with the love from his family and friends, focusing on his hobbies
along with making sure he makes his health his #1 personal priority.
The name for this full length release is titled 'T2NO'. grad_u's most introspective work yet features 8 emotional tracks overall. The honesty expressed in this album is blunt and to the point. These tracks take you on an audio journey thru grad_u as he expresses his feelings thru the entire process in each stage.
Beginning with two wonderful ambient tracks named 'Genetic Mutation' & 'Carcinogen'. In the opener, Chords rain over you as a beautiful ambient melody peeks out underneath it followed by a more stark and hazy field of interference. From the gentle opener to the more tension filled follower, the personal journey of grad_u is
developing before your ears. The b-side of 'Neoplasm' is a bit more somber but also has a ray of light in it.
Introspective as it can get, this is a true journey through an uncertain future. 'MRI scan' needs no explanation....
The second half of the album begins the understanding of what grad_u was going thru. 'Malignant Transformation' gives off that feeling of the human body working thru the science. Fight or flight becomes the theme for this track. 'Adenocarcinoma' almost gives off the sound of cells rebuilding themselves. Sci-fi meets real life in this epic battle. 'Resection' continues this scientific sounding reflection on the body healing with sounds of movement and time. As if the body is working itself out. Lastly and triumphantly comes the closing
track 'Waking up to a New Life'....
The emotional journey of this album isn't for the faint of heart. It leaves nothing to the imagination. It works thru all the emotions that can come with such and life changing event like having cancer. We want to thank grad_u for sharing his story with us. This story can happen to anyone...
"I would like to take this opportunity to express my great gratitude to doctors A. Dulskas, G. Jurevičienė, V. Sidorov and all staff in Abdominal Surgery and Oncology Department at NCI. Thank you for your expert care and for saving my life.
Also, big big thank you my family and closest friends for all their love and support during this difficult period of time and always being there for me."
Special thanks to Lithuanian Council for Culture, associations AGATA and LATGA for support of this special project.
Part of proceeds from the album will be donated to National Cancer Institute, Lithuania

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21,64
BABY BUDDHA - MUSIC FOR TEENAGE SECTS LP

Baby Buddha is David Javelosa and musical partner Charles Hornaday playing instruments and providing their own whacked-out vocals. Baby Buddha really was less of a band than a project; a side project in fact, for some members of another group, Los Microwaves. Baby Buddha would eventually record and release an album, 1981's provocatively-titled Music for Teenage Sex on Robbie Fields' L.A.-based Posh Boy label.

Happily, the project's guiding creative light, David Javelosa has recently seen to a vinyl reissue of the now-40-year-old record, mystifyingly retitled Music for Teenage Sects. Definitely among the stranger releases of the new wave era, Music for Teenage Sex/Sects could perhaps only have been created when and where it was made. But on the occasion of its 40th anniversary, the music sounds as weirdly wonderful as ever. "We Are Not" sounds like Human League stuck in a car with The Residents. And their cover of "All Shook Up" sounds like a musical kin to those inscrutable eyeball guys too; it wouldn't be out of place on Meet the Residents. "Little Things" is a house-of-mirrors, scary track, with spoken-word vocals by Los Microwaves' Meg Brazill and label head Fields.

The album cover is slightly different as well: it displays a bedroom scene like the original LP, but with the young female model absent. The new release (on Javelosa's own Hyperspace Communications label) is pressed on beautiful translucent blue vinyl and comes in a gatefold sleeve with a lively collage of photos, buttons, gig posters. Limited to 500 copies.This playfully titled release features David Javelosa (on synth and vocals) along with Meg Brazill (on bass and vocals) plus drummer Todd "Rosa" Rosencrans. Side One features five studio tracks, none of which were included on the band's 1981 Posh Boy LP, Life After Breakfast. Three of these tracks were recorded in '82; there's no information regarding the provenance of the other two songs. The records' second side collects five live recordings, capturing Los Microwaves onstage in New York City (The Peppermint Lounge) and Boston as well as at San Francisco's own I-Beam, a venue that often played host to the band. Those tracks date form roughly the same ear, 1980-83. Sonically the songs variously recall Blondie, Flying Lizards, Gang of Four and a far less dour Human League. Importantly, the band rocks, even when it's employing a spare drum kit, solid but elemental bass, and monophonic analog synthesizers. The stripped down aesthetics of the group – necessitated by its minimalist instrumental approach – are nonetheless thrilling. Even if you weren't there in 1980, this'll take you back.

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20,59
Lucy And Klock - War Lullaby

Back In Stock!

The debut collaboration between techno alchemists Ben Klock and Lucy will probably provoke quivers of anticipation before a single note has been heard. After all, both producers have carved out names for themselves as scene innovators at what they do, and both have already proven that they can more than capably work in a duo format without sacrificing an iota of their unique aesthetics: in Lucy's case, there has already been the sublime Zeitgeber pairing with Speedy J., and Klock has joined forces with the likes of Marcel Dettmann to craft some of the more memorable output from the Ostgut Ton label. This new release makes good on each producer's talent for working with epically unfolding tracks, maintaining a strong command of both 'drone' and melodicism, and envisioning sound as a kind of inter-dimensional mass transit. As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.



Listeners familiar with the classic kosmische feel will be taken immediately by the opening gambit "Bliss," whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the subsequent track ("War Lullaby") is close to being a continuation of the opener's leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track ("Santeria") which is the busiest and most engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer - fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing "A Ghost Love story," like the opener, is a non-'dance' piece, but is no less compelling for that fact: as a foam of white noise pans between the listener's ears, a slurred / pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.



Speaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.

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9,03
Neal Howard / Nexus 21 / Doggy - Bio Rhythm 3 (re-indulge) 2x12"

Neal Howard / Nexus 21 / Doggy

Bio Rhythm 3 (re-indulge) 2x12"

2x12inchBIO3LP (NETWORK RECORDS)
Network Records
14.12.2021

It’s not normal to take 31 years to release a follow up album. But then Network was never a normal sort of record label, and often opted for the quirky rather than the quick buck. The logo was launched in 1990 and that year, along with a slew of startlingly good singles, created and issued two bio-rhythm compilations, each of which showcased cutting edge USA techno rubbing shoulders alongside its’ sparse UK bleep counterpart.

At the time the words quality and dance music compilations were not phrases shared that much. bio-rhythm 1 and it’s almost instant follow up bio-rhythm 2 bucked the trend with groundbreaking exclusive tracks, iconic minimal artwork and surreal sleeve notes.

Each of the albums have been hailed by many as piece de resistance primers to electronica music.

As well as capturing the zitgeist of a blurry everything of that moment experimental time, they have endured to be acclaimed as all time iconic classics. So why was there no follow up? One reason was that things were moving so bewilderingly fast at the time for Network that the emphasis was always on the next thing, not regurgitating repetitive beat ideas.

Another was that the opportunity arose to direct the acumen gained from the bio-rhythm experience at the release of two (now equally acclaimed) compilations from Frank and Karen Mendez’s cult Nu-Groove label.

The current Network reconstruction meant an opportunity to re-indulge and finally release bio-rhythm 3. Matt Anniss’s splendid sleeve notes are reproduced below and tell you all you need to know about the carefully selected (and mostly exclusive to this collection) tracks on 2 x 12 vinyl for increased sonic joy. Network. We continue.

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24,33
Various - Tropical Disco Records, Vol. 22
 
4
also available

Vol. 1[14,24 €]

Vol. 2[14,50 €]

Vol. 4[13,66 €]

Vol. 5[14,24 €]

Vol. 7[14,50 €]

Vol. 11[13,87 €]

Vol. 19[14,50 €]

Vol. 20[14,08 €]

Vol. 24[14,50 €]

Vol. 25[13,87 €]

Vol. 27[13,87 €]

028[14,24 €]


Tropical Disco Records have once again delivered four scintillating feel good summer disco jams courtesy of the latest edition of their well loved vinyl series. Perfect for those gloriously sunny outdoor events, BBQ’s and beach parties alike their latest EP is another must have slice of black gold.

Scouring the globe for the freshest cuts Volume 22 is another multinational affair combining the skills of Colombian duo Vagabundo Club Social, Mexico’s Monsieur Van Pratt, Italy’s Infradisco and New York’s Roland & Brother Rich.

Opening affairs are the hugely exciting duo Vagabundo Club Social with their track ‘Costero’. They are producers who nimbly fuse dusty Latin grooves with cutting edge production techniques and dancefloor know-how and here have delivered yet another feel good dancefloor smash. ‘Costero’ is quite simply a DJ’s dream track which will do the business at any end of the set whether you need to get the crowd on the floor or tear the proverbial roof off.

Mexico is currently at the leading tip of the disco charge and Monsieur Van Pratt is one of the stand-out producers from a country bursting with talent. ‘Jazz Player’ pulls absolutely no punches combining jazz cool with disco know-how for a track which wins on all counts. Sublime brass solos sit atop a huge funky gem of a bassline. ‘Jazz Player’ will tear dance-floors up worldwide as the world starts to rediscover its long since packed away dancing shoes.

Italy’s Infradisco is up next with ‘Aungasana’ and it’s the perfect track to follow on combining many of the traits that both Vagabundo Social Club and Monsieur Van Pratt utilised on their tracks. Expect huge jazzy horns, funky bass and tribal vocals building up to a monstrous organ groove which raises proceedings to fever pitch. Infectious and energetic, it’s another seriously classy dancefloor moment.

Closing out the EP are New Yorkers Roland & Brother Rich with the exquisitely titled ‘Roger Moore’s Living Room’. Paying homage to the James Bond legend it’s the ideal track to sip brandy and toast the characters of yesteryear in that velvet smoking jacket you have always wanted. Deep and Jazzy with the essence of the 70s flowing through it’s DNA ‘Roger Moore’s Living Room’ is a track so effortlessly cool that even Blofeld would be throwing some shapes.

Tropical Disco’s Volume 22 is a sublime selection of timeless and wonderfully cool tracks which will be the perfect accompaniment to sun soaked events this summer and well beyond.

Support across Mi Soul & House FM.

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14,24
Mr. K - Edits by Mr. K- Marbles / Shoot You Down

The new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.

“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.

Ten years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.

The sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time.

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11,35
Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
also available

Black Vinyl[33,57 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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37,77
Charlotte de Witte - Asura EP

Charlotte de Witte

Asura EP

12inchKNTXT012
KNTXT
04.10.2021

Charlotte de Witte continues her fantastic year with brand new EP, Asura, on her KNTXT label. All three of the tracks on this release will be exclusively included in her BBC Radio 1 Essential Mix, which is scheduled to be broadcasted on 18th of September.

As well as being back on the road and serving up her high-intensity DJ sets at the world's best clubs and festivals, Charlotte has also been busy in other areas. She has forged a new alliance with Apple Music and is now curating multiple exclusive mix series including a monthly KNTXT Residency Mix and KNTXT Active, which sees the Belgian artist and her label further investigate the connections between high-performance music, sports and BPMs. She has recently remixed the hugely influential trance classic 'The Age Of Love' by Age Of Love' alongside Enrico Sangiuliano and continues to A&R essential new tunes for the label.

Says Charlotte of this EP, "with Asura EP I’m trying to give you a little insight into my musical influences by going back to my roots. We’re speaking about a young Charlotte who, about 12 / 13 years ago, got indulged in the world of electronic music by going to her first underground clubs and raves. From electro and techno to acid core and hardcore to psytrance. This EP flirts with the soundscapes of the latter."

This EP finds Charlotte delve deep into her own past in electronic music with plenty of psychedelic influences. Opener Asura is a brightly lit techno track with big chords that bring the colour. They are sleek and metallic and sure to get hands in the air, with acid sounds and rumbling bass all adding extra weight and depth to this fantastic opener. 'Soma' is another dramatic and psychedelic track with hard-edged drums pounding away beneath celestial chords. They are mysterious and emotive and bring colour to the darkness. Last of all comes another big, psytrance-tinged and emotional roller coaster in 'Stigma' with its all-consuming techno groove and bass that sounds like it's fired from a machine gun. After an acidic breakdown, the drums roll again and even the biggest festival crowd is sure to be swept away.

Charlotte de Witte leads from the front once more with her standout new Asura EP.

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12,56
Bart Skils - New Era EP

Bart Skils

New Era EP

12inchDC246
Drumcode
29.09.2021

Bart Skils returns to Drumcode with a trio of dancefloor weapons. The artist has been one of the most consistent label contributors over the last 18 months, with two Truesoul EPs, a cut on A-Sides Vol.10 and now ‘New Era’, his second Drumcode EP in a year.

‘All Over My Body’ features a collaboration with well-regarded US producer/DJ/vocalist Superchumbo and is a ready-made festival track, propelled by a memorable vox hook, driving groove and thrilling effects. ‘Golden Temple’ is trademark Skils and builds to a hypnotic laser-kissed climax. ‘Dub Killer’ is punchy techno at its finest, capped off by a woozy vocal drop.

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14,50
Kölsch - 1983 LP 2x12"

Kölsch

1983 LP 2x12"

2x12inchKOM329
Kompakt
10.09.2021

Revered Danish producer and live performer KÖLSCH follows his 2013 hit album "1977" (KOMPAKT 276 CD 107) with the new full-length "1983", again chaining up heroic techno tracks for a grandiose sonic journey to the vibrant heart of today's dance floor. PRIORITY RELEASE

Coupling contemporary production pizzaz with nostalgia-tinged soundscapes and sweeping melodies, this opus acts as both a skilfully composed portfolio of personal memories and a sublime collection of crowd-charming cuts - a modern classic in the making, coming from a master of his craft.

1983 features collaborations with Gregor Schwellenbach, Waa Industry and WhoMadeWho's Tomas Høffding.

Hot on the heels of SPEICHER 84 (KOMPAKT EXTRA 84), featuring club crackers DERDIEDAS and TWO BIRDS, the latest full-length offering from KÖLSCH is very much a travel album: "When I was a kid in 1983, we used to drive through Europe every summer on the way to the south of France", he explains. "A lot of my early music memories stem from these long travels, as we would listen to all my father's favorite records on the cassette deck. After getting a walkman, I would make up my own soundtrack for travelling, with early electro and hip hop creeping into my life. My father of course did not like it, and it never grace the official cassette deck of the car, obviously"

These trips became a primary source of inspiration to a hungry young mind forced to sit on the backseat of a car for several days: "they were also journeys through the seasons. In Denmark, it would be spring time, so I could nearly see us driving through spring into the summer. The scenery would change, and so would the mood in the car." Informed by the symbolic quality of these slightly gauzy childhood memories, KÖLSCH's unique melange of emotional and functional elements works exceptionally well for the full-length format - a seamless transition of musing introspection and explosve expression, where catharsis never seems far away in dance-ready techno vignettes like MOONFACE, UNTERWEGS or PACER.

From beatless opener and title track 1983 to the filigreed piano banger DIE ANDEREN or the bleep-infused synth-fest E45, each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. Confronted with other producers' input (and other memories), these traits find themselves extended in the most interesting ways - TALBOT, THE ROAD and CASSIOPEIA (also featured on KOMPAKT EXTRA 79) make excellent use of GREGOR SCHWELLENBACH's emotive orchestral flourishes, while BLOODLINE's lyrics come to life thanks to the distinct timbre of TOMAS HØFFDING of WHOMADEWHO fame. A new powerful take on an earlier collaboration, PAPAGENO 30 YEARS LATER not only rejoins WAA INDUSTRY on vocal duty, but also ends the album on a wonderfully elegiac, yet hopeful note - basically turning water into wine, as we've come to expect from KÖLSCH.

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23,95
TOUR-MAUBOURG & Christophe Salin - FROM A DISTANCE EP

Tour-Maubourg & Christophe Salin are kicking off Salin Deep, Salin Records' sublabel dedicated to raw and dub- influenced house music. Every Record Sleeve is handprinted by Daria Salin (limited edition of 300). Ever since they met at Fête de la Musique in 2018, Tour-Maubourg and Christophe Salin have had a soul-mate kind of relationship.

Their first collaboration took place with the release of Tour-Maubourg’s Duophonie EP on Salin Records (March 2020). Following this, both were keen to take the collaboration to the next level by creating a mutual EP which was initially planned to be made in the Autumn of 2020 at the Villette 45 Studio in Paris. Following a worldwide turn of events, this was no longer possible - as the EP's title 'From A Distance' suggests.

However, both parties found alternative ways to create, write and mix tracks together despite the 1000 km distance between Paris & Lübeck. Salin Deep gave both artists the freedom to discover new musical territories. Their mutual influences and inspirations culminated in an EP intended to take the listener on a deep journey, something we love to do with all our releases. Daria Salin encompassed the sublabel's vibe as well as the concept of 'distance' into her artwork by aggressively zooming into her portraits of Tour-Maubourg & Christophe Salin. This way, the beholder is forced to keep a certain distance if they wish to see the two faces printed on the vinyl sleeve....

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11,56
Alignment - Nothingness EP

Alignment

Nothingness EP

12inchKNTXT008
KNTXT
28.05.2021

Charlotte de Witte's mighty KNTXT label rolls on with another big new EP from Italian wonderboy Alignment. The Berlin based techno talent serves up four suitably supersized cuts that follow on from his Time EP, which landed earlier in the year.

For the last five years, this artist has been amassing a fine discography of thrilling techno. This has earned him a worldwide reputation amongst the techno cognoscenti, and despite the global
pandemic this year, he has still put out plenty of red hot new material that proves he has used his extra free time at home wisely. He can do old school inspired bangers as well as refined futuristic techno rollers with equal style, and proves that once more with this fantastic new EP.

He says it, “reflects more the ‘sentimental' moments during these hard times. Nevertheless, you can also expect trippy and hypnotic vibes that will make you dream to dance again until the early hours.“

While Charlotte adds, "Ever since I started playing these tracks, people started asking for track IDs. They stood out and always were one of the highlights of my sets. These tracks are made to
destroy any type of dancefloor. A true masterpiece by one of the most exciting artists around.”

Opener Nothingness is a hunched over techno power-groove, with high pressure kicks and scraping synths peeling off the drums. It's a big wall of irresistible sound, then Injection brings
even bigger and more kick drums that are sure to rattle any club to its foundations, while the rave synths will get hands in the air.

Reverberated keeps up the good work with a more all-consuming techno cut thanks to the laser-like synths that light up the track from above. It has superbly dark and unsettling vocals stitched into the groove for extra layers of mental intensity. Last of all is the dark and urgent Sensory Deprivation with its edgy synth motifs and unrelenting energy.

These are four more high powered tracks from man of the moment Alignment.

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13,40
Grauzone - Grauzone (40 Years Anniversary Edition 2LP)

Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker

WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.

The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".

Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.

This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.

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33,74
Placid Angles - Touch The Earth 3x12"

Placid Angles

Touch The Earth 3x12"

3x12inchFIGURELP07
Figure
29.03.2021

When the first Placid Angels album dropped in 1997, John Beltran was already an established force within dance music’s then-emerging scene. He had a knack for both the melodic side as well as intricately designed rhythmic programming. A signature style that went for his early records in the 1990s as much as it does for this new installment of the Placid Angles series. The blissful synths, Aphex Twin-era IDM and loose percussive patterns take you right back to where it all began when genres didn’t mean anything and Beltran was just starting out to experiment with any sound that would elevate your consciousness. The Michigan-born artist since has spanned a career of nearly four decades, remaining relevant all the while, by playing the music he found himself most drawn to express. By working with artists like Detroit veteran Carl Craig, labels such as R&S or more recently his LPs for Delsin or his joint work with Four Tet. Whether it be his more Techno-leaning or New Wave-inspired works, his takes on Ambient, or the more Latin-influenced productions - he has always stayed active and re-invented himself while painting his records with a clearly own palette that is full of beautiful melodies and a timeless sound-design. The album Touch The Earth itself comes as diverse as the artist’s own legacy, ranging from skittish, colorful UKG to proper pulsing sub-basslines as it progresses deeper into intelligent drum programming and further into the melodic ventures of what’s at the core of Beltran’s work.

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26,85
The Invisible Session - Echoes Of Africa

After several years of silence, Schema Records co-founder Luciano Cantone in collaboration with Gianluca Petrella and a new group of musicians, present The Invisible Session's second album "Echoes of Africa" on the newborn Space Echo label. This new chapter is borne out of afrobeat, Africa 70's records and Tony Allen's drumming; furthermore, other influences come into play, with melodiescentred on Eastern pentatonic scales, as well as funk, afrobeat, psychedelia, modal and Ethio jazz, plus forays into pop and cinematica. Ancestral melodies intersect and weave, encouraging escape and deeper feelings. Conceptually, "Echoes of Africa" deals with pacifism, human rights, anti-racism, nature and ecological themes. This is an album to be absorbed in its entirety – have a good listening!

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30,21
THE BIG HUSTLE - FOR LIFE LP 2x12"

The Parisian jazz / funk collective The Big Hustle returns with the release of their third LP titled For Life published by Betino’s records. The Big Hustle here definitively asserts its identity, once again demonstrating the strength of the collective, and positions itself as the guardian of "real" organic music from the US jazz / funk tradition of the 70's.

The group has chosen for this new opus to refocus on the musical core of the band. However a few selected guests are present, for example the virtuoso saxophonist Baptiste Herbin, and Marie Sané, rising star of the Parisian soul scene.

The group returns to a musical approach close to their first LP, favoring instrumental titles to vocal pieces. The artistic orientation here has been to favor mastery and precision over spontaneity and the raw side of the beginnings. Funk in all its forms remains the essence of this album, especially on « 78 Funk ». We can also identify influences from jazz, afro pop, hip hop, modern gospel to rock. The overall sound of the album is marked by a more advanced and worked production. We can discover new sounds brought by the post production work that evoke the sound of dub, hip hop etc ... Nicolas Gueguen (Beat Assailant, NTM, Booster…) is once again in charge of the mixing process and brings his savoir-faire to reveal the best of each track and highlight all the subtleties of the arrangements and the interpretation.

For Life stands as the continuation of the artistic path of The Big Hustle : an odyssey in the making through the African American musical tradition of yesterday, today and tomorrow. The Big Hustle is definitely ready to evolve in the current musical world and well beyond. For Life!

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18,07
Various - Conform Re-Touched Series Vol IV

Conform Re-Touched Series has delivered other 5 gems to collect with the Vol.IV! The result is brilliant thanks to the contribution of great artists such as Radio Slave, Honey Dijon, Mark Broom, Adriana Lopez and Shlomi Aber.

When it comes to Radio Slave, no one can ever remain indifferent to the quality of Matt Edwards' production. Once again it has hit the mark by re-interpreting "Inside" by Gaetano Parisio in a masterly way. The track is a continuous crescendo but always well anchored to its original groove. The great British producer, Mark Broom, once again leaves no doubt about his ability to create real dace-floor killers. Seems that his edit was created to challenge the sound systems of all clubs around the world. It is the dream of all DJs to play a track of such impact during a party. His version remains faithful to the original but it has that broomish which makes it super catching.

Honey Dijon, an absolute star in the world techno firmament, makes her debut on Conform with her Re Rub interpretation of a classic like Dual Ep by C&G Southsystem, the project created by Gaetano Parisio and Marco Carola. Honey puts all of her Chicago background into this version. By adding vocal she manages perfectly to make two such different schools coexist, the Neapolitan one and the Chicago one. The result is simply sublime.

Likewise, it's a debut on the label also for Adriana Lopez absolutely respected throughout the techno scene for her extreme quality music. Her interpretation leaves no room for doubt that she doesn't like middle ways. Her remix is dark and hypnotic at the same time. Adriana gave her best and the delivery is just outstanding.

The grand finale takes place with the digital bonus track. Ben Sims "Carnival part one" re-edited by Shlomi Aber. This is definitely the icing on the cake! If you are a DJ you'll immediately desire to play this track as soon as possible. His edit it's just perfect leaving intact the original vibe of the English legend's track. Its tribal groove echoes the early 2000s sound. For those who love the genre this is unmissable.

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9,96
Gigi Testa - Earth on Faya EP

Freedom Dance presents the first 12inch release served by Gigi Testa with Earth on Faya EP: On Side A the aforementioned "Earth on Faya" is another crescendo track with the well know Gigi Testa's sound imprint mixing live instruments with eletronic analog sounds. Side B includes
"Is this the Future ?" arranged and produced at Gigi's Home studio during the lockdown and already introduced by Antal (Rush Hour) on his Worldwide fm radio show and Fred P on NTS radio .
Play B-side till the end to translate a message of freedom and hope waiting for the time when we can finally dance all together once again.
Power to the People Always !

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11,35
Jasmine Infiniti - BXTCH SLÄP 2x12"

Brooklyn-based queer nightlife luminary Jasmine Infiniti self-released her debut album, BXTCH SLÄP, in March 2020. Dark Entries steps forward to present the album remastered and on double vinyl. Over the thirteen disruptive club cuts of BXTCH SLÄP, Jasmine conjures occult rave incantations with sub-tectonic bass and seductive harmonies. Audaciously championing R&B, vogue, and hip-hop sounds, Jasmine Infiniti’s latest collection of techno-hybrid dance tunes is built for the dancefloors of underground nightlife.
While SiS, her debut EP, was an ode to queer solidarity, community, and sisterhood, BXTCH SLÄP refines the art of personal myth-building. It is an unflinching and uncompromising album, but it also boasts surprising range, moving briskly between ethereal hardcore house (“HOTT”), anxious dark electro (“SPOOKED”), and certifiable techno bangers (“YES, SIR”, “WELLFAIR”). Meanwhile album standout “<3” hovers just above 100 BPM, a defiant statement of euphoric sensuality that’s no less gripping for its dramatic deceleration. Closing number “SHONUFF” clocks in at ten and half minutes, but not a second of this acid-laced adrenaline rush feels wasted. BXTCH SLÄP might be suited for the high-impact dancefloor, but this music takes on a new life in the moments we spend between the parties, alone and full of desire.
BXTCH SLÄP was mastered by George Horn at Fantasy Studios. The sleeve features photography from Guerrilla Davis and hand drawn Infiniti logo designed by Eloise Leigh with a 3-D chrome effect by Sebastian Ortega. Each copy includes a 3-D chrome die-cut sticker. The Queen of Hell is back and her powers are stronger than ever. All hail The Queen!

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19,12
Jakobin - Locked

Jakobin

Locked

12inchFORTUNEA018
fortunea
18.12.2020

Who else would have thought before the year 2020, that this new decade starts with a devastating natural incident that pushes the entire world in a health crisis and recession? Well, we sure
didn’t. And still, after 11 months, this damn virus doesn’t seem to go away. But no matter how bad this pandemic is. There is no need to stop being creative!

Many people used their time during the lockdowns as much as possible to make new music. And Jakobin is one of these guys who took his time this spring to work on brand new material, that is slowly
but surely coming out the next months on various labels. One of them is his Locked EP on our imprint - fortunea.

The title track on the A-side is an amazing piece of house music. A great homage on the raw punching Chicago sound and the late 80s/early 90s UK rave era. Heavy Breakbeat-loops blend in
perfect together with the use of 909 kicks, low-frequenced acid lines and a stabbing piano.

Turning over to the B-side there is the track ‚Pad Work’. A deep dub house tune with a nuance of Lo-fi-nism in it. Mysterious voices that are coming forward from the background of this bouncing
beat, a restrained but also smooth bassline and hypnotic string- and synthesizer-passages are the main characters in this tableau. While ‚Dreadbox’ is sealing the deal on this release with an
abstract melancholic sci- fi elektro approach.

Overall a conspicuous release, that lets you forget the chaos that is happening right now in this world.

All we wanna say at the end of this text is stay safe out there! And don’t give up!

Limited to 300 copies! There will be no repress!

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5,46
The Brooks - Anyday Now LP 2x12"

Named "best kept secret of Canadian funk" by the Quebecois newspaper La Presse, The Brooks are a band of accomplished musicians, well-known in the soul/funk scene across the Atlantic. Expert instrumentalists led by Alexandre Lapointe create a dazzling combo with frontman Alan Prater— an incredibly energetic showman who has worked alongside some of the biggest names in the music industry. This passionate and experienced band fan the sacred fire every time they perform! Thanks to a solid realization, their musical message comes across beautifully. The Brooks go beyond mere interpretation and style exercises: they are a powerful groove machine and a driving force in their sector. 50 years of African American music are condensed in the band's aesthetic. In their live shows and in their records, you can hear James Brown's meticulousness, D'Angelo's delightfulness, Fela Kuti's radiance, Herbie Hancock's intergenerational openness, and J. Dilla's innovative spirit. These heroes of music didn't let rules and trends dictate their messages, and neither do The Brooks. Just like these history makers, they built their reputation with sweat and rigor, outside of conventional channels. The Brooks are incredibly hard workers united in a project where pleasure and complete artistic freedom are the only key words. After 8 years of existence, with an EP and two albums, they have already won many awards and nominations (GAMIQ, Independent Music Awards, ADISQ...) and built a solid reputation in the Quebec indie world.

Who are The Brooks? First, there's the icon, Alan Prater! This Florida-born musician can boast that he shared the stage with the Jacksons! Thanks to his many trips and experiences, he became a key member of Montreal jazz. He is the band's biggest asset: if The Brooks were a sports team, Alan Prater would be captain. Then, at the drums: Maxime Bellavance, one half of the Beat Market duo, whose "dancy and retro futurist" groove can be heard in several major and underground projects in Canada. Philippe Look aces guitar and vocals. His experience as a session musician working with famous bands for 20 years allowed him to take part in different projects: rock, downtempo, trip hop, electro… As one of the founding members of The Brooks, he also wrote many of the band's songs. Keyboardist Daniel Thouin is an integral part of the Montreal jazz scene. He is both an accomplished acoustic piano player and synthesizer player, well versed in writing as well as in improvising, in organic sounds as well as in the latest technologies. Thouin possesses a double vision, which allows him to both exalt and lead productions. Composer Sébastien Grenier wows us with his saxophone. Thanks to his theoretical knowledge and his 20 years of experience, acquired through continuous training all around the world, he is a true guiding force. French trumpetist Hichem Khalfa begun learning the instrument at 7 years old. He attended a musical conservatory before going to the Haute École de Musique and finally pursuing his studies at McGill University. He won prizes at Rimouski International Jazz Festival and received the François Marcaurelle prize at Montreal Off Festival. His successful jazz projects allowed him to work with famous musicians like Blitz the Ambassador, Nomadic Massive, Rhonda Ross and Kalmunity. Philippe Beaudin can be considered an apostle of Afro-Latin percussions, which he teaches and practices with great passion. Thanks to his participation in several projects, you can discover his talent both on stage and onscreen. The Brooks' philosophy is based on art in its rawest form, on perfectionism in musical practice. The choices they make and the directions they take are motivated mostly by instinctive feelings. This is how The Brooks recently crossed the path of Underdog Records during a trip in France. It was love at first sight for the two groups who share a passion for soul. Their chemistry allows them to be completely free in their creative process and natural as ever in their conception-creation-communication approach.

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17,61
Zenker Brothers - Cosmic Transmission 2x12"

2024 repress

We are proud to present our second album “Cosmic Transmission”. In another time it felt like, only an unpredictable extreme event could change the way we choose to live together. Now it feels so crazy, it can be overwhelming, but always remember we are just a tiny micro spaceship traveling through a gigantic universe. When nothing is safe, all is possible. We are one - one love. M&D

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22,56
Caiphus Semenya - Streams Today… Rivers Tomorrow

Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.

Now a revered composer, musician, and arranger, Caiphus left apartheid South Africa in the 60s for self-imposed exile in Southern California together with his wife, Letta Mbulu. Settling in Los Angeles he started working with the likes of Hugh Masekela and Miriam Makeba and other exiled and semi-exiled South african artists, as well as, of course, his wife Letta.

Caiphus also found himself working with and composing for a broad range of jazz and pop artists, including Lou Rawls, Nina Simone and Cannonball Adderley. His facility with both jazz and African forms served him well. His LA stay also the beginning of an ongoing collaboration with Quincy Jones, the fruits of which can be tasted in Caiphus’s African compositions for the scores to Roots and Spielberg’s adaptation of The Color Purple.

Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.

The Afro-Cuban grooves of “Mamase” open the record. Continuing where Listen To The Wind left off, this is another horn-heavy call-and-response ode to a positive life. Life as an invitation to party, to take part, to “get involved”. But only if you’re willing to let in the transcendent power of music. “There’s gonna be a Mardi Gras, there’s gonna be a carnival; there’s gonna be a jamboree, there’s gonna be a bacchanal”. Who can resist that? Vibrations everywhere.

It’s followed by the joy of “Aida”. Gleeful, dayglow keys and synths *just* on the right side of mid-80s sleaze are accompanied by a killer bassline, slick, skipping drums and proud horns. Infectious funk.

The tempo is taken down a few notches for the powerful “Nomalanga” and the lamentations of a heartbroken man who must leave his wife Nomalanga and their children to join the fight against apartheid. It’s an emotional song, no question, but it doesn’t bring you down. The uplifting music and optimistic vocal delivery from Caiphus and his backing singers in the second half offer hope.

Breezy drums and contemplative keys act as a backdrop for the stunning backing vocal harmonies in the intro of “Moshanyana”. This gives way to stuttering beats, a bassline to die for and Caiphus giving it his all, over guitars, marimba and synth strings. Another slo-mo winner.

Side two opens with “Dial Your Number”, an uptempo English-language boogie-funk workout, complete with mid-song cutaway to a random telephone call. Whether or not this propels the song into “key track” status, we’ll let you decide.

What’s not up for debate is the brilliance of “Matswale”. This was a hit in South Africa in the mid-80s and you can still hear why. It might just be our favourite Caiphus hit. Wow. This is some damn fine breezy, beautiful, emotional pop. The restrained playing, the guitar licks and the gentle keys are out of this world. The beats? Thundering, direct and slick. The singing? It’ll give you goosebumps. As for the sentiment? This is Caiphus singing to his in-laws about their daughter’s adultery, begging them to intervene and help him save his marriage. Not your typical pop single story-telling!

The ferocious “Ndi-Kulindile” closes the set with a nod to the coming sound of the States. The hard-edged, electro-influenced drum patterns and bouncing, elastic bassline are something of a departure from the album’s predominant sound, yet one wonderful constant, Caiphus’s exceptional delivery and his sparring with his backing vocalists, is satisfyingly present and warmly deployed.

With Simon Francis handling the mastering of this Be With edition, you know it sounds as fantastic as ever. The stunning sleeve has been restored, with its painting of a dream-like cosmic vista, as a lone figure takes in a scene that’s part distant planet, part urban sprawl. One listen and you’ll be transported.


Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.

Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.

One listen and you’ll be transported.

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20,63
Noir - Pneuma

Noir

Pneuma

12inchNM002
Noir Music
22.07.2020

Sometimes I feel something unfamiliar inside of me is screaming to get out. It makes me feel claustrophobic to suppress and keep it on hold. Then music takes the first step and I take the next. It almost feels like the tracks are writing themselves and I am just there to record. But obviously it comes from a place inside my soul.
Pneuma 1 came to life in a situation like that. On the journey Pneuma 2 and 3 started breathing as well and eventually I created and finished all three versions at the same time. These are some dark, agressive pieces but if you listen carefully you hear hope and optimism between the beats.

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7,77
Sepalot - NOWNEXT

Sepalot

NOWNEXT

12inchESK55
Eskapaden
08.06.2020

NOWNEXT is a voyage from the past to the future, from now to then, from what's behind us to what's waiting for us just around the next corner. In musical terms these are the gaps that appear when you drift between genres and take risks. Strolling far from the well travelled Zeitgeist path. The second album by the Sepalot Quartet floats through this timeless space and fills those cracks with a relaxed fusion of Jazz meets Indie meets Electronica, not once denying Sepalots hip hop roots.
This freedom of expression can also be considered a sign of our times, with a generation coming of age without rivalling youth phenomena. Where a jazz show is held in a techno club with no further explaination needed.
With their first release the Quartet still relied on remakes from the established Sepalot dicography, with their current work they laid the foundation for a truly solid form of musical self discovery.
NOWNEXT is enlivened by this spirit and offers a fascinating and confindent blend of varied sounds spanning time and space.
With all this being said, NOWNEXT is truly an up to date album of international format, feeding from the rich experience of its diverse members (Sepalot, Angela Aux, Fabian Füss, Matthias Lindermayr). Memories, associations and a well carved vision are melted into a masterpiece.
NOWNEXT is the latest offering by SEPALOT and his QUARTET and needs to experienced with all senses.

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16,77
Michael Wilson - Groove It To Your Body

What can be said about this monstrous Disco Funk extravaganza from 1982? Well, plenty actually... the only entry in the mighty Prelude back catalogue from Michael Wilson, 'Groove It To Your Body' is what this music is all about, a proper dance record, drenched in the funk, a groove that just doesn't stop.

The A-side is incredible, but it's really the b-side dub mix that steals the show. Francois Kevorkian, who was Prelude's A&R man at the time, mans the desk on both mixes, but for a truly stellar work-out the dub flips all of the essential ingredients into a stew of rumbling synth and tape feedback and deep space delay and echo.

This mix could be seen as the template of what was to come, and is an all-out dancefloor wrecker. Try it! It doesn't get any better than this.

A Disco essential. 2nd hand copies of this nugget go for serious wedge these days, now's your chance to snag an *official* licensed reissue from Prelude direct. All totally Above Board! Do it!

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12,14
Rocko Garoni - Ammoniak

Rocko Garoni knows what a techno dance floor wants. He’s learned it through countless hours spent on the floor himself as a punter, and through DJing at some of the best clubs and festivals in his hometown Berlin and all over the world. He knows exactly the type of productions that thrill crowds, and he brings this wealth of knowledge and experience to his third EP for Second State, Ammoniak.

The title and first track ‘Ammoniak’ drags you straight into the zone; a pounding, take no prisoners cut laced with stormy synths creating a vague sense of paranoia. ‘Gece‘ cranks the energy up with trancey, bouncing synths and a cool, clipped female vocal. Instantly, you’re pulled into the very sort of club that Garoni knows so well. ‘No Border‘ is the kind of expansive track that seems destined for huge warehouses or vast festival dancefloors. There’s an insistent, brooding bassline, robotic repeated vocals and a mid-track shift in tone that will send the crowd to a heightened state of reverie. The blend of post-punk vocals and eerie beats on ‘It’s All Yours‘, a track featuring Cook Strummer on the vocals, is at once highly unusual and completely compelling. It’s the track to play when the crowd are losing themselves in the best possible way. Closing the EP is ‘Helio‘, another completely different track that showcases the extent of Garoni’s range. Faint, echoed chanting lends the track an almost holy atmosphere. Combined with tunnelling synths and spindly percussion FX, the effect is euphoric, acting as a delicious palate cleanser between heavier tracks.

Put simply, Ammoniak is another first-class EP from a dynamic act who’s fast becoming a Second State star.

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7,35
LUM - Boa EP

Lum

Boa EP

12inchTCEP011
TrueColors
05.03.2020

This LP resonates with the label on many levels. The originals, true to
LUMs sound and nature display his inner world, "LUM is above all a
spiritual encounter, a ritual séance for the acquisition of one’s essence, a ceremony...". Well rounded and truly individual are the remixes that complete the release. SIS, a tech house hero with many hits behind his back, delivers a signature dancefloor pleaser. Julio, debuts with a heavier darker take on the original. Ohm Hourani, hailing from Montreal take the original under his analog wings and delivers two live jam versions set as vinyl and digital only respectively.

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9,87
Soul Jazz Records Presents - Hustle! Reggae Disco: Kingston, London, New York

Soul Jazz Records' are releasing their long-out-of-print album 'Hustle! Reggae Disco' in a new expanded 2017 edition which now features five extra tracks. This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward ('Ring
My Bell'), Chaka Khan ('I'm Every Woman'), Michael Jackson 'Don't Stop 'til You Get Enough,' Sugarhill Gang ('Rappers Delight' here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.

New bonus tracks to this collection include Derrick Harriott's funky take on Eddie Drennon's 'Do It Nice and Easy', the classic disco reggae of Risco Connection's take on McFadden and Whitehead's 'Ain't No Stopping Us Now' and the London rare groove lovers rock take on Barbara Acklin's soul classic 'Am I The Same Girl'.
'Hustle! Reggae Disco' has been one of Soul Jazz Records' best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.

'The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks ... if you're looking for an impossibly infectious dance collection, this is
it.' All Music

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36,77
Airod - Burn Injury LP 2x12"

Airod

Burn Injury LP 2x12"

2x12inchMOLEKUL019
Molekül
07.02.2020

2x12"

A superb first album from AIROD ! From industrial techno, most of the time, with an Aciddominance behind... To Drum & Bass (Acid as well) and electro acid for one track... A splendid album showing all the variety of sounds Airdo is ablo to push... Big !

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17,19
U2 - Songs Of Experience LP 2x12"

U2

Songs Of Experience LP 2x12"

2x12inch5797705
Sony UK
10.12.2019

U2 return with their hotly anticipated new studio album 'Songs of Experience'. The Island Records priority release completes a stellar year for the Dublin band, following their return to stadiums with the critically acclaimed, sold out 'The Joshua Tree Tour 2017' playing to 2.4 million fans in just 51 shows across Europe and North and South America, as well as the successful 30th Anniversary re-issue of 'The Joshua Tree'.

Recorded in Dublin, New York and Los Angeles, Songs of Experience was completed earlier this year with its subject matter influenced by Brendan Kennelly's* advice to Bono, to ...write as if you're dead'.
The result is a collection of songs in the form of intimate letters to places and people close to the singer's heart: family, friends, fans and indeed himself.

Songs Of Experience is the companion release to 2014's 'Songs Of Innocence', the two titles drawing inspiration from a collection of poems, Songs of Innocence and Experience, by the 18th century English mystic and poet William Blake.
Produced by Jacknife Lee and Ryan Tedder, with Steve Lillywhite, Andy Barlow and Jolyon Thomas, the album features a cover image by Anton Corbijn of band-members' teenage children Eli Hewson and Sian Evans.

'The Blackout' and 'You're The Best Thing About Me' were the first songs to be made available from the album. 'You're The Best Thing About Me' is the band's first UK Top 20 airplay record in a decade and has also been remixed by Norwegian superstar DJ and producer Kygo.

*Brendan Kennelly - Irish poet, novelist and Professor Emeritus at Trinity College, Dublin.


12' x 12' rigid box (numbered).
- 2LP gatefold vinyl - cyan blue vinyl, 16 tracks.
- Deluxe CD, 17 tracks.
- Fold-out poster.
- Songs of Experience Newspaper.
- Download voucher.

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35,25
QINDEK - REACH FOR THE COSMICA

The sixth release of Form and Function, is the second one of the Function series. This time it's Qindek who provides his debut EP on the label. 'Reach For The Cosmica' is a lovely journey through Qindek's world. It's the perfect combination of both abstract and functional. The weird meets the wonderful. The package is topped of by Setaoc Mass who does an incredible job remixing Takes A pad.

On the A-side, the first track is 'Climate Shift'. A track that tells a story through dubby elements and chords, backed by a powerful and thumping low end. A movement of continuous energy and subtle but noticeable changes which have an impact on the track as a whole can be seen as the precursor for cosmic endeavors.

Next up is 'Reach For The Cosmica', the second track of this release. It's an epitome of the soundtrack of traveling through space. The minimalist build up tells us about how the journey just started outside of the atmosphere, transitioning into more depth that has been inaugurated by a sound that is the sonic equal of the rocket engine. As the beginning journey develops, there are few sudden bursts of power, together with the presence of the perpetual powers that cause the final move to outer space.

The arrival in outer space brings us to the 3rd part of the release and the first track of the B-side. Setaoc Mass gives the EP it's the concluding boost that gives us that last drop of power before the arrival. Elements of the original are still to be found, whilst given a little twist and a lot more of dancefloor energy. All while keeping the pace up to enter the final chapter of the journey.

'Take A Pad' exactly asks us what we need to do. Finding the ultimate balance between speed while preserving the right amount of power, is how sub-bass is working in harmony with the percussive elements.

Space is calling upon us with delicate voices. A beautiful ending of a classy and well crafted EP by Qindek.

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8,61
Cab Drivers / Oscar Schubaq / DJ Deep - Slices Of Life 10.2

For the 10th release label owner Barbara Preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous Slices Of Life artists as well by producers who have a relationship to the label through frindship, events and personal support. Each track presents the personal unique style of it´s producer, but all have a feeling for warm sounding organic house grooves in common, what Slices Of Life stands for since the beginnings in 2009.

6 weeks after SOL10.1 hit the stores with contributions by THE MOLE, BAAZ, DANA RUH and JOHN TEJADA, the 2nd part of the SLICES OF LIFE compilation celebrating release number 10 is following: The A side of SOL10.2 is dedicated to the legendary Berlin producers and Dj duo CAB DRIVERS: - A Complex Situation' catches us with its irresistable swinging groove and filigrane synth lines. OSCAR SCHUBAQ, DJ, Producer and co-owner of the label Tardis Records, starts the B-side with - K-Beat', a rough jackin house tune, which takes a surprising turn to a sunny sounding swing during the 2nd part. The great finale of SOL10 comes from the parisian Deeply Rooted label owner and extensive vinyl collector DJ DEEP. With - Spices Of Life' he created a wonderful, atmospheric and deep piece of music carried by rolling basslines and playful melody fragments.

- Dj Deep and Cab Drivers has been worldwide very well known and respected producers, label owners and DJ´s with a large fanbase since the 90 ies. Osacr Schubaq is co-ownung the label Tardis together with Eli Verveine

- first 500 copies come in dark red printed sleeve

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11,13
The Off Key Hat - Shot At Dawn (inc. Leonidas & Hobbes Mixes)

Shot At Dawn is a scintillating return for a band who have been collectively quiet (but individually busy) for a few years, and (once again) sounds like the music of tomorrow. Lyricist Leon Mayes wills the real revolution to come, Morris's uneasy keys and driving, bittersweet production embodies the UK's collective anxiety/apathy coupled with an impending sense of doom, as we all obediently troop off the cliff like lemmings, while vocalist Michelle Manetti's melancholy delivery is the perfect foil both, recalling Tracey Thorn at her best.

It's a genuine wake-up call for the dance floor that's dropping well with club DJs but clearly has the potential to shine fully on radio. A2 track Warm Your Love is an equally forward-facing slice of sci-fi dance music sonically and already turbo-charging the dance floor with its futuristic feel.

The remixes come from Edinburgh/London duo Leonidas & Hobbes and are the first productions they've released since 2017's summer anthem and Release Of The Year, Web Of Intrigue (from their Rags of Time EP), as voted by some 400+ DJs on Bill Brewster's DJ History podcast back in January. Their Electro mixes doff a cap to Vince Clarke (Depeche Mode, Yazoo) and Daft Punk/Thomas Bangalter, with some Compass Point era Grace Jones/Sly & Robbie thrown in for good measure on the electro dub, while the Deep House variations are more Pepe Braddock's Deep Burnt meets Frankie Knuckles/Jamie Principle's Your Love and Orbital...

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10,80
Dr. Nojoke - zero.two

Dr. Nojoke

zero.two

12inchCLIKNO0.2
Clikno
28.09.2018

Clikno Is Proud To Present The Second Strike Of Dr.nojoke's Double Ep 'zero'.

'aplose' Is A Straight 10 Minute-stomper, Which Sounds Like A Wild Horde Of Percussionists Clanging And Banging Cans And Pots. The Truth Is The Doctor Just Threw Glass Marbles On A Wooden Floor. Fun-time! For The Hips He Adds A Low Rolling Bassline And For The Head Some Freaky, Randomly Pitching Chords And Off It Goes! Call It Afro-kraut-jazz-tech Or Just Clikno - Aplose Is A Counter-action To Electronic Music Production With Electronic Machines - Marbles Do It As Well!

'kumuestu' On The Flipside Is The Antagonal Piece On Zero.two - More Dark And Deep It Is Music For A Fictional Ritual. Carried By A Hypnotic Fluctuating Bass-figure And Drones The Tune Slowly Mutates Into A Shamanic Rhythm Monster Creating A Resonating Field For Transcendental Dancefloor Action - From Here To Eternity.

Zero.two Is Purely Audiophile Electricity To Twitch Your Body In All Directions. Do The Clikno!

Again Zero.two Is A Limited Vinyl-only Release Pressed On Transparent Vinyl Coming In A Transparent Sleeve - Transparent As Light, As Ideas, As Music And As The World Should Be - No Borders, But Freedom, Peace And Equality For Everyone!

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11,13
Polaroid - Senza Respiro

Polaroid

Senza Respiro

12inchDE219
Dark Entries
13.09.2018

Polaroid were an Italian post-punk/new wave band, formed in Turin in 1981. This vinyl re-issue of 'Senza Respiro' contains all 6 original songs with 4 bonus tracks from the band's later period.
.
Polaroid made their debut with the cassette 6-track EP 'Senza Respiro', self-released in 1984. Influenced by Bauhaus, Joy Division, The Cure, Pere Ubu as well as Chic and Talking Heads. The music was dark and cold, but also melodic especially with regards to guitars and voices. At the end of 1984 the band added vocalist Michele Cantoblundo while drummer Marco left and was replaced by a Roland TR-909. With Michele began a period of very dark and poetic music, influenced also by bands like Red Lorry Yellow Lorry and The Sisters of Mercy. The band peacefully broke-up in 1987.

All songs have been remastered by George Horn at Fantasy Studios. The record is housed in custom jacket designed by Eloise Leigh and includes 4 polaroid sized postcards with photos notes and lyrics.

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27,69
Derek Bailey & Jamie Muir - Dart Drug

Percussionist Jamie Muir was a member of King Crimson during the recording of Larks' Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.There's no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can't hear echoes of any particular jazz drummer in Muir's playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who'd come before him).What on earth did Muir's kit consist of Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be... well, anything. Old suitcases thwacked with rolled up newspapers Tin cans and hubcaps inside a washing machine Who cares It sounds terrific - but if you're the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.Dart Drug is consistently thrilling, and often very amusing - but it's certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too That's precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight Sometimes Bailey's content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir's junkyard, but elsewhere he sets off into uncharted territory himself.'The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) - which is to give music a future.' Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

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19,54
Enrico Sangiuliano - Biomorph LP 2x12"

Remastered for 2025

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

iomorph is born. A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before 'Hidden T' brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico's trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a 'New Dawn'. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

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31,05
Robert Lippok - Applied Autonomy

Robert Lippok

Applied Autonomy

2x12inchR-M181-2
Raster
05.06.2018

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now - 7 years later - this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks.
»applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible.
layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the EMS studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots Lippok had already defined as »applied autonomy«.

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16,60
Various - Waves Of The Future Compilation LP 2x12"

Mannequin's 100th - a comp looking forward featuring an international and serious cast... BIG TIP!
The modern synthwave scene would be significantly poorer without the keen ear and tireless efforts of the Mannequin label run by Alessandro Adriani. Geographically situated within the nerve centers of Rome and Berlin, yet with a musical spirit that easily transcends these boundary lines, Mannequin's back catalog has been an important component in the modular assemblage that makes up electronics-based independent music in the 21st century, and an important reference point for those who need to defend against the lazy accusations that this such is purely retro' in its form and content. Recent accolades and accomplishments - being named Resident Advisor's label of the month' for May of this year, starting the 'Death of the Machines' 12' series, and being given the 'green light' for bi-monthly parties at the Säule room in Berghain - have been earned through Mannequin's unflagging commitment to sonic diversity and Adriani's own realization that the anxious and sharp-edged sounds associated with, say, the Cold War of the 1980s can convey a completely different message today. Adriani says it best when claiming that there is no such thing as 'old' or 'new' music...only the music of now'. With this cogent statement of intent, Mannequin continues to go on exploratory missions to find the best and most relevant aspects of genres like acid, industrial, EBM, post-punk, coldwave and still more.

Which brings us to Mannequin's newest project and 100th release overall: the Waves of the Future double LP compilation, which itself is not a conventional retrospective collection. Case in point - none of the artists appearing on this collection have put out their own releases on Mannequin yet, despite acting as Mannequin's unofficial ambassadors (via DJ sets and other means). This makes the set even more compelling rather than less so, since it shows how Mannequin fits into a larger picture that includes other scene leaders and label owners including Beau Wanzer, Willie Burns (WT Records), Silent Servant (Jealous God) and Ron Morelli (L.I.E.S.). Of equal importance is how Waves of the Future projects a sense of aesthetic resilience and continuity, showcasing just how well the current artists allied with Mannequin employ and re-interpret the sonic lexicon that appears on that label's reissues of 'classic' acts such as Nocturnal Emissions, Bourbonese Qualk, Din A Testbild and Doris Norton.

However, none of this would matter as much if the music itself didn't have strong potential for lighting a blaze in the dark corners of the human imagination, and of course for forcing bodies into motion. Each track here pivots around a couple of key sound elements that seem to set the stage for the next track to come: see the sputtering / chopped ghost voices on Morelli's Charges Won't Stick,' which easily informs the slicing drone and authoritarian beat of Shawn O' Sullivan's Ill Fit,' which then lays down the emotional foundation for the sequencer-powered With You' from An-I & Adriani or the glassy landscape of Illum Sphere's Exhaustion'. Elsewhere, the wired mischief of Not Waving intersects easily with the spherical electro-funk and coded commands of Beau Wanzer. When all the disparate parts of Waves of the Future are soldered together, it perfectly illustrates Mannequin's non-linear philosophy and Adriani's suggestion that Mannequin listeners directly engage with the music rather than trying too hard to analyze or dissect it.

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20,55
Developer / Dj Surgeles - The Mercurian Particle

Produced by Developer and upcoming Dutch techno artist DJ Surgeles who has recently released on label "Up in the sky" by legendary Jeff Mills. The Mercurian Particle is a well balanced techno EP pushing that quality sound of techno Modularz continues to present release after release.
It's dark, hypnotic driving and deep all all the same time. this is a real banger TIP!

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10,50
Tang & Trinity - Adrifting Voyage

Australia's Nightime Drama welcome Steven Tang and label associate Trinity for a new collaborative EP that comes with two originals and remixes by Basic Soul Unit and Daniela La Luz.
Tang has long been serving up space age techno sounds on his own Obsolete Music Technology and the likes of Smallville, and Trinity is a DJ, live act and producer from Sydney who plays key clubs around Europe and releases on Counter Pulse and Coincidence as well as this one.
Innermost Search opens the EP with supple and rubbery drums carrying you off into the cosmos as spaced out pads bring real scale and emotional depth. It's a cinematic house track with vivid imagery. Then comes a remix from Dekmantel's Toronto mainstay Basic Soul Unit that is much more busy and robust. A wide lead synth line sprays about above drums which are much bigger and heavier. It's prime warehouse material to get people marching.
Tang & Trinity's Adrifting Voyage then slips back into a deep, cerebral house groove with oodles of reverb and dubby chords cut though by icy hi hats and transcendental pads. Last of all, Berlin's Daniela a La Luz (who has released on the likes of Cocoon and !K7) remixes this one into a lively, nimble house track with curious melodic riffs and tough drums appealing to both head and heel. It rounds out a fresh and powerful EP of futuristic house music.

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8,61
Various - Fortunea Cookies Vol. 2

Various

Fortunea Cookies Vol. 2

12inchFORTUNEA007
fortunea
19.12.2017

The Viennese label forTunea finishes 2017 with another rendition of their forTunea Cookies recipe. The ingridients on the A-side were added by Klaus Benedek and the newest member of the forTunea bunch, Lukas Poellauer. - Splattered is another typical melancholic KB trip. A chopped hookline, heavy reverbed synths and a vocoder are the signature features in this track. Lukas delivers us on the other hand his interpretation of - Underground house music with Chicago and UK influences. The B-side gets a little spicier. Jakobin & Peletronic serve with - Morning Glory some funky seeds on the plate. Last but not least the Schampus Ghost teams up with Anemona to the baking session. What they are adding to the cookies What they are adding to the cookies Well, it is certanly not sugar. ;-) It is for the better not to unveil the secret ingridient. But lets just say, their tune has some cool disco-techy vibes innit. All in all an enjoyable treat

Already support by Iron Curtis, Blueshift, Dubble D, Paul Cut, Rainer Trüby, Manuel Sahagun, Roman Rauch, Franksen, Claudio Ricci. Tyree Cooper, Sarah Wild, Bart Ricardo, Janefondas, The Soulbrozerz, Eric Davenport, BTO Spider, Jaymz Nylon, Snooba

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4,16
Monkey Maffia - Secular Earth Disk

(en) Good things take time - ideally, including a great deal of oomph. At least when it concerns new tracks from within Monkey Maffia's inner circle. It has been four whole years since we received the momentary last piece of the 'Monkey Maffia Music Club', 12 inches full of funky nasty beasts dedicated to the best dancefloors of this world. In the meantime, a remix was released here and a track was presented there, but now we may once again enjoy a full load of Monkey Maffia. And on top of that the now 75th release of Freude am Tanzen!
Monkey Maffia is personally providing the soundtrack for this ceremonial occasion. His tracks continually supply tremendous amounts of oomph to parties as well as loads of gravity and funk. After all, as an experienced DJ he simply knows what an awesome night looks like - a straight bass drum fractured while simultaneously amplified with infinitely warm synths. On one track, bass and percussion are throwing all our worries overboard, on the next one pads and vocals are shimmering to the bet. Whatever may happen, it can be said with utmost certainty that it will never become boring on either secular flat earth.
A1 - Bad Or Good
A total brain and leg screw, that spins and spins and spins. Any DJ willing to test how much funk a dancefloor can bear up to the third decimal place, will be perfectly served with this track as proof.
A2 - Fake Heroes
Short reminder, but detailed clattering minimal with soul does still exist. At first, 'Fake Heroes' frostily shines through aerial heights; however, then submerges all the more into unforeseen depths.
B1 - MiniMi
Somehow jazzy, but was meant as house. Similarly hypnotic, equally free. Common thread is the bass drum, along which anything is possible. File under: secret weapon for truly late hours and DJs with guts.
B2 - Schörless
This is a track that sends Larry Heard on an Orient trip and thereby extends over a much longer period than its brief four-and-a-half-minute length. For all those who are still serious about 'deep' in house.
(de) Gut Ding will Weile haben - und reichlich Wumms am besten gleich noch mit dazu. Zumindest dann, wenn es sich mal wieder um neue Tracks aus dem engsten Kreis der Monkey Maffia handelt. Ganze vier Jahre ist es inzwischen her, dass uns von dort aus der vorerst letzte Teil des - Monkey Maffia Music Club' erreichte, eine 12-Inch voll funky-garstiger Biester für die besten Dancefloors dieser Welt. Zwischendurch erschien ein Remix hier und ein Track dort, doch nun gibt's endlich wieder Monkey Maffia satt. Und das nunmehr 75. Release auf Freude Am Tanzen gleich noch mit dazu!
Der Soundtrack zu diesem feierlichen Anlass kommt von Monkey Maffia höchstselbst. Stichwort Wumms: den bringen seine Tracks stets genauso mit zur Party wie massig Tiefe und Funk. Denn als routinierter DJ weiß der Mann einfach, was eine lange Nacht alles braucht - hier wird die gerade Bassdrum gebrochen, dort mit endlos warmen Synths unterfüttert. In einem Track klappern uns Bass und Percussion die Sorgen aus dem Leib, im nächsten flirren die Pads und Vocals sehnsüchtig um die Wette. Was auch immer passiert, langweilig wird's auf dieser wie jener weltlichen Erdscheibe mit Sicherheit nicht.
A1 - Bad Or Good
Totale Hirn- und Beinschraube, die dreht und dreht und dreht. Wer als DJ testen will, wieviel Funk bis auf die dritte Kommastelle genau so ein Dancefloor eigentlich aushält, ist mit diesem Track als Messgerät bestens bedient.
A2 - Fake Heroes
Kleiner Reminder, aber kleinteilig-klappernder Minimal mit Seele, das gibt's noch immer. - Fake Heroes' schimmert zunächst kalt durch die luftigen Höhen, taucht dann aber umso weiter vor in ungeahnte Tiefen.
B1 - MiniMi
Irgendwie Jazz, aber als House gedacht. Ähnlich hypnothisch, genauso frei. Als roter Faden dient die Bassdrum, entlang dieser geht aber eigentlich alles. File under: Secret Weapon für die ganz späten Stunden und DJs mit Mumm.
B2 - Schörless
Ein Track der Larry Heard auf Orient-Reise schickt und dabei viel weiter trägt als seine knapp viereinhalb Minuten Spielzeit. Für alle, die das - Deep' im House noch ernst meinen.

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5,84
Octave One - Cymbolic Ep 2x12"

Octave One

Cymbolic Ep 2x12"

2x12inch4W-255
430 West
04.07.2017

Detroit's Burden Bros have long been looked upon with immense respect within contemporary dance music. Having been in operation since 1990 with their 430 West imprint they have long encapsulated the forward thinking vibe of Detroit Techno with their output over the last 20+ years, gaining praise from their motor city peers as well as fans worldwide. Having had success in the mainstream and an enduring underground presence they are well versed in the art of music.

This double-pack 'Cymbolic' originally came out in 1995 and found favour with electronic music fans who sought a deeper edge in their music. It's all here, the trademark drum programming, the epic sense that all of the Burden Bros productions have within them. This is dancefloor music, music for DJ's to utilise, tools, but tools with the deepest soul imaginable. Listen to 'Terraforming' or 'The Symbiont' - perfect examples of driving, almost tribal-esque rhythms fused with strings, synth pads and human feeling. 'Cymbolic' is for you if you're a fan of Detroit Techno, but it's also for those who enjoy the deepest electronic sounds. That's not to say it isn't funky though, these tracks will decimate most dance-floors, and therein lies the secret. Essential release here, that classic 430 (mid) West flavour re-mastered, re-pressed and re-released in conjunction with the Burden Brothers / 430 West Records, Detroit USA

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