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Nothing Left to Love is Counterparts' sixth studio album following 2017's You're Not You Anymore. Bookended by the powerful lyric “Will you love me when there’s nothing left to love?” — a desperate plea on commitment in the face of both mortality and morality — the album muses on many of the topics vocalist Brendan Murphy has in the past: life’s darkness, self-destructive tendencies and the self-flagellation they beget.

Reissue of a lost hit by the British composer Kevan Frost, now championed and given a brand-new Dub Mix by Mark Grusane. Up for pre-order now and due late-March on our RSS series!

Kevan Frost grew up in Jos, Nigeria where he became a self-taught musician and developed a deep understanding of rhythm and melody. In the 90's, Frost was a session musician for many studios in London, one of these was unable to pay him so they gave him a few free days in the studio and the result was "Give It Up" as he explains:

"I went in and recorded all the music in a day, and the vocals and mix on day two. This was the days of only having 24 tracks available on tape so I programmed the drums, bass and keyboard parts on C-Lab which was only available on the Atari computer and the samples I made on my Akai S-1000 sampler. Full of floppy disks I went in early on day one and printed all of this on tape. I then recorded the guitar parts. Day two was me layering the lead vocals and Backing vocal parts as quick as I could before starting to mix."

However, the track fell into obscurity with no major label backing or marketing budget. A friend of Mark Grusane’s came across it in Brooklyn at the African Record Centre and it eventually ended up in Mark's hands and from there he edited the original track to a more stripped-back dub mix and began playing it out to great effect on dancefloors.

After a bit of digging, we tracked down Kevan and a fully licensed reissue is due on Rush Hour in late March 2026, including a brand new ‘Dub Mix’ from Mark Grusane.

Yanuka is the solo project of acclaimed keyboardist, composer and producer Tomer Zuk and here he makes his debut on Ma Ze Music with Hashrika and No Tomorrow. Known for his cinematic touch and eclectic style, Zuk blends Middle Eastern motifs, hypnotic grooves, and meditative atmospheres into what feels like a modern-day Morricone from the desert. There are psyched out 60s elements, Library music overtones, funk, soul and jazz instrumentals and great sound designs all bringing these two mysterious and enchanting sounds alive. The first is a late-night wander that echoes Khrangbuin and the second is all wah-wah magic and slick, rolling rhythms.

2x12" Brown Marbled Vinyl 2026 Repress

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

2026 Repress!!

Slabs, if you didn't know yet, is the new label from Dungeon Meat duo Brawther and Tristan da Cunha that wants only to serve up music to make you sweat. This is another red-hot one that comes from Horsemen and has already been slammed down to great reactions at places like BRET in Amsterdam. 'Work It Out' is a stripped-down but chunky and rugged house monster, and 'The Strip Down' is a more lively and elastic cut with rubbery kicks, jumbled hits and irresistibly kinetic rhythms. Hugely effective yet hugely characterful, this is another doozy from Slabs.

Since establishing his Stereo:type imprint, former Papa Records contributor Risk Assessment (real name Glyne Braithwaite) has released a dizzying amount of material, both digitally and on vinyl. His latest wax outing boasts four superb, tried-and-tested cuts. He gets straight to the point on opener 'Get Up', a chunky, emotive and life-affirming affair that appears to make liberal use of orchestral and vocal samples from what sounds like a luscious, maximalist Philly Soul workout of the mid 1970s, before going percussion crazy on 'Circus' (which also boasts samples from a much-loved disco record). 'I Had Enuff' is a colourful and piano-rich classic house number boasting fine vocals from Kathy Brown, while 'Man Like Mike Delgrado' is a swirling, filter-heavy chunk of swirling disco-house hedonism.

New Bon Vivant 7 with full power from Sakro, Michael james & Andrade
Great house cuts - highly recommended!

EU/UK Exclusive

Japanese pressing

From Universal Music's vast catalogue, the essence of Japanese AOR, all tracks are selected and played in Muro's mix cd 'Diggin' Japanese AOR' released in 2017 and now released on 2LP.

This includes some of hidden gems such as Maki Asakawa's 'American Night', Yoshio Harada and more from the late 80's to early 90's - the golden time of Japanese AOR.

Japanese pressing

A Japanese smooth double sider for the first time on 7" selected by Muro.

A-side "Heart And Soul" is a mellow Japanese AOR song from Ginji Ito's 10th album Nature Boy in 1987, and the flip side is a cover of Saturday Love "Uwaki na Kare," taken from a sought-after album 'Nouvelles' by Ritsuko Kazami originally released in 1987.

Time for more tracks from around that different corner! The EP kicks off with Reel Des Jumelles, some kind of hommage to accordion dance music that moves with a steady forward leaning house beat, winding staircase melodies and some well-paced tom fills. Arrak is more of a slow, howling midnight creeper. The B-side consists of two cuts from Anders’s live repertoire, meaning deep modular bass n’bleeps, dubby chords and some drum box autorhytm presets (merengue, salsa…) thrown in for good measure. Includes digital download code, and the digital version comes with two fabulous remixes by HEROES. Alexi Delano and Daniel ”Fagge” Fagerström! Edition of 100, mastered by Andrea Merlini.

2026 Repress
Ivy Lab return for 2015 with their most ambitious and most accomplished EP yet, spanning across the most pearlescent of D&B through to rough, rugged glitch and raw half time grooves. Adding extra freshness is man of the moment Sam Binga and Brighton based El Train, each bringing their own take on the Lab sound. A stunning collection of work presented on multiple formats including limited edition vinyl with hand-crafted packaging from the Ivy Lab boys themselves.

EU/UK Exclusive

Japanese pressing - comes with Obi

A compilation of the Japanese band 'Piper' who formed and released 5 albums in 80's, and for this special compilation all tracks are selected by the original members and taken from their 4 albums released between 1983 - 1985.

Including the city pop classics 'Summer Breeze' & 'Breezing' along with more mellow funk/soul crossover fusion hits.

Sole Aspect returns with the second part of its Sole Discretion series and this one goes deeper into the club while expanding on the textured, late-night energy of its predecessor. Dubbyman opens with widescreen deep house on 'Always In & Out' which wraps Aki Dawson's hypnotic Chi-town vocals in slow-burning warmth. The Windy City's Specter follows with a warm, weighty beatdown rooted in the US Mid West before Boo Williams turns up the heat with rolling basslines and his signature rhythmic deftness, backed with a subtle cosmic glow. Taelue closes the set with 'Interplanetary' which is a raw, futuristic cut that drifts into spacey territory and, along with the other cuts, is a sharp reminder that Chicago house's future is in good hands.

Baka G follows a string of releases on the likes of Happiness Therapy with a fresh new cut on Plastik People. It's another breezy blend of house styles with authentic soul. 'G Stands For Groove' rolls on a knotted bassline that Louie Vega would love, while 'Jack's Jam' is livelier without losing the buttery smooth bass and vibey chord work. 'Mama Lava' then ups the energy with some heftier kicks and timeless piano chords, which dance next to sultry Spanish vocals. 'Maracaipe' then shuts down with some wispier cosmic energy and lush instrumentation to bring summer warmth to winter dancefloors.

StandUP Records returns with its second release, welcoming a respected name Konerytmi with the 1999 EP.

Across five tracks, Konerytmi pulls listeners straight into the golden era of 80s electronic music. Steering clear of formulaic kicks and basslines, the EP embraces eerie nostalgia, raw textures, and dim-lit atmospheres, the elements that defined the genre’s earliest identity. It’s a deep dive into the past, capturing the authentic sound, spirit, and experimental edge of early electronic music.

2026 Repress

After releasing on a variety of labels for a few decades FFF presents the "Control Tower EP" the first release on his own "3AM Eternal" label. This 3 track EP brings a mixture of styles from within the hardcore & jungle universe. The titel track "Control Tower" is a mix of dub infused amen jungle, clash vocals and rare grooves. Followed by "Cut Bwoy" hectic, stomping, moshpit ready, hardcore & dubby. The final tune Obedience goes a bit deeper, a synth heavy, moody amen roller but still with plenty of choppage.

Jack’s House Recordings kick starts 2026 with a brand new VA featuring talent from all corners of the globe, with artists coming from Portugal, to Australia, the USA and Ibiza !

First up is Alex Arnout with “Baby Let You Know” which is another solid production giving punchy and techy energy with a baseline that will wake you right up when it drops in ! It’s dark, edgy, and has a powerful signature sound that is perfect for the big dance floors as well as your underground intimate ones. Alex is no stranger to the imprint, having been the first artist signed to the label which is about to celebrate it’s 10th year as an independent record label.

Next up, we welcome back popular and talented producer Carlo Gambino with “Time Of Need” which takes you through 6 and a half minutes of a lovely gritty underground groove, and vocal snippets of the track title throughout the arrangement with his warm and unmistakable signature sound.

Then we have AMO (um) & Mills with the more minimal track of the VA, “Therapy” This is a stripped back track but instantly memorable after just one listen. Driven by a simple kick, snare, haunting fills and a riding dark baseline, the track also presents a conversation between two Women having a slightly confusing conversation in a therapy session.

Last up, it is a pleasure to introduce and welcome USA’s Jordan Bernardo & Sharktooth from the Tasteless Thieves crew to the label with their excellent collaboration on the track “So Sorry” This is the light on the VA with this massively uplifting infectious groove. The track is giving skippy swinging beats, filtered vocals which tease in and out of the arrangement, and a great energy that takes you back to the early 2000’s era.

In a nut shell, this fresh Jacks Tracks VA offers 4 unique tracks that can serve any DJ at various points of the night, from warming up, a hands up moment, 3am pushing energy, and a perfect afterparty vibe too. That is always the aim with the Jacks Track VA series, to give vinyl buyers a bit of everything while maintaining talent and the nature of the underground.

Celebrating a decade since its live debut, Detroit-based artist Rebecca Goldberg announces the first-ever vinyl release of her original score for A Trip to the Moon, the iconic 1902 silent film by Georges Méliès. Composed in 2016, Goldberg’s reimagining of the groundbreaking film—originally titled Le Voyage dans la Lune—translates early cinema fantasy into a minimalist electronic soundscape shaped by synthesis, texture, and composed foley.

Goldberg’s approach honors the wonder and theatricality of Méliès’ vision while grounding it in Detroit’s lineage of forward-thinking electronic music. The score premiered in Paris in 2016 with live performances at Silencio, the club founded by David Lynch, and at Bar à Bulles, located above the legendary Moulin Rouge. The Paris events were produced by Why So Serious Productions and marked a rare convergence of experimental electronic performance and historic cinematic space. Goldberg also presented the live score in her native Detroit, reinforcing the transatlantic bridge that has long shaped her conceptual record projects.

Now, ten years later, the score will be released for the first time on vinyl in a limited edition of 300 copies. The pressing captures the nuance of the original live compositions while offering listeners a new way to experience the interplay between silence, rhythm, and sonic illusion. As with Goldberg’s previous conceptual 12" releases, the vinyl format serves not only as a medium but as an artifact that preserves and reframes cultural memory.

The Vibracid network reaches its fourth phase — the moment of awakening.
What was once hidden beneath layers of programming now resurfaces: the total recall of collective memory.

Encrypted memories from multiple worlds are decoded through sequences of electro-bass, acid warfare, and cinematic techno tension.

Six sound engineers from the Galactic Confederation synchronize their signals to reassemble what was erased — transmitting across psychic fields, dancefloors, and forgotten neural corridors.

Calagad 13 opens the operation with Mad Flava, pure raw energy — the ignition spark that reactivates the buried code.
5ZYL follows with To Your Knees, a dark and heavy descent into pressure and distortion.
Saigg brings the direct, high-voltage electro of Procesos Continuos, channeling precision and drive.

On the B-side, Lups Digga delivers Just Dance, a floor-oriented electro-bass detonator built for propulsion.
Roi expands the field with Despoiled — cinematic, tense and electrified, balancing techno discipline with emotional depth.
Finally, Cliff Dalton closes with Snowbirds, an introspective and elegant comedown: the calm after total awakening.

Mastered and crafted with precision for a strictly limited edition of 150 copies on purple vinyl.

Funkyjaws Music is back with more sounds to get those mouths and asses moving. It comes from Elado, originally from Poland, and an artist with a 30-year obsession with his craft. 'Love' is a big-hearted disco pumper with jangling riffs and bluesy vocals. 'Happy Days' has a similar vocal but more raw and guttural and offset by female harmonies. 'Benko' cuts back with a more supple, sun-kissed and Balearic sound with some nimble piano work bringing plenty of spice. 'Higher' is a smoochy 80s-influenced disco sound with vibes to spare.