quête:and 005

Massive oldschool hardcore.
Industrial, progressive and oldschool... Defenitly a Deejay weapon !!
Very Limited.

Solid Ragga Jungle and hard Drum on the A side, with a kicker on B1 and an old school Jungle tune for the finish.

Printed sleeve !

Back in 2023, Bruce was approached by a band of young and ambitious lads, who wanted him to mix their debut album 'Nacre'. Being fans of his music, they hoped to utilise his renowned, club-informed and emotive sound design to add a shade of hypnotism and psychedelia to their singular strand of post-rock. The band of course were Quade, and the union proved to make perfect sense: Bruce excelled in gracefully fulfilling the band's vision, sealing their relationship for projects to come.

A couple years on, both Quade and Bruce had really proved the scope of their abilities: the sophomore album 'The Foel Tower' won the hearts of fans and critics across the board, who celebrated its "gorgeous" and "tender" sound to great acclaim. The world they had built clearly stood defined and dignified, though at the same time, Bruce couldn't help but wonder if there was more to be said. Besides, the sheer abundance of emotion and rich textures therein, suggested a great deal of potential for further exploring. So with the band’s blessing, he embarked on versioning the album.

Bruce was off the leash: total freedom leant him the ability to dub in wild style, weaving and wrestling with drum, bass et al, connecting to the arrangements' true feelings and expanding them to full frame. The "doomer sad boy, ambient-dub, folk, experimental post-rock" of the original, was blown into a whole new, hypnotic realm: through rattling analogue distortion and huge spaced out effects, Bruce's efforts stand as an exploding supernova of dub and noise, refracted through the band's themes of grief, beauty and the great British countryside.

To be released on his label Poorly Knit, this remix album once again proves Bruce's deft of touch and skill in reworking material. Maximising the sonic potential of such a promising and talented band he marks his personal contribution towards what will surely continue to be a fulfilling and illustrious musical journey for Quade.

Available digitally and on super limited cassette (50 copies)

Grant Dell’s name is woven deep into the fabric of UK underground house. As a DJ, producer, and co-founder of Swag Records, he’s been part of a movement that prioritized groove, individuality, and dancefloor connection over trends and hype. From the raw energy of early London parties to a catalogue that still resonates with diggers today, his work has always been guided by instinct and a deep respect for the roots of the music.

Still DJing worldwide and has been a wiggle regular Gems have unearthed another piece of classic underground tech house music with one of Grant Dell’s most sought-after productions. Originally released on Visitor Recordings out of Belgium.

Remastered for 2026 limited stock act fast!

Refined, trippy, and beautifully hypnotic. PIRAT005 marks a deep and elegant statement from Pirat Records and delivers exactly the kind of timeless, hypnotic minimalism that turns heads on first listen and stays in the bag for years. A record built on restraint, texture, and atmosphere: rolling, seductive, and deeply functional for long sets and late hours. With a clear nod to that unmistakable Perlon-inspired aesthetic, Venedig moves with precision, subtle tension, and groove-driven detail, stripped back, but full of character. The collaboration spirit on this release gives it a special depth, while the overall sound remains focused, classy, and unmistakably underground.

King Jammy–produced full-length debut from rising reggae songstress Aza Lineage, Rebel Daawta. Features appearances from Hi-Times Band, Jessie Royal, and Johnny Osbourne. Beautifully packaged in a full-colour sleeve.

Available for the first time ever on 7", “Rich & Black” pairs Raekwon and Nas on one of the standout moments from Shaolin vs. Wu-Tang, Raekwon’s acclaimed 2011 album and a favorite among die-hard fans for its sharp lyricism, elite guest list, and strong late-era Wu energy.
Bringing together Raekwon, Nas, and Busta Rhymes on one limited edition, one-time pressing, this special 45 also includes “Snake Pond” and “Crane Style.”
Housed with a collectible OBI strip and pressed on splattered vinyl, this release is a must-have for Wu collectors and fans of The Chef.

Surface Access unveils a mesmerizing Dub Techno EP shaped by depth and minimalism. The Parisian duo crafts a unique, floating soundscape that draws listeners into a deep, immersive experience

The fifth release on Objekt’s Kapsela imprint is (re)weave, an EP of crystalline club tracks from Detroit-born, London-based producer Tristan Arp.

(re)weave was written during a prolonged period of flux for the artist. “When I started making this record, my life and the world felt like a maze,” he recounts. As he routed and re-routed through past and future homes – Mexico to New York to Detroit to Mexico and finally to London – his output bore the marks of this repeated uprooting. “I was thinking about making music that reflected these twists and turns, and the knotty pathways through them. I was also re-reading Borges around this time, which must have influenced my interest in labyrinths.”

Accordingly, the EP is a mycelial puzzle, a tangle of spidery, undulating ostinatos and earthy percussion, stitched through with syncopated kicks. Employing the sounds of multitudinous critters and kin – whales, insects, thunder, water, forests – the arrangements sum to a sentient mesh of organic matter, the compositions living and breathing like earthly beings. Kaleidoscopic tendrils explore in every direction but are always underpinned by a driving, percussive backbone. It’s not easily classifiable: it’s bass-driven, but to simply call it “bass music” would sell it short.

In keeping with the winding geographical paths traced over the EP’s creation, (re)weave saw Tristan Arp revisiting and reinterpreting unfinished sessions and incorporating them into newer ideas. Rhythms and sounds have been transplanted and self-recycled from previous projects and woven into the fabric of the record. In this way, (re)weave also describes a looping back over time, a recalibration of the self from past to present through interlocking rhythms, channeling and communing with versions of oneself from times gone by.

The closing track, Wish Server, slows the EP to walking pace and hints at tentatively emerging from the deepest jungle into a delicate, innocent light. Tristan Arp imagines it as a dialog with a baby-self. “Some of my earliest memories are of sitting at my mother’s loom,” he offers. “The sequence of these tracks traces these feelings and follows the thread back to the primordial soup… through mazes… to a feeling of levitation.”

Following "The Edge" & "Void", french producer and Goldmin Music label owner Romain Lanteaume aka EinKa delivers his first album "To Waken Doubt In One".

Experience ‘stardust’ like never before with this stunning limited edition coloured vinyl. Spin Freya Skye's sensational vibe, including her viral anthem "silent treatment", and let every note shimmer with starry energy! Each vinyl comes with an exclusive Freya Skye poster for every fan to enjoy! Available on translucent cobalt blue vinyl.

Deaf Florists, the alias of Conor Wheeler, returns with a powerful new EP on trUst Recordings, the imprint founded by Saoirse. A key figure in the pre-social media UK techno and bass underground, Wheeler first made his mark in the early 2010s with his label Nineteen89, operating alongside the era that birthed influential collectives such as Night Slugs, Swamp81 and Hessle Audio.

After years spent navigating the industry—managing artists, overseeing A&R for major labels, and curating club nights at some of the UK’s most respected venues—Wheeler channels 17 years of deep listening and lived experience into Deaf Florists. The project moves fluidly between peak-time intensity and introspective depth, unbound by strict genre lines.

Lead track “Squelch, already a highly ID’d fixture in Saoirse’s DJ sets, is built around a corrosive acid line from a Roland TB-03, reinforced by a Behringer Crave counter bass and a pitched-down vocal command to “get down.” “Melt” detonates with industrial force, inspired by the chaos of a reactor in meltdown—earning Saoirse’s succinct verdict: “It’s a bomb.” Closing cut “Gunk” nods to the hypnotic repetition of Mr G, transforming a stripped-back DJ tool into a distorted techno workout primed for dark rooms.

Tip on sleeve.

Latin Grammy-Winning Producer Pupillo Unites Global
Artists on his new album

Co-produced by Mario Caldato Jr. (Beastie Boys), featuring collaborations with Rodrigo
Amarante, Carminho, Adrian Younge, Gaslamp Killer, Cut Chemist, Hervé Salters, and more
Drummer, percussionist and producer Pupillo, one of the most influential figures in Brazilian
music and a four-time Latin Grammy winner, releases his first original album through the Los
Angeles–based label Amor in Sound. The record brings together an impressive and diverse
group of collaborators from Brazil and abroad. Amor in Sound is run by Samantha Caldato,
the project’s executive producer and creative director, and Mario Caldato Jr. (Beastie Boys),
who co-produced the album alongside Pupillo. The project was developed in a free,
experimental environment, allowing the artist to explore the many rhythmic and sonic
territories that have shaped his career — from Northeastern Brazilian traditions to jazz, hip
hop, and cinematic soundscapes. Listen here.

The album features special appearances by Brazilian artists such as Céu, Rodrigo Amarante,
Agnes Nunes, Amaro Freitas, Davi Moraes, Alberto Continentino and Pedro Martins,
alongside a strong roster of international collaborators, including Carminho, Gaslamp Killer,
Loren Oden, Adrian Younge, Cut Chemist and Hervé Salters (known for his work with
General Elektriks). The album’s 12 tracks were further enriched by contributions from
Jeremy Gustin, Roberto Schilling, and other musicians who make Amor in Sound Studios in
Los Angeles a place of creative exchange.

Beyond his work as the drummer of Nação Zumbi, Pupillo has built a prolific career as a
producer and collaborator with some of the most important names in Brazilian music,
including Gal Costa, Nando Reis, Erasmo Carlos, Céu, and Otto, helping to shape the sound
of multiple generations. This trajectory has earned him four Latin Grammy Awards.
From Pernambuco, Pupillo is also an acclaimed composer for cinema, having written
soundtracks for films such as Arido Movie and Blue Blood (directed by Lirio Ferreira), The
Assailant (directed by João Daniel Tikhomiroff), among others. This cinematic sensibility
permeates the album, which unfolds like a film, moving through richly textured soundscapes
that cross continents and musical traditions.

Fast At Work touches down with its fifth flight, and it’s come a long way. Hailing from Kyoto, Japan, Stones Taro delivers three original productions that move through dubstep, breakbeat and the restless spaces in between — a record that carries the weight and precision you’d expect from one of the most in-demand producers to emerge from Japan’s underground in recent years.

This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.

In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.

'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.

Die Musik der ersten Staffel der Disney+ Original-Serie ”Andor” als Picture Disc. Komponiert von Nicholas
Britell.
Ab dem 01. Mai erhältlich!

The series, written and directed by Flo Van Deuren and Kato De Boeck, tells the story of Bibi and Ama, two lesbian girlfriends in their twenties.

Hoping to become a better version of themselves, they move in together at a flat in Brussels. Each in their own way, but under the same roof, they come to new insights: life has no manual, love even less and themselves even less so. The result is an intimate series full of humour and familiarity.

Musically the series is coloured by an exclusive soundtrack and homegrown songs: 7 female or non-binary artists from Belgium were asked to write a song. Lara Chedraoui & Patrix, Juicy, Miss Angel, Tessa Dixson, Oriana Ikoma, Ana Diaz, SPACEBABYMADCHA and Mick Lemaire crept into their musical pen. The series also features existing songs by artists such as Martha Da’ro, Aili, B1980 and Fatal Error to showcase a maximum of local musical talent.

No-one could have predicted the success of The 88, the first album from Minuit
(minwee), or how warmly it would be received. Equally no-one could have predicted that the band would return to the live arena a decade after their final fling or consider pressing their debut on vinyl for the first time.

Formed in Nelson, NZ in 1997, the trio cut their teeth playing regularly around the South Island’s underground club and festival scene. After a hiatus overseas, they began recording The 88 in 2002 in Ryan’s home studio. The lyrics were influenced by their travels around Europe and Ruth's time working for the UN in Kosovo and East Timor; the beats by The Prodigy, Portishead and the UK’s trip-hop and breakbeat scenes.

Signed to indie label Tardus, their tunes were eagerly picked up by the bNet student radio network, which then ballooned into high rotates on TV station C4, helped along by Alyx Duncan’s stunning video for Except You. A busy summer playing live every weekend for three months and seemingly universal praise from the music press led to them swiftly gaining gold sales.

Now 22 years later, with live shows looming, the trio have decided to revisit their debut, completing two previously unfinished tracks from the period to add a bonus to this inaugural vinyl release.

Evighet proudly unveils its fifth release, EVIGHET005, featuring the Sky City EP by Dave N.A., the prolific producer from Yerevan known for his refined sound design and emotionally resonant compositions. With a catalog that spans labels such as Typeless Records and Uppers & Downers, his work continues to bridge precision and sensitivity, exploring the borders between rhythmic architecture and ambient introspection. On Sky City EP, Dave N.A. constructs an intricate sonic landscape where lush atmospheres coexist with fractured breaks and IDM-inspired rhythms. Rooted in the traditions of Jungle and Breakbeat yet unbound by genre, each piece reveals a narrative built from texture, movement and space. His music invites reflection while maintaining a dynamic forward energy, evoking the sense of motion through memory and dreamlike transitions. A central moment in the release is “Bloom”, which features a collaboration with Hayk Karoyi on flute. His performance adds an organic depth and melodic fluidity, weaving through electronic layers with warmth and clarity. The result is a delicate interplay between human breath and machine pulse, blurring the boundary between the natural and the synthetic. Sky City EP marks a new chapter for Evighet, reaffirming the label’s dedication to sound as a medium of exploration and storytelling. Through this release, Dave N.A. captures both emotional immediacy and compositional detail, expanding the label’s evolving narrative with a vision that feels deeply personal yet universally resonant.

Cigarettes After Sex return with a double single that showcases both their future and their past. The single featured on the B-side, “Anna Karenina,” is a quintessential Cigs track, sensual, slow-burning, and emotionally oversized, with lyrics so confessional they verge on too much. But its inclusion of spoken word verses adds a striking new dimension to Greg Gonzalez’s world, expanding the band’s intimate palette. Its chorus (“I cried at the end of Anna Karenina, when she threw herself under the train”) might be the most Cigarettes After Sex lyric ever written. The A-side is a long-rumored fan favorite finally seeing release: a gorgeously faithful cover of The Doors’ “The Crystal Ship,” recast in the band’s signature haze. Jim Morrison’s romantic fatalism never sounded more at home.