The label returns with a brand new Various Artists vinyl release, this time tapping two of the scene's staples and a couple of uprising talents, plus a collab between Room's very own Angioma and BLANKA.
Finely distorted kicks on "ANOTHER STAIN", by P.E.A.R.L., kick off the VA. With a constant yet evolving synth line, playful percussions that come and go and filter effects, the Spanish artists brings the dynamism to this piece. Maestro Jonas Kopp debuts on the imprint, delivering the acidic "Reversing The Poles". Jonas's shifting atmospheres and depth make this one a perfect tension builder for dancefloors.
On "Spare Matrix", Egotot and Franz Jager (who are no strangers to each other) team up again to present a track with elements from both artists. A rumbling low end, siren-like sounds and a constant uprising energy make this one an essential driving weapon. The deeper cut on the Various Artists, "Innapropiate content", is brought by Room founders Angioma and BLANKA, characterised by the pair's very own rolling rhythms and hypnotism that put an end to this superb 4-track compilation.
Search:ang
French producer Timothee Milton debuts on Local Talk with an EP that fumes of soulfulness in every direction.
Written by Angela Johnson, the original is a big vocal deep house jam that got some hints of the 90s Jersey sound..but not too retro ;).
To give the package an extra edge we enlisted deep house connoisseur Hugo LX and boogie-house maestro Art Of Tones for the remixes, and our boys really delivered the goods.
Hugo's mix is a classy as it gets, supa bumpy deep house where everything little production detail is delivered with good taste.
The Art Of Tones remix is equally strong but goes for a more uplifting approach and puts the funk, boogie and soul front & centre.
Unlike Julie's debut "Flowers and Candles", which she released alone at the age of 15, this album now involved more than a dozen musicians, including a string quartet and a brass section. Nevertheless, Julie still penned all the songs. The elaborate production of the album was made possible by the Frankfurt label Jazz Montez Records and thanks to a generous grant from Initiative Musik. For the first time in the history of this artist funding program by the German government, the application of a musician under the age of 18 was successful.
- A1: The Good Vibes Intro
- A2: Penthouse Elevators
- A3: Nature At Work
- A4: Jungle Developments
- A5: Ice Cold Coolers
- A6: Bounce Keepers
- A7: Another Two4
- A8: Smoked Cookouts
- A9: Bands Jukes
- B1: The Bad Vibes Intro
- B2: Intended Mayhem
- B3: Leeches
- B4: Dgf
- B5: Short Tempers
- B6: Problems And Solvers
- B7: Dead Ringers
- B8: Angry Cosmos
- B9: Unbeautiful
Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”
- 1: Saints In Torment
- 2: Contamination
- 3: Progressive Destructor
- 4: Skulls Adorn The Traitor’s Gate
- 5: Behold The Beyond
- 6: Retaliation
- 7: Savage Intent
- 8: Chimes Of Flagellation
- 9: Beheading Of The Godhead
- 10: The Poison Chalice
- 1: Werewolf Corpse
- 2: Pray And Suffer
- 3: Diabolist
- 4: Bleed For Me
- 5: Legion Of The Damned
- 6: Intro/Slaughtering The Pigs
- 7: Doom Priest
- 8: Place Of Sin
- 9: Undead Stillborn
- 10: Intermezzo
- 11: Taste Of The Whip
- 12: Slaves Of The Southern Cross
- 13: The Window's Breed
- 14: Legion Of The Damned
- 15: Dark Coronation/Outro
Blackened thrash veterans LEGION OF THE DAMNED slay on new studio album The Poison Chalice The LEGION slays again! Dutch thrash veterans LEGION OF THE DAMNED have once again entered into an alliance with the devouring depths of black and death metal and unleash another angry beast, The Poison Chalice, on May 26, 2023 via Napalm Records. The shredding monster delivers the most delicious pitch-black brew and tortures dark souls into demonic underworlds. Founded in 1990 as Occult, the thrash machine around founding members Maurice Swinkels and Erik Fleuren was reborn as LEGION OF THE DAMNED in 2005. On The Poison Chalice, the band unites with Fabian Verweij as second guitarist besides Twan van Geel and hails together with bassist Harold Gielen performing as a five piece for the first time ever on a studio album. Conquering the European charts for decades, the LEGION crowned itself at #17 in the Official German Album Charts with predecessor Slaves Of The Shadow Realms (2019). For almost 35 years, they have formed their aggressive signature sound from the most horrific ingredients of thrash and death metal, combined with brutal blackened influences, resulting in one of the most defined and unique sounds in the scene. The Poison Chalice comes to life by spreading its eerily beautiful wings within the first few seconds, then dives headfirst into a hellishly furious storm before the second song ""Contamination"" absolutely kills. In classic LEGION OF THE DAMNED manner, there is no escape as the track relentlessly drives into the abyss. The album spreads brutal and ice cold thrash soundscapes through relentless attacking drums and incredible guitar harmonies from both lead guitarists, underlined by angry bass lines. Infectious thrash treasures such as “Progressive Destructor”, and the almost seven-minute berserk “Behold The Beyond” break necks with hammering guitar riffs and bloody double bass infernos. “Beheading of The Godhead” delivers what the song title promises, before the past 48 minutes of hate closes with a final deep gulp from “The Poison Chalice” - leaving no one behind. Together with producer Erwin Hermsen, the band has closed the gates of the underworld in Toneshed Studio and demonstrates that they remain the unchallenged masters of brute and unrelenting death-thrash metal in 2023
- A1: Was Weißt Du Schon 3:29
- A2: Breaking Your Heart 2:51
- A3: Wenn Das So Bleibt 2:41
- A4: Ein Letztes Mal 3:08
- A5: Kurz Vor 4 2:20
- A6: Neunzig 2:26
- A7: Coco Chanel 2:50
- B1: Capri Sonne 2:43
- B2: Ohne Gnade 2:56
- B3: Vorstadt 2:36
- B4: Gefunden 2:36
- B5: Schimmel In Der Villa 3:21
- B6: Geblitzt 2:56
- B7: Raus Hier 2:19
- B8: Apache 207 X Udo Lindenberg Komet 2:47
Black Vinyl[26,93 €]
Coloured Vinyl
Mit seiner Musik vereint Apache 207 die unterschiedlichsten Genres wie R'n'B, Eurodance, 80s Pop und Hip-Hop. Der Zwei-Meter-Mann mit langer Mähne und Sonnenbrille steht dabei wie kein anderer eindeutig für die deutsche Rap- und Popkultur. Innerhalb kürzester Zeit nimmt er von Ludwigshafen aus mit seinen Songs den deutschen Musikmarkt ein und verkauft innerhalb von Minuten Arenen aus. Jetzt hat Apache 207 angekündigt: Am 9. Juni 2023 erscheint das neue Album Gartenstadt, dessen Titel eine Hommage an den gleichnamigen Stadtteil in Ludwigshafen ist, in dem Apache 207 mit Freunden und Familie aufwuchs.
- A1: Was Weißt Du Schon 3:29
- A2: Breaking Your Heart 2:51
- A3: Wenn Das So Bleibt 2:41
- A4: Ein Letztes Mal 3:08
- A5: Kurz Vor 4 2:20
- A6: Neunzig 2:26
- A7: Coco Chanel 2:50
- B1: Capri Sonne 2:43
- B2: Ohne Gnade 2:56
- B3: Vorstadt 2:36
- B4: Gefunden 2:36
- B5: Schimmel In Der Villa 3:21
- B6: Geblitzt 2:56
- B7: Raus Hier 2:19
- B8: Apache 207 X Udo Lindenberg Komet 2:47
Coloured Vinyl[33,66 €]
Mit seiner Musik vereint Apache 207 die unterschiedlichsten Genres wie R'n'B, Eurodance, 80s Pop und Hip-Hop. Der Zwei-Meter-Mann mit langer Mähne und Sonnenbrille steht dabei wie kein anderer eindeutig für die deutsche Rap- und Popkultur. Innerhalb kürzester Zeit nimmt er von Ludwigshafen aus mit seinen Songs den deutschen Musikmarkt ein und verkauft innerhalb von Minuten Arenen aus. Jetzt hat Apache 207 angekündigt: Am 9. Juni 2023 erscheint das neue Album Gartenstadt, dessen Titel eine Hommage an den gleichnamigen Stadtteil in Ludwigshafen ist, in dem Apache 207 mit Freunden und Familie aufwuchs.
In Hollis Debütalbum Der erste gute Tag kann sich jeder wiederfinden, der auch schon mal einen schlechten Tag hatte Der erste gute Tag ist ein Album übers Älterwerden und übers Dazulernen, über Fehler und was man aus diesen mitnehmen kann.
So ist es dann auch eher auf der melancholischen Seite der Gemütsskala angesiedelt, wenn auch beizeiten tanzbar-lebhafter Indie Rock und melodisch-folkige Arrangements darüber hinwegtäuschen mögen. Der erste gute Tag ist ein Album in tagebuchartigen Momentaufnahmen, aber ohne aufdringliche Weisheiten.
The second album in a planned trilogy for Students of Decay, Theodore Cale Schafer’s “Trust” follows 2019’s “Patience,” building upon its motifs and compositional strategies to arrive at a potent document of artistic and personal growth. Recorded between 2020 and 2022, a period in which Schafer relocated to New York City, these arrangements feel like they bear the mark of a change in scale, not abandoning the private, diaristic sensibility of his earlier work so much as imbuing it with a charged atmosphere of vivid, slow-blooming intensity. These songs find the artist tightrope-walking between drama and austerity, narrative and abstraction. Such is the case on both “Luck,” in which a captivating wash of baroque strings slowly recedes into a bed of inky, flickering ambience, and “Best Friend,” wherein snatches of conversation are halted by entrancing piano motifs and hovering drones. This is an album that develops aspects of Schafer’s previous output– the patiently meted out, barely-there piano melodies, the unexpected resonance of off-the-cuff location recordings– working them like raw materials into robust, lyrical compositions. At times almost drifting into the romantic realm of the orchestral, “Trust” is the most generous and expansive offering we’ve heard from Schafer in his young career.
Theodore Cale Schafer (b. 1994) is a musician based in New York City. Informed by his occupation as an audio engineer, his work combines digitally sourced audio and manipulated self-recordings to create music that is equally influenced by Playstation OSTs, modern classical composition, confessional narrative, and spoken word. Recently, he has collaborated with Natalia Panzer, Angelo Harmsworth, Claire Rousay, Sydney Spann, and picnic, participated in the Neo-Pastiche: Changes in American Music Festival at the Black Mountain College Museum, and curated the “Casualism” mix series with Retreat Radio in Malmö, Sweden.
Teesy (Künstlername für Toni Mudrack) musste sich immer öfter Zweifeln stellen, hat die Freude am Musikmachen verloren - Doch irgendwann platzt der Knoten und er nimmt die Studioarbeit wieder auf. »Das war ein Gefühl wie früher. Eine Leichtigkeit, die ich sehr lange nicht mehr gespürt habe.« Die neue Motivation zeigt sich nicht nur im Texten, sondern auch in der Musik selbst. Er spielt Drums, Klavier, Gitarren und Bässe selbst ein. Keine Libraries, Loops. Kein Copy'n'Paste. Stattdessen handgemacht von vorne bis hinten, wie aus einem Guss. Eben richtige Songs. Mit Dynamik und Struktur. Keine Zweifel, keine Ängste. Wenig Kopf, stattdessen viel Bauch und noch mehr Herz. Teesy ist eben doch Kein Künstler.
Vol.1[29,83 €]
Vol.1 Black Vinyl[28,15 €]
Vol.2 Black Vinyl[31,51 €]
Vol.2 Black Vinyl[31,51 €]
Crass Records, alongside One Little Independent Records, reissue
their iconic three volume compilation series, ‘Bullshit Detector’, on LP,
available in both classic black and special edition grey vinyl.
‘Bullshit Detector’ was the name of a series of compilation LPs put
together by the anarcho-punk band Crass and released on their own
label. Three editions were released between 1980 and 1984,
consisting of demo tapes, rough recordings and artwork that had
been sent to the band.
The sound quality of the ‘Bullshit Detector’ series was mixed and
often basic, or even poor, as Crass would master the tapes directly to
record without any additional production or enhancement. For Crass,
the expectation of a polished performance was missing the point.
After punk had already been co-opted, re-packaged and sold back to
us, ‘Bullshit Detector’ volumes 1-3 were, and still are, seen by many
to capture the purest ethos of punk culture, an event that inspired
hundreds to take to their bedrooms and garages and join the DIY
revolution.
Crass believed in the power of community and that their movement
was for everybody. These compilations are an admittedly harsh but
important part of that story; when Crass gave punk back to the
people.
Sleeve notes from ‘Bullshit Detector Three’ read: “Don’t expect music
when the melody is anger, when the message sings defiance, three
chords are frustration when the words are from the heart.”
Vol.1[29,83 €]
Vol.1 Black Vinyl[28,15 €]
Vol.2 Grey Vinyl[33,19 €]
Vol.2 Black Vinyl[31,51 €]
Crass Records, alongside One Little Independent Records, reissue
their iconic three volume compilation series, ‘Bullshit Detector’, on LP,
available in both classic black and special edition grey vinyl.
‘Bullshit Detector’ was the name of a series of compilation LPs put
together by the anarcho-punk band Crass and released on their own
label. Three editions were released between 1980 and 1984,
consisting of demo tapes, rough recordings and artwork that had
been sent to the band.
The sound quality of the ‘Bullshit Detector’ series was mixed and
often basic, or even poor, as Crass would master the tapes directly to
record without any additional production or enhancement. For Crass,
the expectation of a polished performance was missing the point.
After punk had already been co-opted, re-packaged and sold back to
us, ‘Bullshit Detector’ volumes 1-3 were, and still are, seen by many
to capture the purest ethos of punk culture, an event that inspired
hundreds to take to their bedrooms and garages and join the DIY
revolution.
Crass believed in the power of community and that their movement
was for everybody. These compilations are an admittedly harsh but
important part of that story; when Crass gave punk back to the
people.
Sleeve notes from ‘Bullshit Detector Three’ read: “Don’t expect music
when the melody is anger, when the message sings defiance, three
chords are frustration when the words are from the heart.”
Vol.1[29,83 €]
Vol.1 Black Vinyl[28,15 €]
Vol.2 Grey Vinyl[33,19 €]
Vol.2 Black Vinyl[31,51 €]
Crass Records, alongside One Little Independent Records, reissue
their iconic three volume compilation series, ‘Bullshit Detector’, on LP,
available in both classic black and special edition grey vinyl.
‘Bullshit Detector’ was the name of a series of compilation LPs put
together by the anarcho-punk band Crass and released on their own
label. Three editions were released between 1980 and 1984,
consisting of demo tapes, rough recordings and artwork that had
been sent to the band.
The sound quality of the ‘Bullshit Detector’ series was mixed and
often basic, or even poor, as Crass would master the tapes directly to
record without any additional production or enhancement. For Crass,
the expectation of a polished performance was missing the point.
After punk had already been co-opted, re-packaged and sold back to
us, ‘Bullshit Detector’ volumes 1-3 were, and still are, seen by many
to capture the purest ethos of punk culture, an event that inspired
hundreds to take to their bedrooms and garages and join the DIY
revolution.
Crass believed in the power of community and that their movement
was for everybody. These compilations are an admittedly harsh but
important part of that story; when Crass gave punk back to the
people.
Sleeve notes from ‘Bullshit Detector Three’ read: “Don’t expect music
when the melody is anger, when the message sings defiance, three
chords are frustration when the words are from the heart.”
- 1: Velvet Touch
- 2: Framed In Blood
- 3: Sleeping With Lions
- 4: Gothic Girl
- 5: The Chair
- 6: Angel On My Shoulder
- 7: Stolen Season
- 8: Brandon Lee
- 1: Wages Of Sin
- 2: Sleeping With Lions (Demo)
- 3: Wages Of Sin (Demo)
- 4: Graveland
- 5: Shoot You Down (Demo)
- 6: 30
- 7: Riders On The Storm (Radio Live)
- 8: Heaven/Hell
- 9: Stolen Season (Radio Live)
Purple Vinyl[27,31 €]
The 69 Eyes kickstarted the new millennium with this era-defining gothic rock statement of an album. With the band's blessings, Svart Records present an extended edition of the classic. Originally released in 2000 on Gaga Goodies, Blessed Be is a cornerstone of The 69 Eyes' career and contains songs like Gothic Girl and Brandon Lee. This expanded and thoroughly remastered 23rd Anniversary Edition features a bonus disc with three demo versions and two radio live tracks.
- 1: Velvet Touch
- 2: Framed In Blood
- 3: Sleeping With Lions
- 4: Gothic Girl
- 5: The Chair
- 6: Angel On My Shoulder
- 7: Stolen Season
- 8: Brandon Lee
- 1: Wages Of Sin
- 2: Sleeping With Lions (Demo)
- 3: Wages Of Sin (Demo)
- 4: Graveland
- 5: Shoot You Down (Demo)
- 6: 30
- 7: Riders On The Storm (Radio Live)
- 8: Heaven/Hell
- 9: Stolen Season (Radio Live)
Black Vinyl[26,47 €]
The 69 Eyes kickstarted the new millennium with this era-defining gothic rock statement of an album. With the band's blessings, Svart Records present an extended edition of the classic. Originally released in 2000 on Gaga Goodies, Blessed Be is a cornerstone of The 69 Eyes' career and contains songs like Gothic Girl and Brandon Lee. This expanded and thoroughly remastered 23rd Anniversary Edition features a bonus disc with three demo versions and two radio live tracks.
One of the most fascinating things a music lover can do is witness the growth of a young artist. It starts as an inkling or a glimmer of natural talent and expands into something vast and formidable. Jakob Armstrong—youngest son of Green Day frontman Billie Joe—began playing guitar at seven years old and honed his craft privately until about sixteen, then playing in bands in and around Oakland after meeting friends with like-minded tastes in music.
- A1: Gather Up
- A2: Devil Inside Me
- A3: Fallen Angel
- A4: Medicine
- A5: Wolf Quartet
- A6: Solstice
- B1: October Sun
- B2: The Signs
- B3: Knock Knock
- B4: Bonfire
- B5: Village Dance
- B6: Farewell Summer Sun
- C1: The Dawn
- C2: Devil Inside Me (Walk With Samuel) (Walk With Samuel)
- C3: Fire Chant (Alternate Version)
- C4: You That I See (Early Demo)
- C5: Early Knock
- C6: To The Floor (Demo)
- C7: Wolf Quartet
- D1: Ukenwhistle
- D2: Venison Sketch
- D3: On A High
- D4: October Outtake
- D5: Honky Knock
- D8: Sea Chant
- D6: An Electric Hero
- D7: Food Chain Blues
Matt Berry’s second album for Acid Jazz was the astounding ‘Kill The Wolf’. Building on and expanding on the sound of his label debut, it mixed baroque folk with psychedelia.
Containing the well-received single ‘Medicine’, the ruralistic ‘Gather Up’, as featured in ‘What We Do In The Shadows’, and the nine minute ‘Solstice’, as championed by BBC Radio 6 Music.
Zuerst veröffentlicht im Jahr 2013 feiert 'Kill The Wolf' seinen 10. Geburstag. Auf seinem zweiten Album führt Matt Berry seine progressive Musik mit 70-Jahre-Pop und psychedelischen Experimente fort und etabliert sich mit einem von der Kritik gefeierten Werk weiter als Musiker.
Anlässlich des zehnjährigen Jubiläums des Albums sind Deluxeversionen von Tracks erhältlich - in einigen Formaten zum allerersten Mal. Die Doppel-LP im Gatefold-Format enthält das Originalalbum auf der LP und das gesamte exklusive Material auf einer zweiten LP.



















