En el almacen y preparando para el envío
Buscar:ant 1
This year, we’re dropping the highly anticipated 2nd edition of VARIOUS ARTISTS. Each artist was handpicked to ensure the vinyl delivers a flawless vibe.
We’re excited to welcome these incredible talents to our musical family. Brace yourselves for a release that’s as sensational as it gets!
Ordena ahora - una vez que hayan recibido suficientes pedidos, el artículo se reimprimirá.
Ültimo hace: 2 Años
Strong limited Box set contains: 3x 190g 12Inch / 1x 1000g/sqm Box with UV Spot Finish / 2x Screen printed Slipmat / 1x 24 Pages booklet / 1x A2 Poster / Stickerset / Heavy Underground Resistance and Detroit infected electro anthems! Die Gestalten! Made by a completely unknown source out of nowhere. vinyl only! No promotion, no digital, no social media, no faces, no games!
En el almacen y preparando para el envío
Features
NEW in the MK2 version:
Newly developed top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision Pitch with selectable ranges of +/-8 %
Superior finish in deep black metallic
Quartz-driven DJ turntable with direct drive
Perfect for beginners
USB audio output for digitizing your records easily
Precise motor control with 2 speeds selectable (33 1/3 & 45 rpm)
Precision-engineered, die-cast aluminium platter with stable rotation
Statically balanced s-shaped tone arm with hydraulic lift and anti-skating - mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Built-in phono pre-amplifier (no grounding necessary)
Switchable phono and line level output
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Prepared for dust cover (available as optional accessory)
Incl. platter, OM Black pick-up system (by Ortofon), headshell, slipmat, counterweight, power cord, operating instruction manual
Technical Data
Turntable:
Type: direct drive turntable
Drive: quartz-driven direct drive
Motor: 8-pol., 2-phase, brushless DC motor
Turntable speeds: 2 speeds, manual (33 1/3, 45 RPM)
Starting torque: > 1kg/cm
Brake time: 50 dB (DIN-B)
Brake system: electronic brake
Platter:
Material: aluminium die-cast
Diameter: 332 mm
Tone arm:
Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 – 8.5 g (incl. headshell 13 – 18 g)
Anti-skating range: 0 - 7 g
Connections:
1x PHONO/LINE out (gold-plated)
General:
Power supply: AC 115/230 V, 60/50 Hz (US/EU)
Power consumption: 13 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 6.76 kg
En el almacen y preparando para el envío
Operation_PPRCLP kicks off release SUB010 asking how far will we go in the race for technological advancement, and at what cost? Have we forgotten our humanity as a result? Should we be more focused on how to expand human consciousness rather than trying to command, control and obfuscate or is this just in our habitual nature?
41 Minutes Past Midnight investigates painful emotions around losing loved ones without being able to get any closure, how do we move forward without answers in the face of unexplained, heartbreaking tragedy.
6EQUJ5 aka the Wow! signal first detected on August 5th 1977 shifts the perspective out into the constellation of Sagittarius from where the signal is thought to have originated. In 2022 we learned that 3 distant Sun-like stars within the original antenna-pointed coordinates may provide the answer but at a vast distance of 1800 light years from earth, since then, it's all gone quiet... What world reached out from the cosmos, intentionally or mistakenly...
The final track Celestial Beings asks the age old question of what other life exists across the universe, how advanced are these civilizations that may already be exploring distant galaxies with our shared sense of curiosity and when will we be able to connect collectively with such conscious entities.
En el almacen y preparando para el envío
In 1967, Disperú commissioned trumpeter Toño Reyes to form a band and record an album with a series of songs that reflected the latest tropical music trends, in his own inimitable style. “Mister Boogaloo” combines the influences received from the likes of Mexican drummer Leo Acosta and the emerging Nuyorican boogaloo scene. First time reissue, including its original striking psychedelic artwork and remastered sound. In the few years that the Disperú record label was operative, it managed to open its doors to emerging artists, who were often ignored by the major labels but would go on to leave their mark on Peruvian popular music. In 1967, Disperú commissioned trumpeter Toño Reyes to form a band he called Toño y sus Sicodélicos. During the recording sessions for this album they performed a series of songs that reflected the latest tropical music trends, in his inimitable style. Instrumentals such as 'Mr. Boogaloo', 'El Guayacol', 'La Anticuchera', 'La Peinadora' and 'La Fiesta es Mañana' are versions that follow the lines traced by the Mexican composer and drummer Leo Acosta. In the early sixties, based in Los Angeles, Acosta played with the orchestras of Harry James, Sammy Davis Jr, Tony Bennett, Herb Alpert, and Dámaso Pérez Prado. Mid-decade, Acosta turned to the novel sounds of boogaloo, which immediately caught the attention of young South Americans. The song 'Borinque Bella' is another cover version, originally recorded by The TNT Band, based in New York. Another noteworthy influence on the album is the blind Venezuelan organist Tulio Enrique León, who performed cumbias and guarachas enhanced by his Hammond organ, as is the case of 'Chin chin'. Songs in vogue at the time complete the album. The best known is perhaps 'Es la Lluvia que cae', popularized in Spanish in 1967 by Los Iracundos. ‘Tequila' and 'No te bote', by The Champs and
Sonora Matancera, respectively, were also classics on Lima's radio stations. 'Las hojas secas', by the Mexicans Los Zignos, was so popular that it was even covered by Peruvian rock groups such as Los Steivos and Los 007. The success reaped by Toño y sus Sicodélicos took them straight to another record company, and the group’s records were also re-released in neighboring countries, always with striking psychedelic cover illustrations. First time reissue!
En el almacen y preparando para el envío
En el almacen y preparando para el envío
En el almacen y preparando para el envío
Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant
worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism.
Coral Morphologic are the Miami duo of marine biologist Colin Foord and musician J.D. McKay; since 2007, they have used a variety of multimedia projects to generate environmental awareness of marine biodiversity—most notably Coral City Camera, an underwater webcam streaming live from an urban reef ecosystem in PortMiami.
Their citymate Nick León is a linchpin of South Florida’s contemporary leftfield electronic scene, with releases for Tra Tra Trax, Future Times, and NAAFI, and credits on records by Rosalía, GAIKA, and Iceboy Violet, among others.
This collaborative project dates back to 2022, when Coral Morphologic mounted a monumental projection-
mapping installation on Biscayne Boulevard. For five nights in late November and early December, macroscopic films of corals played out across the exterior of Knight Concert Hall. The installation was, on the one hand, a glimpse into a possible future, imagining how the city’s skyline might appear if unchecked global warming and rising seas led coral reefs to colonize the built environment. But it also represented a look back into the deep past, a reminder that Miami is literally built from marine limestone mined from the Everglades. Its concrete foundations began life, eons ago, as a marine ecosystem—the same ecosystem that may one day reclaim them. As above, so below.
As an album, Projections of a Coral City is a suite of interconnected movements spread across two sides of vinyl. The tones are watery, the mood elegiac, the colors a washed-out pastel. Forms that appear static on the surface gradually open up to reveal hidden depths teeming with microscopic movement. You might detect resonances with other aquatically minded works—Jürgen Müller’s Science of the Sea, Harold Budd’s liquid piano compositions, even the slow-moving melancholy of Dr. Roger Payne’s Songs of the Humpback Whale. But ultimately Projections of a Coral City creates the impression of a world unto itself—a hauntingly beautiful space at the meeting point between sorrow and hope.
——-
Balmat is a label with a cloudy outline. Jointly shepherded by Albert Salinas and Philip Sherburne, two friends living in Cardedeu, Catalonia, and on the Balearic island of Menorca, Balmat grew out of Lapsus Radio, a weekly show born almost ten years ago. Balmat’s mission is simple: to foster new ideas, expand upon personal obsessions, and put enveloping sounds out into the world.
“Balmat” means “empty” or “void” in Catalan. But quite apart from any negative connotations, we prefer to think of it in terms of possibility: a space waiting to be filled.
En el almacen y preparando para el envío
2025 Repress
Chicago legend, Green Velvet, returns to Toolroom as he locks horns with label founder Mark Knight and studio partner, James Hurr, for 'The Greatest Thing Alive'. A low slung, chunky affair that screams Miami Space terrace at 8am! Quirky, full of character and Green Velvets unmistakable vocal re-work of the classic 'Mannish Boy' from Muddy Waters pushes this record into a really special place. Green Velvet debuted on the label back in 2015 alongside Technasia with 'Suga', a record that went onto to be an overall Beatport #1 and remained as their highest selling track for many years that followed, the track also sits on an impressive 9m streams. On the flipside, head honcho Mark Knight, returns with studio cohort and DJs favourite James Hurr, as they take on one of House music's all-time classic records; 'Lady (Hear Me Tonight)'. No messing around, Mark and James offer up an alternative take to this stone cold classic, bringing the infectious vocal and iconic guitar riff to the forefront, mixing into a signature Mark Knight club heavy beat. Having previously collaborated on 'Make You Happy' with Todd Terry and last year's 'You Are A God' with vocalist Cari Golden, Mark Knight and James Hurr are fast becoming a killer duo in the studio, and throughout the scene. Offering up a killer reinterpretation of legendary House classic 'Lady (Hear Me Tonight)' by French House duo Modjo, a record which transcended the boundaries of dance music back in the early 2000's and has since become a record synonymous with the era. True to form, Mark Knight and James Hurr mix their musical prowess together and deliver yet another stomping hit for the clubs!
Countless radio plays on Radio 1 from Danny Howard, Sarah Story, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche
En el almacen y preparando para el envío
This time, they’re featuring another fellow Ukrainian talent – Victor.B. As you may already know, he’s one of the best live acts in Ukraine (in my opinion), so his tracks are always highly anticipated.
The one we’re diving into today, “Robato,” is a minimalist electro piece loaded with A LOT of vocoders. It sounds like a perfect tool to me. I heard it live, and I can guarantee you – on a great soundsystem, it’ll sweep you away for the entire six minutes.
Another B-side gem with a Japanese name, “Yoshimitsu,” continues the vibe perfectly. The buzz in this one might be even more intense than in our premiere. Pick your weapon. On the flip side, “Remember” reveals a different side of Victor.B with its pace and almost trance-like groove, maintaining a gloomy house vibe and no “rave in the forest” elements here. “Bio10,” the final track in this review, is a bit more subdued yet still lively and very dancefloor-driven.
Ordena ahora - una vez que hayan recibido suficientes pedidos, el artículo se reimprimirá.
Ültimo hace: 2 Años
Lee, a musician from Clewiston, Florida, gained prominence in the 1990s as part of the hip-hop duo Straight Coffee For George with friend Antonio 'T-Lyfe' Humphrey. He later formed The Square Egg, known for blending hip-hop, funk, jazz, and soul, earning recognition in Miami and New York. As a solo artist, Lee played renowned venues in New York and Buenos Aires, releasing albums like 'Naked' (2010), "Reasons To Buy This Album" (2014), and '2+2=5' (2017). His 2022 album, 'Maybe Now,' was a lush musical journey influenced by his life in Buenos Aires. His latest release, 'The Reprieve,' continues to push musical boundaries.
En el almacen y preparando para el envío
Drumsauw announced debut release 'Focus' on DCLTD.
Drumsauw, the rising techno prodigy also known as Joseph Sutherland, is gearing up for his highly anticipated debut on DCLTD. With a rapid ascent since 2017 and support from industry titans like Adam Beyer and Ritchie Hawtin, Drumsauw's arrival on the label promises an electrifying fusion of driving beats and impeccable production finesse.
'Focus' fires like a jackhammer, a piercing slice of percussive techno that reveals an atmospheric side as metallic synths enter at the mid-way mark and the momentum into dreamier territory.
'Set Back' is a highly effective cut built around ultra crisp drum work, shuffling kicks, a mind warbling vocal and menacing synth line.
En el almacen y preparando para el envío
Our very own Sweat Sampler has landed and Vol. 1 kicks things off with four exceptionally Sweaty bops. Firstly, GRAMMY award-winning producer CID joins forces with Italian DJ duo Havoc & Lawn for an epic rework of America's 1972 hit 'A Horse With No Name'. Followed by ‘Come Out’, a product of the new project Saturday Love from Fiorious and Boston’s Kon, fresh off The Vision’s instant-classic Defected LP and 9 million streaming anthem ‘Heaven’. Flip the vinyl and you’ll then find the mastermind who seamlessly combines the underground with a house twist, Marco Lys, as he teams up with Sweat homestay Ben Miller for the funky crowd-pleaser ‘Give It To Me’. Top it off with one of Australia’s most adored dance acts, with over 100 million streams, Platinum and Gold plaques and numerous triple j ‘most played’ hits, Set Mo gives us the feel-good ‘Could I Be’.
En el almacen y preparando para el envío
Repress!
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by the Shan and Gerd Janson edit which amplifies the original even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.
En el almacen y preparando para el envío
Reunion's major musical genre, Maloya, becomes "gazé" (crazy) through the sounds composed by Grèn Sémé for this new EP.
A gassed maloya that combines direct inspiration from the purest line of this traditional réunionese music with the highly contemporary evolution that is the Grèn Sémé group's signature.
Composed during the studio sessions for their latest album, "Zamroza", the first three tracks on this new EP reveal the sunny side of the Creole band.
You can taste their love of lyrics and their thirst for discovery. And the right mix of compositions. Inspired by the tradition of the greatest song/percussion pieces in the island's history, Grèn Sémé offers three anthems that lend themselves perfectly to the remix exercise.
Deluxe bonus: the 3 Remixes of Voilaaa + La Dame + Guiss Guiss Bou bess
Voilaaa and the fabulous Bruno Patchworks take on "Siko" to create a Cape Verdean ballroom hit.
funana with its heady melodies, it's ultra danceable!
La Dame, producer and DJ from Belgium, remixes the eponymous track into an effective batida for the dancefloor, DJs and dancers alike.
Guiss Guiss Bou Bess take remixing a step further, adding Senegalese sabars and the vocals of group leader Mara Seck to Carlo de Sacco's Alkol.
En el almacen y preparando para el envío
2025 Repress
Chontane delivers six dynamic techno cuts via his 'Sycamore' EP on Mutual Rytm.
A firm fixture of the VOLTAGE roster and a rising name originating from Ukraine making an impact, Berlin-based DJ and producer Chontane is quickly finding his feet following a string of EPs via ARTS, Lobster Theremin and Rekids Special Projects. Already playing key clubs at the age of just 18, blurring the lines between techno, breaks and electro with his growing trademark sound, his performances across Berlin and beyond have captured the attention of many as he showcases his up-front and powerful sound. Next, he heads to SHDW & Obscure Shape's Mutual Rytm imprint for the first time as he reveals his six-track 'Sycamore' EP.
Lead cut 'Preserved' is a rugged yet soulful opener, settling into a rolling groove guided by crisp hats and sharp stabs, while 'Arakis' propels into more eerie and menacing spheres as waling vocals emerge and disappear into the track's relentless dynamic. Opening the B-side, 'Sitka' fuses jacking drums with playful flute interludes for a production set to get dancefloors moving, while 'Laboe' keeps things fiery as a peppy track which launches into fiesta mode. Closing the flip side, B3 'After Images' reveals the most emotive production on the package,
balancing the hard-hitting kicks with soulful vocals and hazy melodies for a classy slice of techno.
Once again, digital purchasers are treated to an exclusive bonus with 'In Roots' raising the temperature and jumping right back into the action to serve up another energising anthem from a label and artist on the rise.
En el almacen y preparando para el envío
YUNG DUMB Records returns to Japan for their 20th record. "Lucy Time" is a versatile 4-tracker by burgeoning producer House Violence. The title track Lucy Time features a dusty swing, hazy stabs and pads, and an infectious vocal groove, perfect for a bubbling dance floor as the night enters its throes. By special request, Westcoast Goddess comes through with a 'Lost In The Forest' flip of the title track, an acid drenched hardware jam including woody Roland percussion and a beautiful musical crescendo that teeters the line of cute, nostalgic, and introspective. Eusthenopteron kicks off the B-side with off-kilter vocal samples, wavy and dark synth work, and a jacking rhythm, a sure fire afterhours anthem. The EP ends with Tats, a soulful tool with subtle musical homages to city pop artist Tatsuro Yamashita.
En el almacen y preparando para el envío
- A1: Hand In Hand Through Wonderland
- A2: I Can Remember It So Vividly
- A3: Love Reigns
- B1: Understand (Feat Brendan Yates)
- B2: Patience (Feat Nia Archives)
- B3: Without The Sun
- B4: Spirit Wave
- C1: Breathing
- C2: Intercity Relations
- C3: Time Change (Feat Novelist & D Double E)
- D1: Distant Conversation
- D2: Metaphysical
- D3: Lost In Harajuku
Black Vinyl[28,36 €]
What I Breathe is the debut album from Mall Grab AKA Jordon Alexander. The Australia-born London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date – loudly defining the raw energy that has become synonymous with the moniker.
“This album is deeply personal and an exploration of all influences, sounds and sides of the Mall Grab project. It follows my journey of the last 6 years from a university dropout in Newcastle (Australia), making music as a source of happiness and expression.”
While glances of what Jordon gravitates towards in dance music can be heard in the record label imprints he steers—Looking For Trouble and Steel City Dance Discs—it's with What I Breathe that he elaborates on and articulates his diverse ear for music. Through collaborations with Brendan Yates of Turnstile, Novelist, D Double E and Nia Archives, the Mall Grab repertoire of emotive electronics is used to traverse his love of hard-to-define energies that exist between genres like Hardcore, Hip-Hop and Soul.
“I have been lucky enough to work with some of my favourite artists which have really been the glue that keeps the project coherent. There are a lot of familiar sounds on this album that my listeners and followers have become accustomed to and joined me in the deep dive. Elements of emotional but hard and pumping club music are intertwined with House, Jungle, Rave and Grime. My adopted home city of London has been a huge inspiration to how my music has evolved and progressed, and on What I Breathe I wanted to create a body of work which not only had something for everyone who has been with me the past 6 years, but also those who aren’t yet aware of what I’m about or the music I make.”
Jordon’s long-standing penchant for all things DIY blossoms in tracks like Lost In Harajuku and Without The Sun which feature his own original lyrics and vocals. As the album twists and weaves from one song to the next, gleaming melodies flare up into club-ready anthems such as Metaphysical and Breathing. The kinetic flow of the music as a whole can be attributed to the many years of cutting his teeth as a DJ, a skill that can be testified by anyone who has witnessed a Mall Grab set.
“As I was a DJ for many years before I delved into producing electronic music, I had a wide appreciation and love for all types of music, predominantly gravitating towards ‘band' music when creating my own projects, before evolving into a fully-fledged electronic producer – however always retaining the influence and love for all things live and genre-fluid.”
Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce declaration of what’s to come for Mall Grab.
“I’m grateful for everything and everyone in my life, those I love and those who support my music, through all the ups and downs. I live and breathe this shit. I cannot do anything else. I will continue until there is nothing left for me to say.”
En el almacen y preparando para el envío
- A1: I Swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time 12 20
- B1: The Slang Word P(*)Ssy Rolls Off The Tongue With Far Better Ease Than The Proper Word Vagina Do You Agree? 13 50
- C1: That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn't Control .. Sh¥T Was Wild 10 29
- D1: Buypolodisorder's Daughter Wears A 3000® Shirt Embroidered 13 06
- D2: Ninety Three 'Til Infinity And Beyoncé 3 49
- E1: Ghandi, Dalai Lama, Your Lord & Savior J C. / Bundy, Jeffrey Dahmer, And John Wayne Gacy 10 15
- E2: Ants To You, Gods To Who ? 6 42
- F1: Dreams Once Buried Beneath The Dungeon Floor Slowly Sprout Into Undying Gardens 17 11
Mit "New Blue Sun" veröffentlicht André 3000 ein unerwartetes, rein instrumentales Album, auf dem Andre Flöte spielt und von anderen talentierten Musikern begleitet wird. Auf dem von Andre 3000 und dem Multiinstrumentalisten Carlos Niño koproduzierten Album "New Blue Sun" spielen Nate Mercereau, Surya Botofasina, Deantoni Parks, Diego Gaeta, Matthewdavid, V.C.R., Diego Gaeta, Jesse Peterson und Mia Doi Todd.
Diese limitierte 3-LP-Vinylauflage ist auf 180 g schweres schwarzes Vinyl gepresst und verfügt über ein ausklappbares Poster, bedruckte Innenhüllen und eine Notiz des Künstlers.
En el almacen y preparando para el envío




















