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Dr Sure's Unusual Practice - Bubble + Blue LP
  • 1: It's All Blue
  • 2: Blue Day
  • 3: My Baby
  • 4: Blue Evening
  • 5: Not The End Of The World
  • 6: Life In A Bubble
  • 7: All My Friends Are All My Friends
  • 8: Low On Time
  • 9: Outside Looking In
  • 10: Ophelia
  • 11: Ghostwriter
 
2

Dr Sure's Blue & Bubble tapes compiled and pressed on vinyl for the first time.
Another fruitful collaboration between Swish Swash Records (France) & Marthouse Records (Aus) who bought us the unholy 'Scomo Goes To Hawaii/While Aus Burns' combination.
Dr Sure's in-between-albums tapes offer an intimate look at artist in perpetual purgatory; music as constant; comfort and catharsis; to protest or profess.

Reservar12.12.2025

debe ser publicado en 12.12.2025

24,16
Krash Slaughta - Da Mystery Of Chessboxin (7")

There’s no mystery to this one, it’s another phat Krash Slaughta 45 remix – in this case of a Wu-Tang Clan classic to follow recent cheeky versions of Guru and MF DOOM on 7″. You may remember the original Da Mystery Of Chessboxin’ as an archetypal RZA production characterised by clashing sword samples and a skeletal piano motif with the grit coming from the ‘Clan’s vox and the crunch of the boom-bap drums. KS’s remix is utterly different – as we’ve come to expect – and sees him provide a beat that matches the energy of the original vocals rather than provide a counterpoint to them. Out go (most of) the swords and keys and in come guitars and furious scratching. Side B’s the radio edit, the A’s the ‘Full Phat’ version, cop it in black or yellow wax and remember – in the front, in the back, Killa Beez on attack!

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13,24

Ültimo hace: 4 Meses
John O'Gallagher - Ancestral LP
  • 1: Awakening
  • 2: Under The Wire
  • 3: Contact
  • 4: Tug
  • 5: Profess
  • 6: Altar Of The
  • 7: Ancestors
  • 8: Quixotica
  • 9: Postscript

He cast off his old skin, fundamentally altering his studies, homeland, and life, thereby charting a new future. Recorded at Sound on Sound Studios in Montclair, New Jersey, in January, 2024, 'Ancestral' was influenced, in part, by O'Gallagher's PhD studies into the music of John Coltrane, and reunites the versatile reeds player with guitarist Ben Monder while, notably, features the first-ever recorded collaboration between master drummers Andrew Cyrille and Billy Hart. "Basically, my PhD (available on O'Gallagher's website) is an analysis where I transcribed all of Trane's solos, spelling out what he does on his late recordings 'Interstellar Space' and 'Stellar Regions'. And it shows that free music is not free, not the way people think it is.

Trane was definitely thinking about organization in those records. This research definitely gave me ideas about how to be freer within the systems that I had developed, and how to perceive them in a more organic way." O'Gallagher's latest recording marks a significant artistic evolution, following a period of considerable personal change. After leaving Brooklyn, New York, he and his wife relocated to the UK before ultimately settling in Lisbon, Portugal. This journey, coupled with dedicated study, profoundly shaped his new music. O'Gallagher, Monder, Cyrille, Hart, and Coltrane: a potent brew. In an album consisting largely of first takes, O'Gallagher's compositions vary from through- composed pieces to skeletal charts to full- blown group compositions/ improvisations.

Reservar12.12.2025

debe ser publicado en 12.12.2025

28,15
TWINS - IT'S_COMPLICATED

TWINS

IT'S_COMPLICATED

12inchTLR102
Through Love
12.12.2025
  • Failure
  • Goodbye
  • Stories
  • Follow
  • Presence
  • Cuts
  • Signs
  • Promise

TWINS from Dresden, Leipzig, and Berlin present their second album in a particularly antiquated format: the LP in the truest sense of the word. Eight songs that are actually one. Without noticeable boundaries. Musically fragmentary, yet consistent and coherent. An album from which no song can be easily extracted; at least not without partially losing its actual effect in the process of separation. All components of the album need each other in a certain way, and it is precisely this peculiarity that gives rise to its musically emancipated strength. "it"s_complicated" is an album like a strange, brittle radio play amidst idiosyncratic post-hardcore, math rock, screamo, noise, and indie elements. A journey of musical possibilities.

Reservar12.12.2025

debe ser publicado en 12.12.2025

19,96
M.I.A. (US) - WE MUST FIGHT
  • Tell My Why
  • Gas Crisis
  • Cold Sweat
  • New Left
  • I Hate Hippies
  • Angry Youth
  • All The President's Skin
  • Fucking Zones
  • (I Can't Take It) No More

USA Hardcore/Punk Geschichte! M.I.A. wurden 1980 in Las Vegas gegründet, zogen 1981 nach Orange County und begannen im berüchtigten Cuckoo's Nest zusammen mit Fear, Shattered Faith, T.S.OL. u.a. Shows zu spieln. Ende '81 gingen sie in ein lokales Tonstudio in Costa Mesa und nahmen an einem Nachmittag neun Songs auf, bis ihnen das Geld ausging - 300 Dollar gut angelegt! Eine Kassette wurde rasch kopiert und herumgereicht. Eine Kopie der Kassette wurde KevinSeconds bei einem Gig mit 7 Seconds in Reno gegeben. Kevin gab sie an Tim Yohannan von Maximum Rocknroll weiter. Schließlich gelangte sie in die Hände von Felix Alanis von Smoke Seven und Greg Shaw von Bomp. Mitte 1982 waren M.I.A. dann auf drei Vinyl-Veröffentlichungen vertreten: "Tell Me Why" auf der Compilation American Youth Report von Bomp, "New Left" auf Maximum Rocknroll Presents: Not So Quiet On the Western Front von Alternative Tentacles und acht der neun Tracks landeten auf der berüchtigten Split-LP mit Last Rites auf Smoke Seven. Alle 9 Tracks des ersten Tapes sind hier versammelt, zum ersten Mal richtig abgemischt. Der Begin von M.I.A. (US) und gleichzeitig das letzte Lapitel der Moder City Records-Reissue-Reihe zur Band. « ...In one corner is M.I.A., a band originally from Las Vegas, the champions of punk's positive side. They've managed to fuse a super tight thrash sound with enlightened attitudes_"I Hate Hippies" is obviously meant as a satire with a moral, and the results are absolutely stunning. » _Jeff Bale's 1982 review of the Last Rites for...-Split-LP in Maximum Rocknroll #2 Farbiges Vinyl plus 24seitigem Booklet.

Reservar12.12.2025

debe ser publicado en 12.12.2025

21,81
M.I.A. (US) - WE MUST FIGHT

M.I.A. (US)

WE MUST FIGHT

12inchMCRLTD20
MODERN CITY
12.12.2025

USA Hardcore/Punk Geschichte! M.I.A. wurden 1980 in Las Vegas gegründet, zogen 1981 nach Orange County und begannen im berüchtigten Cuckoo's Nest zusammen mit Fear, Shattered Faith, T.S.OL. u.a. Shows zu spieln. Ende '81 gingen sie in ein lokales Tonstudio in Costa Mesa und nahmen an einem Nachmittag neun Songs auf, bis ihnen das Geld ausging - 300 Dollar gut angelegt! Eine Kassette wurde rasch kopiert und herumgereicht. Eine Kopie der Kassette wurde KevinSeconds bei einem Gig mit 7 Seconds in Reno gegeben. Kevin gab sie an Tim Yohannan von Maximum Rocknroll weiter. Schließlich gelangte sie in die Hände von Felix Alanis von Smoke Seven und Greg Shaw von Bomp. Mitte 1982 waren M.I.A. dann auf drei Vinyl-Veröffentlichungen vertreten: "Tell Me Why" auf der Compilation American Youth Report von Bomp, "New Left" auf Maximum Rocknroll Presents: Not So Quiet On the Western Front von Alternative Tentacles und acht der neun Tracks landeten auf der berüchtigten Split-LP mit Last Rites auf Smoke Seven. Alle 9 Tracks des ersten Tapes sind hier versammelt, zum ersten Mal richtig abgemischt. Der Begin von M.I.A. (US) und gleichzeitig das letzte Lapitel der Moder City Records-Reissue-Reihe zur Band. « ...In one corner is M.I.A., a band originally from Las Vegas, the champions of punk's positive side. They've managed to fuse a super tight thrash sound with enlightened attitudes_"I Hate Hippies" is obviously meant as a satire with a moral, and the results are absolutely stunning. » _Jeff Bale's 1982 review of the Last Rites for...-Split-LP in Maximum Rocknroll #2 Handgedrucktes Lithographie-Sleeve, farbiges Vinyl plus 24seitigem Booklet (weltweite Limitierung 300 Stück).

Reservar12.12.2025

debe ser publicado en 12.12.2025

27,31
JACKY COUGAR & THE VAMPYRES FROM AFRICA - JACKY COUGAR & THE VAMPYRES FROM AFRICA LP
  • 1: Mic Czech
  • 2: Fuck The Police
  • 3: Jeighdean (Approximate)
  • 4: Grim Up North
  • 5: Nancy
  • 6: Abok?S Angelika
  • 7: Fuck Life
  • 8: Festival Era Extract
  • 9: Altamont Blues
  • 10: Skinhead Reggae
  • 11: Theodora?S Angelika

Debut solo album from DC polymath Jack Abok. When not making zines and visual art, singing for Des Demonas' or drumming AND singing for SEXFACES, Abok's busied himself by bringing this, his most personal and ferousious vision, to (immortal) life with VAMPYRES FROM AFRICA. 11 tracks of electro punk, melding Abok's massive love for the delta blues, post punk, Krautrock and hip hop. Or, in his own words: VAMPYRES FROM AFRICA MANIFESTО: 1. Ideas > skill 2. Don't be a musician 3. Cool > smart 4. It's not about money or being liked, it's about expressing ourselves. 5. Bands should have an expiration date 6. Fuck originality! 7. Don't stop creating And Syd's Angelika Piper at the Gates of Dawn: "All movements is accomplished in six stages And the seventh brings return The seven is the number of the young light It forms when darkness is increased by one Changel return / success Going and coming without error Action brings good fortune Sunset"

Reservar12.12.2025

debe ser publicado en 12.12.2025

28,53
MATT KIVEL - ESCAPE FROM L.A. LP
  • 1: Santa Monica
  • 2: Robert Redford
  • 3: Tidal Wave
  • 4: A Little Mark
  • 5: Laugh At Death
  • 6: Kids
  • 7: Vampire Weekend
  • 8: For The Roses
  • 9: Sapphire Days
  • 10: Some Boys
  • 11: Barbara?S Ocean

Kurt Vile once sang that he had a freeway in mind, but Matt Kivel (Vile’s former Woodsist labelmate) literally has a freeway mind. Kivel grew up in Santa Monica, California, getting shuttled up and down the 10, the 101, PCH, and all the other freeways Angelenos lovingly affix definite articles to. He started out in music as part of the buzzy, Eagle Rock-based indie band Princeton, toured the country relentlessly, burned out, and then resurfaced with a series of bleak, hauntingly spare solo albums that garnered widespread critical acclaim.

Over the ensuing decade, Kivel collaborated closely with a growing set of brilliant, and varied musicians from across the globe, including Bonnie “Prince” Billy, Alasdair Roberts, Madi Diaz, Robin Pecknold of Fleet Foxes, Jana Horn, and Satomimagae. He moved to Austin, Texas then left for New York City for a spell and then returned to Austin where he settled down. In 2017, he started writing the songs for what would become his eighth solo album, Escape From L.A. Escape From L.A. is an autobiographical song cycle that chronicles the first thirty-three years of Kivel’s life in the City of Angels. The material was labored over, rewritten, rearranged, and rerecorded numerous times, between LA, New York, and Austin. Kivel self-effacingly refers to it as his “bootleg as hell Blood On The Tracks” with myriad alternate sequences, tempos and arrangements that will never see the light of day. It involved over twenty collaborators, a string section, pedal steel guitars, and a renewed lyrical and vocal clarity that allows the narrative vignettes to unspool in vivid detail. It’s a beautiful, grounded statement and one of Kivel’s best.

Reservar12.12.2025

debe ser publicado en 12.12.2025

29,83
Rill - Anobium

Rill

Anobium

12inchRAUM004
RAUM Records
12.12.2025

We are excited to welcome Rill for the fourth installment on our label!

Rill's sound is rooted in a deep appreciation for early-2010s techno aesthetics: atmospheric yet driving, detailed but never overstated.
His tracks merge spatial textures, rolling percussion, and carefully sculpted synth work - creating an immersive flow that balances hypnotic rhythm with creative, futuristic sound design.

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14,08

Ültimo hace: 15 Días
Rieko Okuda / Mia Dyberg - Glasscut

An alto saxophone and acoustic piano engage in an intimate musical dialogue, reflecting on the current state of improvised music. Okuda and Dyberg’s album unites two artists at the peak of their musical collaboration, deconstructing jazz history into shimmering fragments, reassembling them in new forms that deliberately move away from traditional references. The music incorporates diverse influences—glimpses of classical composers like Webern and Prokofiev, abstract electronic elements reimagined acoustically, and a genuine spirit of exploration seeking a unique musical fusion.

Rooted in jazz, the Okuda / Dyberg Duo performs conceptual improvisations that include pulse, durations, interactions, natural/everyday life objects, soundalized: water dropping, light rain comes to a coffee-filter dripping, construction work or glass breaking sounds. Born in 2018. Glasscut is their third release – the first on vinyl – after Nigatsu 二月 (2019) and Naboer (2020).

Reservar12.12.2025

debe ser publicado en 12.12.2025

35,08
Chris Stussy - A Glimmer of Hope EP

2025 Repress

DJ Support: Kerri Chandler, Chris Stussy, Archie Hamilton, Fabe, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil, Reboot, East End Dubs, IULY.B, Josh Wink

Chris Stussy ‘A Glimmer Of Hope’ EP in now being re-issued due to demand on LTD edition transparent red vinyl.

Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past 10 years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint.

Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.

‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.

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14,24

Ültimo hace: 45 Días
Gilles Peterson & Stuart Baker - Freedom, Rhythm & Sound CHAPTER TWO: Revolutionary Jazz Cover Art

Freedom, Rhythm and Sound showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 70s, 80s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others. This second Freedom, Rhythm and Sound book is a new ‘chapter’, featuring hundreds more unique, rare and beautiful jazz record cover designs.

This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s. The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty. The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today. Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer, and festival curator.

He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage. Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds – Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more.

In 2017, part of Stuart Baker’s jazz record collection (much of which appears in Freedom, Rhythm and Sound) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London, and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019). Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall – The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 – The Singles Cover Art of Punk 1976-80’ and others. Reviews of the first Freedom, Rhythm and Sound: “A remarkable book” The New Yorker “If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm & Sound is it―a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.” Eye “Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology” Pitchfork “A definitive account of a complex passage of cultural upheaval.” The Independent “For decades, no one was sure how to refer to this extraordinary music.

Calling it ‘fire music’ does justice to its incandescent spirit, still burning from the pages of a book that preserves the memory of a special time.” The Guardian “These sleeves are the original independent legacy to America’s premier art form – Jazz. In terms of African-American cultural expression they are part of a long line of thought that was charged in the 1960s by John Coltrane, Martin Luther King, Ornette Coleman, Malcolm X and others” The Wire “A hefty compendium of radical jazz cover art” Mojo

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34,87

Ültimo hace: 44 Días
Detraex Corp - Live at Pompeii

Detraex Corp

Live at Pompeii

12inchSGM010
Sagome
11.12.2025

“Detraex Corp arrives on Sagome to deliver a heady journey through experimental rhythm and dub-informed weight and release with their new album Live at Pompeii. The album, much like its Carlo Gabriele Tribbioli created artwork, represents a journey, a collection of sounds and emotions, sequenced to share with us, the listener, a variety of experience, and of memory, which are at once familiar and other.
"Live at Pompeii sets things off with the tone-setting Tykes of, where frazzled, shuffling drums meet sub bass weight and ketamine oud, sounding something like Wordsound’s Scarab leaving the 90s and entering the future. Tombaroli invites the head nods, clearly communicating the album’s intentions and inviting us to that party under that out-of-town bridge with its insistent percussion and pulsing weight.
"Other tracks, such as Bullet Holes, carry us further into a psychedelic alternative, with its lysergic fever-dream soundtrack to an unnamed mediterranean plaza, and No Minus’s sounding like a nascent, primitive distant cousin to Jeru’s Premier-produced Come Clean.
"Channel 83 firmly returns us to the club, weaving mystical soundsystem magic with its stunted horns and swirl of voice, driven forward with the most chest-rattling of stomps, before the album enters its finale, where the grimey judder of Expect Excerpt slides to a bleary-eyed half-speed, evoking the club which won’t let you leave.
"Mount Point eventually provides that release, an early morning sunrise of a track, with rich, slow trudge and post-club shimmer, before Landings Dub signals the end of the journey, a metallic elegy to what has preceded, and a contemplation of your upcoming repeat listen, and re-entry, to the world of Detraex Corp.”

Words by Daniel Magee
Music by Detraex Corp
Mastered by Giuseppe Ielasi
Artwork and Layout by Carlo Gabriele Tribbioli

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23,11

Ültimo hace: 3 Meses
O.A.R. - Stories Of A Stranger (20th Anniversary Edition) 2x12
  • A1: Heard The World
  • A2: Love And Memories
  • A3: Wonderful Day
  • A4: Stranger
  • A5: Lay Down
  • A6: Program Director
  • A7: Nasim Joon
  • A8: Tragedy In Waiting
  • B1: Daylight The Dog
  • B2: One Shot
  • B3: Dakota
  • B4 52: 50
  • B5: Sometimes
  • B6: Heard The World
  • B7: Lay Down
  • B8: About Mr. Brown

[m] b5 Sometimes [stories Of A Stranger Sessions]
[n] b6 Heard The World [live At Pnc Bank Arts Center July 22 2005]
[o] b7 Lay Down [live At Pnc Bank Arts Center July 22 2005]
[p] b8 About Mr. Brown [live At Pnc Bank Arts Center July 22 2005]

Reservar11.12.2025

debe ser publicado en 11.12.2025

48,11
Lee Perry Vs Bunny Striker Lee - Dub Soundclash

2025 Repress

What Two Great Producers Other Then Lee Perry And Bunny Lee Would Be Best Suited For A Dub Soundclash.
Both Producers Were Integral At The Birth Of Dub Music And Would Share Many Rhythms And Sessions, Their Musical Paths Would Cross All Through Their Careers.
It Was In Fact Bunny Lee's Rhythm That Provided The Back Drop To Lee Perry's 'shocks Of Mighty Cut.
Jobs Were Passed From One To The Other, Bunny Lee Taking Over Lee Perry's Position At Wirl Records.
Yes Two Producers Whose Paths Always Seemed To Cross As It Does With This Release.
We Have Selected Some Of Lee Perry's Rhythms, Side One Of This Set, Against Some Bunny Lee Rhythm On Side Two.you Can Hear The Distinctive Sound Of Lee Perry's Black Ark Studio With His Echo-plex Giving His Trademark Whirling Sound Against Bunny Lee's Rhythms Cut At Many Different Studios.
The Winner Of The Soundclash We Will Leave That Decision Up To You The Listener.....
But In This Dub Session There Is No Loser...
All Killer ..no Filler...enjoy...

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13,40

Ültimo hace: 4 Meses
Nokuit - Gates of Horn and Ivory

Tina Records presents the apocalyptic visions of Nokuit. Constructing a hellish diorama across six tracks of industrial electronics, Gates of Horn and Ivory uses biblical allegory to map out our current End Times. With sleeve notes by Andy Sharp a.k.a The English Heretic.

Eurosleaze film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels including wannamarchi club and NKT. Alongside Cut Hands (William Bennett of Whitehouse), he remixed Roberto Musci on the inaugural Tina Records release, as well as having been remixed himself by schuttle, Kinn and Sonae. He has performed internationally, including at Cafe OTO alongside Mun Sing as part of a lineup curated by Flora Yin-Wong and has received radio support from Ad93's Nik Tasker and Ana Quiroga of Editions Mego's LCC, amongst others.

English Heretic is an autonomous creative research project helmed by writer, occultist and multimedia artist, Andy Sharp. Having released over a dozen albums and booklets since it's inception in 2003, the project culminated with the publication of The English Heretic Collection in 2020 by Repeater Books. Friend and collaborator of the late Mark Fischer, Andy has talked at academic conferences and counter-cultural events on a wide range of subjects drawn from his research.

This is the second release from Tina Records, following Cargo Cult by Roberto Musci. Featuring remixes from Cut Hands and Nokuit, that record received airplay from the likes of Surgeon and Not Waving on stations such as NTS, Noods, Resonance and Intergalactic FM. It was also named one of the best releases of 2024 by Bleep. Tina Records is based in London and Rome.

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15,34

Ültimo hace: 4 Meses
Biboul Darouiche & The Bantu Jazz Connection - Strolling Through The Worlds

Strolling through the world by Biboul Darouiche & The Bantu Jazz Connection marks the first vinyl release on Crispy Water and is a vibrant fusion of African rhythms, jazz improvisation, and soulful storytelling, blending ancestral rhythm with contemporary jazz expression. Recorded with an ensemble of outstanding musicians, the album moves effortlessly between groove, spirit, and freedom — connecting continents through sound.

BIBOUL DAROUICHE is a singer, percussionist, composer and head of the ensemble. By playing the conga, djembe, calimba and - the African treetrunk drum (also called nkul or tam-tam, which by the way should not be missing at any concert!) Darouiche brings a very special color to his music. He works mainly in Europe, but his engagements also take him to the Middle East, the countries of the CIS, Brazil and the USA. Since1995 he has been a member of Klaus Doldinger's Passport. He has also worked with musicians such as Al Di Meola, Pee Wee Ellis, Roy Ayers, Graham Haynes, Paquito D'Rivera and the Jazz Baltica Ensemble.

The Austrian multi-instrumentalist and producer MICHAEL HORNEK, who is part of the permanent cast of Klaus Doldinger's Passport as a keyboardist, plays keyboards, percussion and sings. His free-jazzy percussive playing inspires every listener. Hornek's keyboard skills can be heard on over 750 music productions, and the trend is of course increasing!

Mauritian bassist LINLEY MARTHE is one of the world's best bassists. He was a long time permanent member of the band Joe Zawinul Syndicate,worked with musicians like Dave Liebmann, Richard Galliano, Omar Hakimand many more. Zawinul said of Linley Marthe in an interview: “Linley is a phenomenon. I don't know if anyone can match him in terms of bass playing."

ROGER BIWANDU, french musician born and raised in Bordeaux/France, with roots from Congo (DRC) is an artist resident at l'Apollo bar in Bordeaux since june 1997, he plays there one time per month. He played with a lot of great musicians all over the world, with some heavy weights too, like Joe Zawinul, Salif Keita, Marcus Miller, Lee Ritenour, John Beasley, Dee Dee Bridgewater, Franck McComb, to name a few.

Disponible a partir del07.05.2026

18,28

Ültimo hace: 4 Meses
Ray Fernandez With The Zanja All Stars - Tentaciones

"Ray Fernández is a name that cannot be forgotten when we talk about the new generation of Cuban singer-songwriters.
"The current moments the world is going through are reflected in his lyrics. What better for this artist than to be accompanied by the Zanja All Stars! Ray Fernández, accompanied by the Zanja All Stars under the direction of Julio Padrón, make a formidable combination. This allows us to see new shades by blending his lyrics with a selection of the best musicians in Cuba today.
"The social and political issues shaking the world right now are perfectly reflected in his work, which, like all songs, can be interpreted in different ways. Ray’s lyrics become a bridge that should foster understanding between different sides of thinking, where the most important bridges are formed by art.
"The largest of the Antilles, Cuba, is one of the few places in the world where such revolutionary music can emerge. His lyrics deserve to be heard at a time when the world needs people unafraid to express ideas and willing to give everything."

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32,35

Ültimo hace: 4 Meses
John Also Bennett - Στoν Eλaιώνa / Ston Elaióna LP

Ston Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.
Initially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV &JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year.

Drawing upon a carefully honed attentiveness to the environments and experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides. Following two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 & 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Ston Elaióna’s two sides. John Also Bennett’s Ston Elaióna forms an elegantly rigorous world of electroacoustic sonority, bridging the expanse of time with the immediacies of environment and happening in the here and now: a profound sonic mediation on the countless dimensions unlocked by life in Greece.

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