Alienist Rec is back with its third installment, presenting a special split EP that showcases the diverse talents of two exceptional artists. Each side of the vinyl is dedicated to a different artist, delivering a captivating blend of underground electronic music.
On the A-side, we are thrilled to introduce Chaou B, a promising young producer from Morocco. Known for his distinct style, Chaou B explores the realms of deep Techno Electro House with two mesmerizing cuts that are not for the faint-hearted.
Track A1, titled "Instinct," is a dynamic composition featuring sharp drums that create an irresistible rhythmic foundation. Combined with a mesmerizingly mental and spiritual bassline, as well as a captivating synthline, this track is sure to take the breath away on every dance floor.
Track A2, "Untitled Groove," takes a more straightforward and loopy approach while maintaining the captivating vibe established in the first track. Chaou B incorporates crispy synth leads that elevate the energy and intensity, keeping the listener fully immersed in the groove.
Flipping over to the B-side, we encounter DJ Void, a seasoned veteran of Vienna's best parties and afters. DJ Void brings forth two groovy and uplifting productions that effortlessly traverse the realms of House and Minimal Techno.
Track B1, "Frankfurt Jaam," is a masterful creation that showcases DJ Void's intelligent arrangement skills. Combining pulsating beats with a meticulously crafted blend of melodic elements, this track will undoubtedly keep your ears focused and your feet moving.
Concluding the EP, Track B2, "Transaction," offers a dynamic journey filled with textured layers and intricate soundscapes. DJ Void skillfully builds anticipation, incorporating drops and evolutions that keep the energy levels high throughout the composition.
Stay tuned for the release of Alienist Rec's third installment on 12" vinyl, available at selected record stores and online platforms. Let the music guide you on a sonic journey through the minds of these talented artists, as they push the boundaries of electronic music and ignite dance floors worldwide.
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- A1: Posjet Iz Svemira (A Visit From Space) (1964)
- A2: Cudna Ptica (Strange Bird) (1969)
- A3: Astromati I (Astromutts I) (1963)
- A4: Astromati Ii (Astromutts Ii) (1963)
- A5: Surogat (Ersatz - The Substitute) (1961)
- A61: Klizi-Puzi (Twidle-Twidle) (1969)
- B1: Zacarani Princ (The Enchanted Prince) (1978)
- B2: Medvjedja Romansa (Grin And Bear It) (1978)
- B3: Zid (The Wall) (1965)
- B4: Dnevnik (Diary) (1974)
- B5: Gubecziana (The Serfs Uprising) (1974)
- C1: Plemeniti Soj (The Noble Strain) (1971)
- C2: Homo Augens (1972)
- C3: Idu Dani (Passing Days) (1969)
- C4: Opera Cordis (1968)
- D1: San (The Dream) (1982)
- D2: Kugina Kuca (The House Of The Plague) (1980)
- D3: Utopia (1973)
- D4: Dan Kad Sam Prestao Pusiti (The Day I Stopped Smoking) (1982)
A collection of unreleased themes and scores from 18 short animated films from the world famous Zagreb School Of Animated Film. Includes Oscar winning short cartoon Ersatz / Surogat by Dusan Vukotic (1961) and many other jazz, electronica and experimental scores by composer Tomislav Simovic. Coined by the famed film theorist Georges Sadoul at the 1959 Cannes Festival, The Zagreb School of Animated Film(s) or The Zagreb School of Animation, was defined as an artistic and philosophical world-view that set its mark on the history of animation in the 60's and 70's. The key feature of the Zagreb School (not educational facility in any kind), was commitment to stylization in contrast with the Disney-style canon of realistic animation. Among many composers that worked in Zagreb Film productions, the name of Tomislav Simovic (1931 - 2014) stands out. In his oeuvre of 300+ film scores (not counting compositions and arrangements for pop singers and jazz orchestras), many were made exclusively for Zagreb film documentaries, fiction shorts, features and animation. Simovic was particularly adept at writing music for cartoons. He skillfully synchronized movement and sound and mixed different musical genres, although, like his peers at the time, he leaned towards jazz. 'The Zagreb School of Animated Film (Original Soundtracks 1961-1982)' is compiled by Leri Ahel (Mutant Disco Radio Show) and Zeljko Luketic (Electronic Jugoton, Ex-Yu Electronica III). Master tapes were considered lost, now found and restored for this epic 2 x LP release celebrating Yugoslavia's animated art shorts. Double vinyl gatefold with extensive liner notes, photographs from the films and exclusive cover artwork by Dejan Krsic (NEP / Nova Evropa).
After picking up a camera in 2006 to shoot events at London superclub Fabric, Sarah Ginn started her journey of documenting the dance music scene. With exclusive, behind-the-scenes access at the likes of Fabric, Ultra Festival, Boomtown, Glastonbury, Outlook, Printworks, Creamfields and Hospitality, Sarah captured the sights of UK rave and
dance culture in the 2000s, 2010s and 2020s.
Super Sharp Shooter is a carefully curated selection of over 800 photographs from Sarah’s extensive archives, many never before seen. Spanning drum & bass, dubstep, house and techno, the book showcases festivals, clubs, press shots and record covers, providing an unsurpassed document of electronic music in a colourful celebration of beats and bass.
This deluxe book features artists like Andy C, Skream, Chase & Status, Shy FX, Carl Cox, Fatboy Slim, Goldie, Chemical Brothers, Jon Hopkins, Sub Focus, DJ Zinc, Ben UFO, Craig Richards, Erol Alkan, Miss Kitten, Dusky and many more. Also contained is Sarah’s essay,
The Feedback Loop Theory. A demonstration of how music affects time and energy and makes it a magic entity. Set in colour order to reflect the visible light spectrum, this gorgeous book is a must-have for all music and photography enthusiasts. It has 480 pages in full colour on heavyweight 150 gsm paper. It's available as a book only and as a bundle with an exclusive A2 poster.
“‘I’m looking forward to publishing this book because these actually are my only memories!Research shows that when you take photos it actually affects the way you remember things. So on that note, I hope you all enjoy my crazy spectral journey into sound, the many sights of the rave and everything in between.” - Sarah Ginn
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
Chicago house artists don't come much bigger or more accomplished than Boo Williams. The man has a famous signature sound that is full of party but never short on class. His chunky drums are always the foundational element and they come embellished with superb synth work. This new EP on Pariter finds him lean into tech with the loopy acid squelches of '303 Effect' keeping you in suspense, 'Acid Smoke' layering soft 303 lines into a punchy deep house cut and then comes the EP highlight, 'Extension Time'. It's a zoned-out roller with tender piano chords turning you inwards for deep reflection as the rubbery drums keep things moving.
Detroit artist Julion De’Angelo steps forward into his own with a new musical offering:the inaugural EP from his new imprint, Maybee Hill Music. Named after the street that he grew up on, the label celebrates ancestral guidance and reflecting on the past, so you can move FORWARD!
Can’t Go Askin is an exuberant testament to Black joy, building and shining triumphantly throughout its mesmerising 12-minute runtime.The track centers on a riff that immediately locks you in, as it stretches and expands with a seductive, propulsive groove, with percussion and keys all floating below a soaring and shimmering Juno. This bold and idiosyncratic interplay results in a jam which takes you HIGHER, transcendent in the spirited tradition of Chicago and Detroit.
De’Angelo completely switches gears for the flip side of this musical offering. Reflecting Cancer Moon is an immersive descent into deep dubby waters inspired by a night walk in the woods. A hypnotic, bare-bones meditation with crazy swing, that explodes into a rhythmic swirl of percussion. Dub delay echoes in and out as we journey deeper into the forest with the moon illuminating our way forward. This EP embodies De’Angelo’s restless urge to constantly seek out new sounds and open up new sonic areas for experience and transformation, with two tracks reflecting two sides of the musical spectrum.
Mr Projectile, one of our favorite IDM producers from back in the day, has given La Luna the chance to share some of his unreleased IDM tracks from the early 2000’s. The album is an eclectic blend of ambient, IDM and experimental electronics.
These sounds are a time machine to simpler, less chaotic times and have become essential listening these days. We envision this album spinning on a sunny Sunday afternoon, filling your room with the delicate and deep textures of electronic music and soothing your uncertainty. Enjoy a nice cup of coffee and explore your thoughts as you speed through time and space. Hopefully serving as a special reminder that we are all in this madness together.
Not only is the music stellar, but we are honoured to have Marcello Raeli, an Italian artist and car designer, accompany the music with his wonderfully mind bending artwork. Marcello is an artist who has designed some of the most insanely beautiful/fast cars on the planet. Here we get to take a deep look into his mind and marvel at the incredible interconnectedness created in this piece and appreciate the sense of depth and space created for this album.
Voted DJ Mag’s Underground Hero in 2022, DJ & producer Lauren Flax has been a fixture in Brooklyn’s electronic scene for two decades. On her latest project Liz & Lauren EP, she teams up with Liz Wight of shoegaze techno duo Pale Blue, whose sultry vocals explore questions of love and isolation to the tune of Detroit house and acidic techno.
Flax and Wight became fast friends in 2021 after being introduced by Pale Blue member & 2MR co-founder Mike Simonetti, who’d enlisted Flax to remix Pale Blue’s “Breathe.” Naturally, when Flax needed a vocalist for some tracks she was working on shortly after, she knew just who to call. “I was in my last year of grad school doing an internship in community mental health helping kids cope with the trauma of the pandemic,” Wight says of the time. She channelled this experience as she wrote and recorded the lyrics to Liz & Lauren EP from her home in Los Angeles.
As a result, the lyrics on Liz & Lauren EP are open-ended musings on connection, isolation, and convention. Lead single “Fix Everything” can be read both as an indictment of the trappings of marriage or, on Flax’s view, a rousing call to action, applicable to issues ranging from the degradation of the environment to the attack on LGBTQ+ rights in America. As the EP progresses, Wight’s airy vocals consider the pitfalls of love, from the destructive power of infatuation to the pain of outgrowing a relationship.
Sonically, Liz & Lauren EP feels like a natural progression from Flax’s first release on 2MR, 2021’s Out Of Reality, which saw her exploring a more minimalist production style for the first time in her work. “I Don’t Want To Hurt You” and “Fix Everything” pulse with bright, dynamic production, while slow burner “Return To Love” takes a sparser approach, anchored by a muted drumbeat and a simple, earworm synth refrain. “I’d Risk It All To Be With You” is a masterful balance of both; it even gets the club treatment on the EP’s closing remix, courtesy of Flax’s friends Mark Archer and Simon Neale (Shadow Child) of MASC.
Liz & Lauren EP is an impassioned collection that showcases both Flax and Wight’s artistry in equal measure. For both artists, it’s a testament to stepping outside the norm (DJing for Flax, performing in Pale Blue for Wight) and collaborating with others, the fruits of which are sure to be felt on the dancefloor for years to come.
Subsdance welcomes Unisson for its debut release, featuring a remix by one of our favourite artists, Vincentiulian!
This new album "Smile Again" a real homecoming for the artist. From pop and sweet melodies, soaring hearts, warm electric guitars, nylons, ukulele and cavaquinho, to the catchy and warm refrains, weaving a little more this solar and soft universe which made the signature of the very first Indie Pop Electro hits of the artist. With this album Broken Back signs his big comeback on the front of the French Indie electro pop scene, in media, radio, and live throughout France.
This album starts the journey of Unruly Records by featuring some of the early tracks and artists who helped shape the sound of "Club Music".
These songs were originally released between 1991 & 1995 and took dance-floors in Baltimore by storm. There is also a full color insert which paints a picture of that moment in time. In support of Baltimore City's Inaugural "Baltimore Club Music Day" on June 17th, we put together this anthology to kick off our "Anthology" collection/series which will initially start with 3 installments.
Be on the lookout for "Anthology 1996 double album next year!
Inherently dark but aflush with pop sensibility, Constellations is the 2014 full-length debut from synthpop duo Dead Astronauts (Jared Kyle and Hayley Stewart). The follow-up to 2013’s eponymous EP, it’s an album full of post-punk and new wave inspiration, sure to please fans of Joy Division, Echo and the Bunnymen, and Depeche Mode.
Midnight Mannequin Records is proud to present this deluxe reissue of Constellations, on vinyl for the very first time. A nearly decade-old synthwave classic is now poised to become a modern darkwave hit. Dead Astronauts has always had one foot firmly on synthwave ground, but the band’s willingness to eschew genre limitations and explore the vast spaces of darkwave, goth and everything in between is one of the main reasons Constellations still feels so fresh and unique. An album way ahead of its time. An album that sees two artists at the top of their game who complement each other perfectly. When Kyle’s deep baritone meets Stewart’s ethereal, subdued delivery, the results are magic. A timeless album now in a timeless format; that magic captured and preserved, tactile and eternal
Limited edition on 2xLP transparent neon pink vinyl, housed in a gatefold jacket. Includes OBI strip.
White Vinyl[18,45 €]
Introducing the highly anticipated first EP, ‘Flat Earth Mafia Edits Vol.1,’ by illusive underground artist, Flat Earth Mafia. This four-track vinyl release promises to take your turntable game to the next level with rave-ready dance floor edits for the club. The EP effortlessly blends breakbeat, bass, and rave tracks drawing on nostalgic vocals to create a euphonic journey for listeners.
Flat Earth Mafia remains shrouded in secrecy, allowing their edits to speak for themselves. With limited availability, don’t miss your chance to own a copy of this EP.
Black Vinyl[18,45 €]
Introducing the highly anticipated first EP, ‘Flat Earth Mafia Edits Vol.1,’ by illusive underground artist, Flat Earth Mafia. This four-track vinyl release promises to take your turntable game to the next level with rave-ready dance floor edits for the club. The EP effortlessly blends breakbeat, bass, and rave tracks drawing on nostalgic vocals to create a euphonic journey for listeners.
Flat Earth Mafia remains shrouded in secrecy, allowing their edits to speak for themselves. With limited availability, don’t miss your chance to own a copy of this EP.
Future Romance proudly presents the 3rd volume of a regularly recurring V/A EP concept called "Sonos Futures", featuring both established artists and next generation talents. Curated with heart & soul by label founder Solee each volume will take you on a journey through deep and expressive sounds that lead us into the future.
For part III of "Sonos Futures" we warmly welcome an international group of esteemed artists. Axel Haube from Belgium with "The Return", Cybek from France with "The End Clap", Deep:art & Ysmael Amasis from Portugal with „Singularity“ and Deniz Kabu from Turkey with "Infinity".
Every track tells a story, functional but artistic, no trivial fillers. That´s exactly what you can expect on Future Romance.
Early DJ support by Tale Of Us, Hunter/Game, Nick Warren, Tim Engelhardt, Armonica, Lexer, Nhar, Anii, Eelke Kleijn and more.
JALE makes its Roof Records debut for the seventh release of this established concept.
With the four tracks of this ep, the artist tells us about his new musical explorations: enthralling, sometimes broken, sometimes syncopated rhythms that blend with hypnotic sounds with strong acid contaminations. A total journey that embraces what has been (the influences of the 90s are clearly perceived) and smiles at what will be. Music goes beyond time, order without power is celebrated.
2025 Repress!
On the label (A-Side):
This special release is dedicated to Detroit DJ Legend Ken Collier. His untimely passing deeply touched me personally, as he was one of a small few who always supported me & my music. Because of Ken Collier, Detroit developed a dance scene, which inspired artist & producers to make dance records, which gave birth to Techno, which has provided careers for many of you in the business today. So I dare ask all you techno producers, djs, record labels, record shops, techno magazines, clubs which play techno music, and fans of techno to pay respect to Ken Collier just as you would our other fine music innovators.
Side B:
However, this special compilation isn't about techno, it's about H.O.U.S.E. sounds - broadcasting it to you live from the inside in lovely Ste - re - o!!. This record contains no artist or track listing because i don't want this to be about who made the tracks, track titles, or even who wrote this commentary. This record is my personal tribute to him and how he has motivated me to make my contributions to house music. Thank you Ken Collier, for helping me grow not just as a dj or record producer, but as a person. Every dj and dance artist here in Detroit owes thanks to you for going out into the musical forest, chopping down trees, thus paving the way for us to build HOUSE!.
"In Loving Memory Of Detroit DJ Legend Ken Collier"
Composed, produced and arranged by Evangelia VS, the artist behind Abyss X, Freedom Doll is the culmination of a year of emotional unloading through songwriting, offering an introspective journey into the ocean of her mind. Produced and recorded between an artist residency near the Mayan jungle in Mexico and her Berlin home, the album chronicles transformations the performer tackled mentally during the writing process, tracing the rollercoaster of falling in love during the pandemic, as well as the pleasures and tribulations of womanhood.
Freedom Doll encapsulates the romantic escapade between her voice and the guitar. The amalgamation of seduction, sexual tension, vulnerability and assertiveness pulses throughout the entirety of the album, spiralling out of the cracks spawned from her vocal chords. From the twirling dance between her lush harmonies and the progressions of the acoustic guitar in tracks such as Ascend and From Hot to Cold, to the explosive confrontation between the metallic and operatic qualities of her voice, the searing sound of the electric guitar in industrial rock / psychedelic anthems such as Torture Grove and Banyana and the cathartic momentum found in the gospel inclined chants in A CHEW - Freedom Doll untethers the dramatics and theatricality that defines Abyss X’s vocal performance and music production, while maintaining the sensual vibrations of her creative essence.
Freedom Doll is the encapsulation of the Minoan woman, the elusive harlequin tiptoeing her way through the “circus of terror” that is living and loving her way through womanhood. With this visual reference, Abyss X pays tribute to her ancestors and their groundbreaking ancient artistry. The back cover of the vinyl features a reiteration of depictions of bulls leaping found in Minoan frescoes; an inherently male cultural act that in the ancient Minoan times presumably gave expression to a tension that underlies man's somewhat tenuous mastery of nature. Freedom Doll’s artwork challenges this preconceived notion through an eco-feminist approach, bringing the Minoan woman slash Gaia in the seat of the bull leaper, taming the unhinged and predominantly male earth - threatening human force.
Duality Trax first opened its books in 2020 with an EP featuring Radiant Love regular Fio Fa and a remix of the year contender coming from Lisbon’s Violet. Since then the label has become known for its acute attention to detail, giving each release the shine it deserves while avoiding disposable practices and challenging the industry through its dedication to duality and balance, whether that be sonically or surrounding gender identity. It’s really no surprise that one of house music's leading label ¦gures Tywi was destined to make an appearance. Having started the Haŵs imprint in his home city of Cardiff, the label’s wide-spread popularity began to gain the attention from some of the industry’s most respected heads and became a breeding ground for new artists to emerge. A shared love of music resulted in tracks being shared over time and eventually DUALITY6 was born. In what will be his ¦rst full length EP, Tywi continues to join
the dots between 90’s house, prog, breaks and trance, with a huge remix coming from Frankfurt-based artist Maruwa. Title track ‘Reality Checkpoint’ connects various styles with a modern take on progressive trance. Sonics feel as if they’ve been projected from space in a kaleidoscopic mind-warping ride, coupled with the producer's impressive ear for world building soundscapes. A child of the ‘90s, Maruwa combines her classically trained ear with the nostalgia of her upbringing in the remix; channeling early trance records and deep, chugging rhythms into a wave of euphoria ¦t for peaktime. It’s the ¦rst time the label has also delved head ¦rst intofull trance territory, turning the intensity levels up while paying homage to both label owner and artist’s early musical in§uences. The B side opens up with ‘Spellbound’ which feels like a guided tour around the cosmos, sat beside trusted travelers and embraced by everything-will-be-alright energy . The track’s interior is built around synths that feel both effortless and light as our tour guide brings us towards our ¦nal destination. The EP comes to a close with ‘Laws Of Motion’, building slowly with shades of leafy greens and deep oceanic blues as it gently brings us back down to earth.
Vol. 2[11,72 €]
BAR Musica side project BAR Re-Present is proud to welcome for the second release the real Italian house music master Ricky Montanari. His always been considered one of the main artist related to the italo house scene - being part of the legendary Ethos Mana Club and Echoes Club - having produced classics like the Riviera Traxx and the Omnivores releases, just to name few.
Being a good friend and mentor of BAR Musica Label Head Bartolomeo - they dig together into Ricky’s DAT cassettes and found these two gems that NEVER GOT RELEASED BEFORE.




















