- A1: Shania Twain– Whose Bed Have Your Boots Been Under?
- A2: Faith Hill– This Kiss
- A3: Brooks & Dunn– Boots Scootin’ Boogie
- A4: Travis Tritt– T-R-O-U-B-L-E
- B1: Tracy Byrd– Watermelon Crawl
- B2: Vince Gill– What The Cowgirls Do
- B3: George Strait– Check Yes Or No
- B4: Reba Mcentire– The Night The Lights Went Out In Georgia
- C1: Terri Clark– Better Things To Do
- C2: Patty Loveless– I Try To Think About Elvis
- C3: Martina Mcbride– Love's The Only House
- C4: Mary Chapin Carpenter– Shut Up And Kiss Me
- D1: Joe Diffie– Pick Up Man
- D2: Rhett Akins– That Ain't My Truck
- D3: Little Texas– God Blessed Texas
- D4: Rednex– Cotton Eyed Joe
quête:artist
Der Breakthrough-Artist sombr hat sein Debütalbum "I Barely Know Her" veröffentlicht. Das 10-Track-Album ist jetzt über Warner Records erhältlich und enthält die Hits „back to friends”, „undressed” und „12 to 12” (inklusive Musikvideo mit Addison Rae), die weiterhin international die Charts stürmen – darunter die globalen Spotify-Charts, die UK Official Singles Charts sowie die US-amerikanischen „Top 40 Radio“ und „Alternative Radio“-Charts. In diesen erreichte sombr schneller als jeder andere neue Künstler der letzten zehn Jahre Platz 1. Auch in den Billboard Hot Rock Songs setzte er ein Ausrufezeichen und verdrängte Hozier nach einem Jahr von der Spitze. In Deutschland befinden sich mit „back to friends”, "12 to 12" und „undressed” mittlerweile 3 Singles in den Top 30 der deutschen Single-Charts und das Debutalbum schoss auf Platz #16 der offiziellen deutschen Albumcharts!
"I Barely Know Her" wurde komplett von sombr geschrieben und vom 20-jährigen Künstler zusammen mit dem renommierten Produzenten Tony Berg (Phoebe Bridgers, The Replacements) co-produziert. Gegenüber i-D gibt er zu Protokoll, die Songs seien inspiriert von „young romance, dimly lit rooms, late nights, and love, loss, and life.” Die Veröffentlichung folgt auf die Nachricht, dass sombr sein Debüt bei den MTV Video Music Awards geben wird – live aus New York am 7. September –, wo er als Best New Artist und Best Alternative Artist nominiert ist.
sombr (bürgerlich Shane Boose) wuchs im New Yorker Stadtteil Lower East Side auf und entdeckte seine Liebe zur Musik als Teenager im eigenen Schlafzimmer. Parallel dazu studierte er klassische Musik an der renommierten LaGuardia High School. Mit dem viralen Hit „Caroline“ (2022) wurde er über Nacht zum Internetphänomen. Seitdem hat er mehrere EPs und Singles veröffentlicht und bringt es inzwischen auf über 400 Millionen monatliche Streams über alle Plattformen hinweg. Heute lebt sombr in Los Angeles und verarbeitet in seinen Songs die Höhen und Tiefen junger Liebe – alles selbst geschrieben, co-produziert und veröffentlicht über Warner Records.
- A1: Léonard Steyaert - A Threatening Morning
- A2: Léonard Steyaert - Caught Breaking-In
- A3: Léonard Steyaert - Your Eyes For Everyone
- B1: Léonard Steyaert - The Tenants
- B2: Léonard Steyaert - See You Burst
- B3: Léonard Steyaert - What Really Happened
More Than Meets the Eye is the debut album by Belgian artist Léonard Steyaert - an evocative blend of experimental electronics and intimate songwriting. Across six tracks, the album unfolds like a psychological thriller, navigating themes of alienation, vulnerability, and ecstatic release. Think Radiohead meets Aphex Twin, with echoes of Björk, Portishead, and Messiaen.
More Than Meets the Eye is the debut album by Belgian artist Léonard Steyaert - an evocative blend of experimental electronics and intimate songwriting.
Across six tracks, the album unfolds like a psychological thriller, navigating themes of alienation, vulnerability, and ecstatic release.
Think Radiohead meets Aphex Twin, with echoes of Björk, Portishead, and Messiaen.
Mixed by James Ginzburg (Emptyset), mastered by Joker, the sound is raw, detailed, and immersive.
Tracks like Caught Breaking In and See You Burst oscillate between whispered confessions and intense sonic ruptures.
The album forms a narrative arc - from inner tension (A Threatening Morning) to the revelation of What Really Happened.
Artwork and live visuals are part of a strong visual identity created in collaboration with artists Joséphine Steyaert, Thomas Vanderniet and Esther Denis.
A limited vinyl edition and a performance-based live show will support the release.
Perfect for adventurous listeners and tastemakers seeking something personal, cinematic, and genre-defying.
- 1:
- 2:
- 3:
- 4:
- 5:
- 6:
- 7:
- 8:
The Sludge Of The Land is the new album by digital folklore and post-exoticism Italian duo Babau. Their first full length since 2023’s Flatland Explorations Vol. 2, with The Sludge Of The Land Babau lands on Impatience with their signature audio-prestidigitation at it’s most disorientingly pungent and zonked, a uniquely contemporary approach described as the sound of a continent moving; animals, plants and minerals included.
As part of a residency at Casa degli Artisti, Milan, in 2022, Babau turned their atelier into a recording studio and performing venue thanks to Francesco Piro, who produced the entirety of the album. There, the duo improvised with different acoustic and digital instruments for several hours a day. Returning after ten years to a sound more akin to a band or small orchestra, Babau re-explores tropes and themes of exotica and jazz from their unique and off-kilter perspective of terminally-online diggers-dwellers of the internet flatland.
An homage to digital content consumption and dopamine-infused sensory overloads, The Sludge Of The Land imagines itself as an abstract sonic wunderkammer of online detritus. By diving into the world of ‘sludge content’: audiovisual chaos produced by mixing different content using split screens or dizzying patchworks of videos, Babau celebrates the formless, viscous goo, spam, chum and slop of out-of-context moving image, fast paced digital videos and lo-fi mp4 artifacts. By endlessly spiraling into the non-spaces of The Net, Babau explore the uncharted parageographies of lavacasts, mysterious Chinese anthropozoomorphic legendary beings, vampiric doomscrolling glides and doppelganger, ctrl+c & ctrl+v spiritualism. These ghosts of pointless microevents and traveling-without-moving bedroom boredom are stuffed by Babau with the epic tone and compositional approach of exotica and world music 2.0 reveries, resulting in an absurd, playful narrative of the dangers and allures of the web.
Bringing together the sound of Richard Hayman and Black Dice, Korla Pandit and Sun Araw, Tony Scott and Carl Stone, once again the duo crafts a compelling audio-textual hallucination of transglobal chimera. A multi-fi, extremely layered treasure of fifth world music.
RIYL - Sun Araw, the strangest corners of the internet, Senyawa, digital wind instruments, Nuke Watch, Black Dice, exotica, hallucinating.
Babau is the pantropical project of Artetetra founders Matteo Pennesi and Luigi Monteanni, where their fascination with exotica, world music 2.0, and field recordings merges with the compositional and improvisational techniques of computer music.
Their latest work, All the Gurls were at the Women’s Archo Ashinto, was recently released by Bamboo Shows, while the previous Stock Fantasy Zone and Flatland Explorations Vol.2, were released by Discrepant. They were selected as SHAPE+ artists in 2023, and the duo has performed at various festivals in Italy and beyond, including Fusion, Club to Club, Terraforma, Nextones, Outernational Days, Camp Cosmic, and Saturnalia. For years, they have been striving to synthesize what has been described as the sound of a continent in motion—people, animals, plants, and minerals included.
The Sludge Of The Land was produced and mixed by Francesco Piro at Casa degli Artisti, Milan, and co-produced by Babau
Drums by Giovanni Todisco, bass by Francesco Piro and piano on A4 by Vittorio Cosmo.
Master by Nick Foglia.
Art by Luca Schenardi.
- Side A. Oddtaxi
- Side B. Oddtaxi - From The First Take
The long-awaited analog release of “ODDTAXI” by Skirt and PUNPEE, the opening theme of the TV anime "ODDTAXI" is finally here!
■Skirt
Skirt is a self-described “unhealthy pop” band known for its refreshingly light yet slightly shadowed songwriting and band ensemble, earning widespread
acclaim across professions, genders, and age groups.
The project began in 2006 as the solo multi-track recording endeavor of Wataru Sawabe. In 2010, he launched his own label, Kaczka Sound, and released
his first album ""S-O-S,"" marking the true beginning of Skirt’s full-fledged musical journey.
In April 2021, Skirt collaborated with PUNPEE on the opening theme "ODDTAXI" for the anime "ODDTAXI". Drawing from his extensive knowledge of
comedy, Sawabe served as a judge for the finals of the UNDER 25 OWARAI CHAMPIONSHIP—a comedy competition for performers under 25—in
September 2023, and also wrote the event’s official theme song, "Kitai to Yokan"
In addition, he has contributed music to numerous animated works, films, and TV dramas. His exceptional songwriting skills have led him to write songs
for a range of artists including Takashi Fujii, Kaede (Negicco), Toko Miura, and adieu (Moka Kamishiraishi).
As a versatile multi-instrumentalist, Sawabe has also participated in live performances and recordings with artists he deeply admires, such as Spitz,
Makoto Kawamoto, and Moonriders. Skirt continues to attract attention as both a band and the project of a wonderfully talented, genre-defying
singer-songwriter.
■PUNPEE
Active as both a rapper and producer, PUNPEE has released acclaimed albums such as "MODERN TIMES" and "The Sofakingdom"" His diverse body
of work includes contributions to a Red Bull TV commercial, the opening theme for the TBS show "Wednesday's Downtown" a remix of Hikaru Utada’s
"Hikari -Ray of Hope MIX-" and the track "Time Machine ni Notte / Kazoku no Fukei" for the Sotetsu–Tokyu through line commemorative short film.
But of course, what truly matters—is what comes next. P
Halina Rice is a London-based electronic music artist known for her groundbreaking approach to music production and live performance.Rice has established herself as a leading figure in the contemporary electronic scene, blending complex soundscapes with immersive visual elements.
Her previous releases have been praised for their innovative use of technology and emotional depth, earning her a dedicated following around the world.
UNREALITY is the latest installment in the NEW WOLRDS series where each track is considered as the creation of a unique environment using textured synths, warped sound design and underpinned by a beat-driven dance sensibility.
Rice has toured the album extensively across the UK and Europe with sold out headline shows as well as festival appearances on the lineup with artists such as Jon Hopkins, Max Cooper and Rival Consoles.
Press coverage for the album includes Mundane Mag, Narc Magazine and previous support for the artist project includes feture length articles in Electronic Sound Magazine, DJ Mag, Mixmag, Decoded, Earmilk and Headphone Commute.
"Rice is part of a frontier movement of like-minded artists who twist, transform and manipulate the hallmarks of electronic dance music and visual accompaniments into exciting new shapes"
Electronic Sound Magazine
- A1: Volume One (Original Mix) - Anjunabeats
- A2: Gravity (Original Mix) - Parker & Hanson
- A3: Northern Lights (Original Mix) - Smith & Pledger
- B1: Gravity (Original Mix) - P.o.s
- B2: Helsinki Scorchin' (Original Mix) - Super8 & Tab
- B3: Amsterdam (Original Mix) - Luminary
- C1: Black Is The Colour (Coco & Green Remix Edit) - Cara Dillon Vs. 2Devine
- C2: Elf (Original Mix Edit) - Bart Claessen
- C3: Chasing Love (Original Mix) - Maor Levi Feat. Ashley Tomberlin
- C4: Sun 2011 (Original Mix Edit) - Slusnik Luna
- C5: My Enemy (Rank 1 Remix Edit) - Super8 & Tab Feat. Julie Thompson
- D1: Downforce (Club Mix 2025 Vinyl Edit) - Nitrous Oxide
- D2: Sushi (Original Mix 2025 Vinyl Edit) - 7 Skies
- D3: Rebound (Original Mix Edit) - Arty & Mat Zo
- D4: Around The World (Original Mix Edit) - Arty
- D5: Easy (Original Mix Edit) - Mat Zo & Porter Robinson
- E1: In And Out Of Phase (Original Mix) - Andrew Bayer & Matt Lange Feat. Kerry Leva
- E2: Bloom (Original Mix) - Norin & Rad
- E3: Wayfarer (Original Mix Edit) - Audien
- F1: The Great Divide (Myon & Shane 54 Summer Of Love Mix Edit) - Velvetine
- F2: Big Ben (Original Mix Edit) - Ilan Bluestone
- F3: The Dark (Original Mix Edit) - Boom Jinx & Meredith Call
- F4: U (Original Mix) - Grum
- F5: Enceladus (Original Mix Edit) - Sunny Lax
- G5: All In (Original Mix) - Fatum, Genix, Jaytech & Judah
- G6: Lost (Original Mix) - Tinlicker Feat. Run Rivers
- H1: The Best Part (Original Mix) - Gardenstate & Anamē Feat. Bien
- H2: Midnight (Original Mix) - Andrew Bayer & Alison May
- H3: Sweet Feeling (Original Mix) - Amy Wiles & Leena Punks
- H4: Remission (Original Mix) - Kasablanca & Lane 8
- H5: Lifetime (Original Mix) - J Ribbon
- I1: Nobody Seems To Care (Original Mix) - 16Bl
- I2: Moth (Original Mix) - Jaytech & James Grant
- I3: A Sort Of Homecoming (Michael Cassette Extended Mix) - Paul Keeley
- J1: To The Six (Martin Roth Remix) - Boom Jinx & Andrew Bayer
- J2: Beautiful Life (Original Mix) - Martin Roth
- J3: Shadow's Movement (Original Mix) - Michael Cassette
- K1: Be Mine (Original Mix) - Lane 8
- K2: Got This Feeling (Original Mix) - Cubicolor
- K3: Wyv Auw Chu (Original Mix) - Tom Middleton
- L1: Mr Man (Original Mix) - Dusky
- L2: Personal Space (Original Mix) - Yotto
- L3: Deep In My Soul (Original Mix) - 16Bl
- M1: Night Blooming Jasmine (Rodriguez Jr. Remix) - Eli & Fur
- M2: Need You (Original Mix) - Luttrell
- M3: Tuesday Maybe (Original Mix) - Way Out West
- N1: Breathing (Original Mix) - Ben Böhmer, Nils Hoffmann & Malou
- N2: Come Together (Original Mix) - Nox Vahn & Marsh
- G1: Nightwalk (Original Mix 2025 Vinyl Edit) - Spencer Brown
- N3: Sleepwalker (Extended Mix) - Tinlicker
- G3: Only Road (Cosmic Gate Remix) - Gabriel & Dresden Feat. Sub Teal
- N4: Room 1.5 (Original Mix) - Joseph Ray
- O1: Nightwhisper (Original Mix) - Jody Wisternoff & James Grant
- O2: Sometimes It's Scary But It's Still Just You And Me (Original Mix) - Leaving Laurel
- O3: Externalizer (Original Mix) - Dosem
- O4: Never Really Get There (Original Mix) - Cri Feat. Jesse Mac Cormack
- O5: Proud (Original Mix) - Qrion
- P1: Overtones (Extended Mix) - Frost
- P2: Points Beyond (Original Mix) - Cubicolor
- P3: Muse (Original Mix) - Rezident Feat. Kate Morgan
- P4: Surge (Proff & Igor Garanin Remix) - Above & Beyond
- P5: Next To You (Original Mix) - Romain Garcia
- Q1: Tri-State (Original Mix 2025 Vinyl Edit) - Above & Beyond
- Q2: Careless Love (Original Mix) - Croquet Club
- Q3: 8 Hours, Still No Rain (Original Mix) - Hosini & Jones Meadow
- Q4: Lose Sight (Original Mix) - Andrew Bayer Feat. Ane Brun
- Q5: Before We Drown (Original Mix) - Boerd Feat. Stella Explorer
- R1: Strength From Inside (Original Mix) - Above & Beyond
- R2: Sleep Is Sacrament (Original Mix) - Cephas Azariah
- R3: Kyoto (京都) (Original Mix) - Mark Barrott
- R4: Happiness (Original Mix) - Omfeel
- R5: Silhouette (Original Mix) - Yotto
- S1: Razorfish (Above & Beyond's Progressive Mix 2025 Vinyl Edit) - Tranquility Base
- S2: Anphonic (Original Mix Edit) - Above & Beyond Vs. Kyau & Albert
- S3: Hello (Original Mix Edit) - Above & Beyond
- S4: There's Only You (Above & Beyond Club Mix) - Above & Beyond Feat. Zoë Johnston
- G2: Higher Love (Original Mix) - Seven Lions & Jason Ross Feat. Paul Meany
- G4: Lovingly (Original Mix) - Oliver Smith Feat. Amy J Pryce
- S5: Screwdriver (Original Mix Edit) - Above & Beyond
- T1: On A Good Day (Above & Beyond Club Mix Edit) - Above & Beyond Pres. Oceanlab
- T2: Sun & Moon (Original Mix) - Above & Beyond Feat. Richard Bedford
- T3: We're All We Need (Original Mix) - Above & Beyond Feat. Zoë Johnston
- T4: Northern Soul (Original Mix) - Above & Beyond Feat. Richard Bedford
- T5: Quicksand (Don't Go) (Original Mix) - Above & Beyond And Zoë Johnston
From its modest beginnings as a university project, Anjuna has grown to become one of the most influential forces in electronic music. What began as, and remains, a passion project has evolved into a global electronic music powerhouse. Led by Jono Grant, Paavo Siljamäki, Tony McGuinness (better known as Above & Beyond) and label exec James Grant - Anjuna now spans three distinctive imprints: Anjunabeats, Anjunadeep and Anjunachill. To mark the label’s 25th anniversary, Above & Beyond and James have carefully curated a selection of picks from its rich catalogue that includes countless genre defining releases to present the label’s most expansive vinyl offering to date.
Covering the full spectrum of that 25 year journey, the ten vinyl box chronicles 84 of the label’s most iconic releases across all three labels, including a vinyl dedicated to label founders Above & Beyond. Encased in a custom outer slipcase box with a debossed foil Anjuna25 logo. Accompanying the ten vinyl is a 48-page perfect-bound booklet printed on premium art paper and textured cover stock, featuring track-by-track insights from artists and Anjuna HQ staffers delving into the stories behind each record and their reflections on 25 years of music. The Anjuna25 anniversary box set is a beautifully presented tribute to 25 years of innovation, artistry and emotional connection.
Comes with 4 page insert, English and Japanese liner notes and lyrics.
A contemporary folk wonder from Cornwall (Falmouth), England.
"We at EM Records love to transport our listeners to new worlds, other worlds; “Pantilde”, this magical new album from Cornish avant-folk performance artist The Worm, is indeed an ethereal new world: otherworldly, but somehow rooted; an imaginary oral and musical story of everyday village life in an alternative Celtic landscape. The music here is strange yet familiar, fantastical and enchanting while remaining simultaneously attached to the earth. Amy Lawrence, aka The Worm, plays cello, harp, recorders and percussion, accompanying and framing her rich voice, which is often overdubbed into lovely homespun vocal ensembles; they tell song-stories of mythical and mystical village life, of nature and the human relationship with the natural world. The Worm can be considered part of a lineage which includes The Incredible String Band, Shovel Dance Collective, Bridget St John, Dorothy Carter, Vashti Bunyan, Jessica Pratt, Cathrine Howe, Mary Lattimore, Tristwch Y Fenywod and of course many others. “Pantilde”, a time-trip to a dreamlike, pastoral world that nevertheless feels distinctly realized, is a remarkable avant-folk fantasia, co-released with Prah Recordings.
- I Know I'm Not Wrong
- Learning To Fly
Los Angeles-based artist Sam Wilkes is known for his genre-defying solo work and collaborations in the experimental and jazz community. His debut release for Psychic Hotline, 104.3 is part of the label's ongoing Singles Series. Stepping away from his bass guitar, Wilkes explores new territory on a borrowed Fender Stratocaster, lent to him by longtime friend Brian Robert Jones (Paramore, Vampire Weekend). On the very night he brought the guitar home, Wilkes recorded a live, loop-based version of Tom Petty's "Learning to Fly" in a single take, later layering in bass and background vocals. The whole thing started as an experiment; more about exploring an instrument than making a record. A few weeks later on his last night with the Strat, Wilkes recorded what would become the A-Side: his reimagining of Fleetwood Mac's "I Know I'm Not Wrong." "I just wanted to document what was happening without any other intention. Half of my time on bass is spent trying to make it sound not like a bass, so actually getting to play a different instrument felt incredibly liberating," says Wilkes. Both arrangements are intuitive and spontaneous. Captured without pretense, the result is a pair of understated songs, perfect for a summer drive. This release is the latest installment in our long-running Psychic Hotline Singles Series, which has featured standout tracks from artists like Kieran Hebden, Sam Gendel, Blake Mills, Flock of Dimes, Anjimile, and Bartees Strange. With each new entry, the series continues to showcase boundary-pushing work from across our extended creative family.
- Chicago
- Beautiful Strangers
- Sad And Beautiful World
- Human Mind
- Hard Times
- Godspeed
- We Got To Have Peace
- Anthem
- Satisfied Mind
- Everybody Needs Love
Clear Vinyl[23,49 €]
Grim days call for fierce love. And Mavis Staples, one of the most enduring figures in American music, is laying it down. Sad And Beautiful World is the latest solo album from a national treasure and multigenerational talent. Produced by Brad Cook, Sad And Beautiful World spans seven decades of the American songbook - a range nearly as vast as Mavis" career - and includes reinventions of timeless songs by Tom Waits, Sparklehorse, Gillian Welch, Frank Ocean and more. Cook imagined an album in the tradition of Nitty Gritty Dirt Band"s Will the Circle Be Unbroken, a group of artists coming together to celebrate community - in this case, one centered on Mavis. Collaborators include Buddy Guy, Bonnie Raitt, Jeff Tweedy, Derek Trucks, Katie Crutchfield, MJ Lenderman, and Justin Vernon. Inducted into several halls of fame (Blues, Rock, and Gospel), a Kennedy Center Honoree, a winner of multiple GRAMMYs (including a Lifetime Achievement Award), Mavis is musical history. She"s collaborated with nearly every major figure of her era(s), from Bob Dylan to Prince, Aretha Franklin, and Willie Nelson - not to mention countless stars from subsequent generations.
Grim days call for fierce love. And Mavis Staples, one of the most enduring figures in American music, is laying it down. Sad And Beautiful World is the latest solo album from a national treasure and multigenerational talent. Produced by Brad Cook, Sad And Beautiful World spans seven decades of the American songbook - a range nearly as vast as Mavis" career - and includes reinventions of timeless songs by Tom Waits, Sparklehorse, Gillian Welch, Frank Ocean and more. Cook imagined an album in the tradition of Nitty Gritty Dirt Band"s Will the Circle Be Unbroken, a group of artists coming together to celebrate community - in this case, one centered on Mavis. Collaborators include Buddy Guy, Bonnie Raitt, Jeff Tweedy, Derek Trucks, Katie Crutchfield, MJ Lenderman, and Justin Vernon. Inducted into several halls of fame (Blues, Rock, and Gospel), a Kennedy Center Honoree, a winner of multiple GRAMMYs (including a Lifetime Achievement Award), Mavis is musical history. She"s collaborated with nearly every major figure of her era(s), from Bob Dylan to Prince, Aretha Franklin, and Willie Nelson - not to mention countless stars from subsequent generations.
- A1: This Is How I Feel
- A2: A Fun Sunday
- A3: Why Were We Born?
- A4: That Can't Be Good
- A5: A Long Night
- A6: Blistering Chatter
- A7: The White Room Where You Were <Bonus Track>
- B1: Pierrot
- B2: Bloom!! Old Man
- B3: Time Flows - Goodbye Baby
- B4: A Worn-Out Goldfish
Segawa Hiroshi (vocals, guitar) / Ishima Hideki (guitar) / Harada Hiroomi (drums) / Nomura Mitsuro (drums) / Kozuki Jun (drums) / Yamauchi Tetsu (bass) / Ohno Katsuo (keyboards)
Segawa Hiroshi's solo album, pursuing country rock and southern rock in Japanese
A treasure of Japanese rock, bringing together members of Flower Travellin' Band, Samurai, and PYG
After the GS boom subsided and New Rock was in full swing, Segawa Hiroshi was one of the few bands pursuing country rock and southern rock in Japanese, while most bands were aiming for British rock.
The album "Pierrot," one of the culminations of this endeavor, was produced with the help of a lineup of representative Japanese new rock artists, including Ishihama Hideki and Kozuki Jun from
Flower Travellin' Band, Yamauchi Tetsu and Harada Yushin from Samurai, and Ohno Katsuo from PYG.
The album has been reissued with the additional recording of the single "The White Room Where You Were," released the year after "Pierrot," and remastered by Kubota Makoto.
Commentary: Ogawa Shinichi
Remastering: Kubota Makoto
- A1: Greenteeth
- A2: Fen Creatures
- A3: War Ditches
- B1: The Promise
- B2: Fable Of Beauty
- B3: Another Eden
- B4: Descent
Cambridge’s acclaimed psych-folk quintet Fuzzy Lights return with their fifth album ‘Fen Creatures’. Following on from 2021’s critically lauded ‘Burials’ the band have created their most conceptually focussed work to date – a mediation on environmental crises that uses the folklore and history of East Anglia as a lens to examine humanity’s fractured relationship with the natural world.
The album operates across multiple historical timelines, from Iron Age hill forts to medieval plague houses, from Byron's Romantic-era environmental warnings to the immediate threat of rising sea levels, creating a temporal tapestry that weaves ancient stories with contemporary concerns.
Musically, the quintet, Rachel Watkins (vocals/violin), Xavier Watkins (guitar/electronics), Chris Rogers (guitar), Daniel Carney (bass), and Mark Blay (drums), have pushed deeper into experimental drone territories while maintaining the crystalline folk sensibilities that have become their signature.
Lead track ‘Greenteeth transforms the traditional cautionary tale of Jenny Greenteeth, the water spirit who lures children to their deaths. "When I read this story to my daughter, she was instantly drawn into it," Watkins notes. "There's something timeless about these tales and the way they speak to fundamental fears and connections that span generations."
Elsewhere, 'War Ditches' imagines the Iron Age dead of a Cambridge hill fort keeping watch over the land, their vigil ending as modern people lose connection with the earth. 'The Promise' creates an imaginary encounter with the ghosts of Landbeach village across multiple eras, connecting the 1665 plague with our recent pandemic experience through shared narratives of community resilience and loss.
Critics praised ‘Burials’ as "way beyond folk and folk in essence all at once" (Backseat Mafia) and "folk-rock looking back squarely at the early 1970s" (Financial Times), and 'Fen Creatures' promises to cement Fuzzy Lights' reputation as one of Britain's most vital contemporary folk acts. The album positions them firmly within the lineage of artists like Fairport Convention, Trees, and Comus who understood that engaging with tradition isn't nostalgic escapism, but a way of accessing older wisdoms about how to live in the world.
‘Burials’ press:
“...the musical battle between the fuzzy and the light makes Fuzzy Lights special.” MOJO ★★★★
“...a simmering, sinister undercurrent which often explodes with apocalyptic fervour.” SHINDIG ★★★★
“...subverting genre expectations and folk melodies.” FINANCIAL TIMES ★★★★
“Way beyond folk and folk in essence all at once, it's a record that’ll bring you much reward.” BACKSEATMAFIA - 8.3/10
“a genuine delight....a stirring and unsettling listen, goosebumps adding to the pleasure of timeless music played well, with perfect precision. Don’t leave it another eight years, eh?” FOLK RADIO
“...re-inventing the folk-rock playbook and dragging it screaming through an array of influences...Fuzzy Lights’ most unique, reflective and ambitious record to date” FOR THE RABBITS
- Smiling Dog
- Two Stones
- The Hidden Ghost
- Hourglass
- The Moon & The Devil
- Mayhem
- Little Bird
- The Fluorescent Sand
- Beautiful Star
- Your Eyes
Embrace The Abandon is the new project by THE MON, the solo vision of Urlo, vocalist, bassist, and founding member of the Italian heavy-psych veterans Ufomammut.
Structured in two complementary chapters — Songs of Abandon (November 7th, 2025) and Songs of Embrace (March 6th, 2026) — the project tells a journey of duality: loss and surrender on one side, acceptance and rebirth on the other.
The first chapter, Songs of Abandon, is perhaps the most intimate and vulnerable work Urlo has ever created.
Born in a moment of solitude and personal darkness, the album originated from a radical exercise: writing one song a day, for nine consecutive days, using only acoustic guitar and voice.
A collection of stripped-down, emotionally raw ballads. Rooted in acoustic textures and intimate songwriting, these songs explore loss, vulnerability, and the quiet spaces left behind — a personal exorcism of what could have been but never was.
Later, these sketches were shaped into fully realized tracks, with lyrics and subtle layers of sound — not to overwhelm, but to underline the fragile, raw atmosphere that pervades them. The result is a stripped-down, emotionally charged collection that embodies an inner search: the power of music as a tool to face abandonment, to dig into oneself, and ultimately to glimpse the possibility of an embrace.
With Embrace The Abandon, THE MON reaffirms itself as one of the most personal and uncompromising projects.
It is a body of work that fuses vulnerability and strength, speaking directly to the listener with sincerity, leading them through shadow towards light.
An intimate yet powerful sound experience, intertwining the minimalism of acoustic folk with the dark, visionary tension that has always defined Urlo’s artistic path.
- A1: Free Like A Breeze
- A2: My Opening (Feat. Ramson Badbonez)
- A3: Hymphony (Going In)
- A4: Burning It Up
- A5: Emerald Tablet
- A6: One Warning (Feat. Leaf Dog)
- B1: Shell Toes
- B2: Better Win
- B3: Tables Turning
- B4: Aurora
- B5: Dust Settles
- B6: Here I Am (Bonus Track)
- A1: Beginning Again
- A2: Bumpin' On Sunset
- B1: Straight Ahead
- B2: Change
- B3: You'll Stay In My Heart
When Straight Ahead hit the shelves in 1974, it marked another bold chapter for Brian Auger’s Oblivion Express. The band—Steve Ferrone on drums, Barry Dean on bass, Jack Mills on guitar, and Lennox Langton on congas— was firing on all cylinders, pushing jazz fusion into fresh, uncharted territory.
Critics took notice, with Billboard praising the album as “excellent in development and inventiveness, ” and it found its way onto multiple charts at once.
The journey begins with “Beginning Again, ” a lively opener built on Langton’s congas and Ferrone’s muscular groove. Auger’s electric piano sparkles here, immediately setting the album’s adventurous tone. Then comes their take on Wes Montgomery’s “Bumpin’ On Sunset. ” Darker in mood and drenched in atmosphere, Auger stretches out into improvisation while still honoring Montgomery’s spirit. The interpretation struck such a chord that, years later, Wes’s widow wrote to Auger to tell him it was her husband’s favorite version of his much-loved tune.
The title track, “Straight Ahead, ” shifts gears into funk, showcasing the group’s ability to slide effortlessly between genres. “Change” pushes further, blending rock’s raw energy with jazz’s improvisational freedom, driven by Auger’s command of the Hammond organ. To close, “You’ll Stay in My Heart” brings the tempo down with a tender, soulful ballad—an intimate ending to an album full of bold explorations.
At the time, reviewers hailed the record as a gem. One called it “a minor masterpiece of incredibly engaging and melodic keyboard-centric jazz-rock fusion. ” Another singled out “Bumpin’ On Sunset” as “the best reason to own this recording.”
Half a century later, Straight Ahead still resonates. It captures that fertile moment in the 1970s when jazz, rock, and funk were colliding, and artists like Auger were busy redrawing the map. To this day, it stands as proof of Auger’s fearless curiosity and his knack for breaking boundaries—music that looked forward then, and still feels ahead of its time now.
With his third album Ouin Ouin, Miel de Montagne further establishes himself as a key figure in today’s global indie scene, resonating worldwide, especially in Latin America and Germany. Like a tightrope walker balancing between melancholy and carefree joy, he evolves alongside French talents (Lewis Ofman, L’Impératrice, Au Pinard) and international names (Parcels, Benny Sings, Men I Trust).
After a tour across Europe (England, Germany, Spain, the Netherlands, Belgium, Switzerland, Denmark) and France with a sold-out show at l'Olympia to close off his tour, he returns with “Ouin Ouin Ouin”. In this deluxe version, he collaborates with artists he met over the past few months, such as Blasé, Kazy Lambist, and Girl Ultra, a leading figure of the Mexican indie scene. To accompany these features, you’ll find two new exclusive tracks to make the Ouin Ouin journey last a little longer.
- A1: Introducción
- A2: Laugh Now
- A3: Re-Rock
- A4: 5000 Degrees
- A5: Chemical Imbalances
- A6: Trust Issues - A Few (Skit) (Feat. Lukey Cage)
- A7: Pretty Girl Who Can Rap
- B1: Higher Learning
- B2: Smoke Signal
- B3: The Tropicana
- B4: Las Trompetas (Feat. Lukey Cage)
- B5: Motorcycle Sicario School (Feat. T.f, Rlx & Mickey Diamond)
- B6: Die Later
Cassette[13,66 €]
When CRIMEAPPLE and Big Ghost Ltd first linked up on their "Aguardiente" collaboration in 2016, the two came to shake the game up. The iconic Antioqueño bottle left a mark in underground hip-hop that still stands strong to this day, and to follow up they cooked up the deadliest material to do that once again with "Bazuko".
Named after the deadliest and most addictive street drug in Colombia, basuco, the album embodies the raw, uncut and unfiltered essence of their artistic process, much like the gritty remnants of cocaine paste.
CRIMEAPPLE's razor-sharp lyricism cuts through Big Ghost Ltd's masterful, hard-hitting beats, creating a visceral, addictive and immersive soundscape. With "Bazuko," the two aren't just following up on "Aguar-diente"; they're raising the stakes, delivering a project that is as potent and unforgettable as its namesake.
- A1: Introducción
- A2: Laugh Now
- A3: Re-Rock
- A4: 5000 Degrees
- A5: Chemical Imbalances
- A6: Trust Issues - A Few (Skit) (Feat. Lukey Cage)
- A7: Pretty Girl Who Can Rap
- B1: Higher Learning
- B2: Smoke Signal
- B3: The Tropicana
- B4: Las Trompetas (Feat. Lukey Cage)
- B5: Motorcycle Sicario School (Feat. T.f, Rlx & Mickey Diamond)
- B6: Die Later
Vinyl[26,01 €]
When CRIMEAPPLE and Big Ghost Ltd first linked up on their "Aguardiente" collaboration in 2016, the two came to shake the game up. The iconic Antioqueño bottle left a mark in underground hip-hop that still stands strong to this day, and to follow up they cooked up the deadliest material to do that once again with "Bazuko".
Named after the deadliest and most addictive street drug in Colombia, basuco, the album embodies the raw, uncut and unfiltered essence of their artistic process, much like the gritty remnants of cocaine paste.
CRIMEAPPLE's razor-sharp lyricism cuts through Big Ghost Ltd's masterful, hard-hitting beats, creating a visceral, addictive and immersive soundscape. With "Bazuko," the two aren't just following up on "Aguar-diente"; they're raising the stakes, delivering a project that is as potent and unforgettable as its namesake.




















