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Following the success of Denshi Ongaku No Bigaku Vol. 1 and Vol. 2, Cosmocities returns with the third instalment of its celebrated compilation series dedicated to the rich and ever-evolving world of Japanese electronic music. Compiled by label owner Matt Soulie, Denshi Ongaku No Bigaku Vol. 3 continues the journey through Japan’s diverse sonic landscape, bringing together pioneering artists, cult favourites and contemporary innovators across ambient, house, jazz-infused electronics and experimental sound design.

A carefully curated snapshot of Japanese electronic music past and present, Denshi Ongaku No Bigaku Vol. 3 showcases the depth, innovation and enduring influence of one of the world’s most inspiring musical cultures.

Since its inception, the Denshi Ongaku No Bigaku project has paid tribute to a musical culture that has profoundly influenced the Cosmocities vision. Where the first volume explored dreamy ambient textures and deep electronic moods, and the second shifted focus towards boogie-laden rhythms and jazz-fuelled dancefloor excursions, Volume 3 finds a natural balance between introspection and movement.

The compilation opens with Yosi Horikawa’s sublime “Bubbles”, an ambient masterpiece whose delicate organic textures gently set the tone. Chari Chari’s “Luna de Ritmos” follows with deep, ethereal house atmospherics before Force Of Nature’s hypnotic “Skyy High” guides listeners further into immersive territory.

The journey continues through the experimental electronics of XTAL’s “Skygazer” and the analogue warmth of Takuya Matsumoto’s “Jump Rope Music”, while regular Cosmocities contributor Yuu Udagawa delivers the sophisticated high-tech jazz house groove of “Little Secrets”.

On the second half of the collection, Kuniyuki’s remix of Slow Didi’s “Follow Me” brings rich jazz-inflected elegance, leading seamlessly into the futuristic techno-swing fusion of DJ Eiji Takehana featuring Yusuke Nakamura’s “Deep Track Jazz”. Tominori Hosoya’s “Summer Dreamers” adds a deeply emotional and dreamlike house moment before Azzurro’s “Just A Touch Of Love” shifts the focus firmly towards the dancefloor with a hypnotic late-night thumper.

Closing the compilation is AcidGelge’s “Fatality 4”, a beautifully spacey and atmospheric finale that leaves the listener suspended somewhere between the club, the cosmos and the imagination.

Music from Tokyo / New York serves as the 2024 sequel to his previous release, Music for Joshua Tree. This conceptual album is divided into Side A (Tokyo) and Side B (New York), utilizing field recordings captured in each location. The ceramic images featured on LP jacket is the work of Namiko Ishikawa (NamipotNYC).

On this record, he incorporates Ambient, Downtempo, Trip-hop, and Dub—bringing to life the specific sounds currently resonating in his mind and his original roots.

Since the pandemic, he has been traveling and capturing "environmental sounds" through field recordings, which served as the primary inspiration for this record. Side A features tracks inspired by the atmosphere of Tokyo, including recordings from streets, parks near his home in Japan. Side B explores New York, incorporating the sounds of Brooklyn and Manhattan, as well as the chirping of insects recorded in the New York mountains.

While the album remains centered on analog synthesizers and vinyl samples, he has introduced analog drum machines and glitch noise to craft the groove. Unlike his previous work, this release brings prominent bass lines and added more Dub elements to the forefront. His primary focus for this project was expressing a sense of "space" and "air" through the meticulous use of reverb and delay.

Throughout the album, he invites the listener to imagine the unique "local atmosphere" he experienced during his travels.

After a long-awaited break from the format, Smokin’ Sessions returns to vinyl with a very special limited-edition pressing of Rowl’s Signal EP.

Since launching in 2007, Smokin’ Sessions has built a reputation for deep, bass-driven music and a vinyl catalogue that has become an important part of the label’s history. After quite some time away from pressing records, SMOKE046 marks the label’s return to wax — presented on limited-edition transparent blue vinyl.

At the centre of the release is longtime Smokin’ Sessions and Deep Heads artist Rowl, returning with four cuts rooted in the deep 2-step, garage and bass sound that has defined both his own productions and the label over the years.

Opening the record is Versa & Rowl – “If You (Rowl’s Grey Skies Remix)”, a weighty reworking of an unreleased Versa & Rowl dub. Raw, swung drums, deep sub pressure and a distinctly old-school UK garage atmosphere run throughout — a sound described in early feedback as a “future retro garage classic” with that early deep dubstep / 2-step crossover feeling. The remix has also picked up support from Mat The Alien, BunZer0, Deep Tempo and Richard Dorfmeister, amongst others.

“Signal” follows — a heavy, stripped-back 2-step roller built around swinging drums, commanding low-end and Rowl’s unmistakably deep production style. The track represents the classic Smokin’ Sessions sound while pushing it forward with the precision Rowl has developed over more than a decade of production. The track has received strong DJ support, including J:Kenzo, who called it a “Great track”, Synkro, BunZer0, Mat The Alien and others.

On the B-side comes “Sierra” featuring Bristol lyricist and vocalist P.A.B MC. Written and recorded together in Bristol, Sierra takes things into warmer territory: chilled two-step garage rhythms, dubstep-weight low-end and an almost astral atmosphere underpin P.A.B MC’s melodic, conscious vocal delivery. It sits somewhere between soundsystem music and reflective storytelling — equally suited to a late-night system or headphones.

Early response to “Sierra” has already included Synkro, who described the track simply as “Killer”, alongside further underground DJ support.

Exclusive to the vinyl is the instrumental version of “Sierra”, giving the full production room to breathe and making this pressing an essential version of the EP for DJs, collectors and anyone wanting to hear the depth of Rowl’s production without the vocal.

Rowl first appeared on Smokin’ Sessions in 2011 and has remained closely connected to both Smokin’ Sessions and Deep Heads ever since. His catalogue includes collaborations with Versa such as Lunar, Jupiter and Solstice, alongside his 2013 Cosmic Visions EP. His music has previously received support from Don Letts on BBC Radio 6 Music, Tim Parker on NTS, Synkro and J:Kenzo.

For the physical release, no corners have been cut. The record has been vinyl cut and mastered by Beau Thomas at Ten Eight Seven (Ten Eight Seven Mastering) — one of the most respected engineers in UK bass music and someone whose experience with low frequencies and vinyl makes him the perfect choice for a Smokin’ Sessions pressing.

East London based quintet IAN bring a sense of jovial camaraderie through their heavy, loud and droning post-rock dirges on debut album 'Come On Everybody, Let’s Do Nothing!' through UK charitable label Human Worth.

IAN (the band) are refreshing newcomers in the UK's heavy underground. The East London based quintet will be releasing their stirring debut album Come On Everybody, Let's Do Nothing! on Vinyl and Digital via independent label Human Worth on October 17th – a labour of love between five old friends and ex-bandmates from Exeter’s fertile early '00s DIY punk scene.

Self-described as "a band that appreciates the peaks and troughs of post-rock as much as the crunch of the riff," IAN's striking debut delivers five dirges that merge earth swallowing riffs with the atmospheres and dynamics of their post-rock heroes, such as Godspeed You! Black Emperor, with the bite and visceral heft of Cult Of Luna and Amenra. Thoughtfully captured by Wayne Adams (Petbrick, Big Lad) at his London based Bear Bites Horse studio, IAN craft slowly mounting riffs, with anguished screams, woven with elegant cello playing, field recordings and earthy timbres. Come On Everybody Let’s Do Nothing!, and the band IAN as a whole, is the culmination of 25 years of musical comradeship and the need to find inspiration in films, noise and the drudgery of middle-aged life.

Rising UK independent label Human Worth have pressed up a limited run of Eco Mix Vinyl, housed in a stunning sleeve designed by guitarist Craig Murray, with a very small batch of Bandcamp Exclusive Signed Prints. 10% of all profits will be donated to charity Mermaids – supporting trans, non-binary and gender-diverse children, young people and their families since 1995.

"A harsh mix of post-rock aggression and dark ambience. As jovial as they were incredible." ~ The Sleeping Shaman

Flex7 is flexing its muscles here, with the currently ultra-prolific king of the multitrack The Reflex doing what he does best. Everything this producer and Pikes regular touches turns to gold and this time the edit maestro adds his know-how to 'D-Y-D', a low-slung and playful funky disco cut with plenty of atmospheric crowd chatter and jazzy chords that swoon through the mix. After that slice of warm proto deep house, the flip features a B-Boy classic cut that is loose-limbed and irresistibly funky.

Amsterdam-based multidisicplinary arts collective and, in this case, ambient electronica-producing duo Wanderwelle created several of the biggest releases that Silent Season have enjoyed to date, this previously digital-only single being one of the very biggest. The public's been clamouring for a vinyl release of this one for an entire decade now, so the label have finally obliged. Four tracks here catch Alexander Bartels and Phil van Dulm in reflective but lively chilled techno mode and from the gliding depths of 'Leaving Port Logan' to the eerie siren song of 'A Watery Grave' there are shimmering subaquatic atmospherics aplenty but also pulsing, underplayed rhythms too. Liquid gold.

Diffuse Reality and Periphylla present Catastrofe Club - Un futuro tranquilo. With electric songs, sharp messages, and a touch of dark humor, Catastrofe Club deliver a record that is both caustic and deeply enjoyable. The album imagines a future where humanity has disappeared and, at last, a radiant peace reigns. Across 10 tracks, they combine post-rock, post-punk, darkwave, and electronic textures with cinematic atmospheres, rugged spoken-word vocals, and their signature blend of darkness and elegance.

Two stripped back downtempo jams from Bristol based producer Jamie Paton up next for SR008. Jamie’s distinctive dubbed out productions have been a firm favourite over the years since discovering his music on Emotional Especial, Hoga Nord, Multi Culti and Club Blanco. He’s a prolific remixer who’s worked with Goat, Plus Instruments, Minami Deutsch, Dâdalus & Bikarus, Blancmange, Johnny Aux, Khidja, Gatos Negros, Food Pyramind, and many more. This release is a perfect fit for Space Ritual and delves into
the darker side of his sound.

Off World is a slow & low spooked out dancefloor trip that meanders through layers of dark, eerie, rattling percussive echos and deep creeping bass. Contrasting atmospheres build throughout entering into a spacious call and response interplay. Fell Swoop's heavyweight bass and haunted sonics take you deep into uncanny space. The raw and swampy bass groove powers through sharp and ominous textures that circle around it.

Pressed to 10” with hand printed artwork on a black reverse board sleeve. Limited to 150 copies.

Oráculo Records has always had a special interest in pushing electronic music towards unexplored territories, and it is precisely within this microcosm that IP307 emerges. Blending the most dub- infused and mechanical forms of electro with industrial, EBM and even post-punk, the project delivers a hypnotic, forceful and deeply cathartic sound.

Behind IP307 is Israel Padilla, founder of Banshees Records and one of the leading figures of the industrial scene in the Iberian Peninsula. With “IP307.1”, he presents six interconnected compositions, each with its own distinct identity while contributing to a coherent vision of seemingly opposing styles, reimagined into a singular language.

The result is neither a nostalgic exercise nor a stylistic collage. Instead, it reflects the experience, technical mastery and artistic vision of someone fully capable of expanding the path opened by pioneers such as Clock DVA in their later works, or Atom™, both through his solo output and as part of ASA alongside Esplendor Geométrico.

New sonic artillery for the most forward-thinking listeners already embracing this emerging strand of dark electro through our recent releases such as Occulimus by Mystic Letter K or the work of Maman Küsters, “IP307.1” offers another essential chapter in the evolution of this new form of sound. Welcome to the future. Welcome to IP307.

Modern Hypnosis is proud to introduce Babaka, the new alias of esteemed German producer Jörg Müller.

Reigniting his passion for physical, visceral sound system music, Jörg uses classic analog gear and a few self-built instruments to create a unique, potent dub sound. While reminiscent of Jörg’s earlier ambient and dub techno styles on his 2019 album Drawn From Memory and 2022’s Groundworks LP on The Moth Club, his new direction has evolved those techniques and primed them for sound system use. His debut release as Babaka showcases four masterful tracks that differ widely from one another while remaining within his new realm.

The opening track, "Exterminating Angel," is a pulsating, supernatural dub experiment featuring a deeply infectious bassline, ghostly key stabs, tight percussive delays and an oddly dramatic vocal sample creating a profound sonic climax before tapering off, allowing you to escape its vacuum and recalibrate. The most skank'n track of the EP, "A Bug in the dark" with its murky half-time swagger feel, bouncy hats, dub saturation and mega sub-driven riff has become an all-time favourite at Modern Hypnosis HQ.

Featuring precise production with decorative atmospherics and swung drums, "Woodsman Blues" has an almost Boxcutter feel to its intro before plunging off the deep end, hitting the dub floorboards, and revealing its true self as a reincarnated, stoned dubstep track. Closing out the release is "Hysteria," a perfectly executed, dark, chugging techno steppa that remains a popular track for many early-access DJs and selectors around the globe.

In the words of Jörg Müller himself:

After my first Album "Heavy Heart”, I tried to push my music more into abstract territory, especially sound-wise, ignoring mixing and mastering rules... this culminated in the eerie, roomy, off-atmosphere on "ground works" on The Moth Club.

After that, my focus shifted further towards freeform electro-acoustic ambient music. I built a couple of instruments myself and released two albums on Shimmering Mood as Kaleidophon. This was during the pandemic as nightlife came to a stop.

In 2023 and 2024, I started to go to dances again. I saw The Bug on his Pressure System, Al Wootton at Meaksuma Festival, Channel One and Iration Steppas on Young Veteran Hifi Soundsystem. Especially impressive were Mark Ernestus, Mark Ainley and Aba Shanti on the infamous sound system at Open Ground in Wuppertal.

This reignited my passion for dub/sound system music; I wanted to make tracks with the physical, visceral quality of sound systems.

Xistence Records reaches its eighth release with what may be its most important record so far, bringing together four artists whose music carries the spirit and evolution of Detroit techno. With selections reaching back three decades alongside new material, the EP connects different eras of tracks that exemplify the raw soul, machinery and futuristic thinking at the style's core. Sean Deason opens with 'Time Warp', originally appearing on his Matrix label in 1996 and finally receiving its first vinyl release. Thirty years later, its dramatic entrance and surging rhythm have aged perfectly. Energy is matched by genuine depth and soul, with its futuristic energy at the heart of it all. Label owner Arbilla follows with 'Electric Storm', harnessing the power of a great techno groove creates a blend of infections elements working in harmony. The second side reaches back to 1998 for a previously unreleased DX-9 production. A pounding Chicago warehouse beat meets the mechanical precision of Detroit, while a heavily over-arching acid line fuses the marriage these two deep-rooted cities. Legendary producer, Orlando Voorn closes proceedings under his Basic Bastard alias with 'Alone Together'. Perhaps the sickest groove of the EP. opens up a spacious atmosphere that gives the track an almost celestial quality. Inspired by Detroit techno’s evolution and its key figures, Xistence continues to show why it has become one of the rare trusted homes for proper techno.”

(Tim Humphrey from Electric Cafe)

‘I have always been drawn to those ambiguous territories between beauty and terror, and the Trinity test is their epitome: magnificent, sublime, terrifying, annihilating. A destructive power that, somehow, only love can compare with.’

The prescriptive art and performance of Berlin based, French producer, Julienne Dessagne, has concluded with a starkly beautiful reimagining of Chris Isaak’s Wicked Game.

As Fantastic Twins, her continuing creative manifestation for music and performance, has released an array of electronic art for the body and mind. A sonic exploration of dual characters shaped through experimental pop, cinematic electronics and the outer edges of techno.

First appearing on the cult Hippie Dance label, before establishing a long and warm collaboration with Keith McIvor aka JD Twitch and his inspiring Optimo Music label, as well as her own House Of Slessor label, this release comes full of mythology and symbolism.
Immersive sound design, narrative tension, and emotionally charged atmospheres, the origin of the project – Wicked Game (Trinity Version) – was composed for a live performance at the Beta Biennale Of Architecture Of Timișoara in September 2024 and given a limited digital release soon after.

The impact on the artist and the music was multi-layered:

‘While recording this cover, images of the Trinity nuclear test, as reimagined by David Lynch in Twin Peaks (Season 3 / Episode 8) kept resurfacing, almost on a subliminal level, suggesting another wicked game: humanity’s love affair with science and technology, driven by the same mix of desire fascination and inevitability that animates Chris Isaak’s original song.’

Approached by Emotional Response, this updated “vinyl” edition is re-recorded / remastered and comes with new interpretations by Julienne herself, as well as remixes by Aho Ssan and Optimo (Espacio).

Dessagne offers a spectrum of mixes and moods; the centrifugal ‘Trinity Version’ a sweeping cinematic masterpiece, between beauty and terror, the artist transmits the aesthetics of sublime; while ‘Thousand Suns Version’ fuses industrial and techno soundscapes for a beatdown reimagining; the melancholia ‘Atomic Love Version’, where the beautiful vocals are matched with a glitchy, clipping ambience; and the finale, the ‘Core Version’ shines a personal, drifting odyssey.

The accompanying remixes see Aho Ssan (Niamké Désiré), composer and sound artist, his remake merging a love of darkcore drone with moments of uplifting energy, the ‘Core Version Aho Ssan Remix’, a fusion of craft and Dessagne’s vocals.

To close, taking up the Optimo remix mantle, Jonnie Wilkes embraces the propulsion, his ‘Thousand Suns Version Optimo (Espacio) Remix’, offering brooding, electro-driven percussion that overflows with emotion and completes this stunning, evolving, organic and singular remake.

The universe of Muovo Musica is a world of its own, a sonic space where Dove Quiete has learned how to make us move while holding our hand. His upcoming EP, “Guardo La Luna EP.”, explores the artist’s different facets through an unpredictable journey where minimal techno is a constant presence, but far from enough to define the release. Moving between driving tools, ghetto tech influences and trip-hop atmospheres, the tracks naturally cross genres and blend different influences. Rhythm and experimentation coexist throughout a cohesive yet unpredictable EP, always keeping impact at its core.

Ossios makes his Yay Recordings debut with two deep cuts that capture the magic of his creative process - summer house excursions shaped by back-and-forth flights and fleeting moments of inspiration.

On one side, Deadbeat opens up his studio a fires up the studio stove with "One Night at the Ranch (Betting the Farm)," featuring vocals from his love soul Elle. Tumbling drums, understated grooves, and subtle house hypnosis unfold with effortless ease.

On the flip, "Drama Is a Game" channels a hazy afternoon in Mexico City, exploring memory and duality through shape-shifting synths and warm, drifting vocals. The result is a deeper, darker journey where emotion and atmosphere remain in constant motion.

Italian sound artist Giulio Aldinucci returns with his 5th album on Karlrecords: "Materia" is unsurprisingly a truly masterfully composed and sound-designed ambient masterpiece that adds perfectly to a series of critically acclaimed albums like “Disappearing In A Mirror” (2018) or “Shards Of Distant Times” – some of which made it onto several year’s best lists.

Giulio Aldinucci is an Italian composer and sound artist from Siena, Italy. His work focuses on ambient and experimental music, blending field recordings, electronic processing, and acoustic elements. Active since the early 2000s, he has released several solo albums on international labels including Karlrecords, Home Normal, and 99chants. His compositions often explore themes of memory, perception, and the relationship between sound and place.

Aldinucci's music is characterized by immersive, multilayered textures and meticulous attention to sonic detail. He constructs expansive soundscapes by integrating processed environmental recordings, choral elements, instrumental timbres, and subtle harmonic shifts. His style draws from both the aesthetics of contemporary ambient and the techniques of electroacoustic music, resulting in works that are at once atmospheric and conceptually grounded. The interplay between organic and synthetic sound sources is central to his approach, blurring the boundaries between the natural world and the constructed sonic environment.

His works have been presented at international festivals. He has also created art installations and multidisciplinary performances. In addition to his solo output, Aldinucci has collaborated with a wide range of musicians and artists, developing projects that intersect sound art, composition, and performance.

Aldinucci about "Materia": "Materia focuses on the idea of sound as a matter, which can be shaped into complex forms by removing excess material from the sound mass.The album originates from the dichotomy between accumulation and subtraction, creating compositions out of frequency-dense audio material in order to unearth what is “hidden” inside the raw sound mass. Unlike sculpture, in music time can be matter too by shattering sounds into milliseconds andrecompose them with a different fragments order, going beyond the traditional notions of rhythm and duration.“

Our debut vinyl EP unites Strange Glide, Kamatchi, and Moxi in a project built around a deliberate progression. The tracklist was crafted to move from bright, solar energy toward darker, more introspective moods. Blending eclectic styles, we focused less on genre and more on emotion—shaping each track to express a distinct atmosphere while contributing to a coherent journey in tone and frequency. This EP is a shared narrative where each artist brings their own identity to a fluid, evolving sound.

Four essential cuts extracted from the deepest corners of the Newrhythmic digital catalogue.
Hypnotic rhythms, fractured textures and immersive atmospheres converge in a limited vinyl selection focused on tension, depth and movement.

A1 - Gareth Wild - Boca De Venum
A2 - Joton & Divide - Junction
B1 - A.Morgan - Loathing
B2 - bw - Olives

Written, mixed and produced by V/A
Released by Newrhythmic Recs, Spain
Catalog Reference: NRLTD022
Mastered by Jose Angel Palacios
at Newrhythmic Studio - León, Spain.
Format: Vinyl 12 & Digital
Promo / Press : thotpr

A mysterious artist pays tribute to Scandinavian dark synth pop pioneers, featuring reimagined versions of two cult classics.

Blending contemporary production techniques with the timeless atmosphere of the original recordings, the record offers a fresh perspective on these beloved tracks while preserving their distinctive vintage character.

Bridging past and present, celebrating the legacy of the genre's pioneers for both longtime fans and new listeners..

FOUNDATIONS004 heralds the Dawn of A New Era from FTL. A thematic 4 tracker evoking 1993 darkside jungle tekno flava. Lead track Braindead Badbwoy sets the scene with heavy kicks, weighty basslines, eerie pads and dark atmospheric stabs that build towards a climactic final drop. Next up, Consciousness kicks things off with uplifting hardcore vibes before dropping into classic rave stabs and a massive bassline built to make the bricks shake. Those familiar with undead lore will instantly recognise the infamous character on the sleeve, perfectly capturing the track’s title: a last brain-cell firing moment from the pattern recognition of a long lost tune. Consciousness in the new dawn. Keeping on theme, Stolen Memories drifts through dark atmospheric landscapes with haunting spoken-word vocals. Another climactic finale and we’re reminded once more of our talismanic protagonist, piecing together broken synapses at the end of an epic allnighter. What actually just happened? Rounding things off, title track Dawn of a New Era emanates with poignant nostalgia and the promise of new awakenings. A jungle tekno romper to carry you through to first light.

"Surface Noise Isn’t A Crime" continues NOREPRESS’ exploration of texture, pressure, and imperfect sound as core elements of underground electronic music. Across four tracks, the release moves through Deep Tech House, Dub Techno, Electro, and Breakbeat without settling into fixed genre boundaries, balancing functionality with experimentation throughout.

A1. Tvardovsky feat. Andrey Zverev – Flute Meditation opens the record with a dense, slowly unfolding trip built on dub space, electro tension, and hypnotic Tech House movement. Organic flute phrases drift through layered percussion, evolving bass pressure, and spacious analog textures, creating a strange collision of futurism and nostalgia. The track resists obvious peak-time formulas, choosing gradual transformation over immediate impact and rewarding deeper immersion with every transition.

A2. Osman Öz – Regrets moves into softer territory without losing rhythmic weight. Warm breakbeat structures, airy melodic fragments, and fluid low-end movement give the track a calm but persistent momentum. Osman Öz keeps the arrangement restrained and precise, allowing groove and atmosphere to carry the emotional core of the composition naturally.

On the B-side, Kirill Matveev appears under his Natural Piece Of Aloe alias with two contrasting interpretations of the project’s dub-informed language.

B1. Salto Mortale is playful, unstable, and constantly mutating. Rhythms stretch and reorganize themselves around shifting tonal fragments, while the arrangement moves with the loose unpredictability of an improvisation session. Despite its complexity, the track never loses control, maintaining a strong forward pull through every unexpected turn.

Closing the record, B2. Columbo Beat, Kirill Matveev - Sundub pushes deeper into darker territory. Acid sequences slice through heavy dub atmospheres while rugged drums and saturated low-end pressure drive the track forward with raw physical energy. Distortion, space, and movement interact continuously, turning the track into a hypnotic late-night tool designed for more adventurous dancefloors.

"Surface Noise Isn’t A Crime" captures NOREPRESS at its most confident: raw textures, deep space, broken edges, and timeless club influences reconstructed into a modern dub-driven framework.

NOREPRESS is a division of MixCult Records

Ashley Beedle’s remix of "Unmask Me" by MAMA is a masterpiece of deep, atmospheric house music. Characterized by shimmering chords and shuffling percussion, Beedle transforms the original into a sunlit, Balearic-tinged gem. It famously became a signature track for the late DJ Andrew Weatherall, he notoriously played and closed his set with it at his Convenanza Festival in September 2017. Where a now trended meme video of The Guvnor vibing to the gem, whist the crowd was in absolute euphoria to the magic being made.

Now released on purple vinyl, with all profits donated to our friend Mr Beedle and his ongoing care.

You need this in your life.

Split#5 marks the fifth and final installment of the Split series on the Various Artists catalogue of Pi Electronics, pairing Spanish producer Hurtado and Greek producer Nikitas Grs. Despite their distinct approaches, Hurtado's industrial-leaning broken beat funk and Nikitas Grs' psychedelia-infused noise techno converge through a shared aesthetic of textured sound design, raw energy and dark atmospheres. On the A-side, Hurtado showcases his trademark production style through the driving cuts "Show of Force" and "Bad Company", while "The End", featuring vocals by Genevieve GV, reveals a more experimental side of his production. The B-side welcomes Nikitas Grs with two compositions that blur the boundaries between techno, trance and industrial music. The live version of "Susano" unfolds as a rolling, hypnotic dancefloor trip, while "Anoriotos" balances heavy rhythmic impact with an underlying sense of ambient nostalgia. The digital bonus track, "Pollinator 5000", reveals yet another facet of Nikitas Grs' sound palette: a relentless piece of noise-techno that rounds off the release with uncompromising intensity.

MASA 007 sees DJ Sodeyama at his most incisive and introspective, delivering three cuts of direct, mental techno, complemented by a powerful remix from Atomic moog. Across four tracks, the record flows with clarity and purpose, driven by sharply defined drums and acid-tinged textures, while layered with expansive ambient pads and evolving atmospheres, resulting in a sound that is both forceful and deeply immersive. Atomic moog’s reinterpretation, a signature of this modular wizard duo, built around earthy psychedelic pads, field recordings and organic synths, cements MASA 007 as a refined statement of modern techno’s cerebral intensity and emotional depth.

Mutual Rytm's Versus sub-label returns with a dark, absorbing new EP from contemporary techno innovators Kameliia and BLANKA. Kameliia and BLANKA both previously appeared on Federation of Rytm IV and now step forward with their long-awaited debut EPs. It is another standout for Mutual Rytm's Versus series, which has already made an impact with two previous EPs from Regent and Chontane and Klint and Hemka. This third release subtly evolves the sound into more hypnotic and atmospheric worlds that bring fresh perspectives to the series. Bulgarian-born, Norway-based Kameliia’s music is rooted in cinematic, melancholic and hypnotic sounds. She translates deep emotions into immersive sonic landscapes inspired by nature, particularly the moon, the sky and their atmospheric qualities. Along with Berlin-based Spaniard BLANKA, she has released on labels such as SK_Eleven, while BLANKA also co-founded Room Trax and draws heavily on the human voice, which she considers one of the most personal and intimate instruments. She uses it to create an emotional, direct connection with the dance floor, with a clean, minimal, timeless style rich in emotion. Kameliia opens up with the weighty kicks and eerie atmospheres of 'Bird In A Cage' before 'Red Sky' layers taut kicks and icy synths into a hypnotic forward charge full of depth and darkness, then 'Lightness' has an unsettling and paranoid lead hanging in the air next to vocal fragments and haunting pads. BLANKA’s offering begins with tightly wound kicks and bass on the dubby 'Say It With Me'; 'Self Pleasure' is an immersive and rubbery rhythm with cosmic synth work, and 'Rabbit Habits' brings funky synth lines that radiate a sense of subtle light and hope amidst the darkness of the groove. Two digital bonus cuts from each artist follow: Kameliia's unsettling, dystopian soundscape 'No Longer A Desire' and the backlit suspense of 'Vivere', and BLANKA's gritty, loopy 'Dream VST' and the deep-space odyssey that is 'Gone For Good'.

2026 Repress

Italian-Iranian DJ/producer Sciahri lays down a deeply hypnotic seven- track EP on return to Mutual Rytm. Heading up the agenda-setting Sublunar label, which is one of Mutual Rytm boss SHDW's personal favourites, Sciahri has been deep in the scene for more than a decade ever since he turned heads with a debut on Ilian Tape in 2014. Well respected for his carefully balanced love of the classic sound with new school influences, always delivering cuts with a refined and personal touch, highlighted and showcased via his widely-loved ‘Pareidolia’ release series. Returning on the label following his appearance on the ‘Federation of Rytm IV’ compilation, he lands with a freshly evolved EP that kicks off with the much hyped ID, ‘Moonwake’. That cut is built on robust, rumbling drums and layered up with flashy synths that bring stark futurism to the dance floor. ‘Liminal’ follows a similar linear path with musical drums and synths that twist and twitch, firing your synapses while your body is locked to the rhythm, before ‘Night Sentinel’ transports you to a more eerie world of anxiousness and tension - the synths are spooky, and the sonar pulses keep you on edge as immersive drums race nonstop. ‘Unmoved’ lands heavy, the bulky kick drums coming on like a storm with howling synth winds adding to the all-consuming atmosphere. ‘Too Much Time’ closes out with a wall-rattling groove and subtle synth motifs that creep in the shadows. As always with the label, digital cuts ‘Silent Frontier’ - which gets dancers on their toes with a backlit synth glow - and ‘Louisiana’ - which brings a more psychedelic energy and hard, hammering groove, rounding out a stylish, meticulously produced offering.

For CT022, Cosmic Tribe presents the third edition of the Artist Series featuring C.C.O. (Contra Communem Opinionem), the project of Swiss artist Florian Büchel.

The original material selected here explores a more direct and linear side of his music, combining atmospheric structures, subtle acid elements and elegant melodic progression.

On Side B, both reinterpretations move the material toward more dancefloor-oriented territory. Raakel Bloody Raakel reshapes Gravitational Disturbance into a recognizable acid-electro interpretation with increased groove and syncopation, while Romphea takes Interstellar Matter into heavier and darker contemporary electro-breaks territory with increased low-end weight and a more direct club approach.

The result creates a clear contrast across both sides: progression and musical development on Side A, followed by two alternative perspectives built around movement and dancefloor energy.

Class & Energy in a limited edition of 150 copies

“The Long Transition From Death To Wisdom” marks a new chapter in Dmitry’s evolving sonic world – a contemplative, slow‑burning journey through grief, memory, and the quiet emergence of clarity. Rooted in a brooding fusion of shoegaze, goth, and darkwave, the album drifts through washed out guitars, spectral synths, and poignant vocals – its emotional landscape suspended between sadness and awakening. On vocal duties is Dmitry’s longtime collaborator Valeria Simonova, whose presence deepens the album’s atmosphere. Each track feels like a step forward in the ritual of becoming aware of one’s own existence, moving through silence and ancient memories toward a sense of spiritual renewal.

The album opens with the mysticism and layered metaphors of “Liar,” before descending into the ancient, biblical presence of “Serpent Queen.” Midway, “Zenith” rises with shimmering synths and steady, triumphant percussion, while “Echoes of Yesterday” lingers in celestial melancholy, dissolving the boundary between remembrance and insight. The Bside begins with “The Other Side of Life,” a threshold into a quieter, more reflective space, followed by the meditative, ritual like ambience of “Shrine of Ruins.” Closing track “Cold” offers a final exhale from the fading realm of the past – an acceptance shaped by distance, time, and the erosion of old wounds.

An array of musicians contributed to the recoding of the album: Mathys Dubois (No One Is Innocent, exBlack Strobe), Loïc Maurin (M83), Victor Sologub (Deadушки, Странные Игры), Alexander Titov (Кино, Аквариум), Ben Easton (Deary), and others. The album was mastered at Abbey Road Studios by Miles Showell.

The 10 th release of the label is by the label owners Elad Magdasi & Mathias Weber, with their first record ever as MELATRONIX. Their productions are inspired by their childhood and sounds they grew up with, as well as 90s duos they listened to back and now. The record is diverse and combines their eclectic point of view, from piano riffs, heavy synths, dreamy atmosphere, to a more raw, tooly techno. Front Left Love.

Longtime Sonic Groove staple REALMZ (Rob D'Atri) makes his long-awaited return to the label with his first release since 2018. Delivering a sharp, clinical transmission of heavy electronic sound design, this record pairs intricate programming with fractured rhythms and dense, driving atmospheres. Echoing the minimalist, metallic energy of classic warehouse techno, it cuts straight to the floor with precision mechanical grooves. Pure, uncompromising underground techno

Inspired by the landscapes and cultural heritage of Munzur, Boran Ece returns with Moonzour, a deeply emotional and organic club record that blends melodic grooves with atmospheric textures. The release is complemented by two distinctive remixes from Hannes Bieger and Mickael Espinosa, each offering their own interpretation while preserving the emotional essence of the original. Released on Son d'Étroit as a limited 200-copy vinyl edition alongside the digital release, Moonzour marks another chapter in the label's journey, celebrating storytelling through electronic music.

- Limited vinyl edition of 200 copies

Electrumos is said to be a lost continent hidden somewhere on Earth. Some believe it lies beneath the surface, others claim it drifts invisibly through the atmosphere or exists between different layers of time. Despite countless attempts, nobody has ever managed to locate it.
On this EP, pdqb becomes the first known traveller to access Electrumos, intercepting and decoding the mysterious electromagnetic transmissions emanating from within.
He transforms these signals into irresistible electro-cognitive frequency patterns.
Featuring remodels by dynArec and DMX Krew, along with artwork by John Armleder.

Detroit techno visionary Keith Tucker returns through his acclaimed alter ego Optic Nerve with AUGMENTATIONS EP, a forward-thinking exploration of minimalist machine funk, futuristic sound design, and deep electronic movement.

Crafted with precision and unmistakable Detroit character, AUGMENTATIONS merges hypnotic analog sequences, mechanical rhythm structures, atmospheric synth textures, and driving electronic beats into a powerful sonic statement rooted in the city’s enduring techno legacy. Sparse yet immersive, the EP balances raw underground energy with cinematic futurism — designed equally for dark warehouse floors and deep headphone listening.

Pressed as a Limited Collector’s Edition Clear Vinyl 12-inch, PBX-38 captures the sleek, transparent aesthetic of the music itself: pure signal, machine emotion, and uncompromising Detroit innovation.


A1 — Augmented 1 (Optic Nerve Original Mix)

A deep, stripped down Detroit techno workout driven by pulsing drum programming, evolving synth modulation, and hypnotic minimalist sequencing. Functional futurism engineered for late-night motion.
B1 — Augmented 2 (Infinite Worlds Mix)

Built around a rolling funky bass line and eerie flowing string textures, this expansive composition moves through layers of atmospheric electronics and mechanical groove architecture. The track creates an immersive sense of drifting through endless digital landscapes while maintaining a sharp rhythmic intensity designed for the underground dance floor.
B2 — Augmented 3 (Visual Shapes Mix)

Abstract melodic fragments, and precision electronic rhythms collide to form a futuristic minimalist soundscape filled with movement, tension, and cinematic pulsed chords.

7CIRCLE - Fracture EP - DTR005 Limited Edition, Hand Numbered, 180gr Silver Coloured Vinyl 7CIRCLE returns with Fracture EP, the fifth release in the DTR series, exploring techno through structure, tension and controlled disruption. Following his previous work released through the UNTOLD SERIES on cassette, the new EP brings together two original productions and two remixes, each approaching the material from a distinct perspective. “Fracture” builds a rigid rhythmic framework driven by repetition and forward momentum, while “Broken Morning”introduces a more melodic and atmospheric dimension. Conrad Van Orton takes “Fracture” into darker and more forceful territory, intensifying its physical impact while maintaining its relentless drive. Answer Code Request reshapes “Broken Morning” into a deeper and more immersive interpretation, expanding its melodic and atmospheric elements while preserving its hypnotic core. Fracture EP is released as DTR005 on strictly limited, hand-numbered 180gr silver coloured vinyl, housed in a coloured sleeve.

From Richmond, Virginia, Shy, Low have a reputation as one of the most compelling voices within the modern instrumental underground. Their music speaks to fans of post-rock's emotional grandeur and post-metal's crushing intensity alike, while simultaneously appealing to listeners drawn to experimental, atmospheric, and cinematic forms of heavy music. The band's ability to merge these seemingly disparate qualities has resulted in a body of work that is immediately recognizable and continually evolving. Luminous melodies, driving heaviness, layered textures, and carefully controlled tension allows `Purity Spiral' to move effortlessly between fragile moments of introspection and towering passages of intensity. Whether constructing intricate layers of harmony or driving songs toward explosive climaxes, there is a deep understanding of pacing, atmosphere, and the power of restraint. Momentum is at the heart of this album, through intricate rhythmic detail, and explosive bursts of energy, drums become the anchor and catalyst, supporting the band's expansive arrangements while pushing them toward moments of cathartic release. What distinguishes Shy, Low is their ability to balance enormity with restraint. Their music unfolds patiently, allowing tension to accumulate through layers of texture, melody, and dynamics. Moments of delicate clarity often coexist with overwhelming weight, creating a sense of organic motion. At the core of the band's sound lies an acute understanding of contrast. From shimmering, expansive passages to towering walls of distortion, the rhythm section provides both propulsion and atmosphere, becoming integral narrative voices that shape the emotion. There is a disciplined sense of purpose in their writing, an understanding that every note serves a larger arc. Shy, Low thrives in the space between introspection and catharsis, where subtle details become as impactful as the heaviest climaxes, and listeners are taken on a journey that is as visceral as it is profound. FOR FANS OF Caspian * Russian Circles * If These Trees Could Talk * Pelican * Toundra

From Richmond, Virginia, Shy, Low have a reputation as one of the most compelling voices within the modern instrumental underground. Their music speaks to fans of post-rock's emotional grandeur and post-metal's crushing intensity alike, while simultaneously appealing to listeners drawn to experimental, atmospheric, and cinematic forms of heavy music. The band's ability to merge these seemingly disparate qualities has resulted in a body of work that is immediately recognizable and continually evolving. Luminous melodies, driving heaviness, layered textures, and carefully controlled tension allows `Purity Spiral' to move effortlessly between fragile moments of introspection and towering passages of intensity. Whether constructing intricate layers of harmony or driving songs toward explosive climaxes, there is a deep understanding of pacing, atmosphere, and the power of restraint. Momentum is at the heart of this album, through intricate rhythmic detail, and explosive bursts of energy, drums become the anchor and catalyst, supporting the band's expansive arrangements while pushing them toward moments of cathartic release. What distinguishes Shy, Low is their ability to balance enormity with restraint. Their music unfolds patiently, allowing tension to accumulate through layers of texture, melody, and dynamics. Moments of delicate clarity often coexist with overwhelming weight, creating a sense of organic motion. At the core of the band's sound lies an acute understanding of contrast. From shimmering, expansive passages to towering walls of distortion, the rhythm section provides both propulsion and atmosphere, becoming integral narrative voices that shape the emotion. There is a disciplined sense of purpose in their writing, an understanding that every note serves a larger arc. Shy, Low thrives in the space between introspection and catharsis, where subtle details become as impactful as the heaviest climaxes, and listeners are taken on a journey that is as visceral as it is profound. FOR FANS OF Caspian * Russian Circles * If These Trees Could Talk * Pelican * Toundra

Tenuous Links welcomes Torino’s very own VIOLA to the label with his new ‘Wrinkles’ EP. As the label owner of Reflue Records, VIOLA first caught my attention with his debut full-length release, a body of work that showcased a deep, rugged sound and a clear technical prowess shaped by his surroundings rugged coastlines and industrial landscapes of Torino in northern Italy. After speaking with Cristiano for over a year, it felt like a natural progression to bring his music to Tenuous Links. “The music I write almost always functions as a visceral soundtrack to whatever environment surrounds and infects me while I'm creating. Deeply rooted in the architectural contrasts of the places I’ve inhabited.”

‘Wrinkles’ is VIOLA’s second full-length body of work, yet the years of graft and dedication behind it are immediately apparent. Across three original tracks and a remix from London’s Jay Duncan, the EP delivers pure grit and crunch, inhabiting large, cavernous atmospheres grounded by pummelling bass, dynamic drums and intricate rhythmic detail.

The title track ‘Wrinkles’ is an ode to club spaces and the scene that revolves around them. Its broken rhythm channels the dancefloors of Cristiano’s formative years, spent partying in abandoned bunkers and warehouses in and around Torino. VIOLA explains: “Crafting such a raw, gritty bassline felt like an absolute necessity during the writing process, retracing memories of long nights spent dancing in silence.” The track’s cavernous atmosphere mirrors those pitch-black, unlit spaces, drawing us deeper and deeper into the abyss, with only brief glimmers of light offering reprieve from its relentless, all-enveloping bassline.

‘Mon Tom’ draws heavily from VIOLA’s hometown and his complicated relationship with Torino ,a city where tranquillity and beauty sit alongside heavy industry. The calm of the coastline is violently interrupted by vast steelworks and plumes of black smoke, leaving an imposing industrial mark on both the landscape and its people. The track reflects these contrasts. Metallic yet fluid, it moves at a faster pace, built around a driving 4/4 rhythm designed to suspend the listener while skittering percussion creates an increasingly uneasy sense of movement. It’s a meeting point between the beauty and brutality of the environment that inspired it.

‘P Maggiore’ was written between 2019 and 2020 while VIOLA was living in Rome’s chaotic Porta Maggiore district. Surrounded day and night by the grinding noise of trains, screeching tram brakes and beaten metal, he translated those raw auditory memories directly into high-pressure sound design. Yet, in contrast to the intensity of his surroundings, VIOLA deliberately pulls back the tempo.

Rounding off the EP is a skeletal remix of ‘Wrinkles’ from London’s Jay Duncan. She strips the original back into a techy, rolling cut, retaining its atmosphere and darkness while introducing a lighter touch of minimal-esque sound design. The result is a subtly transformed take on the title track that provides a fitting conclusion to the EP.

‘Wrinkles’ EP is a record shaped by place, by architecture, industry, memory and the physical spaces that leave their mark on us. From Torino’s industrial coastline to the chaos of Rome and the darkness of abandoned club spaces, VIOLA turns his surroundings into sound. Coming to vinyl and digital October 16th of October.

DJ Support: Glenn Underground, Leo Mas, Sean Johnston / ALFOS, Massimiliano Pagliara / Panorama Bar, Al Mackenzie / Field of Dreams, Shane Johnson / Fish Go Deep, Flash Atkins / Paper Recordings, Pete Gooding, Mark Broadbent, Max Essa and plenty more.

2026 has been a particularly busy year for Visions of Light, the Balearic/ambient/dub trio founded by Freebooter Records’ Simon Sheldon alongside Muzka and Dan Dub Lounge. Following the Dedications EP – their warmly received collection of Balearic dub reinterpretations of White Isle-friendly club classics – the trio return with ‘Mycelium Bloom’, the follow-up to their 2025 debut LP The Mandela Vortex. Mycelium Bloom sees Visions of Light expand their signature sound, blending downtempo dub grooves and sunbaked Balearic soundscapes with hallucinatory electronics and psychedelic touches. Layered guitars, deep bass, immersive textures and dreamlike melodies run throughout an album designed for both sunset listening and deeper late-night excursions.

Opener Split The Scene sets the tone with acidic electronics circling languid beats, heavy bass and spacious pads, while All The Best Thing taps into the spirit of early ’90s chill-out rooms, adding desert blues influences to its hazy, enveloping atmosphere. Holding Jupiter pushes further into psychedelic territory, built around low-tempo rhythmic drift, effects-laden guitars and expansive chords. Elsewhere, the trio reconnect with their rootsier dub foundations. B Town delivers a warm, summery skank, while Radiant Flux shifts towards Balearic dub dancefloor territory. Perfect You, featuring words written and performed by Richard Dormer alongside flute from Luis Vilca, is a gorgeous sunset-ready highlight, while Let Go closes in on pure Balearic bliss through gentle melodies and slow-burning atmosphere.

The fifteenth release of Barro comes with an exclusive: behind the Transylvanian mask of Orlok 101 lies Nöle himself, the boss of the label.

Remember that he used this vampiric AKA to kick off Barro—his The End Of The Beginning being the first release, published in late 2018. That same year, his techno-industrial sound—packed with references from the famous work of Bram Stoker and nightmare atmospheres—helped launch another label: Soil, the Valencia-based imprint, with a project that included a suitably fitting remix of The Horrorist. The following year, he released an EP with five original tracks, titled Runaway, while also “spreading blood” on Antikhrist Visions Vol I alongside his Industrias Mekanikas comrades.

His dark influence has been felt across Barro’s catalogue, whether through his own tracks or remixes—sinking his teeth into artists like The Hacker (under his real name, Amato) or Nebula Circuit. In 2025, Orlok made his debut on Aspecto Humano with a powerful EP, equally gritty and dark. In Barro, we’ve recently had Nöle—the most techno side of Imanol Pagola—with the EPs Electro Bloody Music and Demencial Chico Aceleradom, two great showcases of his ability to keep us dancing nonstop, following the popular Mendekua, released by Xtraperlo.

For Barro 15, the two sides of the producer and DJ come together on this EP, titled Sex With a Cop—four tracks released on vinyl and digitally, plus an alternate version of the final composition as a bonus track.

Nöle's knowledge of the dancefloor and Orlok 101's ability to create atmospheres that will give you goosebumps come together on this EP to create an explosive mix.

Sex With a Cop starts with Hilerri, a techno EBM track where Orlok provides repetitive, screeching sounds and a ghostly melody, while Nöle adds incisive synths and a catchy, addictive vocal sample that warns you of the danger of the material you’re listening to. Orlok then takes over with his industrial and metallic sonorities on the next track, Amets Fabrika, although Nöle’s influence still comes through with his powerful bass and addictive synth lines. A stifled scream and a production packed with a thousand details create an unsettling atmosphere that will surprise you on the dancefloor.

The flip side begins with No Voy A Quedar Con Nadie, a track closer to Nöle’s technooid world. Even with its unsettling opening, it doesn’t take long to turn into a danceable bomb, with that dark touch typical of the Navarro producer.

Surprisingly, he saves the best for last: Harina de Huesos Humanos is one of the most interesting tracks created by Imanol Pagoda, and we can hear it in two versions, one as a bonus track. Thanks to complex production full of details and sounds that come and go, a punchy, hard as granite kick drum, and a carefully crafted industrial atmosphere, it all ends up being the perfect union between the two sonic worlds. A spectacular finale for the label’s fifteenth release.

A new producer-led project from musician and composer Nitzan Dana, Islands on Tape arrives with Dust Conspiracy, a cinematic and deeply textured three-track EP balancing vintage exotica, library music, psychedelic groove and modern beat culture.

Previously known for his work with psychedelic post-rock outfit Meuban, Dana created Islands on Tape as a separate artistic identity, a space to explore instrumental composition and studio experimentation through a more personal lens. Across the EP, he draws on a wide palette of influences, from Sven Wunder and Maston to exotica pioneer Les Baxter, alongside the sample-driven worlds of Madlib and MF DOOM. The result is a record that feels loose and organic in spirit while remaining intricately arranged and carefully constructed throughout.

Recorded across just three sessions with a close circle of collaborators, Dust Conspiracy draws together live drums, flute, percussion, surf guitars, Farfisa organs and atmospheric textures into a sound equally indebted to 1960s soundtrack music, dusty hip-hop production and classic exotica records.

Opening track “Dust Conspiracy” began with a bassline inspired by late-night listening sessions and crate-dug hip-hop production. Initially built around sampled drums, the piece evolved into a fully live recording featuring drummer Lotan Yaish (El Khat, Şatellites) and percussionist Ron Avidan. Swirling organs, creeping rhythms and heavy cymbal work give the track the feel of a lost 1970s espionage soundtrack, smoky, hypnotic and cinematic.

Blending cinematic soul, psychedelic groove, exotica and rhythm-heavy instrumental production, Dust Conspiracy introduces Islands on Tape as a richly detailed new studio project, equally suited to late-night headphone listening, imagined film sequences and dusty, atmospheric dancefloors.

Discotchari unveils a full deadstock run of this rare 7 inch from 1970, found in original factory boxes and reissued as the first release of the label. It features previously unheard material from oud virtuoso John Bilezikjian and percussionist Raja Zahr, a Burbank via Beirut collaboration. The record will be available on vinyl and digital platforms from November 3rd, 2023.



Recorded under the name Something Different, the duo produced a single 45 RPM that was shelved as their solo careers took off. At just 21, Bilezikjian handles oud, bass and harpsichord, while Zahr delivers rich and inventive percussion.



Side A, Zulu Man, blends late 60s psychedelia with a more experimental edge, closer to underground acts than mainstream rock of the era. Carried by evocative vocals and expressive oud lines, the track unfolds like an epic narrative.



Side B, Chemical Reaction, is harder to define, moving between cinematic moods and rhythmic tension. The track evokes shifting landscapes and contrasting atmospheres, making it as intriguing as it is unpredictable on a dancefloor.



Originally pressed by Nose Records in 1970.