quête:ava

Obsessed With You The Early Years' is an official release of the early X-Ray Spex demo recordings which would evolve into the celebrated pioneering 'Germ Free Adolescents' album. Also includes early versions of classic Punk pioneering debut single tracks 'Oh Bondage, Up Yours!' and 'I Am A Cliché’.

Recorded in 1977, the majority of these recordings feature original saxophonist Lora Logic and capture the raw instinctive power of the band who seemed to arrive fully formed despite their youth. The iconic vocal stylings of Poly Styrene immortalised here are even more visceral than what was recorded for the final product and further indicate just how much inspiration they lent Bikini Kill's Kathleen Hanna and the Riot Grrrls that followed. Elsewhere, an early take on 'Germ Free Adolescence' has subtle electronic influences that hint at a potential future the band didn't hang around long enough to fulfil.

This fascinating document is released in various limited edition vinyl formats. 'Day-Glo' orange or 'Day-Glo' pink vinyl with laser die-cut outer sleeve and 'Day-Glo' inserts. The sleeve design is based on original Poly Styrene artwork and brand new sleeve notes from Paul Dean and Lora Logic also feature. Also available on Compact Disc and Digital.

Multicast Dynamics aka Samuel van Dijk presents Language of Colours. A substantial set of vibrant, cinematic tracks marking the first release on Language of Colours, a sonic imprint dedicated to conceptual electronic music. 10 tracks moving through organic ambient, reduced downtempo beats, lush soundscapes, and experimental drones. Originally released digitally in 2021, now available for the first time on vinyl.

Special UK Import - Straight from the Stay Up Forever Headquarters !! Low Quantity available. The 8th Triple A brings Ben Fraser’s floor smashing ACID LOVE EP to the table…4 tracks of pounding psy-tinged Acid Techno for acid lovers everywhere…

Komatssu, Lefrenk, Vema Diodes y Celine Arnauld comparten este various artists de cuatro cortes para el tercer disco de Undancel.

La tercera referencia del sello discográfico de Undancel se caracteriza por una fase de transición entre varios sonidos. Representado un punto «ni aquí ni allí» donde la identidad o el estado anterior se disuelve antes de alcanzar uno nuevo, cuyo nombre LIMINAL.
Cuatro cortes en vinilo de 12″ de varios artistas más una canciones extra en formato digital con código de descargas en su interior.

A1_KOMATSSU_DESTRUCTOR DE MUNDOS: En activo desde 2005, Komatssu es el proyecto más personal de Héctor Sandoval (Tensal y 50% del reconocido proyecto Techno Exium). Un proyecto cimentado sobre la fusión natural entre la IDM más melódica, el Electro, el Breakcore y el avant-techno espectral que concibe el sonido como catalizador de emociones, dando lugar a un imaginario sonoro sumamente personal.

A2_LEFRENK_INDECENT: Lefrenk es un productor y DJ coruñés con más de 20 años de experiencia y más de 100 lanzamientos.
También es profesor en Fanzine School.
En el ámbito editorial, destaca como cofundador del sello Deep Different junto a Ikke Alra y fundador de Knerfel, su sello centrado en el techno.
Su trabajo se distingue por la fusión de texturas sonoras orgánicas e innovación digital, lo que refleja una constante evolución personal y creativa. Siempre innovando, Lefrenk ha expandido su influencia a través de colaboraciones dinámicas y actuaciones en directo junto a figuras de renombre de la industria.

B1_VEMA DIODES_MINDNIMALIST: Productor con raíces en el Baix Llobregat, cuya identidad se define por la experimentación técnica. Su trabajo es una exploración constante de la síntesis, donde las máquinas dictan el mensaje.
Desde sus primeras producciones en 2002, ha refinado un sonido que transita del electrobass crudo a estructuras más complejas y horizontales, fusionando la calidez analógica con la precisión digital.
Fundador del sello ÚTIL Records, Gente Seria Viste Chándal y Dialecto Periférico, plataforma desde la que reivindica el sonido de máquinas icónicas como la TR-808, tratadas con distorsiones y texturas de corte industrial.
Entiende el electro no como un género rígido, sino como un proceso de «electrificar» la señal. Su música es un equilibrio entre ritmos sintéticos y pinceladas de IDM, buscando siempre una narrativa sonora avanzada.

B2_CELINE ARNAULD_GLITCHED DANCE SYSTEM: Celine Arnauld es el nombre artístico de Pablo Miranda Caballero, artista y productor de música electrónica especializado en géneros como el IDM y el glitch con texturas ambientales. Recientemente, ha creado los alias DJ Don’t Sleep, donde da rienda suelta a la vertiente más rave del jungle y el breakbeat, y Paul Basscoigne, donde explora el electro, el acid, el IDM y el braindance.
Ha publicado su música en varios sellos, como EVEL, Clean Error, Dynamic Form, Mahorka, Hypnotica Colectiva, EC Underground, Dead Trax, Not 4 Human Consumption, New York Haunted, Point Source Electronics Arts, Moatun 7, Polygon Network, Colorsquad Records, Opal Tapes y Zabra Records.

Mastering by Verbo Studio Mix & Mastering.

Design by Beatriz Albaladejo.

Liminal – Undancel 03

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.

Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in crime: a 'family' of exuberant musicians spread between Salerno and Naples, all bound by deep-rooted ties to the region and a shared belief in the grit of independent artistry.

The Costa Sud (South Coast) imagined by Banda Maje is a shimmering ribbon of sun-baked asphalt stretched between the sea and the ancient pine forests of the Gulf of Salerno. It is a land of enchanting but wounded places, where the grace of Ancient Greek civilization sits in a restless silence alongside the scars of rampant building and neglect. “But if truth is beauty and beauty is truth,” Maiellano explains, inverting Keats’s famous line, “with the right eyes, you can find beauty and poetry even under a layer of moral and material filth."

Conceived and recorded entirely in the South, the album nevertheless looks beyond the horizon. While Neapolitan funk and golden-age Italian soundtracks remain the double helix of the band's DNA, this album welcomes new influences from across the ocean, weaving Italy, Brazil, Africa, and contemporary sounds into its unique vision of the 'global South.'

Side A is an immersion into Salifornian territory and its myths: from the carefree instrumental disco-funk of the title track, which sublimates local contradictions into enveloping cinematic atmospheres, to the mellow groove of “Baia”—a fusion of Neapolitan funk, afrobeat, and disco that pays homage to Salerno’s famous beach, squeezed between millennia-old sea rocks and mountains of shipping containers. The band’s heartfelt sense of belonging shines in their fresh soul-disco version of “Mo…” (a 1981 cult classic by Neapolitan legend Peppino di Capri) featuring Maiellano’s own vocals, while the reimagining of Tonico 70's “Jet Lag” celebrates a fraternal partnership with the Salerno-based rapper/producer, charting a musical itinerary that unites Brazil, the States, and Salifornia through evocative grooves, sharp synths, and Gianfranco Campagnoli’s exquisite trumpet.

On Side B, the sound becomes even more eclectic with the samba-funk warmth of “Samba Maje”, where Mediterranean melodies and lush vocal harmonies marry jazz-funk arrangements and disco-inflected Brazilian rhythms. The next track, “Africana”, is dedicated to a legendary dolce vita nightclub on the Amalfi Coast (and its founder Luca Milano); here, a rhythmic mantra incorporating tribal African elements blends with synths that evoke RAI television themes of the late 70s. The journey concludes under the sign of the silver screen: the disco-funk elegance of “Black Glamour Girl” (from the early-80s road-trip comedy In viaggio con papà), a tribute to the compositional genius of Piero Piccioni, and “Lovebossa”—an easy-listening homage to the "Cine Bossa" atmospheres that characterized so many Italian soundtracks of the 60s and 70s, finally carrying the listener ‘ncopp’ ‘e nuvole (above the clouds—which is basically Salifornian for "somewhere over the rainbow").

Available on LP and Digital from 15 May 2026.

Special UK Import from the headquarters of Stay Up Forever; Low Quantity Available ! Benji 303 delivers one of the best Acid Techno EPs he’s produced so far for Triple A (Acid Artists In Action) with loads of attitude and funked up 303’s, and a strong anti racist message on the A1 !

“Passion” is back! The new track from producer/DJ Beltran and The Flirts (including some “Native Love” by Divine) has quickly become a fan favorite in his sets and online, with 500k+ views already. Now available as a special 12″ vinyl release, featuring an exclusive Ben Liebrand 12″ vinyl version made especially for this edition and only available on the 12″.

The release is shaping up to be Beltran’s biggest since his breakout club hit “Smack Yo’”, supported by Michael Bibi, Mochakk, John Summit, Pete Tong, Dom Dolla and more, and now boasting 100M+ streams. It follows a huge year for Beltran, including tours across the US, UK, Europe, Australia and South America, with standout appearances at Coachella, CircoLoco Ibiza and KOKO London. Expected shipping: 2nd week July.

Crayons is the seventh studio album by the Queen of Disco, Donna Summer. Originally released in 2008, Crayons was her first full-length studio album in fourteen years.

Summer worked with a number of different producers and songwriters on the album, including Greg Kurstin (Adele, Paul McCartney, Pink & Foo Fighters), J.R. Rotem (Bad Bunny, Linkin Park & Rihanna), Wayne Hector (Nicki Minaj, One Direction & Westlife), and Toby Gad (John Legend, Fergie & Beyonce) and Lester Mendez (Shakira & Nelly Furtado).

Four singles were released: “I’m A Fire”, “Stamp Your Feet”, “It’s Only Love” and “Fame (The Game)”. The title track contains a guest performance by Ziggy Marley.

Crayons is available on black vinyl and includes a 4-page booklet.

Two Piers proudly announces the upcoming release of Bridges Towards Open Spaces: Circadian Rhythms 1967–2025.

This new collection brings together a wide range of artists and styles, weaving immersive sonic landscapes that explore a connection between natural cycles and the rhythms within.

Featuring artists such as Brian Eno, Moebius, Roedelius, Meat Beat Manifesto, Fun Boy Three, Daniel Avery, and Spectrum, the compilation moves fluidly between shimmering ambient textures and raw, straight-ahead garage rock.

Bridges Towards Open Spaces: Circadian Rhythms 1967–2025 follows in the footsteps of Two Piers acclaimed previous releases, Night Train: Transcontinental Landscapes 1968–2019 and Music for the Stars: Celestial Music 1960–1979, continuing the label’s exploration of expansive, time-spanning musical journeys.

“I wanted once again to shape a compilation around a time period, this collection is a nod to my days behind the counter of a record shop, the people I met and the styles of music that was played and I was introduced to. Some are from that time, some are of the style/feeling, that I can associate & with the friends I met there; from the early shift to the late shifts as the tempo rose throughout the day and the neons of London started to buzz”

The album will be available on Limited Vinyl and CD in May, arriving just in time for the longer, warmer days and the shifting light of the Seasons Sun.

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

This limited-edition remix of popular Hong Kong singer KENDY SUEN, featuring exotic breakbeats by top producer K.U.D.O, of Major Force
Productions, which relaunched in 2025, is now available in clear vinyl and special packaging!

This 7" remix of popular Hong Kong singer KENDY SUEN, by top producer K.U.D.O, of Major Force Productions, which relaunched in 2025,
is now available in a special edition!
KENDY's exotic vocals evoke danceable breakbeats over a dreamy sound reminiscent of the jungles of South Asia. A must-have limited edition
for all DJs from this club music legend! Mastered by Bernie Grundman Mastering

Acid Jazz has been releasing Kevin Fingier’s productions on group label Fingier Records for the past 5 years, and there’s always that unmistakable Latin touch. It all started with ‘Latin Dynamite’, which sold out 15 days before its release. Then came ‘Cocktail de Medianoche’, another instant sellout, followed by ‘Why Don’t You Go Home’ (making them the best-selling 7” singles on Acid Jazz since Paul Weller and ‘Andy Smith’s Are You Trying to Be Lonely’).

For the second pressing of ‘Latin Dynamite’ (which, again, sold out), Fingier added a fiery Latin take on the R&B classic ‘It’s Your Voodoo Working’. And when he released his first album, ‘Not Strictly Soul’, he hid a Latin gem within it: ‘El Popcorn’—now available on 7” for the first time, ready to ignite Northern Soul and R&B all-nighters. Now, for the first time, these four Latin Soul monsters come together in one explosive Boogaloo EP! Presented on a beautiful graphic picture sleeve with signature Fingier labels

Released in the winter of 1995, Dah Shinin’ introduced Smif-N-Wessun as torchbearers of the gritty, sample-driven East Coast sound that defined a generation. Backed by Da Beatminerz’ haunting, jazz-laced production and supported by their Boot Camp Clik brethren, Tek and Steele delivered a debut that was as raw as it was revolutionary — capturing the essence of mid-90s Brooklyn.
Now, 30 years later, Dah Shinin’ returns in its most complete form. The 30th Anniversary Definitive Deluxe Edition brings together for the first time in one place, the full original album, two essential remixes "Wrekonize" and "Sound Bwoy Bureill" and rare material, including the long-unreleased “Nuttin’ Move But Da Money,” finally available officially after years on white label.
Pressed across three LPs and housed in a premium tri-fold jacket featuring original artwork, newly commissioned liner notes, period photography, and archival content, this expanded edition stands as a tribute to the album’s creation and legacy. From the underground anthem “Bucktown” to the crew showcase “Cession At Da Doghillee,” every track celebrates the timeless sound that made Dah Shinin’ a classic.

KOIZUMIX PRODUCTION, a collaborative project between Kyoko Koizumi who worked under a different name in the 1990s and club culture artists and creators,
is finally being released in analog format. These two works, now difficult to obtain, are making their long awaited debut on vinyl.

The release is a complete analog version of the 1998 CD, which could be considered a KOIZUMIX PRODUCTION remix best-of.
It includes all tracks from the original CD, plus additional remixes that were previously available only on vinyl, compiled into a 2-disc set titled “89–99 COLLECTION”.

There is a kinetic energy that binds drummer and producer Karriem Riggins and singer-songwriter, rapper, and producer Liv.e, the spark that happens when instinct meets flow and spirit finds rhythm.

Their collaborative debut as GENA (short for “God Energy, Naturally Amazing,” and loosely inspired by Gina from Martin), The Pleasure Is Yours feels like a playful, soulful conversation between two kindred improvisers: Liv.e’s smoky, unpolished vocals glide through Riggins’ warm, percussive universe. Rooted in jazz, soul, and hip-hop, Liv.e brings a raw, experimental approach to R&B, while Riggins known for his work with Common, Erykah Badu, The Roots, Madlib, and his close kinship with J Dilla, extends his lifelong dialogue between jazz improvisation and beat science.

Together they create a world that’s analog and ethereal, percussive and poetic, bridging eras without settling in one, the sound of two artists finding a new shared language rooted in rhythm, vulnerability, and exuberance.

Pressed on 180g vinyl, the album comes in an embossed sleeve and is avaible in red and black splatter.

There is a kinetic energy that binds drummer and producer Karriem Riggins and singer-songwriter, rapper, and producer Liv.e, the spark that happens when instinct meets flow and spirit finds rhythm.

Their collaborative debut as GENA (short for “God Energy, Naturally Amazing,” and loosely inspired by Gina from Martin), The Pleasure Is Yours feels like a playful, soulful conversation between two kindred improvisers: Liv.e’s smoky, unpolished vocals glide through Riggins’ warm, percussive universe. Rooted in jazz, soul, and hip-hop, Liv.e brings a raw, experimental approach to R&B, while Riggins known for his work with Common, Erykah Badu, The Roots, Madlib, and his close kinship with J Dilla, extends his lifelong dialogue between jazz improvisation and beat science.

Together they create a world that’s analog and ethereal, percussive and poetic, bridging eras without settling in one, the sound of two artists finding a new shared language rooted in rhythm, vulnerability, and exuberance.

Pressed on 180g vinyl, the album comes in an embossed sleeve and is avaible in red and black splatter.

Return to Sky is the follow-up to the band's classic Euporie Tide, which consolidated the band as a crucial underground force in the European psych scene and spread their unique brand of warm-toned stoner rock to a wider audience. The album is a condensed piece of acutely experimental, yet immensely engaging, instrumental rock. Each of the album’s five epics unfolds as a microcosm of the band’s genre-transcending psychedelia at large, yet adds something different to the whole.
The tracks on Return To Sky travel far and wide: heavy, detuned riffs are transformed into wide, pastoral soundscapes, and fluid minimalism warped into swirling crescendos and back again. Occasionally the band even manages to sound turbulent, fuzzed-out yet strangely peaceful at the very same time. Whereas so much of today’s psychedelic scene comes off as merely a tribute to a certain period of the past, Causa Sui has always been on a different mission. More than any other record in their catalog Return To Sky declares their roots in the avant rock of the late 1990s - where different eras and genres merged into something that resonated as much with the present as it celebrated the past. It also reveals the fact that members of the band has had their hands in many different projects since the band’s debut album in 2005: solo excursions into synthesizer music, collaborations with members of Sunburned Hand Of The Man and Tortoise as well as film soundtracks and improv sessions with krautrock legends Faust and Damo Suzuki. It has all worked a subtle influence on the kind of band they have become. On Return To Sky their sound is more earthy and heavy than other Causa Sui record, but it’s also a record that has absorbed everything from shoegaze and vintage Italian film music to spiritual jazz and afrobeat into its fabric. Causa Sui has never sounded deeper or more mesmerizing than on this set.