Left of centre experiments from the Dutch underground of yesteryear. Muziekkamer was the name of the home recording studio that gave birth to the twelve tracks on 'Popmuziek', an intriguing document of sketch arrangements and primitive, fairytale sampling wave cuts. This is music which excels due to its inherent naivety; the limitless ambition of 'Black Box' almost sounding like a precursor to the 90s ambient techno of Likemind or Stasis. On 'Being Home Tonight' we can hear an early form of what the likes of Tolouse Low Trax have been bringing to the forefront of contemporary club culture whilst the erratic art-rock of 'Walkman' mirrors what Leven Signs & co were doing over the pond. In trying to create something which represented 'intrusiveness' as a contrast to an earlier ambient tape the trio incidentally blurred the lines between various musical fashions to come. An amazing snapshot of time and place!
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Shunter, the new album by the Berlin-based duo Driftmachine, is their most ambitious work to date. Although instantly recognizable, featuring their trademark Kosmische and Avant-garde sounds, it also presents a new journey into abstract and hallucinatory worlds. Filled with eerie textures, their electronic visions are darker and more vaporous than ever.
Driftmachine's fourth album (also the fourth one for Umor Rex) offers a new perspective on their ample sound spectrum and systemic narratives. Shunter overlaps and mutates their post-industrial-dub motives. It was conceived and produced in search of a very different kind of imagery, with sections of noise and field recordings intersecting with analogue sounds, a mixture of contrasted fragments, where the usual creative process of modular-synthesis leads Gerth and Zimmer to the discovery of a dark, hazy and diffused experience. There is a protean quality to the rhythmic elements, with tempos constantly contracting and expanding, a departure from the mono-beat-rhythms of "Nocturnes" and "Colliding Contours". The first half of Shunter is made of four pieces named "Shift", although individually separated, they are conceptually linked and can be understood as a sort of score. Imagine a late stage of the industrial revolution, with the interaction between heavy machinery and human beings. The second half of the album is not completely separated, but it has three other substantial melodic moments. Somewhere between the hauntological and the realms of archive-music, a huge range of subterranean beats and distinct patterns dotting the landscape of early electronic and post dub music.
All songs written & produced by Driftmachine (Andreas Gerth & Florian Zimmer), Berlin.
Mastered by Rafael Anton Irisarri. Design by Daniel Castrejón.
- Coming off Transmission, Death in Vegas's critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.
- Silent Servant delivers two stunning mixes of You Disco I Freak. In his first remix he elevates the discordant melody in You Disco I Freak and adds a sense of menace with a new sequence, taking the track in a more sinister direction. With his second version, he takes the heat up a notch with a brutal workout synonymous with his signature abrasive sound.
- Dopplereffekt, Drexciya, Arpanet, Der Zyklus, Japanese Telecom, Heinrich Mueller, Rudolf Klorzeiger: Death in Vegas are huge fans of Gerald Donald in all his forms. He choose to 'reproduce' Metal Box, keeping certain elements of the original field recordings, the sounds of the Steel Factory opposite Drone's studio, the incessant drones from the planes landing at City Airport and the dial tones of the studio's VHF radio and layered over these with his own sonic tapestry.
Over the past few years orchestral instrumental music from outside the classical establishment has become huge, and Neil Leiter and Margaret Hermant of the Belgian Echo Collective have witnessed the evolution and extraordinary rise of this movement right up close. They've worked with some of the most important players, including Stars Of The Lid, Dustin O'Halloran and Adam Wiltze's A Winged Victory For The Sullen and O'Halloran's solo projects, as well as Jóhann Jóhannsson. And though the Echo Collective members themselves very much do come from within the classical music establishment, they don't care which side of the fence they are seen to be on. It was this which grabbed the attention of German music hub !K7's new sub-label 7K! - who have signed them for a two album deal: first to release the Amnesiac reinterpretation, then for a record of Echo Collective's own compositions. Not only that but they have been signed for publishing by Mutesong, which led to a hook-up with Mute mainstays Erasure, re-arranging and re-recording their latest album World Be Gone with classical instrumentation backing Andy Bell's vocals. This ability to flow easily from black metal to Radiohead, from Erasure to Stars Of The Lid shows exactly what kind of musicians Echo Collective are. The album, which features artwork by the renowned photographer and artist Roger Ballen, will be released on 30 March on CD, 2LP and digital platforms.
- New album by belgian band Echo Collective covering Radiohead's classic Amnesiac'.
- Perfect balance between classical, neoclassical & indie.
- Past and ongoing collaborations include Erasure, A Winged Victory for the Sullen, Stars of the Lid, Johann Johannsson and Dustin O'Halloran.
- Echo Collective have produced, arranged and performed on Erasure's upcoming album due to release early March on Mute.
- Artwork by renowned photographer / artist Roger Balle.
Another Alias returns with the second installment of White of My Eyes. WOME002 continues along the path laid out by
001, but takes it a step further into varied moods from the sledgehammer-esque 'Heave' to the melancholy 'Creep on
The Couch. While keeping with his off-kilter rhythms and erratic synth work.
- A1: Matthew Dear - Wrong With Us (Dj-Kicks)
- A2: Kreon - Silo Sol
- A3: Caserta - Ricky (Thatmanmonkz Remix)
- B1: Gwilym Gold X Doc Daneeka - Lust For Sale (Mgf Mix)
- B2: Smoke - Nuutri
- C1: Italojohnson - Itj10B1
- C2: Groovesh - Glowing
- D1: Dudley Strangeways - Hallam
- D2: Gary Sloan & Clone - Harmonitalk (Alex & Digby Edit)
- D3: Dj Khalab & Baba Sissoko - Kumu
- E1: Nils Frahm - Ode (Cd)
- E2: Matthew Dear - Wrong With Us (Dj-Kicks)
- E3: Mahal - Ongaku (Hvl Remix)
- E4: Monsieur Georget - Double Lune (Third Child Boomer Mix)
- E5: Kreon - Silo Sol
- E6: Caserta - Ricky (Thatmanmonkz Remix)
- E7: Gwilym Gold X Doc Daneeka - Lust For Sale (Mgf Mix)
- E8: Smoke - Nuutri
- E9: Decius - Bread & Buttere11Vin Sol - Instinct (Matrixxman Remix)
- E12: Groovesh - Glowing
- E13: Duff Disco - Feed The Horse
- E14: Dudley Strangeways - Hallam
- E15: Alex & Digby - Angolan Rumble
- E16: Gary Sloan & Clone - Harmonitalk (Alex & Digby Edit)
- E17: Randomer - Rendell Pips
- E18: Markus Enochson - Hot Juice Box
- E19: Simian Mobile Disco - Staring At All This Handle
- E20: Pearson Sound - Xlb
- E21: Soulphiction - Sky So High
- E22: Audion - Live Breakdown
- E23: Audion - Starfucker
- E24: Audion - Brines
- E25: Dj Khalab & Baba Sissoko - Kumu
The long established and critically acclaimed DJ-Kicks series kicks off 2017 with suitably accomplished DJ, producer, vocalist and instrumentalist Matthew Dear at the helm.A man of many musical hats, Texas born, Detroit raised Dear has a wide reaching discography that takes in face melting techno as Jabberjaw, dark avant-pop under his own name and intricate minimal as Audion.Often with a gothic slant and full of curiousness, his pensive but playful music is an intoxicating distillation of many different influences, often withhis own stylised vocals at the centre.
Silencio celebrates the first year of the label with a double-pack vinyl aptly titled Uno.
Comprising of new and established artists, the tracks on Uno collectively summarize the the feel of this label's year, while giving us a hint of what to expect in the year to come.
Click Box & Stefan Dichev kick off the release with 'Memories'. Presenting a collaborative production that will prove over and over again why sound is one of the strongest senses tied to memory. Engineered with emotionally responsive rhythms that roll into a rocksteady baseline, this track evokes feelings with finesse. "Memories" also features funky squiggle sounds and trailing even-tempered tones to punctuate its procession. This is one you'll want to relive every time the opportunity arises.
New comer Wave Particle Singularity has done it again. 'Virtue' is a tremendous track that will quickly establish itself as one of your new favorite things. The drum sequence, accented by beguiling background sounds and curious vocals, gallops throughout this selection with all its feet off the ground together in each smooth stride. Plus, it also comes fully equipped with a pleasingly unpredictable pace in the form of some moody, well-orchestrated changes that result in a perfectly adjusted attitude. Never a dull moment on the dance floor.
Guaranteed.
Kepler.'s latest offering 'Tool A' possess all the qualities one would normally associate with a fine wine because the taste left on the palate after its consumption is both complex and satisfying. During its ascent, effects that compress a thousand echoes into a single sample ride alongside an active baseline that ripples accordingly. Subtle, flavorful snippets bleep and bloop in complete balance, giving this cut a coordinated, contemplative vibe that brings everything into focus.
With his first track on Silencio, Yuuki Hori's 'Scene 5' is truly a unique item. This electromechanicaly exotic sounding export from Japan makes an impression with layers that are neatly stacked and minimal to the max. Its main feature, a sample that seemingly mimics the mating call of a male bullfrog, rhythmically ribbits in harmony with the beat, bellowing over the entirety of this track. All the various elements of this composition come together in a natural way that feels symbiotic and sounds superb.
Another Silencio first, Jorge Ciccioli's 'TD8' has a deliberate intention to create momentum, with a deep, penetrating baseline that rises to the occasion by descending the darkest depths of its own digital horizon. In the midst of the mix the listener is greeted with a clever chorus that effectively sounds like air vibrating, or in layman's terms "blowing", within an empty glass bottle. As it goes through the motions, observe how every note is noticeably nuanced in an effort to reflect the subtle changes that take place.
Closing out the release and year for Silencio, is Laughing Man with 'Reach Out'. Hard, heavyand heavenly are all terms that could be used to express the sentiment of this selection.
Notice how right from the get go this production profoundly pounds out its agenda with a solid, speedy beat that relentlessly rocks throughout the recording. Accompanied by aseries of wavy, spirited vocal layers, ringing bells and an inspired intersection of cymbals,this track is one hell of a ride that will enable you to make contact with the other side.
- A1: A Train Is Coming
- A2: One Device, One Method, One Thing
- A3: Rocking From Beginning To End (Feat. Kenny Keys)
- A4: This One Is For The Ladies And Gents (Feat. Miles Bonny)
- A5: The Kids Are Listening Interlude
- A6: Don't Box Me In (Feat. 80S Babies)
- A7: Beware Of The Groove (Feat. Mario Sweet)
- B1: Come With Me And Fly (Feat. Yusef Rumperfield)
- B2: Is There More To Life (Feat. Diggs Duke)
- B3: I Will Never Know (Feat. Moonchild)
- B4: Mario Smith Speaks On (Feat. Daniel Crawford)
- B5: Things Deeper Than My Skin (Feat. Ozay Moore)
- B6: Peace And Love (Feat. Masego & Rommel Donald)
'This is a journey into sound...,' These familiar words, accompanied by the rumble of a distant train, signal the opening of 'Let's Take A Trip', the sophomore album from Terrel Wallace aka Tall Black Guy. Since 2013's '8 Miles To Moenart' TBG has cemented his position as a standard bearer for the current hip-hop / beats scene. Born in Detroit and now residing in the UK, Wallace's signature style of incredibly clever sample flips and deft production chops has won fans across the globe including Gilles Peterson, Lefto, Jazzy Jeff and House Shoes.
Since his debut release in 2011 (a daring and addictive flip of Fela Kuti), TBG has become revered for his unique take on soulful hip-hop production. The swing of the drums, the textures of the instrumentation as well as a fearlessness in taking on the classics (his Soundcloud page includes flips and chops of tracks from James Brown, De La Soul and Michael Jackson) have marked him out from the crowd. One of the best-kept secrets in the scene, his singular talent is now beginning to get the recognition it deserves. In the last 12 months he has remixed Little Dragon and been invited to take part in Jazzy Jeff's Playlist Retreat alongside the likes of Eric Lau, James Poyser, Ali Shaheed Muhammed, Questlove and countless others.
For this album Wallace had a simple inspiration: 'This album is all about taking a journey. As simple as that. Be it physical, emotional or spiritual. It's asking and answering personal questions from myself within some of the tracks and also touching on social issues i.e. racism, inequality and privilege...that have been at the forefront of my mind over last three years.' Sonically there is also a shift: 'Jazz has definitely been more of an influence in this project, as I have been really inspired by so many up and coming musicians who I've been blessed to connect with'. Some of these musicians, including Kenny Keys, Miles Bonny, Diggs Duke and Dee Jackson feature on the project as well as regular collaborators Ozay Moore and Mario Sweet and fellow Playlist alumni Daniel Crawford and Masego. But this is one man's vision, and for Tall Black Guy this trip is just the beginning...,.
- A1: Pascal Comelade - Mouvement Decompose D'un Coup De Marteau
- A2: Stereo - Moonshine
- A3: Francis Lai - Young Freedom
- A4: Rosebud - Main Theme From More
- A5: Queen Samantha - Take A Chance (Remix - Instrumental Edit)
- B1: Nicolas Peyrac - Rite
- B2: Heldon - Les Soucoupes Volantes Vertes
- B3: Roger Roger - Vadrouillard (3)
- B4: Arpadys - Monkey Star
- B5: Video Liszt - Fade In Hong Kong
- B6: Pierre Porte - Love Is All
- C1: Richard Pinhas - Ruitor
- C2: Christophe - Harp Odyssey
- C3: Grand Prix - Grand Prix
- C4: The Peppers - Pepper Box
- C5: Joel Fajerman & Jan Yrssen - Asteroide
- C6: Moon Birds - Cristal No 3
- D1: Araxis - Theme D'araxis (Instrumental)
- D2: Anarchic System - Pop Corn
- D3: Georges Rodi - Indian Love Melody
- D4: Michel Magne - Signaux Codes Non Identifies
- D5: Pierre Schaeffer - Moins Banal (Interlude - Ou Impromptu)
- A1: Actress - Xoul Particles (Prins Thomas Version)
- A2: Blacknecks - Don't Dream It Be It (Prins Thomas Version)
- B1: Box Saga - Zen And The Art Of Deadlines (Prins Thomas Edit)
- B2: Joachim Holm & Alejandro Mosso - Tre Melodi (Prins Thomas Version)
- C1: Hieroglyphic Being - Imaginary Soundscapes 9 (Prins Thomas Version)
- C2: Blacknecks - Don't Dream It Be It (Prins Thomas Short Version)
- D1: Ü - The Subdubba Beat (Stockholmia Glue Mix - Prins Thomas Edit)
Dear Vinyl Enthusiast / DJ,
The tracks on this 2 X 12" received some special individual treatment which I hope you'll enjoy listening to or playing in your local disco as much as I did making the. Box Saga has been a firm favourite of mine for a good 20 years already and although it's baggy pants and loose groove is exactly why I love it so much I thought it would be fun to do a slightly different take on it.
Ü is a recent fave of mine but as the record is super long and has a very DJ-unfriendly ambient intro, I gave it a couple of chops and hope you're brave enough to bring it to the dancefloor where it belongs. The tracks by Joachim Holm & Alejandro Mosso, Actress, Hieroglyphic Being and Blacknecks are all quite sparse to begin with and with the approval of all involved you can now smile or cringe at these "Versions" where I "join the band" on some of my recent favourite records. Thanks to the artists and labels involved for letting me use their music.
LAB.OUR 06 features offbeat, dancefloor techno from Hermans. Hermans (Jerry Riggs 'Dick Diamonds' & Maxwell Church) already have releases out on labels such as Run Out Run, Klasse Recordings, Zodiac44 & Extended Play, among others.
A1 is Sweat Box Rock, an epic stormer that sounds like a techno jam session with alternating beat patterns and dirty keys.
B1, Dustin Tombtones, is an uptempo acid workout destined to move dancefloors. B2 is a remix of Sweat Box Rock by Lab.our Music bosses Basic Soul Unit and J-UL.
For his first release on Common Dreams, Reedale Rise (Simon Keat) brings us two thoughtful tracks, both well-layered and very well produced. The A side "Pressure Box" is the more funkier, 'deep house' leaning tune, giving us juicy chords, a starry pad, and some very nice atmospheres in between. All the while, drums are pushing you forward, and in some parts just reach out and slap you in the face. The B side "Azikiwe" fuses sporadic arpeggiations with some very thoughtful chord melodies. Maybe it could be described as having a more psychedelic twist. But just when you get too far out, you're brought right back to the rhythm tracks wich are nothing short of solid, making for a good all around dance track.
True house music on The A side with Self Enemy and huge house beat also on the A2 with DJ Aakmael. SEEKER'S BAND with remixes by JACK THE BOX & CORES FOR SPIN !
Self Enemy aka as Parisian Professor Inc & Detroiter Kris Wadsworth play it slow here. Picking on some classic sample, highly tweaked synth and dj friendly structure. Second opus of this raw collaboration.
Dj Aakmael picks another Billie's song, This time it's heavy orchestra chords on a hard kick singing the blues on the house core.
On the B Side, the SEEKER'S BAND aka Miguel Benavides composes with at Vocals: Mathieu Boko, Percussion: Eric Konnert (plays with St Germain, Martha Galarraga..), Bass: Francois Barbe, Tenor & Soprano Sax: Stephane Becarie, Keys: M Benavides and produced by Professor Inc & Miguel Benavides ; inspired by the first house school, jazz accents, afrocuban classic percussion, a tasty radio version right here !
It comes with a remix by the Berliners Tyree Cooper & Bobby Star aka JACK THE BOX. Dj friendly and deeply rooted with one of the pioneers perpetuating the style.
To conclude this ep, a special short dub version by CORES FOR SPIN
- A1: Rainy Day Women #12 & 35 (4:26)
- A2: Pledging My Time (3:49)
- A3: Visions Of Johanna (7:30)
- A4: One Of Us Must Know (4:54)
- B1: I Want You (3:01)
- B2: Stuck Inside Of Mobile With The Memphis Blues Again (7:06)
- B3: Leopard-Skin Pill-Box Hat (3:58)
- B4: Just Like A Woman (4:53)
- C1: Most Likely You Go Your Way And I'll Go Mine (3:21)
- C2: Temporary Like Achilles (4:59)
- C3: Absolutely Sweet Marie (4:55)
- C4: 4Th Time Around (4:34)
- C5: Obviously 5 Believers (3:31)
- D1: Sad Eyed Lady Of The Lowlands (11:21)




















