Поиск:b line

A really, banging hardcore sound! At the frontier of 'Raw and Gabber' . Defenilty a rare style nowaday on, vinyl! Get your chance to catch one! ...This LP, regular pressed & designed on Green Coloured Vinyl.

Label Boss of UNCAGE label, Marco Faraone delivers a series of incredible remixes of Tin Man's Nonneo single, which was originally released in 2011.
First up is the Floor Mix, which leaves the wispy, undulating acid line form the original in place but layers in more heavy, earth rattling drums down below. It makes for a truly hypnotic track.

Then comes a dub version, which is built on elastic drums with gentle acid riffs floating above the compelling kicks, and last of all is a Dreamy Version that is awash with lush heavenly pads that float up to the skies as the rooted drums keeping things moving down low.
This is a varied and vital package from Faraone, coming on a fresh slab of 10".

unning Back Incantations present Yogtze!
A joint venture of Daniel Helmer - musician, producer (Mantra Mantra, Gudrun von Laxenburg)and filmmaker from Vienna and Daniel Meuzard - (Feater, Skymax, Vallay) and a headstrong trip deep into the tune-in-turn-on-drop-out-mentality of European minds outside of their natural environment. Helmer and Meuzard met around 2005 in Peru where they both participated in an ayahuasca ceremony.
After this experience they decided to travel and discover South America together for some weeks. During that journey, the idea of a musical project (Yogtze) was born.
Two years and many miles later, Helmer and Meuzard saw Alejandro Jodorowsky’s „Montana Sacra“ at a small film festival in Paris. The movie inspired them to create a musical composition that reflects its spirit and atmosphere. In order to do so, they decided to travel Morocco and record music on a small 8-track tape machine at a friend’s home studio in Essaouira. "The artistic process felt very natural. All we had to do was to open up to the cosmos and let the music flow through our bodies“, said Meuzard. Neither Meuzard nor Helmers intented to release those recordings, since the sessions were more of a personal nature and meant to create a musical experience for themselves.
A decade later, their moroccan friend, who stumbled upon the tapes while cleaning his storage, urged them to release their recordings so everyone could experience the same musical journey as they had back in 2007. "It would be a grand act of selfishness not to share this work of art with others“ he told them. Luckily for thew world, Helmer and Meuzard decided to finally edit, mix and master the rest of the material in 2018/2019 and named their project „YOGTZE“. Expect a record full of wondrous soundscapes, haunting melodies and capturing themes that would fit in many categories or definitions and none at the same time. Music from and for memories, tangerine dreams and chessboards.

Kicking off 2020 in style, Life And Death welcome Madrid based groove maker Bawrut for some of his distinctly off kilter brilliance.
Italy born Bawrut makes warm, heartfelt electronic music that crosses the musical spectrum, doing so with a true left of centre perspective. He imbues his productions with weird and wonderful sounds and an exquisite sense of craft that make them both unusual and engaging. He has done so on the likes of his own Silencio label as well as Ransom Note and PETS Recordings and has become a mainstay of the DJ circuit as a result. Next to high profile shows at places like Nuit Sonores he has also toured as far afield as Vietnam, and here he brings some worldly perspective to this latest for DJ Tennis’ always cultured label, Life And Death.
First up is 'Rollin'', almost ten minutes of synth based excellence that takes you on a real sonic adventure. The drums are firmly rooted and hypnotic while the various pads up top unfold like aural fireworks. It's a tense track that never lets up and keeps you locked for the epic duration. Equally fantastic is 'Terza' with its twisted, tortured synth lines and vocal yelps all bringing real drama to the deep and rolling drums. It's a turbulent track to bring real edginess to the club. Lastly, the grinding 'Drum Beat' has a menacing bassline and tribal vocal stabs cut up with rave sirens. It's a sweaty, strobe lit monster that takes you to the heart of the dance floor.
These are three perfectly slow-release but high impact tracks from this ever more vital talent.

Dukwa is back with the second chapter of his own personal output with a new killer four tracker EP: first cut on A side is the stunning motor city anthem Akira, an epic soulful winner which reminds some of the best Inner City’s moments thanks to its catchy vocal parts and twisted up grooves. If you are more a fan of instrumental club tracks on the second cut instead you will find Akira’s dub version where drum parts , strings, its original wicked bass line and the romantic piano solo totally stand out!

We stuck in the Detroit with the raw jam of Violet opening the flip-side, a wonky lost brother of Strings of Life that through its original arrangement and a clever broken beat will be able to amaze any dance floor. Dukwa’s pinnacle of poetic and compositional intensity happens with the poignant combination of dramatic strings together with beautiful piano notes and acid tinged bass within the closing track Water. Timeless stuff and absolute burners to enrich your record collection.

Austrian hardware-only liveact Anml Mthr presents his 4th release on Florian Meindl's FLASH Recordings imprint and counts to the core artists of the label.

Heavily influenced by the Vienna and Berlin Techno scene of the 90s he was a regular visitor to Tresor Club as well as a shining raver at Gazometer Vienna.

His productions under different monikers in the genre underground dubstep and hardcore can be traced back until the late 90s, but with Anml Mthr he found a home to combine his rough subbass with driving and chellanging acid lines and synth sequences.

His unique hardware setup consists of a huge modular synthesizer as well as classic boxes like the 303 of course, but also modern boutique synthesizers and effect boxes which he performs all in one take to record his tracks.

After taking time out to search for the right blend of carefully curated tracks, Bristol-based dancefloor futurists Innate return with a third multi-artist EP - shot through with melody, warmth and soul.

A quartet of timeless-sounding tracks full of stargazing sounds, undulating acid lines, far-sighted electronics and crackling beats, the A side kicks off with Perseus Traxx's "Drifting In Space": a loose-limbed exercise in analogue house deepness that wraps slowly shifting pads, meandering melodies and pulsating TB-303 motifs around broken house drums.

Welcoming Australian scene stalwart Ewan Jansen to the fray with "Sinders", he effortlessly blurs the boundaries between far-sighted, Motor City style techno and the kind of head-in-the-clouds analogue sounds that have always been his forte.

On the flip, Reedale Rise adds his touch with "Coral". In keeping with the brilliance of his 2018 debut album "Luminous Air", he drops a colourful, picturesque voyage into deep electro territory rich in ear-catching melodies, engaging chord sequences and crunchy machine percussion. To round, label co-founder Owain K returns with "Teifi", another ultra-deep treat: an enveloping, dancefloor excursion rich in fluttering lead lines, slowly expanding chords, vintage bass and punchy drums. A fitting conclusion to Innate's latest immaculate, eyes-closed voyage."

Dwight Yoakam occupies a singular position in contemporary country. No artist has better balanced mainstream commercial success with
artistic, alt-country credibility, while somehow managing to embody both the music’s most traditional and its most progressive impulses. ‘Blame The Vain’ marked a milestone for Yoakam as his first self-produced effort since splitting with producer / guitarist / bandleader Pete Anderson. Released in 2005 to critical acclaim, ‘Blame The
Vain’ has sold nearly 200,000 records to date. In honour of the 15th Anniversary of this album, New West Records are proud to present ‘Blame The Vain’ on vinyl for the first time.
Gatefold sleeve, 140g vinyl.

Direct from the Midwest CLEAR is proud to present four tenacious hardware workouts from Juzer.

In theory the 12” starts slowly, with the 100 bpm rattle of Old Reliable, although it’s fitful energy is anything but, while the following track September coils itself into a tightly wound circuit freak-out. Busy Bees and We Work Hard We Play Hard are the buildup and climax of the record’s machinedriven anxiety, fit for a chase scene in a post apocalyptic megacity thriller.

Juzer is the joint project of two artists central to the underground musicscene in Chicago, Beau Wanzer and Dan Jugle. The work of both straddles the fault-lines between, noise, techno, industrial, EBM, and the more frenzied shades of house. In addition to a prolific number of solo releases, Wanzer is a member of Mutant Beat Dance with Traxx and Steve Summers, Civil Duty with Shawn O’Sullivan, and many more. Like Wanzer, Jugle was a habitual collaborator and his untimely passing last year shocked Chicago’s electronic music community. Jugle was a natural collaborator, the sort of person for whom creating music was a daily act, and even better with friends. In addition to Juzer he was also a member of Dar Embarks, Chandeliers, and Ghost Arcade. Previous Juzer material was issued on The Corner and Dog In The Night.

TERANGA BEAT proudly presents MAR SECK, a delicate singer and songwriter who marked the history of Senegalese music. TIP!A cross over between Cuban compositions and Senegalese Folklore, his songs gave birth to Salsa-Mbalax, the popular dance music of '70s Senegal that went onto influence a new generation of Senegalese musicians including a young Youssou N'Dour. Featuring 12 tracks recorded over three different sessions, ‘Vagabonde’ focuses on the best of MAR SECK’s career. The first recordings are taken from a raw and unreleased 1969 session at the Dakar National Radio. Recorded with his first group SUPER CAP-VERT from Rufisque, it captures an 18-year old MAR singing the first version of his now famous composition “Vagabonde”. The remaining six tracks from the session includes a beautiful cover of Fonseca’s “Sibouten”. A 1973 live recording is also featured here, made with the STAR BAND de DAKAR in Saint Louis. Previously unreleased, it comes from a time when MAR was establishing his name playing at the legendary Miami Club in Dakar, the “École de Passage” for all great Senegalese musicians. The final two tracks (one of them unreleased) finds MAR accompanied by the most complete band of Senegal, the NUMBER ONE de DAKAR. The 2LP & CD booklet includes photos and liner notes outlining MAR’s career. LP version comes with silk screen print, European 60s style, gatefold sleeve. All tracks are mastered & mixed from the original recording tapes.

The record sleeve of Dark Loops was injected with carbon powder by the artists. Please be aware of this on purchase and handling of the record and inlays.

Dark Loops is the third instance of Carbon Theater, an ongoing research project by the Institute of Incongruous Translation (Natascha Sadr Haghighian and Ashkan Sepahvand). As the other acts in the series, Dark Loops unfolds from a found site, the abandoned Fort Walem, which was now turned into a bat habitat. The field recordings and synthesised loops on the record further investigate the discrepancies between sensing and knowing and challenge the anthropocentric narratives within current discussions on planetary climate change.

These two new tracks continue to push the band’s sound into new territory; ‘Overture 1’ is a brand-new composition from Ruby Rushton keyboard player Aidan Shepherd. Taking inspiration from bands like Weather Report and Soft Machine, it's explosive introduction leads you to a dub-like breakdown, creating an open space for Shepherd to let loose his synthesizer for some deep space, Headhunters’esque exploration.

Yardley Suite - is a song first conceived by band leader Ed ‘Tenderlonious’ Cawthorne back in 2012. Having lied dormant for several years it felt like an appropriate time to pull it back out the bag. It’s a composition inspired by Cawthorne’s solo work as an electronic producer, under his alias Tenderlonious. Always wanting to merge his various approaches, ‘Yardley Suite’ is the perfect mix of Jazz and House. With a steady four to the floor beat and snappy horn lines it's sure to work its magic on dancefloors around the globe.

Having focused on improvisation and more “open” compositions in the past, the bands new direction is geared towards tighter, more groove-orientated arrangements. This exciting new material is yet further evidence that this is a highly prolific band at the top of their game, continually evolving, stretching out their own unique sound across the full jazz spectrum.

DJ Support: Tom Ravenscroft, Bradley Zero, Huey Morgan, James Endacott, Kev Beadle, Chris Phillips, Tony Minvielle, Tim Garcia, Delia Tesileanu, Kamaal Williams, Al Dobson Jr, Contours, Poly-Ritmo.

'TNT' has never released a record before (aside from the 12" we did last year), so this is a huge fucking honour to be trusted with this material. TNT Roots has continued a solo career since Earthquake quietly folded in 2002, trading short-run CDr's on Ebay and the Blood & Fire forum. His music still survives on not-for-sale dubplates - pushed exclusively by legendary 90's sounds like Aba Shanti.

The result is the Raw Dub Creator LP - a survey of his 2006 - 2018 CDr selected by Bokeh. Urgent steppas for dark dances, heavier than the grave - next evolution soundsystem muzik. These are driving militant sounds for these times made in seeming isolation in Northampton (TNT never plays live, doesn't want Bandcamp, just wants to sell his CDs quietly over email). TNT Roots' contribution to dub is seismic, almost dinosauric, but through some glitch in universe fabric, 'Mighty In Battle' Bokeh 2018 was his first official vinyl release.

As half of Earthquake - he's responsible for the darkest, forward, most slept-on future of dub to grace us. This unique and heavy vision has reset the whole game with long unavailable LPs like Revelation in Dub and Dub Harder Than Steel make obvious an understated lineage flowing from 90's steppas down to jungle, grime, hardcore, darkcore, doomcore, it's kinda pointless to list them. It's dub. TNT and Earthquake's rightful place alongside those mystic giants, Iration Steppas, is more than assured by those that know.

A survey of Moondog’s earliest recorded works - many of them unreleased until now - through a collaboration by Mississippi Records and Lucia Records. From 1954 - 1962 eld recordist Tony Schwartz frequently checked in with Moondog, his favorite street musician.

Tony Schwartz made recordings of Moondog’s earliest com- positions as they were coming into focus. Sometimes these recordings were made right on the street as Moondog busked, sometimes they were made in Schwartz’s studio, and sometimes they were made on NYC rooftops. The resulting recordings, many of which had never been released, were deposited at the Library Of Congress as part of the Tony Schwartz Collection in 2006 when Schwartz passed away, and this record was culled straight from these original tapes.

Side one kicks o with an unreleased version of Moondog’s classic composition “Why Spend The Dark Night With You?” fol- lowed by the rst ever complete recording of his “Nocturne Suite,” a beautiful piece of classical music performed with members of the Royal Philharmonic. The side ends with the complete “On The Streets Of New York” 7” EP, which was released on Mars records in 1955 and subsequently re-released by Honest Jon’s Records in 2004 on their excellent Moondog anthology. Side B features sketches of Moondog compositions never released, many with the man himself howling and chanting over his homemade percussion set.

Moondog’s music is as universal as it gets - part classical music, part Native American, part European folk, and part something completely unique. Moondog is one of the towering gures of 20th century music. This record comes with liner notes featuring never before released interviews with Moodog by Tony Schwartz and is housed in an old school “tip on” cover. All tracks fully licensed from the Library of Congress.

This double 10" vinyl features some absolutely enormous remixes that are not to be missed! Hamilton (Dj Ham) steps up to the plate and delivers a blisteringly dark remix of an already dark tune. Tough and rough, this one has a bassline that shakes the speakers to death and is built to last in his customary RAM records style.
Abyss gives us a glorious old skool drum and bass remix, in line with the 1994 sound, full on amen cuts, heavy sines and deep atmospherics.
Lowercase and Psycangle move the whole track into early 90's Ruffneck Records / Malice territory, with a furious old skool gabber remix, hard as nails and noisy as hell.
But perhaps the best is saved for last, because Sunny & Deck Hussy do the near impossible and take a dark tune and flip it on its head, making it euphoric and deep without losing the essential character of the original.

Club / DJ Support
Shimon, Andy C, Randall, Ray Keith, Chase 7 Status, Zinc, Jack Frost, Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Liquid, Hyper On Experience, Ant To Be, Ponder and many others

Hardcore punk pioneers 'Bad Brains' released their sixth full-length 'God Of Love' in 1995. The original line-up was back together and the album was promoted with a big tour and concerts on the Beastie Boys’ Ill Communication tour.
The album consists of a mix of reggae, hardcore, punk, and hard rock tracks. The band continued to evolve and created such a versatile album that people from different backgrounds felt attracted to it.

'God Of Love' is available as a limited edition of 1000 individually numbered copies on coloured (transparent green & yellow mixed) vinyl and the package includes an insert.

Cititrax presents a full length LP by a new duo called Tornische. Julio Tornero and Hanna Chamiarytskaya (aka Anneq) got together in Madrid after having met through mutual friends. Immediately, they bonded and found a musical chemistry between them. They went into the studio and began revisiting Julio's unreleased archives, incorporating what he had already recorded years ago with fresh sounds and Neu Deutsche Welle style duets. The result is a modern, chaotic, take on 80s European new wave, 90s detroit electro, and contemporary indie pop. The energy level is always high, the melodies are catchy and the vocal delivery and lyrics futuristic, subversive, italo-disco / punk, and surreal. A special album, this one is line with Medio Mutante's classic debut EP, 'Inestable' (2008) and not unlike the pioneering sound of Liaisons Dangereuses.

The vinyl will be pressed on 160 gram ultra clear and limited to 500 copies. The record is housed in a PVC printed sleeve, with a neon graphic designed by Peter Miles. The back features an image by Nastya Porukevich along with the track titles and album info.

Mysterious German producer His Master's Voice makes his debut on Delsin Records. With three mind bending originals plus an absorbing Vril rework his entry on the Delsin e-series is a deeply immersive beat trip into another dimension. The roughed edged ambiance of 'Fire Red' opens the dance in soothing yet engaging fashion with superbly spacious soundscapes pulling you in and slowly involving into a foggy kick drum extravaganza. 'Eve' then offers a deep and propulsive electro groove with glitchy atmospheres. Lead track 'Transition' hits hard, an intergalactic trip on turbulent stuttering drums and whipping synths. To finalize an immersive EP, close friend Vril jumps in for a rework of 'Eve' where he smoothly connects the dots between his typical dark bass lines and blistering dub chords.

Ecke Records returns with its fourth release this November, the four-track ‘Grit’ EP coming courtesy of Xantrax with a remix from Addison Groove.

Taking the lead is ‘Tekline’, a murky, unfurling cut fuelled by off-kilter tribal drum work, bubbling bass delays and modulating synth flutters. Addison Groove steps up next on remix duties, reshaping ‘Tekline’ with choppy vocal cuts, dubbed out chord stabs and organic percussion floating atop the originals hypnotic groove.

‘Linetek’ opens the flip, as the name would suggest acting as a counterpart to the lead track, taking a 4/4 approach rhythmically while introducing a similar modulating bass line alongside chanting vocals.

‘0121’ then rounds out the package, an angsty, dynamically unfolding composition laid out over four and a half minutes with droplet synth delays, heady bass swells, spoken word vocals and crunchy broken drums.