- A1: Outkast - Prototype
- A2: Tweet - Drunk
- A3: Sa-Ra Creative Partners - Cosmic Ball
- A4: Chick Corea - El Bozo (Part 1)
- B1: Dr Octagon - Blue Flowers
- B2: Metronomy - Hypnose (Exclusive Cover Version)
- B3: Alessi Brothers - Seabird
- B4: Autechre - Fold4,Wrap5
- B5: Mick Karn - Weather The Windmill
- C1: The Alan Parsons Project - Eye In The Sky
- C2: Two Lone Swordsmen - You Are
- C3: Tonto's Expanding Head Band - Cybernaut
- C4: Pete Drake - Forever
- C5: Appaloosa - The Day (We Fell In Love)
- C6: Kate & Anna Mcgarrigle - Complainte Pour Ste Catherine
- D1: Herman Dune - Winners Lose
- D2: Cat Power - Werewolf
- D3: Paul Morley - Lost For Words Pt.4 (Exclusive Spoken Word Piece)
Buscar:b love
- A1: Scream & Dance - In Rhythm
- A2: Plastic Bertrand - Stop Ou Encore (Disconet Remix)
- A3: Paladin - Third World
- B1: Adriano Celentano - L'unica Chance
- B2: Hotel Motel - Chocolate City
- B3: Hotel Motel Ft Snax - Fall
- C1: Coalkitchen - Chained To The Train Of Love
- C2: Hugh Mane - Organic Ceramic
- C3: Charli Xcx - You Mu Ha Ha Ho (Lindstrom Remix)
- D1: Emperor Machine - Breezin
- D2: Spaghetti Head - Funky Voodoo (Mang Dynasty Edit)
- D3: Rudy Norman - Back To The Streets
repressed !
- A1: Double Exposure Ten Percent (Original Acappella Version)
- A2: Double Exposure Ten Percent (Original Background Vocals)
- A3: Bunny Sigler By The Way You Dance (Original Acappella Version)
- A4: Bunny Sigler By The Way You Dance (Original Background Vocals Acappella)
- A5: Eddie Holman I've Been Singing Love Songs (Original Re-Edit Acappella Version)
- B1: Love Committee Cheaters Never Wins (Original Acappella Version)
- B2: Love Committee Cheaters Never Wins (Original Background Vocals Acappella)
- B3: Double Exposure My Love Is Free (Original Acappella Version)
- B4: Double Exposure My Love Is Free (Original Background Vocals Acappella)
- C1: Aurra Checking You Out (Original Acappella Version)
- C2: Aurra Checking You Out (Original Background Vocals)
- C3: Jimmy Castor It Gets To Me (Original Acappella Version)
- C4: Double Exposure Everyman (Original Acappella Version)
- C5: Double Exposure Everyman (Original Background Vocals)
- D1: Instant Funk No Stoppin' That Rockin' (Original Acappella Version)
- D2: Instant Funk No Stoppin' That Rockin' (Original Background Vocals Acappella)
- D3: Instant Funk No Stoppin' That Rockin' (Original Voicebox Acappella)
- D4: Jimmy Castor Amazon (Original Acappella Version)
- D5: Jimmy Castor Amazon (Original Chorus Acappella)
- D6: Jimmy Castor Amazon (Original Skit Acappella)
- D7: Anthony White I Cant' Turn You Loose (Original Acappella Version)
- A1: Rene & Angela - I'll Be Good
- A2: Zapp - Heartbreaker (P1 + 2)
- A3: Timex Social Club - Rumors
- B1: Mtume - Juicy Fruit
- B2: Sugardaddy Feat. Ronika - Don't Look Any Further
- B3: Meli'sa Morgan - Fool's Paradise
- C1: George Franklin Smallwood & Marshmellow Band - You Know I Love You
- C2: Royalle Delite - I'll Be A Freak For You
- C3: Bits & Pieces - Don't Stop The Music
- D1: Donna Allen - Serious
- D2: Change - Change Of Heart
- D3: The Gap Band - I Owe It To Myself
- E1: 52Nd Street - You're My Last Chance
- E2: Thelma Houston - You Used To Hold Me So Tight
- E3: Alexander O'neal - What's Missing
- F1: Aurra - You And Me Tonight
- F2: Samson & Delilah - I Can Feel Your Love Slippin' Away
- F3: Sharon Brown - I Specialize In Love
It is 1983 and you've just stepped into your Ford Capri with your girlfriend Julie. You live in Harlow, but in your head you're really somewhere near Salou in Spain, next to your yacht. But the thing you really love is soul and they play nothing but at Sups in Loughton. OK, so It's not 1983 at all. It's 2014, but listening to this electrofied soul, will put you back in the zone. Tom Findlay, one half of Grammy-nominated Groove Armada, has put this collection together: a stamp of authenticity in itself. Tom has also put a few of these through the edit wringer, reworking many of the tunes for maximum towelling sockability.
You'll probably recognise a few tunes. There's Mtume's incredible 'Juicy Fruit', still sounding advanced and modern, while 'I Specialize In Love, mixed by disco legend Tee Scott, is even older yet sounds equally perky.
The 1980s was a period that was pretty much owned by Minneapolis thanks to Prince and former cohorts Jam & Lewis and the latter weigh in with a pair of killer productions, Thelma Houston's 'You Used To Hold Me So Tight' and Alexander O'Neal's 'What's Missing'. And since this is Late Night Tales, there is always our exclusive cover version, this time done by Findlay and Tim Hutton's Sugardaddy, who've delivered an ace version of 'Don't Look Any Further'.
Grab yourself a bar stool, order a cocktail, take a sip and make believe you're lying on a shagpile carpet with the soul star of your dreams.
Bill Brewster
Automatic Soul, like my previously compiled Late Night Tales Music For Pleasure, is based very much on a sound. It's a sound that I feel has been overlooked: 80s R&B-infused music, with drum machines, synths and invariably brilliant vocals. It's formed the bedrock of my rare groove sets for all the years I've played. It's not the most fashionable, but to me it's the perfect marriage of technology and soul, hence the title for this album, Automatic Soul. There are plenty of songs I could have included, and no doubt some that I shouldn't, but I've tried to represent what's best to me from this era. It's not a classic Late Night Tales. It's a pretty personal journey, which I hope some of you might be willing to share... Tom Findlay Groove Armada September 2014.
Unhinged Aussie grunge captured just as the Scientists were imploding/attempting to explode. Recorded over three days in February 1986, Weird Love is the band''s last ditch effort to bring their bad vibes to bedrooms the world over, a colossal failure and brilliant mistake that sounds best when blasting out of 1982 Corolla's blown Alpine tweeters.
- A1: Stronger Than Me 3:54
- A2: You Sent Me Flying (Cherry) 6:50
- A3: Know You Now
- A4: Fuck Me Pumps 3:20
- A5: I Heard Love Is Blind 2:10
- A6: Moody's Mood For Love (Teo Licks) 3:28
- A7: (There Is) No Greater Love 2:08
- A8: In My Bed 5:17
- B1: Take The Box 3:20
- B2: October Song 3:24
- B3: What Is It About Men 3:29
- B4: Help Yourself 5:01
- B5: Amy Amy Amy (Outro) 13:16
- A1: Leaving My Old Life Behind
- A2: I'm Only Sleeping
- A3: Eighteen Is Over The Hill
- A4: Let There Be Drums
- A5: New Town
- A6: Connection
- B1: The Darkside
- B2: Reasons To Be Cheerful Part 3
- B3: For The Love Of Money
- B4: More Bounce To The Ounce
- B5: 1Requiem Pour Un Con
- C1: Disco Devil
- C2: King Heroin
- C3: Love Will Set You Free" Carrie Cleveland
- C4: Nineteen Hundred & Eighty Five
- D1: Reach For The Dead
- D2: Zebra
- D3: Old Man
- D4: Sweet Mountain
- D5: Defibrillator
- A1: I'm Your Hoochie Coochie Man
- A2: Baby Please Don't Go
- A3: Rollin' And Rumblin' (Part 1)
- A4: Rollin' And Rumblin' (Part 2)
- A5: Gypsy Woman
- A6: I Just Want To Make Love To You
- A7: You're Gonna Miss Me (When I'm Dead And Gone)
- B1: Mannish Boy
- B2: Smokestack Lightnin
- B3: Standin' Here Tremblin
- B4: Just A Dream (On My Mind)
- B5: She's All Right
- B6: I Want To Be Loved
- B7: The Call Me Muddy Waters
- C1: Got My Mojo Working
- C2: Rock Me
- C3: I'm Ready
- C4: Diamonds At Your Feet
- C5: Mopper's Blues
- C6: Loving Man
- C7: Evil
- D1: Forty Days And Forty Nights
- D2: She Moves Me
- D3: Trouble No More
- D4: Hard Day Blues
- D5: Rollin' Stone
- D6: I Can't Be Satisfied
- D7: Train Fare Home Blues
- Double Exposure - Faaling In Love (5:22)
- Eddie Holman - All My Life (3:16)
- Bunny Sigler - Cry My Eyes Out (7:12)
- The Salsoul Orchestra - Standing And Waiting On Love (3:43)
- Instant Funk - Can You See Where I'm Coming From (4:11)
- True Example - Love Is Finally Coming My Way (6:25)
- Metropolis Ft. The Sweethearts - Here's To You (3:57)
- Loleatta Holloway - That's How Heartaches Are Made (3:04)
- Love Committee - Tired Of Being Your Fool (3:00)
- Flashlight - I Can Be (5:39)
- Moment Of Truth - Come On In (6:06)
- Loleatta Holloway - Two Sides To Every Stroy (4:28)
- First Choice - Sittin Pretty (4:22)
- Doubler Exposure - I Declare War (5:49)
Back In Stock!
a special 2x12" with some funky old school house classics !! limited re-stock !!!!
- A1: Barry Woolnough - Great Father Spirit In The Sky
- A2: David Holmes & Steve Jones - The Reiki Healer From County Down
- A3: The Children Of Sunshine - It's A Long Way To Heaven
- A4: Spark Sparkle - Slythtovery
- A5: Alain Maclean - Talking Judgement Day Blues
- A6: David Crosby - Orleans
- A7: Buddy Holly - Love Is Strange
- B1: After Dinner - Paradise Of Replica
- B2: Lullaby Movement - Ru-Ru (Sleep Little Baby)
- B3: Jeff Bridges & Keefus Ciancia - It's In Every One Of Us
- B4: Song Sung - I'm Not In Love
- C1: Neo Maya - I Wont Hurt You
- C2: Bp Fallon & David Holmes - Henry Mccullough
- C3: Documenta - Love As A Ghost (Produced By David Holmes)
- C4: Keith Fullerton Whitman - Stereo Music For Acoustic Guitar, Buchla Music Box 100 Hewlett Packard Model 236 Oscillator, Electric Guitar And Computer Part I
- D1: Eat Lights Become Lights - Into Forever
- D2: Geese - Andrew Parsnip
- D3: Die Hexen - Gloomy Sunday
- D4: Jon Hopkins & David Holmes Feat Stephen Rea - Elsewhere Anchises
DJ and producer David Holmes is welcomed to the Late Night Tales fraternity with an evocative collection of personal songs and music, peppered with exclusive new material and rare gems. By now, I think we all know David Holmes, right There's acid house Holmes, with bone-rattling Chicago jams and Detroit destroyers, break-digger Holmes responsible for the grittily shaking 'Let's Get Killed' and seminal Essential Mix compilation (which brought Sixto Rodriguez to people's attention, and then there's soundtrack Holmes. His most enduring and vital source of musical inspiration - cinema - plugged into David's rst solo record 'This Film's Crap, Let's Slash the Seats' and inspired 2000's 'Bow Down to the Exit Sign', created as the soundtrack to a not-yet-made movie. Ofcial soundtracks have been bountiful, including scores for Soderbergh's Out Of Sight and Ocean's trilogy, '71, Hunger and Good Vibrations. In a series of personal songs sung by himself, David's last solo album 'The Holy Pictures' explored inuences of La Düsseldorf, The Jesus and Mary Chain and early Brian Eno. His Unloved collaboration with Keefus Ciancia and Jade Vincent then took us on a musical journey full of raw 60s pop-noir, psychedelia and French Ye Ye with a contemporary twist. Somehow he's also found time to produce records by Primal Scream and Jon Spencer Blues Explosion. Unsurprisingly, for someone au fait with matters cinematic, this Late Night Tales conjures up its own mindmovies. It's not only packed with the judiciously selected nuggets for which his mixes are noted but also stuffed with original material, including collaborations with BP Fallon and Jon Hopkins and an amazing new reading of 10cc's 'I'm Not In Love' by Holmes-produced Song Sung. In fact, there's a Celtic thread running through the whole journey with Stephen Rea's reading of an extract from Seamus Heaney's AENEID BOOK VI - Elsewhere Anchises. Among the other gems included here are David Crosby's lush 'Orleans', Buddy Holly's celestial 'Love Is Strange' and the Children Of Sunshine's 'It's A Long Way To Heaven'. David Holmes loves music. It's a way of expressing the sometimes inexpressible or the inconsolable, a questing desire to nd out just what is over the next hill. It's no surprise to learn he's a keen walker. Always on the move, headphones on, lost in some reverie or piece of music, the soundtrack to his life, the stuff that feeds his imagination. I walk a lot. It's amazing for listening to music: your phone or your emails aren't going and you're just in the forest listening to music. It's so intimate. Anyway, I was listening to the KLF's Chill Out album, which still sounds amazing, but it triggered an idea with concrete sounds through travelling and movement. And one of the things I was trying to do was to use this idea not just break up the moods but also as a metaphor for moving through life and arriving in different destinations or arriving at different stages in different parts of your life. Memory, Love, Living, Family, Friendship, Healing, Death and The Afterworld are some of the themes I wanted to explore within this record. Although these strong themes and tracks are personal to me, I also wanted it to be a great listen that was unpredictable yet had a seamless ow - a journey that was personal to me yet to the listener a great compilation of music that they may or may not have heard before. I hope I've succeeded in the later.' David Holmes 2016
- A1: New Order - Blue Monday
- A2: A-Ha - Take On Me
- A3: Duran Duran - Hungry Like A Wolf
- A4: The B52S - Love Shack
- A5: Bananarama - Venus
- B1: Tina Turner - The Best
- B2: Simply Red - Holding Back The Years
- B3: The Cars - Drive
- B4: Pretenders - Don't Get Me Wrong
- B5: Aztec Camera - Somewhere In My Heart
- C1: The Smiths - There Is A Light That Never Goes Out
- C2: Joy Division - Love Will Tears Us Apa
- C3: Talking Heads - Road To Nowhere
- C4: Stranglers - Golden Brown
- C5: Talk Talk - Its My Life
- D1: Chaka Khan - I Feel For You
- D2: Diana Ross - Chain Reaction
- D3: Fleetwood Mac - Everywhere
- D4: Spandau Ballet - True
- D5: Brother Beyond - The Harder I Try
Celebrating a monumental decade for music, birthing numerous timeless classics that pushed music to new heights Smash Hits The 80s takes the very best tracks from the decade across 2LPs providing the soundtrack to the era. This must-have collection contains hits from artists of all genres, featuring New Order, Duran Duran, Spandau Ballet, The Smiths & Talk Talk.
- A1: All Around You (Intro)
- A2: Cold To The Touch
- A3: Donovan Said
- A4: In India You
- B1: No Come Down
- B2: (Around You) Everywhere
- B3: Jesus
- B4: Before You
- B5: Miss June '75
- C1: Anenome
- C2: Baby (Prepraise)
- C3: Feelers
- C4: Bad Baby
- D1: Cause I Lover
- D2: (Baby) Love Of My Life
- D3: Slowdown (Fuck Tomorrow)
- D4: Here It Comes
- D5: All Around You (Outro)
2024 Repress
Ned Doheny's Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It is has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years. Previously bootlegged in derisory fashion, original copies are rarely found for less than $100.
Be With Records, a new vinyl-only reissue label, continues apace by marking its third release with the first officially licensed reissue of Doheny's nautical classic. Perhaps most famously, this impeccably smooth set features the timeless Get It Up For Love, a wonderful example of mid-70s mid-tempo white-(hot)-funk.
Produced by the legendary Steve Cropper, it featured a veritable who's-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It's been a cult record since.
Pressed on audiophile 180gram vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this very limited reissue of 500 copies is one not to be missed.
Warehouse Find!
Warehouse Find!
Toby Tobias coming through with the fresh raw s**t for Delusions! Two original tracks here absolutely loaded full of old school analogue machine funk and crazy dub tricknology. It's Burning builds around a beautiful chiming synth while a filtering acid bass line and 808 snares add a distinct bit of B-Boy to the mix. I Give You love heads for a more rugged house vibe complimenting the intense, loosely timed vocal hits perfectly. On the flip we have London Housing Trust bringing serious heat on their remix, jacking up the tempo but adding some decidedly tripped-out synth tweaks resulting in a show stopping reworking primed for freaking people out on the dancefloor. Finally we have that man Lauer working his magic on It's Burning, building up the track around some beautifully euphoric synth stabs and bassline. The perfect close to an EP in which it's very difficult to try and find words to justify. We think Toby Tobias has turned in some of his best ever work here and absolutely love this whole record so really hope you share the same admiration for the release as we do!
Pulp’s debut and one of their most honest recordings - capturing a band at the beginning of their startling career. ‘It’ is a gentle, mainly acoustic album that hints at the musical directions Pulp would later pursue. The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen. Certainly an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, ‘It’ has aged beautifully into a charming collection. Fire are to reissue Pulp’s 1983 debut album ‘It’ as part of the Fire reissue series with bonus material. Liner notes by Everett True. Featuring 4 Bonus tracks including single version of ‘My Lighthouse’ and alternative mix of ‘Blue Girls’, ‘Sink Or Swim’ and ‘Please Don’t Worry’ from Pulp’s John Peel session in 1981.
repressed !
Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island.
Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea.
I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told.
The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings.
Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you.
Album support from: Gilles Peterson, Skream, Laurent Garnier, Patrick Forge, Jean-Claude (IF), Soulclap, Joszif, Makoto, Breach, Flight, dBridge, Doc Scott, Trevino, Craig Richards, John B, Klaus
Fiehe. Mr Scruff....
Repress
Official re-release of this 'lost' 6-track mini album by New Yorker Ben Cenac (of Newcleus fame). Recorded and released in 1990 and is an absolute gem of a record - very much in the vein of Larry Heard's best recordings. MASSIVE TIP!
Electronic soul classic! Now available again for the first time in 22 years, remastered + full artwork.
2024 Repress
Alleviated Records is proud to present a remastered re-issue of the second installment of the ''LooseFingers'' EP series. This EP, produced by Larry Heard contains 3 selections; on the 'A' Side; ''When Summer Comes'' If you enjoyed tunes like ''What About This Love'' Mr. Fingers, you'll like this great dance-song with a summer feel that should provide a great musical backdrop to any summer event. On the 'B' side ''Acid-Bounce'' an acid-track.. which should be a surprise to many since Larry has not really done a lot of ''tracky'' things in recent years. It should be fun for DJ's to get creative with too! ''Transmission X'' is another acid-style track that DJ's and dancers alike will probably enjoy!!!. DON'T MISS IT!!!
- A1: Hopeton Lewis - This Music Got Soul
- A2: Hopeton Lewis - Let Me Come On Home
- A3: The Zodiacs - Walk On By
- A4: Termites- We Gonna Make It
- A5: The Dynamites - Fountain Bliss
- B1: Hopeton Lewis - Rock A Shacka
- B2: Hopeton Lewis - Don't Cry
- B3: The Royals - House Upon The Hill
- B4: The Tartans - Real Gone Sweet
- B5: The Tartans - Rolling Rolling
- C1: Hopeton Lewis - I Don't Want Trouble
- C2: Lester Sterling - Lester Sterling Special
- C3: The Dynamites - If You Did Love Me (Take 1)
- C4: The Tartans - Don't Take That Train
- C5: Lynn Taitt & The Jets - Batman (Early Take Version)
- D1: Hopeton Lewis - Oh Tell Me Darling (Take 1)
- D2: The Tartans - I'm Ready
- D3: Henry Buckley - Take Me Back
- D4: Roland Alphonso - Sounds Of Silence
- D5: Lynn Taitt & The Jets - Batman (Rehearsal Version)
- D6: The Federal All Stars - Merritone False Starts (Pt. 2)
Part 1[31,72 €]
repress !
The birth of rock steady portrayed in a consummate collection from the vaults of Federal Records
Most of them drawn directly from Ken Khouri's master tapes this miscellany of cool rock steady includes marvellous music from the originator of the genre, the one and only Lynn Taitt, alongside an array of Jamaica's greatest singers and vocal harmony group
American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston's jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or 'dub plates' as they would later be termed. These 'specials' soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement Coxsone' Dodd, Duke Reid 'The Trojan' and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.
In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica's original indigenous music) before progressing to opening Jamaica's first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.
"It was Ken Khouri's Federal Recording Studio, the womb that gave birth to the talented writers, artists and musicians that gave Jamaica its musical identity." Prince Buster
Federal Records was not only the place for the sound system men to record their music but it was also where they had their records manufactured and, consequently, the company enjoyed a near total monopoly on recording and record pressing in Kingston. In 1963 Ken Khouri sold his one track board to Clement 'Coxsone' Dodd, who established Studio One, and Ken imported the first stereo equipment to Jamaica and Federal began making stereo records. The following year WIRL (West Indies Records Limited) opened but the competition served to drive the company on to higher heights. Ken Khouri continued to work on his own productions and, in 1966, the seven inch release of Hopeton Lewis' 'Take It Easy', recorded under the guidance of Trinidadian guitarist Lynn Taitt, ushered in the rock steady era.
These two essential albums showcase a stunning selection of well known hits, and not so well known rarities, from the vast Federal catalogue. All tracks have been transferred direct from the master tapes and assembled with the invaluable assistance of Ken Khouri's son, Paul Khouri, who generously gave Dub Store unlimited access to the Federal tape vaults. The extensive liner notes feature extracts from extensive interviews with Paul Khouri whose knowledgeable recollections of working on Marcus Garvey Drive, not only as a producer but as an engineer and musician, are illuminating and educational. Both sets present an insight into the birth and growth of Federal Records and the Jamaican recording industry and are essential to an understanding of the real roots of reggae music.
140 Gramm Vinyl inklusive Downloadcard (inklusive vierExtratracks) Auch "Separations", das Album aus dem Jahre 1992, wird als Teil der Fire Embers Reissue Serie mit unveröffentlichtem Bonus-Material neu aufgelegt. Pulp hatten sich bereits einmal musikalisch verwandelt und sich durch die düstere elektronische Phase auf ,Freaks" weit von ihrem Debüt "It" entfernt und dabei deutlich an Schwung aufgenommen. Der inzwischen zu Kritikerlieblingen avancierten Band ging bereits der Ruf voraus eine Live-Band geworden zu sein, mit der nur wenige mithalten konnten, doch erst ,Separations" war der große Schritt hin zu dem Sound, mit dem Pulp nur wenige Jahre später die Massen mitreißen sollten. Auf ,Separations" gibt es zum ersten Mal diesen unausweichlichen Disco-Puls. ,Separations" ist das Übergangs-Album, in dem Pulp die romantisch-verklärte Außenseiter-Vergangenheit zurückließen und brachte passenderweise mit ,Countdown" und "My Legendary Girlfriend " auch zwei sehr erfolgreiche Singles hervor. Der Download bringt noch vier Bonustracks hinzu: ,Death Goes To The Disco" und "Is This House " sowie die längere Maxi-Version der Single ,Countdown" und das bisher unveröffentlichte "Death Comes To Town". Remastered und neues Packaging. Liner Notes von Everett True.
The new record from San Francisco based band Monophonics entitled "In Your Brain" sits on the fuzzy psych side of soul and funk. Paying homage to innovators such as Sly Stone, Norman Whitfield and Funkedelic's George Clinton, the 6 piece outfit displays their ability to put a moody stamp on each composition. Touching on everything from cinematic soul, heavy funk, 60's rock and spaghetti western laced with yellow sunshine acid, the album is sure to leave you tuned in and turned on!
- Love Is In The Air
- What You Gonna Do
- Lucy Brown Is Back In Town
- Fix Your Hair Darling
- Send Me A Postcard
- Harley Davidson
- Long And Lonesome Road
- Fireball Of Love
- Venus
- Hot Sand
- Mighty Joe
- Wild Wind
- Never Marry A Railroad Man
- Roll Engine Roll
- Hello Darkness
- Pickin Tomatoes
- Shocking You
- Waterloo
- Blossom Lady
- Is This A Dream
- Out Of Sight Out Of Mind
- I Like You
- Inkpot
- Give My Love To The Sunrise
- Eve And The Apple
- When I Was A Girl
- Rock In The Sea
- Broken Heart
"One of the most famous Dutch bands ever is Shocking Blue. The band released some of their best-selling hits all around the world, including the still standing ""Venus"". It´s one of the many songs which can be found on the double LP Single Collection Part 1. This collection was originally released in 1997 and consisted of 28 of their best tracks, including ""Pickin' Tomatoes"", ""Never Marry a Railroad Man"", and ""Mighty Joe"". Also included are Robbie's powerful B-sides like ""Fireball of Love"", ""Hot Sand', ""Wild Wind"", and ""Roll Engine Roll"". Single Collection Part 1 is available as a limited edition of 1000 individually numbered copies on white coloured vinyl, housed in a gatefold sleeve. "
Single Collection Part 1 by Shocking Blue, released 22 March 2024, includes the following tracks: "Lucy Brown Is Back In Town", "Send Me A Postcard", "Long And Lonesome Road", "Venus" and more.
This version of Single Collection Part 1 comes as a 2xLP in a(n) Gatefold Sleeve packaging.
The vinyl is pressed as a white disc. Another vinyl is pressed as a white disc.
- A1: Solomonic Reggae Star - Anti-Apartheid
- A2: Solomonic Reggae Star - Solidarity
- A3: Bunny Wailer - Arab Oil Weapon (12" Disco Mix)
- B1: Bunny Wailer - Love Fire
- B2: Bunny Wailer - Love's Version
- B3: Bunny Wailer - Bright Soul
- C1: Bunny Wailer - Rise & Shine
- C2: Solomonic All Stars - Solomonic Dub
- C3: Bunny Wailer - Riding
- C4: Bunny Wailer - Galang So
- D1: Bunny Wailer - Troubles Is On The Road Again
- D2: Bunny Wailer - Cease Fire
- D3: Bunny Wailer - Rule Dancehall
- D4: Solomonic All Stars - Rule Dancehall (Dub Version)
At the same time that Neville 'Bunny Wailer' Livingston recorded his debut solo long playing masterpiece, 'Blackheart Man', he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now...,
It is next to impossible to ever overstate the importance of The Wailers to the history of Jamaican music and, as the last surviving member of the group, Bunny Wailer rightly regards himself as the sole keeper of their history ever mindful of the group's exalted position in the story of reggae music and the importance of their legacy. In 2010 Dub Store were proud to be able to work with Bunny on re-releasing a selection of his earliest recordings for the Solomonic label, lovingly restored and presented in reproduction sleeves and labels, on limited edition seven and twelve inch singles. Now, taking another step forward, we are more than proud to present Bunny's timeless music on two beautifully packaged CD's and double LP's. Bunny's first solo album, 'Blackheart Man' originally released in 1976 on his own Solomonic label in Jamaica and on Island in the UK, is one of the undisputed all time classics of Jamaican music and established Bunny Wailer as a highly respected, world renowned artist in his own right. During this period Bunny also produced a series of singles released in Jamaica and the UK in strictly limited quantities without the benefit of international distribution, that are every bit as good and, in some cases, even better than this awesome debut long player. Original copies have subsequently become highly prized, and highly priced, collector's items. "Classic rarities" is an overused and abused term too often employed to describe average records that failed to sell on their initial release but both 'Tread Along' and 'Rise & Shine' are packed from beginning to end with a searing selection of some of the greatest and hardest to find reggae records ever produced. 'Tread Along' opens, naturally enough, with 'Tread Along' from 1969, one of the last singles for The Wailers' own Wail N Soul M label, and runs through the first release on the Solomonic label, 'Searching For Love' also known as 'Search For I', 'Bide Up' released as 1974 drew to a close, a radical reworking of 'Pass It On' and a marked contrast to the version on The Wailers' 'Burnin'', album, 'Life Line' and the prophetic 'Arabs Oil Weapon' kept the pressure on as Bunny began outlining the flawless 'Blackheart Man' album. Each release was a certified classic in its own right. Peter Tosh's melodica version to Bunny's 'Amagideon' ('Armageddon'), the first track on 'Rise & Shine', is followed by 'Love Fire', an update of another Wail N Soul M track, 'Fire Fire'/'Babylon Burning', through to one of the deepest roots records ever created, 'Rise & Shine', on to 'Riding' from the 'Bunny Wailer Sings The Wailers' sessions (but not featured on the album) and a huge hit in the UK in 1981, and closing with 'Rule Dance Hall' from 1985. No idle boast..., The liner notes feature the story of The Wailers, as told to Dub Store by Bunny himself in Kingston in an enlightening 2012 interview, and rarely seen contemporary photographs complete these essential releases. The music of Bunny Wailer was not only a medium for change and protest but also to elucidate and educate and 'Tread Along' and 'Rise & Shine' finally complete the canon of un-compiled Wailers music. "I'm quite satisfied, you know, reggae music is the kind of music that although sometimes you would look at it and say..., boy, it's hard..., then again you look at what it has done for the people of the world you know that that couldn't be locked up in a little place like Jamaica!" Bunny Wailer
Repress.
Hand stickered, white label repressing of GLENN's very first volume. BRASS CONSTRUCTION's "HAPPY PEOPLE", used on "VENUS (SUNSHINE PEOPLE)" from VERSATILE, gets chopped & is followed by THE WALTER MURPHY BAND's "MIDNIGHT EXPRESS". Flip it for a rework of "LOVE HANGOVER" & classic VINCE MONTANA.
Gatefold Heavy black vinyl with diecut sleeve!
Scheming Bruce Robertson (James McAvoy), a bigoted and corrupt policeman, is in line for a promotion and will stop at nothing to get what he wants. Enlisted to solve a brutal murder and threatened by the aspirations of his colleagues, including Ray Lennox (Jamie Bell), Bruce sets about ensuring their ruin, right under the nose of unwitting Chief Inspector Toal. As he turns his colleagues against one another by stealing their wives and exposing their secrets, Bruce starts to lose himself in a web of deceit that he can no longer control. His past is slowly catching up with him, and a missing wife, a crippling drug habit and suspicious colleagues start to take their toll on his sanity. The question is: can he keep his grip on reality long enough to disentangle himself from the filth
James McAvoy (X-Men: First Class) gives the performance of his career and he is joined by a fantastic cast, including Jamie Bell (The Adventures of Tintin), Imogen Poots (Fright Night), Oscar winning actor, Jim Broadbent (The Iron Lady), Joanne Froggatt ('Downton Abbey'), Shirley Henderson (Trainspotting), Eddie Marsan (The Illusionist), Emun Elliott (Prometheus), Martin Compston (Sweet Sixteen), Shauna Macdonald (The Descent) and Gary Lewis (Gangs of New York).
Written by Jon S. Baird who also directs, Filth is produced by Ken Marshall, Will Clarke and Irvine Welsh.
- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT
- GUEST PERFORMANCES FROM JON BON JOVI,
STIV BATORS AND STEVEN TYLER
- INCLUDING THE HIT-SINGLES POISON', BED
OF NAILS' AND HOUSE OF FIRE'
Trash is the 18th studio album by rock singer Alice
Cooper, released in 1989. The album features the single Poison', Cooper's first top ten hit since 1977. It marked
a great success in Cooper's music career, reaching the
Top 20 of various album charts and selling millions of copies of Trash.
The album features many guest performances including
Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/
guitarist Kane Roberts. Songwriting contributions were also
made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie
Sambora, and John McCurry.
After a limited self-financed release this self-titled album can be seen as the proper debut by Indigo Girls. The album immediately boosted them up the charts, earning them a Grammy back in 1989, eventually reaching platinum in
1991. Featuring the complementing songwriting of Emily Saliers and Amy Ray and guest vocals by R.E.M.'s Michael Stipe, the album is a showcase for jangling folk-rock, beautiful balladry and poetic lyrics.
In the wake of the new acoustic song-based styles of Suzanne Vega, Tracy Chapman and 10,000 Maniacs, Indigo Girls would manage to garner respectable mainstream success and maintain their rabid core following throughout the three decades after this release.
Two rugged cuts of the 'Love and Broad Highway' piece from Mike Brooks and the Roots Radics, on Brooks' Harvest label. Love and Broad Highway first surfaced in the early 1980s and has never been re-pressed since. Comes with two cuts of Mike Brooks 'Long Long Time on the flip side.Long Long Time was released in the UK on Hitrun and again has never been re-pressed until now. Recorded in Jamaica and released in the UK without Mikey's knowledge. All remastered direct from master tape. Mikey is backed by the Roots Radics band, in their prime at the time of recording. Tough, sticky roots. Comes in a custom bag.








































