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Bosse-De-Nage - Hidden Fires Burn Hottest (2x12")

There's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.

Bosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place"" describes a space that can't exist but does anyway, somewhere between thought and location. ""Immortality Project"" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.
Tracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018.

The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.
Coming off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes ""Mementos,"" which might be considered the first love song the band has ever written.

Nothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.
Hidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see."

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34,03
Gio Chamba - Tropidelicos LP
  • 1: ?Chicha Tu Madre!
  • 2: Solecito
  • 3: Psychedelicacy
  • 4: La Danza De Los Mirlos
  • 5: Guayaba Sunset
  • 6: Turbo Cumbia
  • 7: Mezcal Mami
  • 7: Viper

Tropidelicos is the electrifying new album from Houston/Denver powerhouse duo Gio Chamba, a kaleidoscopic fusion of cumbia, psych-funk, and global bass. Fueled by hypnotic percussion and cosmic guitar lines , the record embodies the next wave of Latin futurism — rooted in tradition yet exploding into vibrant, genre-defying sound.
Pressed on limited-edition 1×LP “Mango Viper Swirl” colored vinyl, Tropidelicos captures the radiant heat and joy of Gio Chamba’s live energy—music made for movement, community, and spiritual release. From sweaty dance floors to desert sunsets, every groove invites you deeper into the tropidelic revolution.

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31,05
SLUTET - Jihad LP

SLUTET

Jihad LP

12inchCRYPTMETAL039
Crypt Of The Wizard
15.06.2026
  • 1: Match Questions - Gasoline Truth
  • 2: Goddess Of Paradox (Tiamat Yawns Awake)

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

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25,00
Causa Sui - Return To Sky Lp

Causa Sui

Return To Sky Lp

12inchEPR030LP
El Paraiso
15.06.2026
  • 1: Dust Meridian
  • 2: The Source
  • 3: Mondo Buzzo
  • 4: Dawn Passage
  • 5: Return To Sky

Return to Sky is the follow-up to the band's classic Euporie Tide, which consolidated the band as a crucial underground force in the European psych scene and spread their unique brand of warm-toned stoner rock to a wider audience. The album is a condensed piece of acutely experimental, yet immensely engaging, instrumental rock. Each of the album’s five epics unfolds as a microcosm of the band’s genre-transcending psychedelia at large, yet adds something different to the whole.
The tracks on Return To Sky travel far and wide: heavy, detuned riffs are transformed into wide, pastoral soundscapes, and fluid minimalism warped into swirling crescendos and back again. Occasionally the band even manages to sound turbulent, fuzzed-out yet strangely peaceful at the very same time. Whereas so much of today’s psychedelic scene comes off as merely a tribute to a certain period of the past, Causa Sui has always been on a different mission. More than any other record in their catalog Return To Sky declares their roots in the avant rock of the late 1990s - where different eras and genres merged into something that resonated as much with the present as it celebrated the past. It also reveals the fact that members of the band has had their hands in many different projects since the band’s debut album in 2005: solo excursions into synthesizer music, collaborations with members of Sunburned Hand Of The Man and Tortoise as well as film soundtracks and improv sessions with krautrock legends Faust and Damo Suzuki. It has all worked a subtle influence on the kind of band they have become. On Return To Sky their sound is more earthy and heavy than other Causa Sui record, but it’s also a record that has absorbed everything from shoegaze and vintage Italian film music to spiritual jazz and afrobeat into its fabric. Causa Sui has never sounded deeper or more mesmerizing than on this set.

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26,01
MATÜK - SENDERO EP

MATÜK

SENDERO EP

12inchBP013
Bliss Point
05.06.2026

Bliss Point is proud to welcome the Bogotá born, New York based Matük to the label with Sendero, a collection dripping with life, with lust, with joy in the face of it all.

Birthed from weekend-long studio sessions in the heat of New York summer, Sendero is luscious and visceral party music, crackling with the spontaneous possibility that runs through city streets as temperatures peak, asses throw and emotions run high.

Hailing from Colombia and deeply immersed in the New York underground, Matük’s influences collide into an ecstatic tapestry on Sendero, blending the rich traditions of Afro-Caribbean musics with experimental and club sonics, long the sounds of joy as defiance from deep within the imperial core.

Many paths cross on Sendero. “Ricotta” features vocals from BRAVA, the Basque DJ and MC whose raw, infectious spirit has injected new energy into the international bass and footwork scene. She is joined by Argentinian-Colombian artist FEDRA on synth and vocals, transforming voice notes the trio sung into their phones over a long weekend of dancing into a party anthem of their own. “Lio”, the EP opener, pairs Mexico’s Renn Loop with Matük himself, trading sultry, heated frustrations over latinx futurist production. Things slow down on “De; Dioses y Pantallas”, a yearning, introspective plea to the night sky, before returning to the party with the bouncing, acid-fueled remix of “Ricotta” from Mexico City’s Soos.

Sendero is a snapshot of a scene in motion, a document of serendipity and collaboration, music made in the long tradition of enjoyment as a revolutionary act.

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16,18
OTTO BENSON - SONGS BEFORE BED

RICE TBC

Songs Before Bed (2022) marks Otto Benson’s first physical release under his own name, following earlier
work under aliases including Memo Boy, OTTO, and Pudding Club.

Originally published as a digital-only release through Otto's own WNOADIARWB website and platforms on
New Year's Eve 2022, Songs Before Bed bridges the gap between the more experimental psychedelic
electronic works of OTTO and his most recent release, the acclaimed Peanut, released on NYE 2025.
Blending brief pop fragments with melodic bedroom guitar, droning ambient shoegaze textures, and blissful
IDM jaunts reminiscent of the Rephlex catalog, the album offers a seamless overview of Otto Benson's
genre-defying sound. Originally conceived as a late-night record, Songs Before Bed (2022) rewards
listening at any hour.

Remastered for vinyl by Stephan Mathieu and pressed on Sonopress EcoRecord, an environmentally
conscious alternative to PVC, special care was taken by Palto Flats and Otto Benson to make a sustainable
product without sacrificing sound quality.

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42,44
Das Ding - Practical Limits of Nihilism LP 2x12"

Practical Limits of Nihilism is a double album by Das Ding containing 14 brand new tracks. On the album, Danny Bosten searches for meaning in an incomprehensible world in which even nihilism does not offer a way out anymore. Created on self-built analogue synths and drum machines, Practical Limits of Nihilism sees the typical Das Ding sound evolving into new territory, including 4 vocal tracks. The atmosphere varies from dark wave to ambient trance and italo, while remaining true to itself. The artwork on the gatefold sleeve was also created by Danny Bosten and reflects a collapsing world, leading to the emptiness that is symbolised by the white vinyl the album is pressed on.

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34,03
ANTONIO MAROTTA - Ritual LP

RITUAL is a poetic and political gesture by Antonio Marotta: a sonor resurrection where archaic meets electronics. Drawing on Campanian roots and European club culture, the album blends the trance of Ritual with the ecstasy of the dancefloor.
Seven beats and seven loops inspired by the Seven Madonnas of Campania, where the drum remains the visceral beat that connects the earthly to the divine.
An act of resistance that delivers new life to tradition.
The limited edition Vinyl LP contains a special insert with the visionary graphics conceived by Andrea Maddaloni, the lyrics of the 8 songs and Marotta's personal manifesto.
Grab your copy before it's too late.

Written & Created by: Antonio Marotta
Tammorra, Chitarra Battente, Chitarra Elettrica, Voci, Scetavajasse, Castagnette, Tromba degli Zingari & Live Looping by: Antonio Marotta
Lyrics Transcription & Dialect Revision by: Alessandra Ruggiero
Mixed & Mastered by: Antonio Marotta and Peter De Girolamo
Mask Artwork by: Atelier Antise
Photography: Let's Pic Studio
Art Direction & Design by: Andrea Maddaloni
Club Consulting by: Alfredo Maddaloni
Produced by: Antonio Marotta and Maledetta Discoteca
Executive Production by: Maledetta Discoteca

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23,49
Red Rack'em - Wonky Bassline Disco Banger 10 Year Anniversary Edition

repressed !

It's been a busy 3 years since Danny Berman aka Red Rack'em released on his own Bergerac imprint.

Since then he's toured relentlessly, released a whole album of live music based disco/punk funk for Sonar Kollektiv as Hot Coins, managed to completely update his biggest track 'In Love Again' to make it a hit the second time around plus released spaced out, wonky party smashers on Wolf Music, Phonica, City Fly and Telefonplan.

While all this was going on Bergerac was largely on ice but now Berman is turning his energy back to the label with a vengeance.
Wonky Bassline Disco Banger is accurately titled. An uplifting intro breaks down into a slamming disco house number and just when you think you know what's going on...
Then the trademark Red Rack'em wonky bass drops in. 150% Guaranteed party smasher... Jazzy House Extension is super vintage Red Rack'em from around 2004 - something for the jazz heads out there - cracked out piano and far too loud double bass come together to birth a euphoric yet banging snapshot of a producer learning his chops. Destined is a slightly demented leftfield house number featuring mangled, pitch shifting fretless bass and vocals samples discussing someone's destiny.
A woozy end to the EP.

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15,55
dj immortal - dissociation

dj immortal

dissociation

12inchGLUEREC00
Glue Recordings
05.06.2026

Dj Immortal invites you to dive into his obscure experimental laboratory with “dissociation EP”, the first release on his own label, Glue Recordings. Oscillating between breakbeat, house and electro bits, the project blends genres and moods into a four-track journey made for sticky dancefloors and nocturnal explorations.

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14,24
Jacksonville - Nightcode EP

Jacksonville

Nightcode EP

12inchPHONOGRAMME77
PHONOGRAMME
05.06.2026

Nightcode EP finds UK deep-house craftsman Jacksonville in full control, lacing warm chords, swinging drums and basslines built for red-lit basements. Across “Nightcode”, “Ecstasy in Starlight”, “Octobers in Love” and “Blind Spot”, he fuses classic Detroit/UK house textures with his own emotional, story-telling touch—timeless deep house for DJs who play past sunrise.

Feedbacks:


Laurent Garnier : Octobers in Love <3 <3 <3
Nick Holder : dope
Gina Breeze (Classic / Get Up / Homoelectric) : Feeling the deepness! Look forward to playing.
Nightmares On Wax (Warp Records) : Ecstasy in starl;ight and Blind spot are my jams !
Josh Wink (Ovum) : Deep, old old school flavored with new school production.
Alexkid (Rawax / FUSE / NG Trax) : Lovely
Lauren Lo Sung (LOLiFE records, e1even records) : Octobers in love is nice!
Dj Hutch (Ambers / Rinse FM) : grooves
Louise Chen (NTS) : This is so so sooo good! Can't wait to play on the radio!
Rob Pearson (Evasive Records / Sine 102.6fm) : Nightcode is the standout for me, will play tonight on Evasive
Eviltron / Paul Donton (Bombis / Triangle) : Blind Spot and Ecstasy in Starlight are the ones on the
D'Julz (Bass Culture) : feeling night code and blind spot . merci!
Junior Sanchez (Strictly Rhythm / Cube Recordings) : Really Cool EP!
DJ Three : this is all very high quality house that feels very much a
nd_baumecker (Ostgut Ton) : Nightcode and Octobers In Love for me. Quality as usual.
Sasha (Last Night On Earth) : Downloading for Sasha
William Kiss (Rekids) : very nice!
Monty Luke (Rekids / Black Catalogue) : thx for this...
Mystic Bill (Classic / Trax / Relief) : Will try some of these out, thanks!
Carista : beautiful
Crackazat (Freerange / Local Talk) : Sick sick sick
Jhobei (Bizarre Trax / FUSE / Felon 5) : Nice smooth deep
Khadija (Rek'd / Rafiki Collective) : Danke
Ben Sims : Now downloading - will check asap!
DJ Bone (FURTHER) : Very nice tunes here, thanks
Bake (All Caps/Rinse FM) : thank you!
Dj Deep (Deeply Rooted) : very nice tracks!
Oliver $ (Classic Music Company / Play It Down) : nice one!
Tripmastaz (Plant 74) : Nightcode is tight
Harvey Sutherland (MCDE / PPU / Voltaire Records) : couple of nice tunes here!
Anthony Collins (Frank & Tony / Scissor & Thread) : super nice deep tunes
Marcel Dettmann : thx
Voigtmann (Subsequent) : Ecstacy in Starlight is the one!
Gerd (4Lux / Clone) : dope house trax from the phonogramme crew once again!
Groove Armada : Great EP - Love Nightcode, Ocotber is love so good too±
Harri (Sub Club) : nice, will play and support
Jorkes (Freeride Millenium) : ecstasy in starlight..yes yes yes yes
DJ Minx (Women On Wax Recordings) : Every one of these...top tier! I'm on 'em!
DJ Rocca (Nang Records, Mantra Vibes) : Great EP. Nightcode is great, super bassline indeed
Jacques Renault : Ectasy In Starlight for me here!
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Mark Farina : dig it
Âme (Innervisions) : thanks
Djebali ( ( djebali ) / INFUSE / Freak n Chic) : Love it ! thanks for sharing. Blind Spot is my fav
Jaye Ward (Dalston Super Store / Netil Radio) : wicked release!! night code is a belter!!! thx
Iron Curtis (Mule Musiq, Morris Audio) : thank you!

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14,71
Move D - To The Disco '77

Few producers embody the soulful heart of House Music quite like Move D. Being a mentor of the label since day one, All That Jelly brings together two defining and desirable cuts from David Moufang’s recent history to one record.
'To The Disco ’77' 2013 original version for the A-side and the 2017 live rework finds its way to the B-side, both freshly remastered by the amazing and sought after Andreas Kauffelt. 'To The Disco ’77', opens with a clean, electro-styled beat that has a restrained power and a controlled tension that gradually blooms as the keys start to lift the mood into something lighter. When the iconic 'to the disco' vocal sample cuts through, it’s like a wink
from the past, threading disco’s golden exuberance through the disciplined swing of classic house. The track is a seamless blend of Funk, Disco, House and Electro with each element raw yet playful, woven into a groove that never stops urging you forward. It’s a masterclass in balance: sleek but deeply human, nostalgic but alive in the moment. It's like listening to the history of dance music in one special track.
'To The Disco ’77 (Move D Live Rework)' stretches the idea out into something even more fluid. The groove loosens, the funk rises to the surface and the extended runtime gives space for guitar and bass lines to share center stage, riffing around each other with organic warmth. The 'to the disco' mantra remains, grounding the track in its celebratory intent. It’s the kind of tune that closes a night perfectly and makes you not want to leave the dancefloor. Reissued together, these versions show Move D’s masterful ability to bridge eras and genres, reminding listeners that the dancefloor is as much about emotion as it is about motion.

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15,08
Saint Guel feat. Jason Dhakal & Junoy Manalo - On The Way EP

Six DJ-focused cuts: from full-bodied vocal mixes to a stripped Chord-a-Pella and a sun-rinsed Dub interpretation. The B-side features Pure Wet with Omoloko, plus a Vibe Mix by Junoy Manalo. The Main Mix was produced in collaboration with Junoy Manalo and vocals by Jason Dhakal.

Saint Guel launches Manila Sound Records with On The Way EP, a modern take on classic house from the Philippines.

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13,87
Roe Summerz feat Dub Shepherds - Strongest Soldier

Dub Shepherds continues their Jamaican excursions initiated with Echo Minott and the album "Mango Tree". Roe Summerz lends his voice and prose to a recut of "I Love Marijuana" from BAT Records, four drops, sharp and heavy. For Hardmix fans only!

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13,66
La Fantastica - From Ear to Ear

La Fantastica

From Ear to Ear

12inchVAMPI355
Vampisoul
16.06.2026
  • A1: Borinquen
  • A2: Con Quien Andas
  • A3: Latin Blues
  • A4: Ya No Te Quiero
  • B1: Negrita Mia
  • B2: Telegrama
  • B3: M & M
  • B4: Sassie

Ghetto Records was Latin music legend Joe Bataan’s way to get over on The Man and out of the ’hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel.



As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault.

Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now.

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23,11
Baby T - Shee Punk 02

Baby T

Shee Punk 02

12inchBSHEE02
Banshee
16.06.2026

Baby T is a space away from her work as B.Traits in which Brianna Price can lean more into the junglist, drum ‘n’ bass and hardcore sounds which she loves so dearly. With BSHEE02, the second drop on Price’s own Banshee label, Baby T delivers a darkside masterclass of an EP. This record is a quartet of system blowers which doesn’t let up for a single second from start to finish.

Opener ‘Times Up’ is urgent from the off - the initial strains of this joint find sirens wailing in the monitors over a twitchy kick/drum/hats combo. From here on it’s distilled raver perfection, the drums taking us on a wild Wipeout-style ride as the subbiest of bass skulks at the bottom of the mix. Imagine a more technoid take on the classic breakbeat freerides of Skanna and you’re not far off the ‘Times Up’ sound.

A remix of ‘Times Up’ from man like Aloka leans with devilish glee into the murky underworld that lurks beneath Baby T’s original. Aloka’s version is extremely eerie in a manner which makes you think of the darkest corners of a DMZ party. When things really kick into gear, driven by an irresistible kick dembow, the effect is hypnotic - think the dubwise junglism of the UVB-76 cohort.

BSHEE02’s B-side kicks off with ‘Coercive Control’. This is a cut which delivers on its title in spades, putting the listener in a trance with an interplay of low-slung bass, whirligig synth tones and more of those perfectly executed broken beats. The acid starts to kick in around the minute mark, and it turns out to herald a total earworm of a lead melody.

There’s plenty of dimly-lit malevolence to BHSEE02 closer ‘Dense Dickwood’s grinding atmospherics and gurgling bass throbs. However, Baby T opting for a half-time drum break here gives the cut a vibe not dissimilar to the weightiest jams of classic Massive Attack - that is, until an absolutely remorseless switch-up occurs halfway through, delivering volley after volley of intense drum hits.

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16,39
OKGIORGIO - KO MIXTAPE

OKGIORGIO

KO MIXTAPE

12inch199806046012
DAI DAI DAI
16.06.2026

“ko mixtape” is okgiorgio’s personal vision of club culture: a 15-track journey where electronics,
acous c instruments, and samples coexist. Capturing two years of live performances across Italy
and Europe, it embodies the privilege of connec ng with so many people and bringing them
together on the dancefloor. The album is designed to be heard in one breath, much like a DJ set,
and is performed en rely in Italian—driven by the belief that even when traveling the world, it’s
vital to showcase where you come from.
okgiorgio is a musician and producer born in 1996. Based in Bergamo, he is a member of the band
ISIDE and has produced for major Italian ar sts such as Pinguini Ta0ci Nucleari, Loredana Bertè,
Carl Brave, Tancredi, and many others. His solo project—a blend of refined, powerful electronic
textures held together by an uncanny use of vocal manipula on—launched in 2022 with the track
"okokok" and a packed debut live show at the APE event in Milan.
His music has gained significant recogni on abroad. In December 2022, he was named one of
Rockit’s "CBCR" (Ar sts to Watch) for the following year.

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24,16
Isaac Chambers & Dub Princess - Let Me In 7"

Let Me In is a sweet drop of musical sunshine, a song of love and yearning distilled in the southern hemisphere and elevated by the dulcet tones of Dub Princess.

The bones were first created by Isaac Chambers in 2015 as a rough sketch, and over the years more elements were added, including a woodwind section played by Jarrod Bremerton and a guitar solo by Prosad Freeman. It stayed as an instrumental until 2020 when Dub Princess added her stunning vocals to lock the tune into its final form.

“I love the long journey this song took to reach the finish line. Some tunes are created quickly and others need to marinate for years before all the ingredients come together” (Isaac Chambers)

On the flip, International Observer is on stellar form, weaving an accordion melody in to the original to create a taut, bass-forward dub mix.

Longtime Observer observers will recognise many of his distinctive production trademarks, originally developed in the eighties and honed further still since his debut release on Different Drummer in the early noughties set audiophiles ears aflame.

"What a pleasure it was to take a deep dive into dub with Isaac and Dub Princess” (Tom Bailey)

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12,82
Molen / Harry Wills - Sheffield, London, Montevideo

Next in our original series we’re bringing together two artists from opposite sides of the globe, encompassing various influences which have helped make Seven Hills what it is today. Much like how Uruguayan dance music takes many of its cues from 90’s UK techno, not least the bleep influences from Sheffield, we’ve come full circle by becoming, in-turn, inspired by them too.

The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.

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12,40
Tommy Vicari Jnr - Rivert People EP

Movetone Wax returns with its sixth release, and this one lands with intent. MVT006 welcomes back Tommy Vicari Jnr — a producer whose relationship with the label already feels established, but here, he sharpens his voice into something even more direct and effective.

On the A side “Yak X” wastes no time setting the tone. A punchy snare and hypnotic synths lock into a driving, playful groove that’s built for impact.

“Rivert People” opens things up with airy pads and a steady, signature Vicari groove. Lighter in feel, but still grounded and effective.

Having shared the decks many times at Berlin spots like CDV and Hoppetosse, BeleeJean and Silat Beksi coming together on the B-side feels like a natural and familiar link-up.

BeleeJean — Maik Yells & David Delgado — bring their signature groove-led sound, full of swing, character and just the right amount of attitude. With their current focus on performing live, there’s a raw, immediate energy to their approach, and their take on “Yak X” captures that Silat Beksi arrives as a true craftsman of the deep. With a huge catalogue behind him, each release seems to push things a step further and his Rivert People Remix distils that trajectory into pure function.

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