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LP Butter Popcorn Vinyl in Picture Sleeve
A rare modern soul masterpiece finally returns, fully remastered and expanded with the 12” mixes for this Deluxe Edition. Originally released in 1982 and now fetching decent money among collectors, Amuzement Park fuses smooth vocals, slick musicianship, and a rich soulful sensibility. For RSD 2026, this reissue adds the extended mixes, making it the most complete version to date. Extended mixes, Remastered, Redesigned Sleeve, "Butter Popcorn" Yellow Vinyl.
- 1: Movin' Shoes
- 2: Talkin' To Your Toothbrush
- 3: Take My Money
- 4: Not A Winner
- 5: Livin' In Shame
- 6: What Have I Done Wrong
- 7: Tenderness
- 8: Honky Tonkin
- 9: Home With My Dog
- 10: Good Ma'am
- 11: Yes It Hurt
- 12: Talk To Me
- 13: You Only Said It To Hurt Me
Gold Vinyl[26,26 €]
Markus Homm, the veteran Romanian DJ and producer who now lives in Nürnberg, drops a 3 tracker on the ever dependable Sublease Music. Cubicle is the perfect summation of Homm’s aesthetic - tight rhythms, heightened tension and precise sound design combining to make the perfect dance floor weapon.
Markus Homm, the veteran Romanian DJ and producer who now lives in Nürnberg, drops a 3 tracker on the ever dependable Sublease Music. Cubicle is the perfect summation of Homm’s aesthetic - tight rhythms, heightened tension and precise sound design combining to make the perfect dance floor weapon.
Outstanding Dub! Subset returns to Primary Colours with Gathering The Threads, a record that feels reflective rather than declarative. Following recent work with Echo Inspectors on “Youthman” and the measured pulse of “Impedance” from the Antipodean Dubs compilation, this release settles into its own pace. There is no sense of urgency here, only continuation. Across four originals and a remix from Pugilist, the collection leans into low frequency weight and spatial awareness. The grooves are patient. The arrangements are economical. Each element is given room to sit in the mix without excess.
- A1: Flower's War
- A2: Nonsense Of Folly (Thanks: Noncaterians Of Cortessa)
- A3: The Shortest Way To Love
- B1: Dance Freek
- B2: Dead Romantic
- B3: Marching Turkish
- Flower's War ("Kyoto Night" Version)
- Dead Romantic ("Kyoto Night" Version)
Through the dense blend of Japanese New-Wave, between moldy kimonos and punctured paper screens, along the rails of a sonic bullet train, this mini-LP reaches us, overflowing with purebred Punk-Funk, splinters of Soul and shredded Jazz. A gold nugget in a sea of sadness. Scattered energy trapped in a handful of vinyl grooves. Originally released in 1986.
- A1: 栄養 Boys
- A2: (Eiyō Boys: Nutrient Boys)
- A3 1: Blood Sunday 4:15
- A4 2: Bad Man 4:11
- A5: From Blood Sunday / Bad Man (1982)
- A6 3: Untitled 1 0:49
- A7 4: Untitled 2 2:57
- A8 5: Untitled 3 2:38
- A9 6: Untitled 4 1:28
- A10 7: Untitled 5 0:42
- A11 8: Untitled 6 1:35
- A12 9: Untitled 7 1:42
- A13 10: Untitled 8 1:37
- A14: From = (1981)
- B1: 栄養 Boys
- B2 1: Asia In Japan -You Know? 6:10
- B3 2: Mad Call 4:53
- B4: From Asia In Japan (1981)
- B5: Duppi
- B6 3: 三千の夜 (Three Thousand Nights) (Velvet Night) 5:10
- B7 4: はつねつのみやこ (Hatsune No Miyako: Capital Of The First Song) 5:17
- B8: From Velvet Night (1986)
Vol.1[22,06 €]
The second chapter of the journey through the bamboo forests, sounds, and visions of some of the most eccentric artists who remained in the shadows of Japanese new wave. Between Kraut and electronic impulses, chamber music for glass dolls and avant-garde club tightrope walkers.
- A1: 月光慰問客
- A2: Gekko Imonkyaku (Moonlight Comforter)
- A3 1: W9 Bc (Sakyū Nite: At The Sand Dunes) 3:53
- A4 2: 迷子(Maigo: Lost Child) 2:33
- A5: From 月がでたので (Tsuki Ga Detanode: Because The Moon Has Come (1986)
- A6: Popsong's Factory
- A7 3: D'ameja 452
- A8: From My Pops / D'améja (1981)
- A9: Funeral Party
- A10 4: Double Platonic Suicide 5:47
- A11 5: Dream Of Embeyo (サンド・ノイズにまける子等)
- A12: (Sando Noizu Ni Makeru Kora: Kids Defeated By The Sand Noise) 7:06
- A13: From Dream Of Embryo (1986)
- B1: Anima
- B2 1: Logical Nation 2:38
- B3 2: Not Only One 4:16
- B4: From Cities (1983)
- B5: D.r.y. Project
- B6 3: Bizarre Tastes 3:44
- B7 4: Value Another 3:11
- B8 5: A Pompful Of Horses 3:23
- B9: From Bizarre Tastes (1986)
- B10: 東京ギョギョーム
- B11: Tōkyō Gyogyōmu (Tōkyō Fish-Oom)
- B12 6: ナンタラッタ・カンタッタ(Nantaratta Kantatta) 1:36
- B13 7: サイコ・レボリューション(Psycho Revolution) 2:16
- B14 8: 人面疽 (Jinmenso: The Human-Faced Sore) 2:48
- B15: From エレキのテロリスト(Electric Terrorist) (1988)
Vol.2[22,06 €]
From the depths of the most independent and revolutionary underground, a handful of tracks from the repertoires (often limited even to a single flexi disc) of some of the heroes who rode the wave, extracting from it—more for themselves and expressive necessity than for us—its most mystical and expressionist essence. New and No Wave, minimal and minimalist electronics, Avant Wave from the land where the sun still rises for now.
Today, visionary artist Jesca Hoop announces her new album Long Wave Home due out 1st May via Last Laugh and available to preorder now. Staying true to her folk roots, though never purely, Hoop delivers strikingly original songwriting showcasing her innovative vocals augmented by imaginative arrangements. Long Wave Home is energized and rings with the promise of a fresh new chapter for the artist. To accompany today’s announcement Hoop has shared the album’s compelling first single, “Designer Citizen”, alongside a charming video directed by James Slater.
Additionally, Hoop has announced news of a 10-date UK tour in May including a performance at London’s Union Chapel.
Today, visionary artist Jesca Hoop announces her new album Long Wave Home due out 1st May via Last Laugh and available to preorder now. Staying true to her folk roots, though never purely, Hoop delivers strikingly original songwriting showcasing her innovative vocals augmented by imaginative arrangements. Long Wave Home is energized and rings with the promise of a fresh new chapter for the artist. To accompany today’s announcement Hoop has shared the album’s compelling first single, “Designer Citizen”, alongside a charming video directed by James Slater.
Additionally, Hoop has announced news of a 10-date UK tour in May including a performance at London’s Union Chapel.
- A1: Dissociated
- A2: For Wayne
- A3: Sweet Stuff
- A4: It's About Love
- A5: The Kid From Bondy
- B1: Trees Utopia
- B2: Brazilian Wobble
- B3: At The Mehul Fest
- B4: Myself Again
- B5: Dissociated Pt 2
Serge Hirsch / LeSerge is a multi-instrumentalist based in Paris.
He plays the violin and keyboards, and composes and produces his own music.
His music blends jazz improvisation, a rhythmic approach drawn from hip-hop, and the sonic experimentation of contemporary bedroom music.
His main band, a trio featuring Noé Bénita on drums and Yungccos on electric bass, aims to create music that is social, joyful and musically demanding, yet never becomes esoteric.
His debut album is set to be released in partnership with Roche Musique in early 2026.
As well as composing and performing his own music, he has collaborated with numerous artists, either as a string arranger or as a producer and pianist. (Bonnie Banane, Shygirl, Lossapardo, Lablue, Swing, Madone...)
He notably made a name for himself during FKJ’s 2020 European tour, where he performed all the support slots alongside electronic music producer CRAYON.
As a bandleader, he has built a solid reputation by performing at numerous venues and residencies at Le Silencio des Près in 2024, at Soho House and at Le Serpent à Plume. He also served as deputy musical director at Le Serpent à Plume during the venue’s early years from 2019 to 2025.
Translated with (free version)
- 1: Lilac
- 2: Take My Life
- 3: Unquiet Graves
- 4: Oubliette
- 5: Iron Teeth
- 6: Exquisite Corpse
- 7: Savage Scourge
- 8: In Duress
- 9: Wretched Heart
More than half a century into its existence, heavy metal still prowls as a living force in the dark, and Vancouver's SPELL summon that spirit with defiant conviction on their fifth album, 'Wretched Heart'. Rejecting the safety of nostalgia, the band; Cam Mesmer, Al Lester, Gabriel Tenebrae and Jeff Black, step beyond retro homage into shadowy new terrain, where harmony guitars blaze like torches against the night and gothic atmospheres coil around songs pulsing with desperation, longing, and wild exaltation. Forged through the fire of the stage and shaped by trusted collaborators, this is SPELL at their most potent: dramatic, vulnerable, and unafraid of excess. From existential laments to bittersweet anthems that shimmer with both steel and sorrow, 'Wretched Heart' beats with a fiercely human pulse. In SPELL's hands, heavy metal is no museum relic but a darkly romantic covenant-restless, cathartic, and forever reaching beyond the veil.
More than half a century into its existence, heavy metal still prowls as a living force in the dark, and Vancouver's SPELL summon that spirit with defiant conviction on their fifth album, 'Wretched Heart'. Rejecting the safety of nostalgia, the band; Cam Mesmer, Al Lester, Gabriel Tenebrae and Jeff Black, step beyond retro homage into shadowy new terrain, where harmony guitars blaze like torches against the night and gothic atmospheres coil around songs pulsing with desperation, longing, and wild exaltation. Forged through the fire of the stage and shaped by trusted collaborators, this is SPELL at their most potent: dramatic, vulnerable, and unafraid of excess. From existential laments to bittersweet anthems that shimmer with both steel and sorrow, 'Wretched Heart' beats with a fiercely human pulse. In SPELL's hands, heavy metal is no museum relic but a darkly romantic covenant-restless, cathartic, and forever reaching beyond the veil.
More than half a century into its existence, heavy metal still prowls as a living force in the dark, and Vancouver's SPELL summon that spirit with defiant conviction on their fifth album, 'Wretched Heart'. Rejecting the safety of nostalgia, the band; Cam Mesmer, Al Lester, Gabriel Tenebrae and Jeff Black, step beyond retro homage into shadowy new terrain, where harmony guitars blaze like torches against the night and gothic atmospheres coil around songs pulsing with desperation, longing, and wild exaltation. Forged through the fire of the stage and shaped by trusted collaborators, this is SPELL at their most potent: dramatic, vulnerable, and unafraid of excess. From existential laments to bittersweet anthems that shimmer with both steel and sorrow, 'Wretched Heart' beats with a fiercely human pulse. In SPELL's hands, heavy metal is no museum relic but a darkly romantic covenant-restless, cathartic, and forever reaching beyond the veil.
- A1: Moonlight Feat. Elena Moroder
- A2: Side To Side
- A3: Darkness
- B1: Here For The Summer
- B2: Miraflores
- B3: It's Time For A Change
- C1: Fantasy Feat. Kučka
- C2: Believe In Yourself
- C3: Mesmerized Feat. Jessica Care Moore
- D1: Tryna Find A Way Feat. Leanne Louise
- D2: Keepin' Me High Feat. Tropics
- D3: Wide Awake Feat. Tom Did It
- E1: Linger (Interlude)
- E2: Distant Within
- E3: If You Doubt Me
- F1: Destination (Interlude)
- F2: What Makes You Feel
- F3: Set Sail On Another Ship
- F4: It Feels Natural
After years of shaping dancefloors worldwide and carefully curating the sonic and visual identity of Up The Stuss, Dutch favourite Chris Stussy presents his most expansive and personal statement to date with his debut album, ‘Lost, Found & Forgotten...’. Landing on 3rd April, the album unfolds across three interconnected chapters - ‘Lost’, ‘Found’, and ‘Forgotten’ - each revealing a different side of his creative world across 19 tracks while remaining tethered to a singular wider vision.
At its core, ‘Lost, Found & Forgotten...’ is an exploration of creative freedom. Visually and conceptually guided by the image of a kite, the album reflects movement, perspective, and balance. Floating freely yet always anchored, the kite mirrors Chris’s approach to music: unrestricted in emotion and imagination, but grounded in groove, craftsmanship, and intention. It’s a symbol that naturally extends the Up The Stuss identity; pointing skyward, embracing openness, and encouraging curiosity.
“This album has been a long time in the making, and I’m excited to finally share it with you. The process behind it - exchanging ideas with other artists and creating music outside of my comfort zone - has been an incredible experience. It gave me a true sense of freedom, allowing me to not think about boundaries or expectations. I’ve never been more proud of a project than this one. It’s deeply personal, and it represents my sound as a whole. I hope you listen with an open mind and find something in it that resonates with you.” - Chris Stussy.
The ‘Lost’ chapter opens the album by giving new life to music once left behind. These are tracks written across different moments in Chris’s journey, ideas that never quite found a home until now. Rather than relics of the past, they emerge re-discovered, refined, and fully realised. ‘
Found’ represents inspiration in motion. Sparked by collaboration, digging, and shared creative exchange, this chapter captures the moment when ideas connect, and colour floods the sky.
The album closes with ‘Forgotten’ - a nod to the deeper cuts, the B-sides, and the moments that reward patience. This chapter is for the heads and diggers; tracks that may not demand immediate attention but reveal their value over time.
Celebrated producer and musician Danger Mouse and prodigiously talented New York rapper Jemini are gearing up to release their long delayed collaborative album, Born Again Remarkably this soul and funk infused hip-hop tour de force arrives two decades after its creation and the duo's debut LP, Ghetto Pop Life which celebrates its 20th anniversary this year. Enthused by the response to Ghetto Pop Life, soon after Danger Mouse and Jemini began to tour and to write and record Born Again. Finally, having been recorded two decades ago and indefinitely shelved until now, Born Again will finally be released to coincide with the twentieth anniversary of Ghetto Pop Life. The previously unheard record retains many of the elements of Danger Mouse and Jemini's debut; the fun- loving, shit- talking innocence, but also adopts a noticeably more introspective and confessional tone. This time, in addition to lighthearted topics such as being an incredible artist (Knuckle Sandwich II, Brooklyn Basquiat), living large and being a magnet for attention (Me), Jemini also delivers highly- personal and occasionally devastating lyrics about missed opportunities and redemption (All I, Born Again), his time in prison (Locked Up) and complicated relationship with his father (Dear Poppa). His effortless free flowing cadence and indelible sing-song delivery elevate each track with a melodic infectiousness whilst Danger Mouse exhibits an affinity for resonant instrumentals built from sampled organ, vibraphone, or guitar loops and infused with his trademark minor key magic. The result is a classic, timeless hiphop record.
Celebrated producer and musician Danger Mouse and prodigiously talented New York rapper Jemini are gearing up to release their long delayed collaborative album, Born Again Remarkably this soul and funk infused hip-hop tour de force arrives two decades after its creation and the duo's debut LP, Ghetto Pop Life which celebrates its 20th anniversary this year. Enthused by the response to Ghetto Pop Life, soon after Danger Mouse and Jemini began to tour and to write and record Born Again. Finally, having been recorded two decades ago and indefinitely shelved until now, Born Again will finally be released to coincide with the twentieth anniversary of Ghetto Pop Life. The previously unheard record retains many of the elements of Danger Mouse and Jemini's debut; the fun- loving, shit- talking innocence, but also adopts a noticeably more introspective and confessional tone. This time, in addition to lighthearted topics such as being an incredible artist (Knuckle Sandwich II, Brooklyn Basquiat), living large and being a magnet for attention (Me), Jemini also delivers highly- personal and occasionally devastating lyrics about missed opportunities and redemption (All I, Born Again), his time in prison (Locked Up) and complicated relationship with his father (Dear Poppa). His effortless free flowing cadence and indelible sing-song delivery elevate each track with a melodic infectiousness whilst Danger Mouse exhibits an affinity for resonant instrumentals built from sampled organ, vibraphone, or guitar loops and infused with his trademark minor key magic. The result is a classic, timeless hiphop record.



















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