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Next up on Bosconi, the ever-persistent Italian outpost helmed by DJ sorcerer Fabio della Torre, comes a bold new chapter from label mainstay Lapucci—a familiar name to heads who remember his trippy debut Levitated Sensor Detector (LSD).

With Level of Control, the Florence-based Burbi Dub dubplate conjurer delivers a four-track EP that travels across moody electronics, psychedelic grooves, and off-world rhythms.

Kicking off the A-side is “Radio Controller”, a dark and melodic new beat jam with deep ‘80s roots—think obscure synths, rolling drum-machine funk, and a haunting vocoder line that crackles like forgotten transmissions.
Next up, “Einstein”. This one’s a jacking electro-techno burner, all drive and tension—built for those peak-time moments where things feel like they could go off the rails. There’s a cinematic sense of anticipation here, a nod to the cosmic weight of relativity and dancefloor gravity.

Flip to the B-side for “Level of Reality”—a trance-soaked electro weapon, laced with a screaming guitar-like lead and a soaring, emotional melody. It’s peak-time power with sunrise sensitivity—equal parts rave and revelation.
Closing things out is “Irabijanti”, a stripped-back, hypnotic afterhours tool with a fresh, effortless groove. Subtle nods to Middle Eastern scales and rhythms give it a dreamlike, drifting feel—like getting lost in the dunes of some alien desert.

Another must-have from the Bosconi mothership—Lapucci pilots us further out, not with a bang but with a slow magnetic pull into somewhere weird, warm, and wired.

Harmony marches eastward with its 21st EP, reconnecting with its roots through a collaboration with Kohra and Monophonik. While firmly grounded in the label’s deep-techno foundations, this release leans into a sharper focus on functional, dance oriented grooves and basslines.

A-side is opening with weight and intent, shedding the EP’s melancholic hues for something darker and more forceful. The gently broken spirit of “Uyire” follows, gliding between drones and gated vocals, stitched together by tactile percussion and an underlying volatility.

“Wavefolding Dreams” lives up to its name—wickedly modulated waveforms rise from a slapping bassline that pour like upside-down rain, finally dissolving into soothing, dreamy pads.

“Eastern Timbers” starts B-side with a deep, driving momentum. Trancey basslines and swinging arpeggios ebb and flow with tidal pads, wrapping the EP in a hypnotic finish that pulses with forward energy.

Decompress with “Neuroresonance” situated on the inner ring of the B-side. Suspenseful sliding drones in a wide stereo field and a sustained chord that breathes nostalgia, covered by a playful filter in motion.

Side A / Double A / Work it Out
Not that it really matters, but, new label artwork alert! For release number 008, Mountain 45s gives its labels a fresh, clean look and goes small hole. It’s a “Double A” sider from the label bawss, Double A. And, like Chuck D said, “brother’s gonna work it out”. Big drums, and a new arrangement give this soul classic a dance floor update. For the b-boys/b-girls (and all the dancers), this one will bring a smile to anyone’s face.

Side B/ Double A / Skewed Down
This one made the rounds for a while as a digital drop but finally get’s its vinyl due. Hoggin’ drums and the funkiest of bass lines make this a hip-hop rework sure-shot. For old school players and new school fools alike.

WVLT is the newest sonic addition from WNDFRM (Portland-based, Tim Westcott), an album of eight distinct explorations exploring the many facets of experimental IDM.

Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. 

With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new album from Tim is a rare yet welcome occurrence. The conceptual approach for WVLT began in 2021, mixing synths with drum machines and granular processing. Lightly arced structures slip between gates of rhythm, shifting pulses, translucent washes, and disquieting residue. There’s a precision to the hesitation and an insistence in the space between notes, a deft balance of raw improvisation and sculpted quietude.

An exercise in immediacy and response, each track builds and unspools, like form in fleeting motion, driven by the moment’s tonal contrasts, micro‑rhythmic interplay, and slight gestures that alter entire planes of listening. It’s minimal without sparsity, intense without density.

New split release — 4 tracks of raw underground sound.
Two sides, two visions — pressed together on one record.

Direct from Eastern Europe and the US underground.
Strictly limited edition, no repress, each copy unique.

Keep off the Traxx are travelling at 33rpm and running on time. Baker Lou and Jubi Leigh have climbed aboard the express train and they’re not slowing down. You better mind the gap as these conductors won’t be hanging around.

Opening the debut EP is ‘Slow Down’, a high-energy A1 packed with euphoric synths, catchy vocals, and an acid line that pays homage to the golden era of early progressive house. Next up, ‘Mind the Gap’ delivers an irresistible fusion of raw, gritty house and classic UK garage, complete with chopped vocals and synth hooks that stick in your head long after its over.

‘Brain Dance’ brings a bouncy groove and a fresh return to acid, weaving melodic progressions that keep the energy flowing. Closing out the record is ‘That Noise’, a contemporary psychedelic progressive journey, layered with lush strings and immersive textures.

Oscar Mulero and Another Machines join forces together for the next installment of their Joven Prisionero Project. No less than seven cuts on the zeroes and ones version and a six cut vinyl gonna be released on our 78th release. You may wonder what's inside this new outcome, and the answer is easy and direct: Pure techno with no roundabouts. But techno is an open language and this duo speaks all dialects: From the merciless and bleepy Conocete to the functional and fast paced minimalism on De tunica roja passing thru the drilling Surrealista Entorno stopping via Birmingham on Persiguiendo ecos, breaking the grooves and going martian for Mundo Efimero, back to Birmingham again with El nuevo jardin to finalize the duties with Identidad Variable in a pure scifi mood. If you want to spend your money on a totally useful collection of tools here you have the perfect package. El Joven Prisionero delivers to you exactly what your bodies and minds need under the strobe light. Soon available in your trusted physical and digital dealers.

After launching Seclusion in 2021, Elyas presents 13130.
A new VA series featuring old-school artists and current techno finest.

On this first one, 13130 offers: Steve Redhead, Not A Headliner, RUIZ OSC1, William Arist and label head Elyas.

For the first time in over 20 years, BMG have commissioned a new DJ remix of Rapper’s Delight. BMG will release a double sided 12” with the classic 14 mins long version of Rapper’s Delight on Side A, with the brand new Greg Wilson & Ché remix on Side B.

Rapper’s Delight, is widely regarded as one of the biggest, if not the biggest, commercial hip-hop tracks in the history of Hip-hop. It is considered to be, one of THE most influential hip-hop tracks of all time, credited with bringing rap music to a mainstream audience. Artist’s influenced by this track include; Jay-Z & Nas, Dr. Dre & Snoop Dogg, Run DMC, to name a few.

This iconic track has been sampled over 215 times!

Naya Beat Records reveals Volume 2 of its critically acclaimed series dedicated to South Asian dance and electronic music. Label founders Turbotito and Ragz have curated an exceptional 13-track compilation with a focus on an overlooked era of house and electronic music released between '88 and '94.
While Volume 1 explored early 80s Balearic, synth pop, and disco, Volume 2 uncovers lost or forgotten future classics from later in the decade. The release spotlights a unique era in the late 80s and early 90s when fertile cross-cultural collaboration abounded in diasporic communities in cities like London and New York and when South Asian music was infused with acid house, New Beat, and dub.
There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house workout ‘X-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating Balearic house, dub, and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee, and Kuljit Bhamra, this double album is a treasure of never-before-reissued and previously impossible-to-find holy grails.
Often "too Asian for mainstream success in the West, and too Western for success in Asia," the pioneering music from this time was frequently released to short-lived success or relative anonymity. Naya Beat founders Filip Nikolic (aka Turbotito) and Raghav Mani (aka Ragz) have spent the last four years endlessly hunting through dusty records, obscure cassettes, and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers, and bold selectors looking for fresh sounds.
Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and exhaustive liner notes, the 2LP release has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London.
Naya Beat Records is focused on uncovering foundational dance and electronic music from the subcontinent and South Asian diaspora through reissues, remixes and compilations. Success came immediately with ‘Naya Beat Volume 1’, which was named Vinyl Factory’s number 1 reissue of 2021, and has been followed up with more fascinating releases such as a two-part remix project with disco-jazz legend Asha Puthli, a scintillating bhangra acid house EP with Mr. Scruff, a reissue of Pinky Ann Rihal’s 1985 Hindi new wave album, and the superb Bollywood compilation ‘Awaaz Series 1

This one has been in the works for some time and PDD, in conjunction with Armada Music & BEAT Music Fund, are delighted to announce the return to vinyl for KMS. And what better way to kick things off again with this powerful 4 tracker, gathering some of the most in demand and genre defying tracks from the E-Dancer vaults for the first time on one EP.

Label owner Kevin Saunderson aka The Elevator, is largely credited as one of Detroit Techno’s founding fathers goes by many names, with the E-Dancer signature reserved for his more underground Detroit explorations, which in turn have influenced and spawned many new genres.

Almost 4 decades on, Saunderson remains as relevant as a DJ and producer today, testament to the fact that regardless of the production moniker, no one does it better. This collection of hi-octane floor fillers signals KMS are back with a bang and to ensure the best possible sound for the vinyl, the audio has been lovingly remastered by AIR Studios and their team of celebrated engineers, fully utilising their mastering knowledge.

Acclaimed British artist Leon Vynehall presents is highly anticipated third album, In Daytona Yellow, via Ooze INC. Marking the next stage in the Ivor Novello-nominated producer and DJ’s evolving sound, In Daytona Yellow showcases Vynehall’s experimentations with fringe electronics, pop, and R&B, and his growing confidence through collaboration and live vocals. Across 10 hypnotically off-kilter tracks, we hear Vynehall at his most deft and diaristic.

Over the past 13 years, Vynehall has built a formidable reputation through his genre-defying artistry. From his early days as a leftfield house producer releasing on labels like Aus Music, Running Back, 3024, and Rush Hour, to his critically acclaimed debut album Nothing Is Still (2018) and the boundary-pushing Rare, Forever (2021), he has continually redefined his creative limits. While Rare, Forever was a bold step away from dance music—melding post-punk textures with experimental electronics—In Daytona Yellow pushes these experiments into a more traditional songwriting framework, inspired by both contemporary and 80s avant-pop.

In Daytona Yellow is set to be a career-defining release, cementing Leon Vynehall as one of electronic music’s most innovative and thought-provoking artists, part of a vanguard expanding the ambition of electronic music.

Dive deep into the full spectrum of acid with SOUR's striking new solo EP, X-00F - a cryptic nod to the hex code for blue, both in name and in vinyl color.
From hypnotic grooves to peak-time rave tools and deep electro-infused trips, this record delivers a rich and versatile blend of acid sounds - all pressed on stunning translucent blue wax.

- For dancefloors that remember - and for those about to find out.
- Pressed on stunning transparent blue vinyl - a must-have for collectors and DJs alike.

DJ Support: The Martinez Brothers, Luuk Van Dijk, Prunk, Locklead, Prospa and Sidney Charles.

Nottingham, UK born producer and DJ Philipp George returns with a fresh new remix of Kerri Chandler, Dennis Quin & Troy Denari's heavy hitting ‘You Are In My System’

A sleek, club-ready remix keeping the soulful essence of the original while injecting his signature crisp percussion and modern synth work. The result is a fresh, high-energy rework that bridges classic house grooves with contemporary dancefloor appeal.

Limited copies. Graphic by Ludovica Padovani

Focus, integrity and substance, all allied to a relentless work ethic and that essential (if indefinable) sprinkling of magic dust, have kept Nick Warren at the top of the electronic music tree for not far short of forty years.

In that timespan, Nick has been tour DJ for Massive Attack, held a residency at Cream, been a Glastonbury regular, and become the UK’s most successful export to Argentina (in no small part due to his touring brand The Soundgarden). As half of Way Out West, he has helped write (and re-write) the rule book for club-based electronic acts, achieving true longevity without compromise. He has curated over a dozen essential compilations – a mainstay of the Global Underground series whose heavyweight influence is still felt to this day, an in-demand decknician for pivotal brands such as Renaissance and Balance, and the very first DJ entrusted with creating a blueprint for the now iconic Back to Mine series.

It's quite the CV, a career many can only dream of. But Nick has long had one further itch in need of scratching. Inspired at a young age by his dad’s Jean-Michel Jarre and Tangerine Dream albums, coming of age with experimental labels like 4AD and Factory, roots deep in the dub-wise scene of his native Bristol, a long time collector of exotica and obscure film soundtracks…all that knowledge and passion has long been crying out to be channelled into a Warren solo album.

All of which brings us to the career-defining Turbulence. The world is certainly a turbulent place as Nick gets set to unleash his masterwork, but the musical turbulence at work here arguably takes its lead from other interpretations of the word – turbulence as a feeling of heightened intensity, turbulence marked by a sense of unpredictability.

Turbulence is a window into Nick’s musical soul, and the myriad styles and influences that reside there, drip-fed into a melodic melting pot to create a unique sonic stew. Tempos and styles switch and interlock effortlessly, the mood ebbs and flows like the best DJ sets, and the running order, from the ethereal opener Loveland all the way through to the achingly beautiful closing cut Sadly (in tandem with Tripswitch, one of several noteworthy collaborations) showcases an artist at the top of his game, and with a deep understanding of the concept of the long player.

We all need some turbulence.

This transcontinental techno VA gathers five forward-thinking artists from across the globe.

Icelandic techno forward Exos opens the release with "Tunis" - a no-compromise, fast-paced track that pulses with distant echoes of African tunes. This piece that moves you forward, propels through time and textures.

Hailing from Paraguay, Victoria Mussi brings "Imaginary Rush", a track that shifts the grid: behind the steady four-to-the-floor pulse hides a maze of unexpected sound accents. This is techno that demands both dancing and deep listening.

Latvian producer Ksenia Kamikaza follows with "34 hours of C" - a cinematic narrative shaped by futuristic sound design. Taking you to the sci-fi movie scene with echoing synths - it's a sonic adventure drifting across an obscure dancefloor.

Chilean artist Andrea Riffo offers "Fissure State", a fragile yet deeply intentional track that blends minimal structure with immersive depth. Thoughtful and hypnotic, it carries a subtle intensity that fits perfectly into both opening and prime time sets.

Catalan non-binary artist Basso Mata closes the record with "Open Close" - a departure from strict techno into mid-90s-influenced electro. Combining distorted guitar-like basslines with synthetic groove, it's both unexpected and irresistibly danceable.

Together, these five pieces form a cohesive yet diverse vision of modern techno - experimental, emotional, and deeply rooted in each artist's local context. This record is built for DJs who play with narrative, contrast, and surprise. A secret weapon for those who mix stories, not just beats.

Jamie 3:26 returns for the third volume in the Dancefloor Damage series! Personal exclusives from his collection, these have damaged dancefloors around the world for years and are now available on vinyl for the first time ever. From the Southside of Chicago to the world. Three killer disco classics re-worked by a legend. No one does it like Jamie! Buy or cry.

The black and white hoverbike flew out of the fog at breakneck speed and raced through the neon-lit urban jungle of the Havan metropolis. It manoeuvred steadily between the skyscrapers, trying to throw off the tail of the corporal's convoy, which was getting closer by the moment, preventing it from sneaking away with the seemingly easy-to-get Zero-G prototype. This weapon could create an anti-gravity field with a single shot and disable even the largest battle cruiser. That's why an elite squad of cyber-soldiers equipped with modified implants and gadgets was sent in pursuit not to allow them to ease off for a second.


With a sharp steering wheel jerk, Spacelunch turned off the main street and into a narrow alley. "Your turn!" – He shouted insistently over the engine's roar. Cat rose from the back seat, took aim, and deftly fired his blaster. In a pall of sparks and smoke, the pursuer's hoverbike spun out of control and crashed into the building. Gritting their teeth, the friends raced through the winding maze of obstacles and tight turns. All senses were heightened with excitement. They could see a gap ahead and a way out into the slums.


Suddenly, a heavily armed police drone blocked the road, aiming its red gun lights at them. Spacelunch decisively grabbed Cat and jumped into the so-fortunately spotted sewer manhole, barely managing to dodge the gunfire barrage. After landing in a pitch-dark narrow tunnel, they moved on, with every step feeling the growing tension in the air and realizing that they could be found out at any moment. The darkness seemed endless. The only consolation was that they had the prototype in their hands, and now all they had to do was get to the spaceship and get off this freaking planet.