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Chris Kelly & Dj Dibba - Mind Control, Modern Slavery

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.

You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left.

So everybody, don't sleep, be critical.

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13,32

Ültimo hace: 75 Días
Chris Kelly & Dj Dibba - Mind Control, Modern Slavery

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.

You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left.

So everybody, don't sleep, be critical.

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13,32

Ültimo hace: 75 Días
Chaos In The CBD - A Deeper Life

2025 Repress

“We created a holiday inside our heads.”

A Deeper Life, Chaos In The CBD’s debut album over 10 years in the making, is nostalgic for the duo’s nature-filled youth, exploring the magical coastline and lush rainforest of New Zealand. “The title refers to our childhood, which was idyllic,” says Ben. “It was just the sun, the sand, the sea, waterfalls, birds and fish…” The album’s blissful setting is also depicted on the album cover: a painting, by a childhood friend, of the beach where they grew up in Devonport.

A Deeper Life whirls that profound love of house music and wide-ranging influences – from Brazilian to R&B, ambient to Italo to deep house and downtempo pop – into a serene, cohesive whole with their signature finesse. The result is an international dance sound that feels unmistakably like Chaos and ebbs and flows from the beach party to the club to the afterhours.

On the album they’ve teamed up with a number of US legends and married their vocals with the UK underground: Josh Milan of house pioneers Blaze brings his soulful vocals to the bossa nova beats of ‘I Wanna Tell Somebody,’ a future jazz-dance anthem. Unheralded Chicago house hero and Larry Heard collaborator Lee Pearson Jr. goes deep over ‘More Time’s broken beat flex. And on ‘Maintaining My Peace’, the brothers have matched veteran house singer-songwriter Stephanie Cooke with UK grime MC Novelist, on a slinky LDN interpretation of LA hip-hop and g-funk.

Also featured on the album are New Zealand jazz artist Nathan Haines, frequent collaborator Isaac Asaeili and more.

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24,58

Ültimo hace: 15 Días
INDIANA MANDY - URGH

INDIANA MANDY

URGH

12inchSBRLP373
Sacred Bones Records
06.02.2026
  • Sevastopol
  • Magazine
  • Try Saying
  • Dodecahedron
  • A Brighter Tomorrow
  • Life Hex
  • Ist Halt So
  • Sicko! Ft. Billy Woods
  • Cursive
  • I'll Ask Her
También disponible

RANDOM TRANSLUCENT RED, GREEN & BLUE VINYL[23,49 €]


Für Mandy, Indiana, ist die Wahrheit der einzige Weg. Auf "URGH", ihrem ersten Album bei Sacred Bones präsentiert, sich das Quartett - bestehend aus Sängerin Valentine Caulfield, Gitarrist und Produzent Scott Fair, Synthesizer-Spieler Simon Catling und Schlagzeuger Alex Macdougall - als eine Kraft von unheimlicher Natur, die ein Album geschaffen hat, das ebenso sehr ein Aufruf zum Handeln ist wie eine Reise in die Vergessenheit und Transzendenz. In den zehn Tracks verwebt die Band ihre eigene unkonventionelle Sprache zu einem Mantra für Selbstbestimmung und Widerstandsfähigkeit und schafft so eine Vorlage für eine bessere Zukunft, bevor alles in Dunkelheit versinkt. Ein Großteil des Albums wurde während eines Aufenthalts in einem unheimlichen Studiohaus am Stadtrand von Leeds geschrieben und anschließend in Berlin und Greater Manchester aufgenommen. Es war eine intensive Umgebung, was zum Teil auf die gesundheitlichen Probleme zurückzuführen war, mit denen Caulfield und Macdougall während des Schreib- und Aufnahmeprozesses zu kämpfen hatten. Dennoch bleiben Mandy, Indiana kompromisslos. Caulfield setzt ihre Stimme als verzerrtes Instrument und Waffe ein, die zwischen verspielt und vernichtend oszilliert. Der pulsierende Sirenenton von ,Magazine" steht neben dem zerhackten Vocal Fry von ,try saying" und der sich wandelnden Wildheit von ,ist halt so", das die Dringlichkeit von Protestbewegungen kanalisiert, auf den Widerstand gegen den Völkermord in Gaza verweist und gleichzeitig allgemeinere Kämpfe thematisiert, während der letzte Track ,I'll Ask Her" eine bewusste Direktheit ist, die die toxische Boy-Club-Kultur anprangert, und eine hartnäckige Abrechnung, die über dem gesamten Album schwebt. Obwohl es immer noch unbestreitbare ,Knaller" gibt (wie der zerfetzte Rap von ,Sicko!" mit Billy Woods), wirkt "URGH" oft wie präzise geschnitztes Kino. Vom sprühenden Techno von ,Cursive" bis zu den dekonstruierten Feedback-Loops von ,Life Hex" bewegt sich das Album zwischen industrieller Katharsis und filmischer Unruhe und spinnt eine Spannung, die Fair als ,Remix seiner selbst" beschreibt. Diese kontrastreiche Palette ist sowohl ein notwendiger Aspekt des Albums als auch das zugrunde liegende Bindeglied. Obwohl "URGH" sehr persönlich ist, spiegelt es den gewalttätigen, zerbrochenen Zustand der Welt wider. Caulfields Texte setzen sich mit Gewalt, systemischer Gleichgültigkeit und der Allgegenwart von Schmerz auseinander, betonen aber auch Momente der Schönheit und Solidarität. URGH gehört in die physische Welt, und das Artwork von Carnovsky mit einer anatomischen Illustration von Andreas Vesalius unterstreicht die viszerale Auseinandersetzung des Albums mit dem Körper und seinen Grenzen. URGH ist sowohl jenseitig als auch physisch und kathartisch, sowohl ein erster Schritt zur Heilung als auch eine Weigerung, das Gespräch sterben zu lassen.

Reservar06.02.2026

debe ser publicado en 06.02.2026

22,65
The Temprees - Lovemen LP

The Temprees

Lovemen LP

12inchLPRGM2049C
REAL GONE MUSIC
06.02.2026
  • A1: Explain It To Her Mama
  • A2: If I Could Say What's On My Mind
  • A3: (Girl) I Love You
  • A4: I Love You, You Love Me
  • A5: We've Only Just Begun
  • B1: Dedicated To The One I Love
  • B2: My Baby Love
  • B3: I'm For You, You For Me
  • B4: Love... Can Be So Wonderful
También disponible

black vinyl[28,15 €]


Produced by Josephine ''Jo'' Bridges and signed to her We Produce imprint, The Temprees were a Memphis soul vocal trio powered by one of the great falsettos in pop music, that of Jasper ''Jabbo'' Phillips. Their 1972 debut Lovemen is aptly named; this is one of the greatest make-out R&B albums ever made, with one smoldering slow jam after another. Their take on ''Dedicated to the One I Love'' is rightly considered the greatest version ever made, but ''If I Could Say What's on My Mind,'' ''Love... Can Be So Wonderful,'' and ''I Love You, You Love Me,'' will get you and your partner's hips swaying (and patch up any lovers' quarrels tout suite, too). Stax didn't really know what to do with soul this sweet (We Produce was a Stax imprint), so Lovemen languished commercially, but nowadays it's recognized as a model of its kind. For its first-ever LP reissue, we've cut Lovemen ALL-ANALOG straight from the original two-track album master, and pressed it up in two versions, one in black vinyl, the other in eco-friendly, sonically superior valentine red PET plastic. The heart on the front cover sums this one up...

Reservar06.02.2026

debe ser publicado en 06.02.2026

28,15
The Temprees - Lovemen LP

The Temprees

Lovemen LP

12inchLPRGM2042
REAL GONE MUSIC
06.02.2026

Produced by Josephine ''Jo'' Bridges and signed to her We Produce imprint, The Temprees were a Memphis soul vocal trio powered by one of the great falsettos in pop music, that of Jasper ''Jabbo'' Phillips. Their 1972 debut Lovemen is aptly named; this is one of the greatest make-out R&B albums ever made, with one smoldering slow jam after another. Their take on ''Dedicated to the One I Love'' is rightly considered the greatest version ever made, but ''If I Could Say What's on My Mind,'' ''Love... Can Be So Wonderful,'' and ''I Love You, You Love Me,'' will get you and your partner's hips swaying (and patch up any lovers' quarrels tout suite, too). Stax didn't really know what to do with soul this sweet (We Produce was a Stax imprint), so Lovemen languished commercially, but nowadays it's recognized as a model of its kind. For its first-ever LP reissue, we've cut Lovemen ALL-ANALOG straight from the original two-track album master, and pressed it up in two versions, one in black vinyl, the other in eco-friendly, sonically superior valentine red PET plastic. The heart on the front cover sums this one up...

Reservar06.02.2026

debe ser publicado en 06.02.2026

28,15
Big Richard - Pet LP

Big Richard

Pet LP

12inchSIG7066
Signature Sounds
06.02.2026

Bluegrass band Big Richard makes music for the 21st century’s twisted cultural unease. Their Signature Sounds debut Pet, is a fierce, provocative, rejoinder to what troubles them and the world right now, and was recorded live to tape in order to capture the fervor of their live shows.

“Big Richard is so much about our energetic delivery, and so I think it's been really important for us as a group to figure out how to do that for a record,” says mandolin and guitar player Bonnie Sims. And figure it out they did. Pet delivers, successfully translating the supergroup’s live kinetic harmonies and string virtuosity. Unapologetically outrageous and provocative, the band’s name is a wink to the ‘big dick’ energy Big Richard is reclaiming from male bluegrass bands. Since exploding onto the Colorado scene in 2021, the four women have been on a wild ride, slapping as hard as possible on the festival circuit, working up their stamina on nationwide headlining tours, and leaving a wake of die-hard Big Richard Heads across the country swooning for their honest songwriting, chilling vocals, and fiddle-driven barn-burners.

“Our live performances are so raw and so gritty, and I think that our sound never really flourished in that digital landscape.” GRAMMY and Emmy Award-winning cellist Joy Adams says. “Recording live to tape we were all in the same room together, very close together, with a lot of mic bleed, etc. And the energy was insane. It felt so good to record this way. Even on the first day, we were like ‘wow, this sounds like our band.’ And to do something that's very real and gritty and has little mistakes in it just feels alive and human.”

Reservar06.02.2026

debe ser publicado en 06.02.2026

25,63
INDIANA MANDY - URGH

INDIANA MANDY

URGH

12inchSBRLPC3373
Sacred Bones Records
06.02.2026

Für Mandy, Indiana, ist die Wahrheit der einzige Weg. Auf "URGH", ihrem ersten Album bei Sacred Bones präsentiert, sich das Quartett - bestehend aus Sängerin Valentine Caulfield, Gitarrist und Produzent Scott Fair, Synthesizer-Spieler Simon Catling und Schlagzeuger Alex Macdougall - als eine Kraft von unheimlicher Natur, die ein Album geschaffen hat, das ebenso sehr ein Aufruf zum Handeln ist wie eine Reise in die Vergessenheit und Transzendenz. In den zehn Tracks verwebt die Band ihre eigene unkonventionelle Sprache zu einem Mantra für Selbstbestimmung und Widerstandsfähigkeit und schafft so eine Vorlage für eine bessere Zukunft, bevor alles in Dunkelheit versinkt. Ein Großteil des Albums wurde während eines Aufenthalts in einem unheimlichen Studiohaus am Stadtrand von Leeds geschrieben und anschließend in Berlin und Greater Manchester aufgenommen. Es war eine intensive Umgebung, was zum Teil auf die gesundheitlichen Probleme zurückzuführen war, mit denen Caulfield und Macdougall während des Schreib- und Aufnahmeprozesses zu kämpfen hatten. Dennoch bleiben Mandy, Indiana kompromisslos. Caulfield setzt ihre Stimme als verzerrtes Instrument und Waffe ein, die zwischen verspielt und vernichtend oszilliert. Der pulsierende Sirenenton von ,Magazine" steht neben dem zerhackten Vocal Fry von ,try saying" und der sich wandelnden Wildheit von ,ist halt so", das die Dringlichkeit von Protestbewegungen kanalisiert, auf den Widerstand gegen den Völkermord in Gaza verweist und gleichzeitig allgemeinere Kämpfe thematisiert, während der letzte Track ,I'll Ask Her" eine bewusste Direktheit ist, die die toxische Boy-Club-Kultur anprangert, und eine hartnäckige Abrechnung, die über dem gesamten Album schwebt. Obwohl es immer noch unbestreitbare ,Knaller" gibt (wie der zerfetzte Rap von ,Sicko!" mit Billy Woods), wirkt "URGH" oft wie präzise geschnitztes Kino. Vom sprühenden Techno von ,Cursive" bis zu den dekonstruierten Feedback-Loops von ,Life Hex" bewegt sich das Album zwischen industrieller Katharsis und filmischer Unruhe und spinnt eine Spannung, die Fair als ,Remix seiner selbst" beschreibt. Diese kontrastreiche Palette ist sowohl ein notwendiger Aspekt des Albums als auch das zugrunde liegende Bindeglied. Obwohl "URGH" sehr persönlich ist, spiegelt es den gewalttätigen, zerbrochenen Zustand der Welt wider. Caulfields Texte setzen sich mit Gewalt, systemischer Gleichgültigkeit und der Allgegenwart von Schmerz auseinander, betonen aber auch Momente der Schönheit und Solidarität. URGH gehört in die physische Welt, und das Artwork von Carnovsky mit einer anatomischen Illustration von Andreas Vesalius unterstreicht die viszerale Auseinandersetzung des Albums mit dem Körper und seinen Grenzen. URGH ist sowohl jenseitig als auch physisch und kathartisch, sowohl ein erster Schritt zur Heilung als auch eine Weigerung, das Gespräch sterben zu lassen.

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23,49

Ültimo hace: 83 Días
Clifton Chenier - King of Louisiana Blues and Zydeco 6x12
  • 1: Louisiana Stomp
  • 2: Clifton's Blues
  • 3: Boppin' The Rock
  • 4: Ay-Tete Fee
  • 5: Rockin' Accordion
  • 6: Baby What You Want Me To Do
  • 7: That's Alright
  • 8: Ay, Ai, Ai
  • 9: Why Did You Go Last Night
  • 10: Zydeco Et Pas Sale
  • 11: Louisiana Blues
  • 12: Lafayette Waltz
  • 13: Hot Rod
  • 14: Louisiana Shuffle
  • 15: French Zydeco
  • 16: Bon Ton Roulet
  • 17: Jole Blonde
  • 18: If I Ever Get Lucky
  • 19: Black Gal
  • 20: Keep On Scratching
  • 1: Black Snake Blues
  • 2: Let's Talk It Over
  • 3: Walking To Louisiana
  • 4: Johnny Can't Dance
  • 5: Grand Mamou
  • 6: Gone A La Maison
  • 7: Live From Phr Studio, Clifton Chenier!
  • 8: Mr. Charlie
  • 9: Hey Madeleine
  • 1063: 4-5789 (That's My Number)
  • 11: Drifting Blues/Breaux Bridge Waltz
  • 12: Shake, Rattle And Roll
  • 13: Rock House
  • 14: Breaux Bridge Waltz
  • 15: Ma Negresse Est Gone
  • 16: Fannie Mae
  • 17: Going Home Tomorrow
  • 1: J'ai Conet, C'est Pas Me Femme (I Know, You're Not My Woman)
  • 2: Since I Met You Baby
  • 3: Cher Catin
  • 4: You're My Mule
  • 5: I'm On The Wonder
  • 6: You're Fussin' Too Much
  • 7: All Your Love
  • 8: Zydeco Cha Cha
  • 9: Ti Na Na (Little Na Na)
  • 10: Someone Told Me It Was All Over
  • 11: You Can't Sit Down
  • 12: Oh! My Lucille
  • 13: Take Off Your Dress
  • 14: M'appel Fou (They Call Me Crazy)
  • 15: Je Suis En Racolteur (I'm A Farmer)
  • 16: Je Marche Le Plancher (I Walk The Floor)
  • 1: Tu Le Ton Son Ton (Every Now And Then)
  • 2: Down The Road I Go
  • 3: Calinda
  • 4: Zydeco
  • 5: What I'd Say
  • 6: Dust My Broom
  • 7: My Mama Told Me
  • 8: Night Time Is The Right Time
  • 9: I'm A Hog For You
  • 10: Grand Prix
  • 11: You Got Me Crying
  • 12: Tit Mam's Zydeco
  • 13: Party Down (At The Blue Angel Club)
  • 14: I'm Coming Home (To See My Mother)
Reservar06.02.2026

debe ser publicado en 06.02.2026

148,95
Leonard Cohen - In Concert at the BBC 1968 LP
  • A1: You Know Who I Am
  • A2: Bird On The Wire
  • A3: The Stranger Song
  • A4: So Long, Marianne
  • A5: Sisters Of Mercy
  • B1: Master Song
  • B2: There's No Reason Why You Should Remember Me
  • B3: Teachers
  • B4: Dress Rehearsal Rag
  • B5: Suzanne
  • B6: Hey, That's No Way To Say Goodbye

Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contrib-uted greatly to his success in this country. We are delighted to present eleven of the songs he played, rec-orded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of There's No Reason You Should Remember Me. Comes with full recording de-tails and extensive sleeve notes.

Reservar06.02.2026

debe ser publicado en 06.02.2026

23,95
Carwyn Ellis & Rio 18 - Haf LP

Carwyn Ellis & Rio 18

Haf LP

12inchBWR084V
Bubblewrap
06.02.2026
  • Como Yo Amo
  • Tonnau Ar Tonnau
  • Whistling Sands
  • Bella Estrella
  • Shades Of Red
  • Haf
  • Gwenyn Y Owanwyn
  • Lâgrimas Frias
  • Keep On Smiling
  • Nos Da

Haf is the third album from Carwyn Ellis & Rio 18 in little over a year, no mean feat in and of itself but especially considering Carwyn’s work with other artists (including Edwyn Collins and the North Mississippi Allstars) this year too.

The album picks up where their last (Fontana Rosa) left off, with around half the album being recorded analog to tape at Gizzard Studios in London, with one last tune remaining from their sessions at the legendary (but now closed) Toerag Studios.

There are echoes here of their first album, Joia! - the recordings were once again instigated by the great Brazilian producer and multi-instrumentalist who happened to be visiting London earlier in the year. He suggested doing something.... so they did. And there is a return to more definite Brazilian influences too - Tonnau Ar Tonnau is an homage to ‘Onda’ by Cassiano, Keep On Smiling has a distinct samba / chorro feel. Gwenyn y Gwanwyn (about helping a bee out if you see it struggling) is very much a nod to the psychedelic samba funk of Antonio Carlos e Jocafi. But other Latin styles still loom large: on the sultry salsa of Bella Estrella or the melancholic Andean ballad, Lagrimas Frias.

Anglo-Brazilian singer Nina Miranda features on the Lalo Schifrin goes samba Shades of Red, while new addition to the Rio 18 family (at least on record), Miriam Isaac adds a real RnB edge to the record, along with some beautiful duets: the Salsoul banger Como Te Amo and the gorgeous Whistling Sands (about a beach in North Wales) are standouts.

In reverse to how Carwyn made the first two Rio 18 albums, Haf was recorded in London
and Wales and mixed over five hectic days in Rio. Three days later, it was mastered and at
the pressing plant. Time doesn’t wait for Carwyn Ellis & Rio 18!!

Finally, the song ‘Haf’ and the album itself are dedicated to Haf Morris, Carwyn’s late music teacher - he says, “her focus, guidance and patience shaped me like no other. I hope she’s enjoyed my musical journey, from wherever she’s watching. Diolch, Haf”.

Reservar06.02.2026

debe ser publicado en 06.02.2026

19,75
ZARD - Golden Best (35th Anniversary Vinyl Edition) 4x12
  • A1: Good-Bye My Loneliness
  • A2: Nemurenai Yoru Wo Daite
  • A3: In My Arms Tonight
  • B1: Makenaide
  • B2: Kimi Ga Inai
  • B3: Yureru Omoi
  • B4: Mou Sukoshi Ato Sukoshi…
  • C1: Kitto Wasurenai
  • C2: Kono Ai Ni Oyogitsukarete Mo
  • C3: Oh My Love
  • C4: Konna Ni Soba Ni Iru No Ni
  • D1: Anata Wo Kanjite Itai
  • D2: Ai Ga Mienai
  • D3: Sayonara Wa Ima Mo Kono Mune Ni Imasu
  • E1: My Friend
  • E2: Kokoro Wo Hiraite
  • E3: Today Is Another Day
  • F1: Don't You See!
  • F2: Eien
  • F3: My Baby Grand 〜Nukumori Ga Hoshikute〜
  • F4: Unmei No Roulette Mawashite
  • G1: Get U're Dream
  • G2: Motto Chikakude Kimi No Yokogao Miteitai
  • G3: Kyou Wa Yukkuri Hanasou
  • H3: Heart Ni Hi Wo Tsukete
  • H1: Hoshi No Kagayakiyo
  • H2: Natsu Wo Matsu Sail (Ho) No You Ni

Cutting by Tohru Kotetsu — one of Japan’s leading mastering and cutting engineers!

To commemorate the 35th anniversary of ZARD’s debut, the best album Golden Best ~15th Anniversary~ is being released on analog vinyl!
The release is set for February 4, just before the 35th anniversary of their debut (February 10, 2026).

Originally released in 2006, Golden Best ~15th Anniversary~ is the ultimate ZARD best album, achieving million sales. It is also the final work
Izumi Sakai released during her lifetime before her passing in 2007.
For the vinyl release of such an important work, the cutting was entrusted to Tohru Kotetsu, one of Japan’s top mastering and cutting engineers and
a devoted fan of ZARD. The timeless ZARD classics engraved by Kotetsu have resulted in a truly exquisite finish. Please enjoy the warmth and depth
of sound that only analog vinyl can deliver.

Reservar06.02.2026

debe ser publicado en 06.02.2026

137,77
J Mascis + The Fog - Free So Free LP
  • A1: Freedom
  • A2: If That's How It's Gotta Be
  • A3: Set Us Free
  • A4: Bobbin
  • A5: Free So Free
  • B1: Tell The Truth
  • B2: Someone Said
  • B3: Everybody Lets Me Down
  • B4: Say The Word
  • B5: Outside

Best known as the frontman of the influential indie rock trio Dinosaur Jr., J Mascis has also been a solo artist, producer, and film composer. Getting his start as a founding member of the hardcore band Deep Wound, Dinosaur Jr. was founded in 1984 and the group emerged among the most highly regarded alternative rock. By introducing volume and attack in his songs Mascis shed the strict limitations of early 1980’s hardcore, becoming an influence on the burgeoning grunge movement. Mascis’ body of work continues to inspire a generation of guitar players and songwriters today.


In 1997, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. Members and collaborators of The Fog have included Mike Watt (Minutemen / fIREHOSE), Ron Asheton (The Stooges), Robert Pollard (Guided By Voices), Kevin Shields (My Bloody Valentine), Dave Schools (Hard Working Americans / Widespread Panic) and Kyle Spence (Harvey Milk).

Reservar06.02.2026

debe ser publicado en 06.02.2026

24,79
ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O. - Electric Heavyland (2x12")
  • A1: Atomic Rotary Grinding God ~ Quicksilver Machine Head (15:44)
  • B1: Loved And Confused (17:03)
  • C1: Phantom Of Galactic Magnum (18:57)
  • D1: Atomic Rotary Grinding God ~ Blues For Black Bible (Live) (19:36)

We’ve purged the Acid Mothers Temple archives once again, resurrecting another classic album ‘Electric Heavyland’.
Originally released in 2002 on CD only (via Alien 8 Recordings), ‘Electric Heavyland’ is presented here for the first time on vinyl, remastered and with a whole bonus live side!
Housed in a beautiful gatefold sleeve with heavy use of the original black and metallic silver ink artwork
“Suddenly, my world explodes as the band pounces on the joint with some hell-blues, laced with sci-fi laser transmissions. Jesus H. Fuck, this is loud. There comes a point when heavy jamming and pure noise meet, and that point is tearing shit up at this very moment.” Pitchfork
Of key note for AMT diehards/collectors. Side D was recorded live at at the 2nd Acid Mothers Temple Festival December 13th 2003 with Yamazaki Maso (Masonna) as a guest.
Makoto says "we have played this song, Atomic Rotary Grinding God live only once, this is that recording"
Produced, engineered and mixed by Kawabata Makoto live recorded by Takayama Manabu (original source is VHS video tape)

Reservar06.02.2026

debe ser publicado en 06.02.2026

24,33
IVAN THE TOLERABLE - CHROMOPHOBIA LP 2x12"
  • A1: Pale Dogwood (4:21)
  • A2: Field Drab (5:14)
  • A3: Ceda Chast (5:10)
  • A4: Wild Blue Yonder (8:39)
  • B1: Inchworm (6:23)
  • B2: Vetiver (3:50)
  • B3: Orange Crayola (7:37)
  • C1: Black Olive (5:19)
  • C2: Wild Strawberry (4:00)
  • C3: African Violet (6:39)
  • C4: Deep Sky (4:52)
  • D1: Permanent Geranium Lake (6:23)
  • D2: Carnelian (4:09)
  • D3: Helltrope (7:56)

Ivan The Tolerable returns with Chromophobia, an expansive new double album and his fourth for Riot Season after ‘Water Music’ & ‘Vertigo’ (both 2024) and ‘An Orphan Form’ (2025)
Chromophobia carries with it a deep personal history. The earliest recording sessions date back to 2018 at the IDI in Middlesbrough, engineered by longtime collaborator Nigel Crooks over the course of three weekends. The material was left unfinished for years, shelved for reasons that accumulated and compounded - until the tragic passing of Crooks in 2023. His unfinished work lingered, and the desire to complete it became a mission.
“In the end, I finished this record for Nigel, above all else,” says Oli Heffernan (Ivan The Tolerable). “It always annoyed him that it never got done.”

To bring the album to completion, the original stems were passed to producer Hugh Major (formerly of Benefits) in early 2024. Across a year of meticulous experimentation - countless versions, radical reconstructions, entire songs torn down and rebuilt - the album transformed into something wholly new. The final collection spans 14 tracks, reimagined from the ground up yet still anchored to the spirit of the sessions that began it.
“It’s a very different beast from where it started,” Heffernan adds, “but I think Nigel would really like it - and be glad it was finally finished.”
Chromophobia stands as both a reinvention and a tribute: a document of persistence, creative overhaul, and the enduring impact of a lost collaborator.

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NOFX - LIBERAL ANIMATION

The classic 1988 NOFX album, available on vinyl. First time pressed in Europe on black and colored vinyl. Recorded in 88 by Brett Gurewitz in 3 days at west beach recorders. We we"re all stoked cause we got to meet Brett from bad religion. He asked us if we wanted to put the record out on epitaph, but we wanted to put it out ourselves. What a mistake. It took almost a year to sell 1500 copies at 4 bucks a piece, and we only got paid for half. We ended up giving the record to epitaph like 5 years later with a new cover. I wouldn"t say this record sucks, but it"s still pretty hard to listen to.

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23,49
NOFX - LIBERAL ANIMATION
  • Shutup Already
  • Freedumb
  • Here Comes The Neighborhood
  • A 200: Club
  • Sloppy English
  • You Put Your Chocolate In My Peanut Butter
  • Mr. Jonesside B
  • Vegetarian Mumbo Jumbo
  • Beer Bong
  • Piece
  • I Live In A Cake
  • No Problems
  • On The Rag
  • Truck Stop Blues
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GREEN COLOURED Vinyl[23,49 €]


The classic 1988 NOFX album, available on vinyl. First time pressed in Europe on black and colored vinyl. Recorded in 88 by Brett Gurewitz in 3 days at west beach recorders. We we"re all stoked cause we got to meet Brett from bad religion. He asked us if we wanted to put the record out on epitaph, but we wanted to put it out ourselves. What a mistake. It took almost a year to sell 1500 copies at 4 bucks a piece, and we only got paid for half. We ended up giving the record to epitaph like 5 years later with a new cover. I wouldn"t say this record sucks, but it"s still pretty hard to listen to.

Reservar06.02.2026

debe ser publicado en 06.02.2026

23,49
Nurse With Wound - Bar Maldoror LP 2x12"
  • A1: Hymn For Konori 12:08
  • A2: Shatterin’ Man Falling 8:28
  • B1: Mandrake Memorial 10:14
  • B2: Stoned Age 12:52
  • C1: Tickling That Great Pudarkus In The Sky 16:24
  • C2: Psychedelic Underground 4:38
  • D1: Bagpipe Gestation 10:31
  • D2: Scissors, Radio, Bongo And Bell 10:56

Active for 40 years, Nurse with wound is one of the projects of Steven Stapleton, materialized in a very wide range of hysterical noise over sound collages and cut ups, abstract music, soothing drones and surreal sound paintings, and more rhythmical and mechanical pieces, always inspired by Dadaism and Futurism, Krautrock, jazz improvisation, surrealism, never losing his main goal, that is having fun and enjoying himself.He has had many collaborators, a recurrent one in the 80s and 90’s being Current 93’s David Tibet, another noticeable one still at work with him is Andrew Liles.The main line of this unpredictable sound builder is hectic and uncompromised, his point of view is that everything is possible and applies it to himself. As a youngster he wanted to be an artist so decided he was one . He is not a musician, and says he has no interest in becoming one. Surprisingly, (or not!), the love of his life is building sculptures out of recycled and reclaimed materials, building things with anything, even junk. And sounds, we are a witness to it.With these very strange juxtapositions of styles and manners, female rap music and 50s and 60s lounge music having a special top priority in Steven’s tastes, and a creativity that has no bounds no taboos, with a taste of novelty every time, Nurse with wound will no doubt continue to surprise people listening to his works, and himself, as he wants to keep it fresh every time, mostly for him.

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32,14
Lukas Traxel - One-Eyed Daruma LP

Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
ONe-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the album while dealing with the loss of his father. The group came together after an open invitation from the Zurich jazz club Moods to present a new group. The trio of Traxel, Sandsjö and Baumgärtner creates a full, symphonic, and powerful body of sound despite the instrumentation without a harmony instrument. The trio functions as a collective where the boundaries between composition, melody, and accompaniment are in flux, while keeping the common goal of creating new music together in sight at all times. Traxel reports that after playing bass in various groups with guitar and/or piano, he wanted to create a counterpoint of sorts with his new group and specifically go about it with a more sparse setup. As One-Eyed Drama proves, the idea behind the trio dynamic is a strong one and the unit makes use of their extra space in creating evocative, moody, swinging creative jazz with a distinguishable fingerprint of its own.
Lukas Traxel says:

"The process of composing this music while dealing with the loss of a loved one resulted in a writer's block at first. The notes would just not flow out of my pen until I noticed a mysterious-looking figure in the right upper corner of my piano. It was a daruma, an eyeless figure that in the Japanese tradition brings luck and prosperity. According to the myth, the first eye must be drawn onto the figure while expressing a wish. The second eye can be added only if the wish comes true. My daruma is meant to stay one-eyed as my wish, strongly connected and intertwined with my now gone father, is not meant to be fulfilled. The feeling of unfulfillment and imperfection of life serves as a common thread throughout this album, right down to its title. In a similar fashion, a composition remains incomplete until it is interpreted by musicians, and given form as music. That being said, for me playing together with this trio symbolises the upside: the sense of fulfillment in music and life.

Our musical influences include the American composer and singer Caroline Shaw, Swiss pianist Colin Vallon's trio, and composer/singer-songwriter Gabriel Kahane. In addition, I have listened a lot to the trio albums of Jimmy Guiffre and Sonny Rollins. Besides that, my musical heroes like Charlie Haden, John Coltrane, and Keith Jarrett always flow into the music. Another very important influence in the music is the work of American visual artist Agnes Martin, in whose works the imperfection of a multiplicity of repetitions results in a lively big whole in the end. (See "Wild Flower")

Live, the trio takes a lot of freedom in interpreting this music, yet we have a deeper, almost pop-like attitude towards the live performance as an experience. For me it's always important to build a strong narrative with the band while on stage."

One-Eyed Daruma by Lukas Traxel is released on 10 March 2023 by We Jazz Records on LP/CD/digitally. The LP edition is shelved in an inside-out sleeve and pressed on white vinyl. The CD is housed in a cardboard digisleeve with UV lacquer finish.

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Lily Rae Grant - Poison Ivy / Forget About (7")
  • A1: Poison Ivy
  • B1: Forget About

Her natural command on stage, paired with a voice that feels quietly seasoned, has made her one of the most exciting young live musicians emerging from the region. Now, with her first release, a double single featuring the raw, one-take folk recording 'Poison Ivy' and the dreamlike, psychedelic shimmer of 'Forget About' -- Grant introduces the full spectrum of her sound. One track close to the bone, the other lost in a dream, both unmistakably hers. 'Poison Ivy' was recorded when Grant was just 16, in a spontaneous midnight session after finally playing her songs to her dad. With only one microphone, no click, and a single take, the track became a time capsule of her earliest songwriting voice -- fragile, real, and impossible to recreate.

Now featuring Dan Bridgewood-Hill's evocative violin, it stands as a folk recording filled with warmth, instinct and unfiltered emotion. "I tried re-recording it," she says, "but nothing touched the magic of that first take." In contrast, 'Forget About' showcases Grant's emerging production instincts. Influenced by Zero 7, the song began as a kitchen jam before evolving into a lush mix of psychedelic keys, airy electronics and indie- rock textures. Self- recorded in Logic, the track reveals a new dimension to her writing, cinematic and rhythmically hypnotic

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