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Rosanna & Zélia - Baiao Da Luna

Rosanna&Zélia

Baiao Da Luna

7"-VinylWJ075002
WE JAZZ
03.04.2023

A lost MPB gem from rural Finland! We Jazz presents the first ever reissue of this rare 1990 local release by Brazilian duo Rosanna & Zelia. 7" EP with inside out 3mm spine sleeve. RIYL: Gilberto Gil, Joyce, Musica Popular Brasileira, bossa nova, bossa jazz

Liner notes by Mikko Mattlar:

"Rosanna & Zélia were a Brazilian duo of singers and musicians Rosanna Guimarães Tavares and Zélia Nogueira da Fonseca. They moved from Minas Gerais, Brazil to Europe in 1988, released five albums in Germany between 1993–2004 and featured vocals on an Ian Pooley house track Coração Tambor before Rosanna died of cancer in 2006. Zélia still continues her career in Germany, touring actively and releasing new music.

The duo's journey from Brazil to Germany also included two brief visits to Finland. In the years 1989–1990, they spent time in the small town of Seinäjoki in Ostrobothnia. Rosanna & Zélia performed Brazilian music in Finnish clubs and festivals and recorded a 7" EP for local label Maumau Music. The record was distributed mostly in the Seinäjoki area, but the three songs are well-performed and authentic Brazilian MPB, so the largely unknown record now gets its first reissue for a wider audience on We Jazz Records.

But how did two Brazilian women find their way to a small Finnish town to record an EP? The main reason for this was music journalist and promoter Risto Vuorinen, who was on a holiday in Albufeira, Portugal, where a friend of his lived. The streets were almost empty that evening, but Vuorinen and his friend heard fine guitar playing and singing from a bar. There were Rosanna and Zélia performing on a small stage, and the two Finnish men happened to be the only customers. When the artists ended their performance, Vuorinen's friend, who spoke Portuguese, went to talk to them. Rosanna and Zélia told him they had recently come from Brazil and are trying to gain ground in Europe with their music.

Because Rosanna and Zélia didn't know where they would head next, and because Vuorinen liked their music, he thought of bringing the duo to his hometown, Seinäjoki. They immediately liked the idea, and in the autumn of 1989 they arrived in Finland. The national Finnish jazz festival was held in Seinäjoki, and Vuorinen thought Rosanna & Zélia's Brazilian music would fit right in. They performed at the festival and in November 1989, also made recordings in a local studio with backing musicians from Seinäjoki.

Music enthusiast Pertti Hakala had a record shop and label Maumau Music in Seinäjoki releasing music from local artists. He released a three-track EP from the sessions. with two tracks written by Rosanna & Zelia themselves and their cover version of Extra (Brazilian Reggae), written and originally performed by Gilberto Gil in 1983. A small pressing was made for the Finnish market, and Hakala also sent a box of records to Brazil, but for some reason it was sent back.

After their first visit to Finland, Rosanna & Zélia headed back to central Europe, but Vuorinen decided to organize more performances for them for the next summer. Maybe he also wanted to show them the beautiful Finnish summer, as Rosanna and Zélia had so far seen the country only during the darkest autumn. The duo came back to Finland for the summer of 1990 and performed at the Womad world music festival organized as a part of local Provinssirock. They also played in Nummirock and Puistoblues, both respected music festivals, and performed on TV in Helsinki.

Rosanna and Zélia lived in a small apartment in Seinäjoki and played two to three gigs per week all summer. Because there were only two of them, even small pubs could afford to book them, and in 1990 the economic situation in Finland was good. It was before a major economic depression hit the country. The duo travelled by bus or train, and because they were an acoustic duo, they could easily carry their instruments in public transport. Vuorinen got excellent feedback from organizers. Rosanna and Zélia were good performers, but also really nice people.

With the income from their summer gigs, Rosanna and Zélia could buy a PA mixer and other musical equipment. When the summer 1990 turned to autumn, they continued their journey from Seinäjoki to Germany where they settled down."

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10,80
STEFAN GOLDMANN - IN AGGREGATE / CAROB

One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by Jorinde Voigt.

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9,03
Apulati Bien - Non Masse LP

Apulati Bien

Non Masse LP

12inchDEAR007
Deardogs
31.03.2023

"Non Masse" is the new LP from Brussels-based artist and producer Apulati Bien.

After several notable releases on the Parisian label Promesses ("OO:NÉ", "RER TRACKS" & "Azone", jointly released on the Belgian label KRAAK) in solo or via the duo XOLOT he forms with artist Vica Pacheco, navigating in a neo-futuristic aesthetic with glitch and experimental influences mixed with juke, footwork and more broadly bass music heritage, Apulati Bien explores this time new territories, devoid of preconceived forms and leaving more space to each element.

Recorded at the time of the finalization of his last album "Azone" released in February 2022, with the will to proceed with a different method, even opposed to the one he knows, "Non Masse" (whose title is equivocal of the approach) is a more aerial object, with unquantified structures and sliding material, reflecting a feeling of "wanting to get out of (his) own mass", according to his words. A feeling certainly shared by many during the troubled period of the last two years, and which echoes a general desire for detachment, for withdrawal combined with a search for discovery in these overloaded times.

"Non Masse" is not however an object apart from Apulati Bien's discography, where we find the main elements of his music : futuristic references, glitch and digital contortions, which should not be approached as a light object but as a complex one, where the subtle details don't aim at diverting the attention, but on the contrary at nourishing a more global speech. The title "Alone Global" of one of the tracks is probably the most accurate definition of this project.

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19,29
9th House - Midas

9Th House

Midas

12inchRB115
Running Back
31.03.2023

Running Back welcomes Firas Waez and his studio character 9th House for a flock of heartfelt and intuitive house tracks. Centered around uplifting chords and joyous melodies, upbeat drums and shuffling hi-hats, it feels like being in a circle dance, watching flowers turning into fruits or caterpillars into butterflies.

Made with the tools of today, but with a burdening love for the ancient magic and positivity of this music. The results being highly contagious. Whether its any of the 9th House’s solo works like Reuben or the collaboration with Matrefakt, it’s impossible to hold still. But as no one can live off love alone, there is also an odd one out. The eponym Midas swaps vintage techniques and the love potion of its counterparts for sharp and exact peak-time magic that makes endorphins rush and cheeks blush. Whichever you finally pick of the five tracks, any of them are an amulet against bad times. A Midas’ touch indeed! Happy house painting artwork courtesy of Luciano Calderon via ruttkoswki;68.

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11,35
Staran Wake - S/T

Staran Wake

S/T

12inchHITD063
Hands In The Dark
31.03.2023

Staran Wake is a collaborative project by Andrew Bunsell and Tom Relleen. After several years creating music in various groups together, followed by countless hazy late night recording sessions at each other’s studios and crisper afternoons producing the results, the British duo’s musical vision materialised with this self-titled instrumental album, taking nearly 4 years to complete.

This collection of pieces is composed with a wide range of instruments and combines multiple dark, experimental genres to form a rather lavish and unique proposition. It is imprinted with intense turgid textures, interweaving the hyper-tactile characteristics of analogue sound with field recording elements and sound effects.

Although the project’s name suggests a rather celestial concept (‘an’ means moon in one of the early protolanguages), the music actually explores the intimate feelings of transient space and otherness. It uses subtle build-ups of tension and repetitive progressions to shape an impression of distended time and space. More than a mere treat for the ears, it’s a multi-layered album that invites reflection.

All tracks composed, performed and recorded by Andrew Bunsell and Tom Relleen at Dalston Studios, Space Studios and The Bunker, London, UK

Arranged, produced and mixed by Andrew Bunsell and Tom Relleen at The Bunker, London, UK

Mixed and mastered by Marta Salogni at Studio Zona, London, UK

Artwork and design by Jonas Meier

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20,80
Fizzè - Le Disque de l'Art Gué LP

"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.

Compilation, concept and production by Fizzé, Orsett & Fischer

Analog mastering by Tim Stollenwerk

Drawings, obi strip and insert layout by Anne-Marie Gratton

The record cover represents the acrylic painting "Till" by Alex Rabus

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21,81
Billy Valentine & The Universal Truth - Billy Valentine & The Universal Truth LP

One of the greatest soul voices working in the US today, Billy Valentine's latest release, first plotted out in the summer of 2020, sees the artist responding to the chaos of a global pandemic and the seismic impact of George Floyd's murder via legendary works from Curtis Mayfield, Gil Scot Heron and Pharaoh Sanders. In collaboration with acclaimed producer and songwriter, Bob Thiele Jr. (son of Flying Dutchman founder, Bob Thiele), Valentine's rich, velvety vocals breathe new life into these already-powerful tracks, bringing them into the contemporary political context with renewed urgency. Released on Acid Jazz in partnership with renowned US label Flying Dutchman, Valentine's latest output marks the first new music from the label since the '70s - a momentous return for a keystone tastemaker of the American jazz world.

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19,96
Kenny Hooper - Detroit Orbiter Vol.1
 
4
disponibile anche

Vol.2[13,24 €]

Vol.3[13,24 €]


Young Detroit-native Kenny Hooper steps up for his debut release on Elypsia Records with not one but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Volume 1 - 3", each EP features four tracks, showcasing Hooper's brilliant personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter" trilogy signal the arrival of yet another Motor City talent ready to rake the world and dance floors by storm with his chunky and funkafied sonic fictions. Elypsia Records is proud to welcome Detroit's next generation!

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13,07
KMD - Black Bastards LP 2x12"

Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early ‘90s rap group whose work still goes criminally under-appreciated to this day.

Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining – Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single “What A N*gga Know”, the slippery, bass-driven “Get U Now”, and the album’s title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw – many times both, concurrently – the tracks gave the MC’s the springboard they needed to express themselves clearly.

Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X – now the sole remaining member of the group – was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album’s provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.

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41,60
Samuele Strufaldi - Davorio LP

Through a musical collaboration between Italian musician Samuele Strufaldi and the villagers of Gohouo-Zagna in the Ivory Coast, a new album called Davorio released on Música Macondo Records, will raise money for a new community library and space in the village.

Davorio is the joint efforts of Samuele Strufaldi, and the Guéré musicians of Gohouo-Zagna, located in the Ivory Coast’s Guemon region. The record is a cross-cultural-conversation that tells the villagers’ stories through a modern musical language; one that blends together Guéré music, jazz, and electronica. More than just a record, Davorio is a story about the villagers of Gohouo-Zagna, with their lives, traditions, and cultures animated across the album’s 16-tracks. The profits from the vinyl and digital music streams of the project and the money raised from a Go Fund Me fundraising page, will be used to help construct a library for the villagers, that will provide them with the infrastructure to help further their culture and storytelling for years to come.

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16,77
Electrodefender / E-Control - Soulmates EP

E-control and Electrodefender , two mates and fans of the old arcade classics gamemachines decided to produce a vinyl split ep together.

For this, e-control provided two of his unreleased electro tracks from 2001 and electrodefender 3 of his recent tracks that he arranged and recorded in the years 2021-2022.

The EP is strictly limited to 150 copies in black vinyl and has a playing time of 30 minutes. Rootsy oldschoolelectro in the style of the early 80s into the early 90s.

The A side of the label is numbered with a stamp and there are two stickers of the two music makers on the cover.

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15,92
Deluka - Echoes

Deluka

Echoes

12inchNOSIGNAL001R
No Signal
29.03.2023

2023 Repress


Francesco De Luca, Dj and producer based in Berlin launches his label under his new alias "Deluka" with Echoes EP. The three tracks of the record are emblazoned with his signature, pairing of light and deep sounds with atmospheric textures and hypnotism.

The second track is a remix from the talented producer from Spain "Orbe" that gave a very high grade of modern character but maintained the freshness from the original track but mixed up with new and sophisticated elements.

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10,88
Various - JR 003

Various

JR 003

2x12inchJR003
Jugaar Records
27.03.2023

Fresh from DOTT’s “Puppy Luv EP” and Rudoh’s “Vinland In Space EP”, Jugaar Records is back and this time with a full-length, double-pack vinyl, and digital compilation bringing together friends from Asia and Europe. The record is testament to the healthy place the Asian electronic music landscape finds itself in and those intrepid producers who are willing to explore new scenes and sounds. It's energy-crew from the off - with UK beatmaker Joe Koshin’s “Astro Wax”, a techy electro work-out that conjures images of futuristic cityscapes and dense urban mazes. Up next, Pakistan-born and label co-boss Rudoh maintains the electro vibe with cut-up hip-hop vocals sprinkled on top of a pulsating bassline in his “KOF”. His records are being picked up by global tastemakers from Emerald to Roza Terenzi to DJ Masda. Don’t sleep!

Moving to the B-side, German-born, London mainstay Voigtmann shuffles and deals a steppy drum pattern and intricate synth-work, with a bassline drenched in that particular brand of funk to get the party going even at the most ungodly hour. Observatory resident Nic Ford closes this disk with an ambient excursion that summons spiritual rave voices from the deep laid atop a lilting synth loop. It’s typical of his ambient performances which have gained much notoriety in Vietnam of late.

Opening the second record is Egyptian gem Hassan Abou Alam whose recent outings on Naïve and Banoffee Pies have gained him much and well-deserved attention. Here, his “Gloom” combines twinkling IDM modes with heavy sub bass experiments primed to stop the most idiosyncratic dancefloors in their tracks. Up on C2, the Version, 3024 and Phonica Records graduate Yak adds breaks to the equation. His “Disk Full” brings together a haunting gated synth and razor-sharp beat programming to devastating effect. Melbourne based, Salt Mines Records honcho Shedbug concludes this side with his hopeful “A Lil Piece” whose soaring synth line will hit all the right emotional chords at all the right times.

On the final side Bangkokian Chalo reminds us why he is one of the masters of this increasingly fully formed scene. His Depth Charge is a muggy dub-laden, electro jam capable of rattling the weightiest sound systems in some of the most twisted raves at the end of some of the darkest Sois. The record is completed by New Delhi linchpin and Boxout.fm resident Monophonik, whose techno/electro “Tumbi” journeys out of the night into a euphoric sunrise moment that will be setting the dancefloors alight come festival season.

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16,18
Robert Tylutki - Darkest Hour Before Dawn

As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?

Portrait of tracks separately:


"Darkest Hour before dawn"

Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?

Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.

The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.

Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.


"Lovely memories"

The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.


"24 hours"

Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.

Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.

"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...


"At night"

This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.

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11,72
Spirits From An Urban Jungle - Urban Decay EP

*Vinyl Only*

Spirits From An Urban Jungle – A group consisting of JMJ & Richie (Moving Shadow/Good Looking) and Tekniq (Moving Shadow/Formation) who released two EPs on Whitehouse Records in 1994 and a recent, quickly sold out, EP on Vinyl Fanatiks sister label – Amen brother.

Their first release on Whitehouse was repressed by Vinyl Fanatiks in 2020 on red vinyl and sold out. This is a limited run on blue vinyl and is some deeper, Bukem styled tracks that pre-dated the ‘intelligent’ drum & bass sound that went stratospheric the following year.

Rolling in da shadows…

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15,55
Julian Fijma - Devious Dog EP

Julian Fijma

Devious Dog EP

12inchBLF003
Belief
24.03.2023

Eastenderz highly anticipated sub-label Belief continues to grow with the third EP in the series.

More groove-driven tracks made for the dancefloor.

Highlighting the freshest of talents, alongside producers who have been on the radar for a while.

We belief.

DJ support,

EAST END DUBS, JESSE MAAS, ARCHIE HAMILTON

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13,66
Cyborg Nerve - Cristalizacion EP

Hot on the heels of their sophomore release with DJ Rocca, Cyphon Recordings welcome Tijuana’s Cyborg Nerve to the family for the third installment in their busy label schedule.

A new project helmed by the Cedillo brothers - also known for their work under the monikers Soul of Hex and Mano De Fuego - Cyborg Nerve’s sound tips the hat to the roots of Detroit electro and techno.

The Vicario Musique Recordings bosses have already made a mark under their Soul of Hex alias, pushing their cosmic, vibrant take on deep house. It’s caught the ear of labels and artists across the world; the likes of Delusions of Grandeur, Freerange Records and Quintessentials have shared their music and they’ve even earned the Larry Heard seal of approval, with the legendary Chicago producer stepping up to remix their 2014 track ‘Lip Reading’. As Mano De Fuego they’re also getting their music into the hands of pioneering figures in the American dance music scene - summer of this year saw them release a shamanistic debut via the inimitable Underground Resistance.

For their debut outing as Cyborg Nerve, the pair deliver four tracks of old school electro grooves. Title track ‘Cristalizacion’ kicks things off. A slice of intergalactic electro; celestial pads soar above warm bass and staccato drum rhythms. Their eponymous track follows and takes the energy levels up a notch: a warbling bass line drives the track forward, whirring and revving while crisp hats fizz overhead.

‘Tijuana 3000’ is another cut that's custom-made for the dance floor. As with the title track, the duo call to mind the interstellar jazz-tinged electronics of Detroit outfit Galaxy 2 Galaxy, as they pair cosmic twinkling melodies with a hypnotic acid line that takes centre stage. ‘Machine Effect’ brings the EP to a close. Like its name suggests the track is powered by a raw, machine funk groove and precise drum programming - no bells and whistles, just pure cosmic vibrations to move your body.

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14,71
Amazingblaze - Can't Stop EP

Amazingblaze

Can't Stop EP

12inchKNTXT019
KNTXT
22.03.2023

Emerging talent Amazingblaze has unveiled his new EP ‘Can’t Stop’, out on 3rd March on Charlotte de Witte’s KNTXT imprint.

A four track release, the EP opens with trance cut ‘Can’t Stop’, an electrifying club record which is reminiscent of the 90s. Next up is ‘Got The Vibe’ following the theme of 90s raving, a pulsating, high energy cut. Combining heavy hitting techno beats, ‘Enter The Rave’ sets the tone of the EP, whilst the emotive ‘On The Grind’ closes off the EP with driving pummeling techno, laced with captivating hip-hop vocals.

“Can't Stop EP has a very individual vibe, this time I decided to go through some classic 90s trance & techno vibes and added some freshness by using hip-hop vocals.” Amazingblaze explains. “Each track has its own story. Here we got massive bangers for big venues and hard hitting tracks for clubs.”

Charlotte de Witte adds: “Amazingblaze is back on KNTXT with some truly magnificent tracks. Can’t Stop EP is filled with masterpieces that always turn out to be one of the highlights of my sets. His very distinctive sound just never disappoints. I’m very happy to have him on board for another massive EP on the label.”

Amazingblaze is a fast-rising newcomer on the scene who caught the attention of Charlotte de Witte with his unique talent and craft. Surrounded by music since childhood, Amazingblaze was intrigued by the mysterious vibrations of sound, which was his initial inspiration to produce electronic music. Arriving in St. Petersburg as a teenager, he met producer BMB Spacekid, who later became his mentor. Amazingblaze went onto releasing on Charlotte de Witte's iconic label KNTXT for the first time in 2022 with his ‘Venture EP’ that turned heads on a worldwide scale.

The ‘Can’t Stop EP’ showcases Amazingblaze’s meticulous craft as a fresh newcomer on the scene.

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15,76
Katie Melua - Love & Money LP

Die renommierte Singer-/ Songwriterin Katie Melua die Details zu ihrem kommenden neunten Studioalbum „Love & Money“ bekanntgegeben - ein atemberaubendes und höchst persönliches, insgesamt zehn Tracks umfassendes Werk, das einen tiefen Einblick gewährt, was innerhalb der letzten zwei Jahre in Katies Leben geschehen ist. Mit 56 Platinauszeichnungen in ihrer nunmehr zwei Dekaden andauernden Karriere ist Katie Melua zu einer der meistverkauften Künstlerinnen Großbritanniens avanciert, nachdem sie mit ihrem Debütalbum „Call Off The Search“ die Charts stürmte und anschließend nicht weniger als acht aufeinanderfolgende Top-10-Alben in Großbritannien veröffentlichte - zuletzt geschehen im Jahr 2020 mit dem „Album No. 8“.
Die Neuigkeit über die Veröffentlichung von „Love & Money“ am 24. März 2023 via BMG folgt auf die erst kürzlich erfolgte Bekanntgabe von Katies bevorstehender UK- und Europa-Tournee im April und Mai diesen Jahres, die mit einer Show in der legendären Royal Albert Hall in London am 16. Mai ein absolutes Highlight beinhaltet.
Produziert von Leo Abrahams (Ghostpoet, Brian Eno, Regina Spektor), wurde „Love & Money“ im Sommer 2022 in Peter Gabriels Real World Studios aufgenommen, während Katie mit ihrem mittlerweile neugeborenen Sohn schwanger war. Das Album ist eine exquisite Sammlung von Songs, die wesentlich von Dankbarkeit und einer Positivität geprägt sind, die sich mit einer neuen Liebe einstellt. Darüber hinaus geht es auch um Selbstakzeptanz angesichts von einschneidenden Veränderungen und wohl auch um den Versuch ist, „die Überzeugung loszulassen, dass Glück weniger schwer ist als das Gegenteil".
Katie Melua stammt ursprünglich aus Tiflis, Georgien, und hat es in jeder Hinsicht weit gebracht. Durch moderne Klassiker wie „The Closest Thing To Crazy" und „Nine Million Bicycles" unsterblich geworden, war ihr letzter Longplayer - das 2020 erschienene „Album No. 8“ - der bisher von der Kritik am meisten gelobte. Es zeigte eindrucksvoll, wie sie als Lyrikerin gereift ist, in dem sie sich sanft gegen den romantischen Idealismus in herkömmlichen Popsongs auflehnte und stattdessen nach etwas suchte, das sich näher an ihrer eigenen Erfahrung anfühlte. Doch ganz gleich, wann es das letzte Mal war, dass man mit ihr in Berührung gekommen ist, es gibt vermutlich keinen besseren Zeitpunkt, die Entwicklung von Katie Melua als Singer- / Songwriterin genauer unter die Lupe zu nehmen als jetzt mit der Veröffentlichung ihres neues, mittlerweile neunten Album „Love & Money“. Das Album wird sowohl digital als auch auf Vinyl und als Standard- oder auch Deluxe-CD erhältlich sein. Die Deluxe-CD enthält vier Bonustracks, darunter ein atemberaubendes Duett mit dem deutschen Künstler Philipp Poisel.

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19,29
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