Cerca:b vision
Originally released in 2011 during the second big coming of deep house, Maya Jane Coles' 'Focus Now' EP returns as part of 20/20 Vision's Full Circle 30th Anniversary series. It's been out of print for years and harks back to a very different sound from Coles, who has since spread her sonic wings into many different worlds. This reissue features all three original tracks, starting with 'Focus Now,' a soft focus and bubbly blend of pulsing synths and rubbery drums, 'Little One' which was something of a warehouse classic of its time, and 'Senseless' with Coles' own vocals and slow motion drum churn. Alongside those is 'The High Life', another syrupy and warm blend of smooth drums and aching vocal hooks that, like the rest of the cuts, is freshly remastered.
The Heinz Beauvaix project dates back to the mid-1990’s when Niels Rønne and Flemming Kaspersen played in Danish ambient act Swimwear Catalogue. On an ever growing number of DAT tapes they recorded semi-improvised synth/sampler/sequencer jams that mixed influences from ambient, electro and industrial. Later they began working with more detailed studio productions.
The seven tracks on “Vision Man” combine complex synth pads, interweaving monophonic synth lines, discrete drum rhythms, and strange voice samples. The sound is experimental and melodic at the same time. Influences range from early industrial to IDM, techno and synth pop. Rønne and Kaspersen originally met through a shared obsession with Canadian industrial giants Skinny Puppy. And if there is one seminal album that has influenced the Heinz Beauvaix sound, it is the obscure Skinny Puppy side project Doubting Thomas and their solitary album “The Infidel”, released in 1990.
Others have mentioned influences from bands such as Coil, Severed Heads, Bill Leeb and Rhys Fulber’s Delerium and Future Sound Of London.
“Vision Man” is old school synthesizer music with tunes you can hum.
Ralph Lawson's Leeds-based 20/20 Vision Recordings continues to mark its 30th anniversary with another special release. Full Circle Vol. Two revisits label classics through a series of fresh, heavyweight remixes. Co-founder Random Factor flips Ricardo Villalobos' seminal 'Easy Lee' into bubbling electro, all lush harmonies and tremulous bass. Bobby reimagines 'Lockdown' as a moody, propulsive 4/4 club weapon and on the B-side, Fabric resident Craig Richards strips 'Convergence' into hypnotic, percussive minimalism, while Hardway Bros' acid-tinged rework of 'Digitize' delivers rumbling low-end and twisted vocal fragments.
- Rtb
- The Rhythm
- Fast Intervention
- Dungeon Drums I
- Dungeon Drums Ii
- Dungeon Drums Iii
- A Memory
- Nikitas Tune
- Block Rock
- It's K-Jazz
- Town Talk
- The Jam
- Brickwall Symphony
- Go Your Way
Mit Release The Beast legt CV Vision sein sechstes Studioalbum vor - ein wilder, stilübergreifender Trip durch Psychedelic Rock, Detroit Techno, Black Metal, Library Music und analoge Tape-Ästhetik. Gemeinsam mit dem schwedischen Drummer Uno Bruniusson kehrt er zu raueren Produktionsmethoden zurück und erschafft ein klangliches Mosaik, das trotz aller Vielfalt wie aus einem Guss wirkt. Verzerrte Backbeats, krautige Synths, düstere Grooves und cineastische Harmonien treffen auf DIY-Spirit und Studio-Experiment. Die Tracks changieren zwischen hypnotischem Motorik-Drive, Acid-Referenzen, jazzigen Jams und folkigen Momenten - zusammengehalten durch das charakteristische Bandrauschen zweier kaputter Tonbandgeräte. "Ich wollte einen rohen, direkten Sound - das Tape ist der Kitt, der alles zusammenhält", sagt CV Vision. Release The Beast ist ein Album über kreative Befreiung, über das Chaos im Schaffensprozess - und über die Schönheit, die daraus entsteht.
- 1: Mis/Understanding
- 2: Everything As Planned
- 3: What I Wish I Never Had
- 4: Cast The First Stone
- 5: The Way That We Have Been
- 6: War Inside
- 7: Stay Inspired
- 8: Just Keep Breathing
- 9: Views That Never Cease, To Keep Me From Myself
- 10: What My Heart Held
- 11: I Can't Make Your Decisions For You
- 12: Understanding What We've Grown To Be
20/20 Vision is doing a fine job of digging into its archives and reissuing genuine treasure. Next up is a Spirit Catcher classic from 2007 that has been long out of print. The Belgian pair of Jean Vanesse and Thomas Sohet really hit on a fresh sound with their blend of electro-deco and deep house and this double pack still sounds hot all these years on. From the mid-tempo and seductive boogie of 'Motown Spring' to the cosmic tech of 'Search Is Over' via the dazzling disco radiance and sleek Metro Area style vibes of 'Rollercoaster', these are sophisticated sounds that marry dancefloor clout with great sound design. Check 'Voodoo Knight' for a playful and well-worked party starter, by the way.
- 1: Regress
- 2: The Moon/Awake
- 3: Cascade
- 4: The Most Cursed Of Hands/Who Am I
- 5: The Revival
- 6: Melpomene
- 7: Mr. Usher (On His Way To Town)
- 8: The Haves Have Naught
- 9: Light
- 10: Gloria
- 11: The Flame (Is Gone)
- 12: The Fire (Remains)
- 13: The March
- 14: Blood
- 15: A Beginning
- 1: Two Birds Stoned At Once
- 2: Is It Progression If A Cannibal Uses A Fork?
- 3: Lexington (Joey Pea-Pot With A Monkey Face)
- 4: Bulls Make Money, Bears Make Money, Pigs Get Slaughtered
- 5: A Letter From Janelle
- 6: I Didn't Say I Was Powerful, I Said I Was A Wizard
- 7: And Then The Liver Screamed 'Help!
- 8: We Swam From Albatross, The Day We Lost Kailey Cost
- 9: Life Is A Perception Of Your Own Reality
- 10: If I Cut My Hair, Hawaii Will Sink
- 11: Smitten For The Mitten
- 12: Intensity In Ten Cities
- 13: The Undertaker's Thirst For Revenge Is Unquenchable (The Final Battle)
- 14: I Didn't Say I Was Powerful, I Said I Was A Wizard (Acoustic Version)
- 15: A Letter From Janelle (Acoustic Version)



















