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RENO, the debut album from Red Leather, is a scorched-earth confession wrapped in the swagger of classic rock and the soul of Americana. Written in the aftermath of addiction, heartbreak, and self-reckoning, it’s an unflinching look at what it means to burn your life down and start over. Across its 14 tracks, Red Leather howls through desert nights and neon cityscapes, blending grit and grace in equal measure. Songs like “Deathwish,” “Burn in Hell,” and “The Only Time It Rains in Hollywood” are raw, cinematic, and deeply human—each one a snapshot of pain, defiance, and redemption. Equal parts road trip and resurrection, RENO cements Red Leather as one of the most compelling new voices in modern rock. 1xLP, Single Pocket Jacket, Pressed on Translucent Red Vinyl

Born in East London to Jamaican parents, 28 year old Tiana Major9 was immersed in music from an early age, influenced by jazz, praise and worship, and the neo-soul sounds of Erykah Badu and Lauryn Hill. Their journey into music saw debut releases establishing their soulful voice as one of the UK's most enticing, featuring with Stormzy, Bryson Tiller, Smino and Unknown T, support slots with Victoria Monet, Jazmine Sullivan and Adele as well as a GRAMMY nomination for "Collide" from the Queen & Slim soundtrack. After two years of self-discovery, Tiana is set to release their long-awaited debut album in 2025; a rich tapestry of love, loss, and growth, recorded in LA, the UK, and Jamaica, filled with luxurious melodies, featherlight floating production and raw, grounded storytelling. As a queer Black femme artist, Tiana reclaims the term "diva" on the project, embracing it with pride in the spirit of icons like Beyoncé and Whitney Houston, and approaches this next chapter with a focus on classic artistry, longevity, and self-expression

We Mean It, Man! If you're receiving this message, you are a writerly/music/culture person who wants to know more about the new Gogol Bordello album the band just unleashed. It's called We Mean It, Man! And it's out on February 13, 2026 via Casa Gogol Records. Gogol frontman and spiritual figurehead Eugene Hutz calls it the band's "post punk revenge." It's a fitting description. We Mean It, Man! #was co-produced by Nick Launay, whose 40+ year run of musical partners reads like the Great Canon of avant-teasing rock: Idles, Nick Cave and The Bad Seeds, Public Image Limited, Gang Of Four, the Yeah Yeah Yeahs (he did the one with "Heads Will Roll" on it. Dude is the Quincy Jones of the underground). And Adam "Atom" Greenspan (Nick Cave, Idles, Refused, Amyl and The Sniffers).

They disbanded in 2015, much to the chagrin of their dedicated fanbase, leaving behind a highly influential body of work, including two gold- selling albums (United Paper People and Hymns for the Nonbeliever) and a slew of hit singles such as "Opinions Won't Keep You Warm at Night," "Do-Do's and Whoa-Ohs," and "Dinosaur." In mid-2025, alongside the vinyl reissue of Hymns for the Nonbeliever-- which reentered the Australian Album and Vinyl charts at #1-- Kisschasy released their first new music in sixteen years. "Lie to Me" and follow- up single "Parasite" both offer a modern edge to the band's trademark sound: blistering guitars, hammering drums, razor-sharp lyrics and, of course, irresistible hooks. It can now be revealed that these two songs form part of a larger body of work: a long-awaited fourth album.

Titled The Terrors of Comfort, the collection of ten brand-new songs finds Kisschasy at the peak of their creative powers. Band member Daz Cordeux describes the album as "raw, alive and commanding" and "the closest you're ever going to get to the true essence of our band." The Terrors of Comfort, Kisschasy's first new album since 2009, will be released on February 13, 2026

It's a wild tribute to the chain- smoking Moto- Man from 1938 -- a character with so much hubris, he makes HAL 9000 look like a bundle of anxious circuits. On the A- side, "Elektro Returns" blasts off as a Clavioline- driven stomper with a bouncy beat and feverish chord changes. Think JEAN JACQUES PERREY on a bad LSD trip. On the other side, "I Am Elektro '25", reinvents their 2019 track of the same name. This fuzz- drenched pounder could have made THE VENTURES' Nokie Edwards wish he'd been built as a robot! Back from the future and outta space - LES ROBOTS return from their intergalactic journey! Moog on!

Die Grammy- und BRIT-Award-Gewinner Mumford & Sons kehren mit ihrem sechsten Studioalbum „Prizefighter“ zurück, das am 20. Februar 2026 veröffentlicht wird. Ihr letztes Album „Rushmere“ erschien
Anfang 2025 und landete in Großbritannien auf Patz #1 der Album Charts und in Deutschland auf Platz
#5. „Prizefighter“ wurde von Mumford & Sons und Aaron Dessner (The National) gemeinsam produziert
und enthält unter anderem ihre Single „Rubber Band Man“ mit Hozier und weitere Features von Gracie
Abrams, Gigi Perez und Chris Stapleton.

Deluxe-Doppel-LP-Pressung zur Feier des 10-jährigen Jubiläums von Basements bahnbrechender LP Colourmeinkindness. Diese Sammleredition enthält das komplette Album auf der ersten Disc und vier alternative Versionen von Songs des Albums auf Disc 2 sowie ein Etching auf der D-Seite. Colourmeinkindness war ursprünglich das Abschieds-Album, das der ersten Pause von Basement vorausging, und ein Meilenstein für die Band, der sie als einige der besten Songwriter in der Rockszene der 2010er Jahre zementierte. Nach dem Debütalbum I Wish I Could Stay Here aus dem Jahr 2011 fühlt sich Colourmeinkindness von den ersten disharmonischen Tönen des Openers "Whole" reif an - ein Song, der die Basement Live-Sets seitdem in Aufruhr versetzt. Das Album wurde zum Fan-Favorit, weil es eine Reihe verschiedener Sounds bietet - melodische Singalongs wie "Covet" und "Bad Apple", Emo-inspirierte Refrains wie "Breathe" und "Comfort" und gewaltige Riffs wie in "Spoiled" und dem Schlussstück "Wish" - sie alle stechen auf einem klassischen Album hervor, das es wert ist, 10 Jahre lang und darüber hinaus gehört zu werden.

The Helsinki-based Bowman Trio return with their second LP on We Jazz Records on October 18. "Persistence" is a strong effort, showcasing the young trio's knack at creating dynamic, sparse and memorable music which carries well the term "loft jazz" occasionally attached to it. Here, drummer Sami Nummela, trumpeter Tomi Nikku and bassist Joonas Tuuri present 9 strong originals, 8 of which are penned by Nummela and one by Nikku.

On the course of the new album, Bowman Trio moves from the introspective, calm moments of "Badwater", "Mac Elliot" and "Mä en jaksa" to the full swing of "The Chase" and the solid grind of "Persistence". The album closing track "Sista sommardagen" ("The last day of summer" in Swedish) is a hauntingly beautiful, delicately breezy ballad. Two years in the making, the album is a testament to the album title and a fine example of a band taking time in developing their sound to perfection.

Bowman Trio debuted in 2016 with the group's first LP also being the first release on Helsinki's We Jazz Records, and since then their reputation has grown in Finland and beyond. The trio is known for making music which invites the listener in and takes it sweet time in unraveling its secrets. Their sound is somewhat dry, naturally relaxed and there's a lot of room for manoeuvre within it for all of the players. That being said, each of the musicians in the trio know how to play for their team, and the compositions move forward constantly and effortlessly. Bowman Trio makes music which always feels close to you, like you're right there in the room with the band. That's "loft jazz".

The classic 1988 NOFX album, available on vinyl. First time pressed in Europe on black and colored vinyl. Recorded in 88 by Brett Gurewitz in 3 days at west beach recorders. We we"re all stoked cause we got to meet Brett from bad religion. He asked us if we wanted to put the record out on epitaph, but we wanted to put it out ourselves. What a mistake. It took almost a year to sell 1500 copies at 4 bucks a piece, and we only got paid for half. We ended up giving the record to epitaph like 5 years later with a new cover. I wouldn"t say this record sucks, but it"s still pretty hard to listen to.

The classic 1988 NOFX album, available on vinyl. First time pressed in Europe on black and colored vinyl. Recorded in 88 by Brett Gurewitz in 3 days at west beach recorders. We we"re all stoked cause we got to meet Brett from bad religion. He asked us if we wanted to put the record out on epitaph, but we wanted to put it out ourselves. What a mistake. It took almost a year to sell 1500 copies at 4 bucks a piece, and we only got paid for half. We ended up giving the record to epitaph like 5 years later with a new cover. I wouldn"t say this record sucks, but it"s still pretty hard to listen to.

Nurse with Wound's epic Thunder Perfect Mind was originally released in 1992 on United Dairies and was a sort of twin sister album to Current 93's album sharing the same title. Both albums featured contributions from Coil's John Balance, David Tibet, Colin Potter, Rose McDowall and more. A masterclass in ominous ghostly atmospheres and mind-warping psychedelic sound collage, this enhanced, extended and remastered edition has been overseen by Stephen Stapleton himself.

Originally issued in 2002, from the band formed by UFO vocalist Phil Mogg with guitarist Jeff Kollman (Cosmosquad/Mogg/Way), drummer Shane Gaalaas (Glenn Hughes/Uli Jon Roth) and bass player Jimmy Curtain, soon after the release of UFO studio album Sharks. Sparkling with melody, this album combines guitar-based rock and soulful blues perfectly.

Continuing our Parish series, here's two bad pieces of a killer driving uptempo digi rhythm with the classic '87 sound. Total vibes of the time, with a youthman singjay & deejay both giving you a slice of everyday reality via the tune. One of the best rhythms of this style, both tunes are truly hard to find on originals and both reissued here straight from master tapes, as with all in our Parish series.

Dubcore 27 features DJ Badshape from Leipzig’s vibrant breaks and bass scene with her full vinyl debut. She already made her solo debut with Hurrican Kick on Defrostatica Records and dropped some tunes on some compilations like Bassmæssage Second Drop as well as on cassette on human togetherness. While producing tunes she dj and regularly uploads her Temper mixes on SoundCloud.

The first two tracks, “Facebreaker” and “Entitled,” were produced shortly after Bangface. Hours of waiting at Humberside Airport turned into long talks about music — the festival's energy and conversations inspired this creation. The tune “Spring Bird Symphony” is the first track I produced with the KO2 media sampler from Teenage Engineering. It was the best birthday present my boyfriend could have given me! You hear the spring fever in it? ;) Finally, “Der Fallende Bach” is an ode to the flora and fauna of the Austrian Alps, imagining the joy a drop of water must feel as it rushes down a waterfall, riding nature’s own rollercoaster.

Remixer extraordinaire Eric Kupper takes a set of epic, lost recordings from 1982, that feature the cream of the crop session musicians behind the soulful sound of Philadelphia - Earl Young (Drums), Ronnie Baker (Bass), Norman Harris (Guitar), Lenny Pakula (Organ), Larry Washington (Percussion), Vince Montana, Jr (Vibes, Keyboards), John Bonnie (Saxophone) - along with powerhouse vocalists Joe Freeman, David Simmons, Bobby Love and Ron Tyson, and lovingly applies his own modern sheen, spinning them into ear candy for today’s listener as well as those who were there from the very beginning. These incredible remixes, which have individually been topping the charts on Traxsource, can now be had in one place - this exclusive 3-LP vinyl collection that is not just a tribute to the past, but a vibrant continuation of the legacy these legendary musicians helped create.

For two decades, Hudd Traxx has stood as a pillar of underground house music – a label defined by longevity, taste, and its ability to bridge the old school with the new. To mark its twentieth anniversary, the revered UK imprint presents ‘20 Traxx From The Hudd’, a specially curated, all-new twenty-track compilation handpicked by label founder Eddie Leader.

The compilation brings together a global, star-studded lineup of artists who embody the Hudd Traxx ethos: soulful, inventive, and uncompromisingly underground. Contributions come from Groove Armada, Seven Davis Jr., Chez Damier, Cinthie, Jovonn, Oliver Dollar and others, offering a snapshot of the label’s wide-ranging influence. From the silky deep house depths of Black Loops’ opener ‘Soul to Soul Communication’, to the unmistakable analog warmth across Cinthie’s ‘Hudd House’, to the raw, stripped-back energy of Seven Davis Jr.’s ‘Infrasound’, the collection captures the many deeper shades of house Hudd Traxx has championed for twenty years.

Founded in 2005, Hudd Traxx has served as a trusted home for pioneering artists such as Nightmares On Wax and Matthew Herbert, guided by Eddie Leader’s consistent curatorial vision and unwavering commitment to craft. As a producer, his releases on Classic, Robsoul, and Balance Alliance have been supported by Laurent Garnier, Josh Wink, Disclosure, and many more. ‘20 Traxx From The Hudd’ isn’t just a celebration of the past; it’s a fervent reminder that Hudd Traxx remains as relevant and vital as ever.

NC4K, based in Kyoto, presents the third installment of their vinyl-only series. This four-track EP features House and Breakbeats tracks exclusively produced by artists residing in the Kansai region.

Expect raw, impactful drums and skillful sample manipulation designed to deliver a jolt of energy to the dance floor.

180 Gramm schweres, schwarzes 3-fach-Vinyl im Klappcover mit 20-seitigem Booklet und Download-Karte