Cerca:bass t

Fresh off their recent collaboration with Stephanie Cooke on “Love All Round”, Steal Vybe returns alongside Terrance Downs with a timeless, soul-driven composition built to last. When You Feel is a record about freedom the freedom of music, of choice, of doing exactly what you feel in the moment.

The track delivers a soulful, funky groove with an uplifting four-to-the-floor pulse, wrapped in warm, organic pads and Rhodes that instantly make you feel good. A driving bassline pulls you deeper, keeping the energy flowing and the desire for more alive. Terrance Downs’ vocal performance seals the deal warm, atmospheric and deeply emotional, sending chills straight down your spine and touching the soul.

Skyjoose and Johnnie Clark set out to push the boundaries of UK Garage and 2-Step, crafting a sound that was raw, souldful, and ahead of its time. The project became known as The Stalker – a name that would quietly echo through the underground. Though countless tracks emerged from those sessions, only two saw the light of day on the original Stalker EP released in the year 2000.

Now, 25 years later, The Stalker returns from the depths of the DAT archives – remastered, reawakened, and ready to move dancefloors once again. This special repress features the two original vocal mixes from the Stalker EP, plus four additional club weapons forged in those same legendary sessions – three of which have never been released…until now.

A limited edition collector’s piece to mark 10 years of Girlz B Like - the vinyl-only, female-led London-based party.

Side A unleashes ‘Love Echoes’, a genre bending underground heater from GBL founder Marcia DaVinylMC with additional keys from Uschi Classen. Afrobeat rhythms, lush keys, drum-pad grit, and a hypnotic bassline collide under a vibrant vocal hook - an irresistible, raw catalyst for freestyle dancers and left-field club devotees.

Side B delivers ‘Joy’ from Bristol’s DJ Emma - a bouncy, gospel-fired house stomper built to ignite any floor. Infectious energy, uplifting vocals, and classic vinyl flair collide in a radiant
celebration of rhythm and spirit, guaranteed to move feet, and supercharge the dance.

Limited Pressing Act Fast!

Suburban Architecture continue their series of sought after 4 track EP releases with their 8th offering, 'Purpose'. This latest release is the most stylistically varied of the duo's releases to date, drawing on inspiration from a multitude of styles which emerged during Drum & Bass's mid to late 90s golden years.

The E.P opens with title track 'Purpose', clashing Jazz influenced instrumentation with deep atmospherics and sharp, angular drum programming, not to forget a tone-setting vocal sample. 'Tones' meanwhile puts the drums at the forefront: Lush keys, melancholy horns and subtle, shifting synth lines underpin an unconventional drum track, packed with rattling percussion and raw energy.

Over on the flip 'Focus' goes harder and darker. Eery synths, atmospherics and a driving drum track set the scene for an explosive second half drum switch. 'Stairways' closes out the EP, marrying uplifting atmosphere with live instrumentation in a style which will appeal to fans of 4hero and the like.

DJ support – Jamie Jones, Seth Troxler Damian Lazarus, Marco Corola, Joseph Capriati, The Martinez Brothers and Rey Colino

S.A.M. returns to Up The Stuss this summer with the third release in the UTSOFF series, delivering a potent double-header that’s been rattling dancefl oors for months. Titled ‘Hit You With My Phone’, the release arrives on 4th July and features two dynamic cuts that further cement the Danish talent’s place in the label’s core family.

A mainstay in Chris Stussy’s recent sets and one of the most talked-about IDs in recent months, title track ‘Hit You With My Phone’ is pure dancefloor dynamite — a helter-skelter ride through organised chaos, laced with warped vocals, frenetic percussion and a relentless groove that grabs you and doesn’t let go. It’s bold, it’s unpredictable, and it’s quickly become one of the most commanding tracks in the Dutch label boss’s arsenal.

On the flip, ‘Got Me Down’ offers a skippy contrast — a low-slung groover that channels tension and release with tightly wound drums and rolling bass, keeping things locked for deeper moments on the floor.

Marking S.A.M.’s third outing on Up The Stuss following their collaborative ‘Get Together’ project with Stussy and the solo ‘Check It Out’ EP, ‘Hit You With My Phone’ sees them explore new ground while staying true to the raw, club-focused ethos of the label. As the UTSOFF series continues to shine a light on uncompromising, forward-facing club music, this latest instalment delivers two cuts built for impact and ready to cause damage.

Fides Records is ready to introduce the 4th chapter of the10-year anniversary series with. X4 leans into momentum and contrast with its hard-groove pressure, dub-chord depth, and melodic release that showcases a side of the label where functional club tools and emotional storytelling sit naturally together.

Side A begins with Rebecca Delle Piane’s “Genomica”, a driving techno train powered by tightly layered elements and rhythmic tenacity, marking another step forward for one of Italy’s most exciting rising artists. Rorschack follows with “Primeriti”, weaving dubby chords and rolling basslines around a haunting female vocal. Closing the side, Berlin-based SLV lands with “Ritual Resonance”, a hard-groove banger that fuses percussive urgency with dub-chord sophistication.

Flipping to Side B, OFF GRID’s “The Roots” stands out as a colorful, mental hardgroove tool: elegant in detail yet built for drive, striking a heady balance between control and impact. Francesco Devincenti’s “Joanaz” brings trance tinged melodic techno with harmonic depth and cinematic intensity, opening the door to a more emotive register. The record closes with Endrew’s “Alright”, a powerhous

About Alec Pace’s “Respiro 22:16”
Breath as rhythm. Breath as memory. Respiro 22:16, the debut album by Alec Pace, is a world suspended between intimacy and impact — where personal confessions are carried by low-end frequencies and fragile melodies are shaped into physical space.
Written, produced and mixed between London and Turin, this record reveals Alec Pace not only as a producer but as a storyteller through sound. Layer by layer, his voice, guitars, piano, synthesizers, drum machines, samplers, and field recordings converge to form a sonic diary — one that whispers, cracks, shimmers and erupts.
The album moves fluidly between dream pop, modern UK bass, breaks, jungle, and club music, yet its essence lies in emotion: love, memory, anticipation, release. Each track is a breath, an exhale, a fragment of something lived.
“The30th” opens with nostalgic warmth, darkness and breaks; “For You (Hello)” captures the tender rush of a love song over a drum & bass heartbeat; “Venus Winds” floats in a balance of techno pulse and harmonic light. “Angular Invariance” reshapes the floor beneath your feet, while “Respiro” pauses to listen inward — piano and air, fragile and close. “Anticipation” closes it all with a forward surge: emotional, propulsive, unresolved.
Respiro 22:16 is not just a collection of tracks, but a portrait of an artist learning to breathe out loud.

Alec Pace said:
“This album is about putting myself out there — letting every sound, chord and rhythm breathe,” says Pace. “Respiro is both a personal archive and a release.”

“Respiro 22:16” is available across all platforms on Friday 6th March 2026.

Rolando’s back in the game with Syncrophone Remixes Vol.2—flipping DJ Qu’s “Undescribed3,” Detect Audio’s “Synchronize,” and Anthony Shake Shakir’s “Arise.” Three exclusive remixes, pure underground techno for real heads. Detroit spirit, cop this 12” before it disappears!

DJ Feedbacks :


Honey Dijon : DJ Qu is the one for me. Will def support!
Raresh (ar:pi:ar) : super! thanks
Truncate : Thanks!
The Advent : Smooth bgrooves on here.. 3 - Anthony 'Shake' Shakir - Arise (Rolando Remix)
Anika Kunst (Symbolism / RSPX) : Cool release. Arise rmx is beautiful. Thanks!!
Harvey Sutherland (MCDE / PPU / Voltaire Records) : DJ Qu flip for me, thanks!
Scott Grooves : The Shake is the one
Satoshi Tomiie (Abstract Architecture) : Wooow hot hot hot
Roman Fluegel (Roman Fluegel, Dial, Cocoon, Playhouse, Robert Johnson) : The Remix for Shake is the one for me.
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Enrica Falqui (ERIS, Plexus 4) : I like it!
Daniel Avery (Phantasy / Fabric) : Awesome
Laurent Garnier : cool release
Elisa Bee : Only love for Rolando, thanks x
Slam (Soma) : Brilliant - thanx
San Proper (Perlon / Rush Hour / Proper's Cult) : Totally what i needed to hear, Rolando remixing Shake & Q, my heroes lined up. I will enjoy playing all 3 mixes. One Love.
Axel Boman (Studio Barnhus) : killer remixes!
Terry Farley : DJ Qu mix my fave - heads down LETS GURN
D'Julz (Bass Culture) : great work !
gilbr (Dj Gilb'R / Chateau Flight (Versatile)) : Like the Shakir remix thanks for sending
Ben Sims : Now downloading... will check asap!
Lea Lisa (Phonica Records / Folklor Club) : mental, really good one
Dj Deep (Deeply Rooted) : Super nice package! Dj Qu's Undescribed3 remix for me here! Thank you
Mike Shannon (Cynosure) : Rrrrreeeeemix!! Thx
Efdemin (Dial) : Wonderful remix package!
Inland (Inland) : Hellooo. These are great. Qu and Shake versions both killer! Thanks
Kai Alce (Real Soon) : DJ QU remix bangin
Uncertain (RSPX, WRKTRX, Suara) : remix 1 for me
Harri (Sub Club) : very nice all three will play and support
Blasha & Allatt (Meat Free) : Thank you!
Marcel Dettmann : thx
Richie Hawtin (M_Nus) : downloaded for r hawtin
Luke Solomon (Classic / Freaks / Music For Freaks) : all killer
Luke Slater : Thanks Ro!
Ame (Innervisions) : thanks
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : I like this
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Alienata (about blank) : Very nice remixes, all of them, thx!
Nat Wendell (Depth of My Soul, Courtesy of Balance, Love & Loops) : Dope remixes!
Dave Clarke (white noise radio) : Not my sound, but please keep them coming !

Italo Deviance aka Marcello Giordani returns with the captivating "Purple Galaxy", a standout Electro/Cosmic gem crafted exclusively with warm analog synths, delivering an impeccable blend of vintage futurism and hypnotic groove. On the flip side, the previously unreleased "Weightless" makes its vinyl debut: a sleek Acid/Disco cut pulsing with raw 303 lines, funky basslines otherworldly atmospheres perfect for late night dancefloors and collectors alike. A must have 12" that bridges classic influences with timeless dancefloor energy.

Skip Audio Records returns with a vinyl-only VA, bringing four cuts from artists shaping the underground edge. Pressed to wax, this is a collection built for selectors who chase depth, texture, and weighty grooves.

DubTape opens with a massive, low-slung bassline, rolling dub-infused minimalism straight into the sound system. Techu follows with tight, percussive rhythms and subtle details that push the floor into late-night momentum.

On the flip, Fraxa delivers stripped-back hypnosis, layering sparse textures and evolving grooves into a pure after-hours weapon. Closing the record, Paolo Driver injects his acid-electro energy—snaking 303 lines, sharp analog hits, and swinging minimal motion that hits the peak-time sweet spot.

Vinyl only. Undercurrents only. Four tracks built for selectors who feel the weight, not just the sound.

Since first forming in 2016, London's High Vis have steadily polished their palette of progressive hardcore with shades of post-punk, Brit pop, neo-psychedelia, and even Madchester groove, mapping a middle ground between hooks and fury, melodies and mosh pits. Singer Graham Sayle describes their third album 'Guided Tour' as an axis of competing forces: "It's trying to be a hopeful record, while also being incensed." Rounded out by drummer Edward 'Ski' Harper, guitarists Martin MacNamara and Rob Hammaren, and bassist Jack Muncaster, the band's deep roots in the UK and Irish DIY hardcore scenes have kept them grounded but growing, inspired equally by restlessness and righteous anger. As Sayle puts it, "Everyone's scratching, everyone's working all the time, and their idea of relaxing is just getting fucked and avoiding reality. This album is an escape from that."From its opening seconds of a cab door slamming, a car revving away, and a baggy rhythm swinging to life, 'Guided Tour' sounds like a band reaching for new heights, bristling with energy. Recorded across a few weeks at Holy Mountain Studios in London with producer Jonah Falco and engineer Stanley Gravett, the results feel dynamic and dialed-in, like anthems burned into sense memory through sweat and repetition. Harper cuts to the chase: "We had a clear idea going in, every moment got used. Maybe when we're 60 we can sit around and get a drum sound right, but for now it's about getting things done."The album's 11 songs span the spectrum of contemporary guitar music, sharpened by experience, camaraderie, and societal frustrations. From swaggering street punk ("Drop Me Out," "Mob DLA") to jangling indie sneer ("Worth The Wait," "Deserve It") to heavy alt ("Feeling Bless," "Fill The Gap") to shoegazey spoken word ("Untethered"), the group's chemistry transmutes any style to their unique intensity. Sayle champions this evolving fusion: "For years coming from hardcore, we had pretty clear boundaries - other scenes were separate worlds. Now things are getting more blended, drawing from different places."Nowhere is this sentiment flexed more boldly than on "Mind's A Lie," a dance- punk anthem inspired by Harper's love of house, garage, and pirate radio. Stabs of sampled female vocals (by celebrated South London singer and DJ Ell Murphy) build into a razor wire rhythm of low-slung bass, tense drums, and sparkling guitar before Sayle's staunch voice starts barking harsh truths ("Face to face with all I've known / I can't call these thoughts my own"). After a sudden breakdown, the track regroups and takes off, cruising into the horizon in a haze of chiming guitars and Murphy's ascendant voice, from the streets to somewhere beyond.

SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as "awe-inspiring" by Glide, "exuberant" by the Los Angeles Times, and "an exciting milestone" by Pitchfork. As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock"s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.

Following her acclaimed 2023 release Flood City Trax, a dreamy, lo-fi take on footwork inspired by the crumbling rust-belt city she calls home, Nondi returns to Planet Mu with her second self-titled album, Nondi…While Nondi… retains some of the hazy, nostalgic atmosphere of Flood City Trax, it pushes her sound in bold new directions. “I made this album to capture the sense of freedom I used to get from music when I was first discovering it all,” Nondi says. “It’s meant to be cute, fun, kinda weird and emotional — but most of all, it’s a presentation of some of the prettiest tracks I’ve made.” Though she hasn’t really experienced club culture where she lives, her impressionistic productions evoke the surreal, lingering sounds of a night out — the melodic haze that hums in your ears as you drift off to sleep. Lo-fi and melodic, yet fluid and free, her music carries a sense of flight and intuitive logic. Nondi’s influences range widely — Actress, Aphex Twin, footwork, and the stranger edges of dub techno are all felt, yet she hallucinates them through her own weathered, dreamlike lens. Her tracks often build from clashing loops that evolve and transform organically, or from familiar genre elements reshaped by her instinct for misty, heart-wrenching melody. Some moments stay closer to genre, like Broken Future 175, a drum-and-bass tear-out that dissolves into lush, blurred chords, or Just Hanging Out, a bruised and beautiful take on 2-step. Lead single Tree Festival feels like a blown-out fusion of rave energy and sped-up new-age bliss, while Death Juke drifts through off-beat vocal samples, pulsing drums and 8-bit FX, reminiscent of early Steve Reich reimagined through a Game Boy. Nondi… is a uniquely moving and exploratory album that expands her sonic world even further. Lo-fi yet luminous, playful yet profound.

Two of the UK’s finest party-starters Dub Pistols and the Freestylers team up on ‘Enter The Sound’ to bring you an album of high-grade & high-pressure, bass-heavy cuts. Enter the party, Enter The Sound!

The album is a sonic journey through their diverse influences, blending genres like Reggae, Ska, Breakbeat, Jungle, Hip Hop & Trip Hop. It’s a celebration of their shared musical roots and evolution.
 
The album features an all-star lineup of guest artists, including Johnny Osbourne, Tippa Irie, General Levy, Too Many T’s, Horseman, Belle Humble, Scarlett Quinn, Tenor Fly, MC Spyda, Persona, Harry Shotta  and of course, Seanie T.

Miles Borghese’s Direct Styles, up next on Jupiter’s Depth, explores a meditative dub techno palette that sits somewhere between dub, tech-house, and minimalist club music. Following a run of standout releases on 9FINITY and Squid Recordings, among others, we’re thrilled to welcome that alien modern club sound to the label.

The floor-focused Direct Styles opens with the title track, driven by a hyperactive bassline and layered with delay-drenched synth chords, galloping through time with restless momentum. On A2, a more tempestuous techno side of Miles Borghese reveals itself on “Dark Plan,” charging the release with a mind-bending looped groove, pulling everything on earth into a hypnotic, blitzed state.

“Climber” — a storm of immaculately constructed, phase-shifting textures that drags us deep into the B-side; a real dub-techno delight made for outer space. Closing the EP, Miles joins forces with Pipo Renault on the lush “Parapluie”: warm and groove-focused, a captivating, house-leaning masterclass built to keep you moving.

A Bandcamp-only digital bonus, Substance, awaits those willing to dig a little deeper.

Aedis debuts on Dzungla, pushing his sound forward while staying grounded in rhythm and movement.

The 4-tracker moves from percussive, driving techno into deeper, groove-led territory, centred around basslines and tightly structured patterns. Across the EP, impact gives way to flow, with tracks built around momentum, space, and subtle variation rather than peak intensity.

The closing track shifts the focus toward harmony and arrangement, opening the spectrum while maintaining a steady, dancefloor-oriented framework.

Desinteresse releases their second album Onschuld through Fabrika Records on September 9, 2025.

Desinteresse is a Dutch Coldwave act consisting of Bart Vranken (bass), Joppe de Swart (drums), and Sem van den Munckhof (vocals/synth/guitar). Formed in late 2022 as a duo, Bart and Sem released their debut album Voor Altijd in April 2023 and the EP Ik Wil Dood Als Ik Het Vergeet in November 2023, both on cassette through their own label DECADENCE. With the addition of Joppe in early 2024, they released their first work as trio in August 2024, the 7” single Grijze Dromen.

Desinteresse produces their music using original vintage equipment as a deliberate form of artistic expression and identity. Their live performances are a melancholic, but mesmerizing affair, where music and vocals amplify the weight of their message, emphasizing the non-existential and abandoned emotions that define their sound. An absolute delicacy for fans of Fad Gadget, The Normal, Joy Division and early work from The Cure.

The titles and lyrics are in their native Dutch. Onschuld (also the title of the opening track) translates to ‘innocence’. With other titles such as Niets Te Zeggen (nothing to say), Brekend Glas (breaking glass) and Grizje Dromen (grey dreams), this pensive album could be a good-bye to innocence, but it’s certainly the ideal companion for ruminations on gloom.

Emerging from a shared love of long-form storytelling and hypnotic groove, Techfui presents a stunning double album from Ada Kaleh and Wareika, a cross-continental dialogue between two singular visions of deep and micro house.
Romanian composer and sound alchemist Ada Kaleh channels his signature world of organic textures, dub-soaked spaces and slowly evolving rhythms, known from his forward-thinking work on R&S, Apollo and his own Ada Kaleh Romania imprint. His part of the productions unfolds like a ritual: subtle, detailed and endlessly spiralling, built for dancers who like to disappear inside the groove.
On the other side, trio Wareika bring their unique blend of live jazz sensibility, meditative dub and electronic body music, honed over years of improvisation and boundary-blurring club performances. Their contributions lean into fluid polyrhythms, elastic basslines and shimmering harmonies, tracks that feel alive, breathing and in constant motion.
The journey is expanded by a heavyweight remix cast: minimal house icon Thomas Melchior, Techfui founder and Bahrain mainstay Salah Sadeq, whose deep house productions are crafted to move both heart and floor, and the elusive studio force DUST. Each rework dials the hypnosis in further, stretching time and space without ever losing the warmth of the original material.
True to Techfuis ethos of bringing family, friends and fresh talent together to create honest, unconventional art, this double album is not just a collection of tracks, but a deep, carefully produced listening experience, timeless deep house and micro house for late nights, early mornings and every hazy moment in between.

Trippy Journey presents Night Club EP the next chapter in the cosmic saga of Dollar the cat. Continuing his interstellar quest for sound, Dollar now finds himself drifting into the neon haze of a galactic nightclub, where the spirit of the 2000s meets futuristic frequencies.

A Side 'Night Club' fuses trippy tech energy with a garage-style bassline, acid-infused details, and a hypnotic cut built for deep late-night floors. The release also includes a huge remix from Liquid Earth, an artist who needs little introduction. His interpretation elevates the original with driving momentum, injects high-octane energy and experimental textures, pushing the original into new cosmic trip.

B Side 'Grand Hotel' delivers a darker minimal house mood a tight and built around classic synth tones that echo the essence of Trippy Cat’s sound. The EP is completed by a remix from Lisbon-based Nebulaee, who transforms it into a raw, atmospheric trip filled with experimental elements and deep textures.

Trippy Cat Wax continues to expand the sonic journey of Dollar the cat exploring the hidden corners of the universe where past, present, and future meet with new galactic sounds.

Mastered At Time Item Studio

Bristol-based provider of tough and sinewy drum & bass, Holsten has proved himself one to watch with successes on UVB-76 Music, Hotline and Rupture, not to mention a clutch of releases on the essential label, Droogs. This EP sees him offering up four battle weapons that lean towards the glory days of techstep. Opener 'Burn' goes for apocalyptic bass and a hardstepping outer shell, finished off with nicely unsettling sonics. 'Service Kru 2' is the roasting Amen-led roller, with Dillinja-esque sidewinding edits, kung fu samples and ravey stabs. Flip it over for 'Twisted Music', tense and edgy rather than full on blasting, while closer 'Projectiles', remixed by Overlook, steams its way to the run out groove with the kind of dystopian intensity that fans of classic No U-Turn will be very comfortable with. Producer and label alike are both on the rise, so get on it.