Search:bassline

The frankly ridiculous Burnski is back as Instinct with more face-melting garage and bassline slammers that update the classic sound with just the right amount of evolution. All of these on his latest for his self-title label are 10/10 weapons: 'Halt' is hurried, swinging and syncopated to perfection. 'Choose One' is less streamlined; instead, there are warped and squelchy lines, bursts of static and a more futuristic twist getting you going. 'Crazy' brings brilliantly chosen and well-deployed samples to the fore over a beat that harks back to percussive UK funky at its finest. The flip side offers a trio of slick bouncers, body-popping movers and brightly lit vibes. Superb.

French house mainstay Franck Roger has been cooking up timeless, deep sounds for decades and right now he is in a superb run of form. Seasons Limited is where he lands next with more of his signature sounds. 'Exodus' opens with a fat, warped bassline and far-sighted chords that hark back to early Detroit. 'Sokette' is much more dusty and minimal, and again has echoes of artists like Omar-S from the Motor City. 'Push It' is a more elastic groove with some aching vocal hooks and diffuse chord work to make this perfect for the late-night sessions.

Following his remix of Youthman by Echo Inspectors & Subset, Biodub returns to Primary Colours with his first original release for the label, the Dialogue EP.
The title track, Dialogue, shows Biodub’s familiar warmth and attention to detail, built around deep basslines, subtle textures, with a calm and reflective flow. It’s understated yet full of presence, a fine example of Biodub’s ability to communicate emotion through minimal elements.
Pablo Bolivar steps in for the Dream Dub Remake, offering a refined reinterpretation that expands the original into wider, dreamlike space. His version brings a smooth, rolling energy with gentle synth layers, flowing delays, and a steady, hypnotic rhythm that carries both warmth and clarity. It’s a standout moment on the release, highlighting the shared sensibility between both artists.
Grassland continues with a natural, organic movement, a balance of deep groove and open atmosphere, while Ubiport closes the record in a more introspective tone, marked by subtle echoes and restrained rhythm.Dialogue is a cohesive and thoughtful release that reflects the core sound of Primary Colours: immersive, detailed, and rooted in the deep dub tradition.

repressed !

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

Are you Looking for Love? Advice? Good Luck? Then you’ve come to the right place. Fortune Three, the third release in the Psychic Readings catalog, Peach continues to explore her sound bringing 4 tracks dedicated to the dance.

It starts with In Ur Dreams, an ode to the dreamers and lovers in your fantasies. Peach gives some subtle organ hits a whirl with deeper basslines and punchy drums. Next, a track inspired by and sampling an old Christina Aguilera interview, What U Got is a warm, beachy roller which is reminiscent of hotter temperatures. Pretty pads, shiny stabs, and a weighty bassline create an endlessly playful groove – a Peach signature.

On the flip, we see Brady’s Song mixed two ways – the first being the deeper cut of the two, Brady’s Song slowly unravels melody after melody, playing with sassy stabs and a bassline on the subbier side. The Afters Edit takes a more upfront and jacking approach, focusing on the ability of the bass to roll through the whole track – shimmering percussion and the same stabs from the B1 carry us through until the last second.

All the tracks are a testament to her many moods as a DJ. From club use to home listening, this is an EP dedicated to the dance.

Summer of 2025, the UK techno community was shocked to hear of the sudden and untimely passing of one of its leading lights, James Baker, better known as ReKaB. As his light had been glowing ever brighter in recent years, with forays across the deep end of the techno spectrum, his passing was even more tragic. He had certainly found his voice, a particularly emotive, soul-tinged strain of techno building on the foundations of the 90s bastions of the form. Though bittersweet, Distant Worlds is immensely proud to present this release showcasing his personal evolution and mastery of the sound both he and the label love so much.

‘Art 4 Me’ opens with a transcendent chord progression, gradually incorporating brain piercing synth-work and chunky percussion before opening out into a perfect intersection of melancholy and euphoria. ‘Trapped In Boxes’ opts for a more introspective take on the classic techno template incorporating a Detroit palette of sound atop punchy bassline and beats.

Flip over for UK techno royalty Nuron’s take on ‘Art 4 Me’, a characteristically apposite reimagining. Teasing layers of inverted synth and percussive elements until a beautiful breakdown finally delivers that majestic chord progression. ‘Our World’ closes out this fantastic release with pure elegance; beats skitter, Detroit strings soar and cosmic pads align in timeless fashion. These are 4 tracks of deep, electro-soul music helping cement the legacy of one of the truest practitioners of the form over the last decade.

The combination of Todd Terry and Hard Times is synonymous in the world of House Music. The legendary DJ/Producer, a true pioneer of the genre, was among the first US artists to play at the intimate, vibrant gatherings in the North of the UK in the early ‘90s. Forever linked by "A Night In The Life," the live mix released in 1995 that set a new benchmark for mix-tapes, it is a collaboration that has continually blossomed, forging a bond that remains strong over 30 years later.

1995 also saw Todd Terry make his first impact on the label with the seminal club smash "Bounce To The Beat." Following his chart breakthrough with 'Can You Party’ in ‘88, the legendary 'The Unreleased Project’ series, which spawned club hits such as “Jumpin’”, and just a few months ahead of topping the charts with his remix of Everything But The Girl’s ‘Missing’, label boss Steve Raine seized the perfect moment to bring his friend on
board at Hard Times Records with the signing of Bounce To The Beat. "I can still remember pressing play, hearing those beats for the very first time and thinking we had big track on our hands" says Raine. "It was our second release on the label, but it would be the track that firmly placed us at the forefront of the scene, both here in the UK and globally."

Hard Times & Todd Terry now revive 'Bounce To The Beat' with a 2024 reimagining, featuring two of house music’s most exciting young stars, delivering two powerful remixes that promise to dominate dancefloors this summer and beyond.

Dutch producer and Up The Stuss label head, Chris Stussy, takes the track on a '90s- inspired journey, blending progressive strings, high-energy bassline and original vocal, for an exhilarating ride. "I remember discovering Todd’s productions back in the days when I started to dig for that 90’s sound. He’s one of the artists that inspired me massively. He has proven that he owns the art of making timeless music as his productions are still being played till this day all across the globe. To be remixing ‘Bounce To The Beat’ is something special for me personally and I tried to give it a 90’s touch with a modern twist." says Chris.

London’s own Dan Shake offers a fresh twist with a 2Step-inspired remix, featuring an Armand-esque bassline that pulsates and evolves, building to an epic crescendo that is set to ignite mass hysteria on the dancefloor.

"Bounce To The Beat was actually one of the first records I bought when I started collecting house music. So to come back 15 years later and remix this iconic track for the legendary label Hard Times was both surreal and very, very fun," shares Dan.

Two exemplary reworks of Todd Terry presents Sound Design’s 'Bounce To The Beat'. For Vinyl and Digital release on Hard Times alongside the Original and ‘Tee’s Freeze Mix.’

Over the past year, No Drama, the label founded by Roy Rosenfeld, has established itself as a space for creative independence and artistic authenticity. Known for his refined fusion of house, techno, and downtempo, Rosenfeld channels the same principles into his imprint, prioritizing artistic freedom, emotional resonance, and sonic exploration.

The label's fourth release, No Drama V.2, delivers a cohesive four-track EP spanning over twenty-six minutes of forward-thinking electronic music.

Opening with Dubi, Rosenfeld crafts a composition built on contrasts and playful percussion set against a wistful melodic backdrop. Over nearly seven minutes, the track unfolds gradually, expanding into a hypnotic crescendo that captures both dance floorintensity and introspective depth.

Next comes Coral by Dulus, a Colombian-born artist, based in Santiago, Dominican Republic. With roots in guitar and vocal performance, his understanding of musical structure permeates the composition. Layers of subtle vocal textures, resonant basslines, and scattered sonic details create a sense of depth and movement. The track's hypnotic progression rewards close listening, revealing intricate nuances beneath its steady groove.

The third track, Pink Hearts, by Sydney-based producer Luka Sambe, draws from his experience in Australia's festival scene. Sambe blends melodic house structures with acid-tinged flourishes and offbeat sonic details. Each element lands with intent, building an infectious energy that feels effortless yet deeply crafted.

Closing the release is Oscar Wave by Darco, a rising artist celebrated for his immersive live performances that blend electronic textureswith organic instrumentation. The track channels early trance influences and Middle Eastern tonalities into an uplifting, psychedelic journey. Its central section bursts into a wave of euphoric release, bringing a fitting conclusion to a compilation that celebrates both diversity and unity in sound.

No Drama V.2 stands as a testament to Rosenfeld's curatorial vision and sincerity. Each track resonates with purpose, offering a glimpse into a global community of artists united by their shared pursuit of creation.

Frankfurt's legendary producer Roman Flügel returns to Phonica Records with the 'Cooking The Books EP', another four track collection of his idiosyncratic leftfield Techno.

Roman sets the tone of this release with the quirkily foreboding title track 'Cooking The Books', all zippy, skittering percussion and deep pulsing basslines. The sneaky off-kilter melody of 'Sensitive Contacts' continues the dark and sparse feel of the release, while on the flip 'Shameless' provides the EP's dancefloor climax while retaining its bleak, ominous theme. Finally, the clouds disperse and the tension melts away with gorgeous introspective ender 'Flowers'.

agoya-based multi-instrumentalist and rising DJ Hiroyuki Kato returns to the ever-consistent Flexi Cuts with Life 今 (FLEX 031), a record that perfectly distills the artist’s layered approach to sound and the label’s instinct for unearthing voices that carry both groove and depth. Having built a relationship with the label over the past two years—already signing an EP and a single—Kato now delivers a project that feels like a culmination of that dialogue: four tracks on wax, complemented by an additional cut exclusive to the digital edition.

True to its title, Life 今 exudes immediacy and presence. Kato draws on his background as a polyrhythmic player, folding live instrumentation into supple house frameworks, always with a subtle melodic sensibility. The vinyl selections range from the quietly propulsive to the rhythmically expansive, each tune infused with that warm, unhurried Flexi aura. Basslines strut with understated confidence, chords shimmer with daylight energy, and the arrangements move with a natural, unforced flow.

What stands out across the EP is Kato’s ability to balance the organic and the synthetic, never leaning too far into polish or rawness but finding a fertile middle ground that feels both contemporary and timeless. It’s the sound of someone equally at home behind a guitar as in the DJ booth, someone who understands that club music gains power not just from rhythm but from emotional resonance.

Flexi Cuts has long been a home for thoughtful, groove-driven records, and Life 今 is no exception. It is music that doesn’t demand attention with force, but rewards close listening with detail and atmosphere. At once intimate and club-ready, grounded yet expansive, it’s a confident statement from Hiroyuki Kato, an artist steadily carving his space within Japan’s evolving electronic landscape and beyond.


~~~~*
Written and produced by Hiroyuki Kato in Seto City, Japan
Mastered by Francesco Brini at Spectrum, Bologna
Distributed by Rubadub, Glasgow.
Designed by Galluzzi
A&R Simone Guerra aka Relative

Flexi Cuts, Italy 2025.

Dream Sonic Research kicks off its self-titled imprint with a debut release of four tracks crafted for forward-thinking dancefloors. Ethernal Horizons opens with deep techno textures, 303 acid squelches and immersive ambient layers. Alchemic brings a vintage mood, a straight-to-the-point melody and ’80s-inspired snares, delivering a hard-hitting, dancefloor-ready cut.

On the flip side, Bleep Systems fuses Italian-progressive basslines with UK-style bleep rhythms, before the closing track Information Superhighway drives into faster territories, offering precise, hypnotic tools for movement. A first step for the artist and the label, and a clear statement of intent.

UK legend Eddie Richards is a foundational tech house artist who should be as celebrated as any of the US house greats if you ask us. For this next outing on likethis, the onetime Wiggle man digs into his 24-carat gold back catalogue to revisit a couple of gems and give them a contemporary update. 'Be Still' is sweet groove perfection - a weighty, springy bassline underlining crisp kicks and metal hits while an erotic vocal whispered in your ear raises the pulse even further. 'AbsurED' then layers up some light-emitting dub chords with dusty drum loops designed to carry you late into the night on pure vibes. Top tip!

Full of joy, they ran to meet him.
Then threw one of the shirts over each of them,
and when the shirts touched their bodies they were transformed into swans,
and flew away over the woods.
The record is comprised of a series of improvised recordings made over the course of an evening in Autumn ’23, captured at the Jabu home studio, south Bristol while Teresa was staying in town for a show. Everything was recorded into the desk in a single take and left as it was, no editing or overdubs, instruments were swapped around and effects units left buzzing ground hum scattered over the floor.
Teresa and Guest (Jasmine of Jabu) provided the vocals, taking words from anything at hand - poetry books, an old copy of the Whole Earth Catalog - their voices winding together, echoing out each other’s melodies. This approach is mirrored by the instrumentals, anchored by something at times - a bassline, one of Birthmark’s synth drones or a fizzing chord but always on the edge of collapsing in on itself or floating away. The tracks become more soporific as the record goes on (and as the night got later), ending on a refrain of ‘say you think its true’ as the instrumental finally dissolves the pedals get dialled up to 11 and Birthmark’s drones turn into distant lasers in a last swan song of feedback.
Recorded Sep 2023 in Bristol, BS3, by:
Teresa Winter (vocals, fx)
Guest (vocals, guitar, fx)
Birthmark (synth, fx)
A.Childs (samples, bass, guitar)

Mexican DJ and producer Hotmood indeed brings the heat on his new EP for the Blur Records gang. It is a fine fusion of disco and house music with rich instrumentals, nice organic sound and plenty of smart samples. Opener 'Disco Power' is a funky and upbeat cut with a powerful bassline and big vocal stabs. Things get more deep and laidback with 'Malandro' which has big sax energy and sunny chords then 'To The Beat Y'all' rounds out the EP with real disco energy. The drums hit hard, big guitar riffs brighten up the mix and subtle filters and FX also pump things to the next level.

Error404 is release its second EP.

The Last Romantic is a blend of 80s vibes, featuring memorable sounds and catchy basslines.

For this release, we feature three original tracks from Sancturu, an Argentinian artist releasing his first EP in physical format. It also includes a collaboration on the A1 track with vocalist Lourene and a powerful rework by Light Blue File, a close friend of the Error404 team and reowned producer.

Das neue Album "The Jacket" von WIDOWSPEAK wurde vor und nach der Veröffentlichung ihres letzten gefeierten Albums "Plum" geschrieben. Für das Duo, das aus der Singer/Songwriterin Molly Hamilton und dem Gitarristen Earl Thomas besteht, fühlt es sich an, als ob sich mit dem neuen Album ein Kreis schließt. Thematisch beschäftigen sie sich weiter mit der eigenen Zeit und Arbeit, und mit dem, was sie umgibt. Dies ist teilweise darauf zurückzuführen, dass das Duo kürzlich wieder zurück nach New York City gezogen ist. Dort wo für sie als Band alles begann, haben sie ihr neues Album zusammen mit Homer Steinweiss von Daptone Records aufgenommen. Doch Wiedervereinigungen führen immer zur Reflexion und Hamilton gibt zu, dass ein Großteil der Themen des Albums mit ihren prägenden Erfahrungen in den frühen Jahren der Band zu tun hat. So behandeln einige Songs den Prozess des Weitermachens ("Unwind", "Salt"), während andere das Bedauern behandeln ("True Blue", "Forget It"). Der namensgebende Track des Albums befasst sich mit den buchstäblichen und bildlichen Verkleidungen. Diese Verkleidungen bekommen mit der Zeit eine große Bedeutung, bis man sich dazu entschließt diese abzulegen. Durch vage Erinnerungen an Arbeit, Musik und Nachtleben formt man eine neue eigene Vergangenheit. Klanglich zeigen sich WIDOWSPEAK auf "The Jacket" in gewohnter und bester Form: Die Dynamik wechselt nahtlos zwischen sanften, treibenden Balladen und energievollen Jams, die aus dichten Gitarren, fokussierten Perkussions und kraftvollen Basslines bestehen. An anderen Stellen hört man skurrile Flöten, chorale Texturen und Heimorgeln. Thomas' Gitarrenspiel ist so ausdrucksstark und gefühlvoll wie eh und je und Hamiltons betörender Gesang ist ohnehin eine Klasse für sich. Diese Dynamik wird im Mix von Chris Coady (YEAH YEAH YEAHS, BEACH HOUSE) noch verstärkt. WIDOWSPEAK vermischen ihren Americana-inspirierten Indie-Folk gekonnt mit Slow-Core und Dream-Pop, der sowohl an die 60er als auch an die 90er Jahre erinnert. Dieser Sinn für klangliche Nostalgie fügt ihren Texten eine weitere Ebene hinzu, die über alte, erfundene und wahre Persönlichkeiten reflektieren.

2025 Repress

Chris Stussy makes his long-awaited FUSE debut as he drops the heavily-requested ‘Midtown Playground’, with Huerta joining on remix duties.

It’s rare for an artist to command such intrigue and interest across every single release they line up. Yet, the captivating global gaze around Chris Stussy seems to be snowballing with every unreleased production teased in his ever-impressing sets. Now undeniably one of the scene’s most in-demand names, the humble and hardworking Dutchman has been letting the music do the talking over recent years, with his Up The Stuss project welcoming a new musical focus and providing a platform for him to grow and evolve into an artist at the very top of his game. Not letting up, the surging DJ/producer and label boss now adds another label debut to his catalogue as Enzo Siragusa invites him to his iconic FUSE imprint for the very first time, bringing the release of one of his most requested tracks to date, ‘Midtown Playground’ - with LA-born, Berlin-based DJ, producer and Leisure boss Huerta also making his first appearance on the remix.

From the instantly recognisable synths and lead melody to the skipping percussion and rumbling core bassline, ‘Midtown Playground’ perfectly showcases the sound that Stussy is quickly making his own. The same can be said for ‘From The Delicate Mist Of Morning’, a more subtle but hypnotic offering, while ‘Blueprint’, another unreleased stand-out, offers that commanding yet playful groove he’s become so known and loved for. Delivering his flip of ‘From The Delicate Mist Of Morning’, Huerta dives into a deep, colourful and breezy journey through cosmic spheres, while digital purchasers can enjoy a bonus cut in ‘Mythical Power’ - a warping, jacking and menacing effort built for bustling late hours dancefloors.

Aphasy, a dive into a fascinating sonic universe. A two-sided journey. Designed with a strong artistic vision, the artwork showcases a striking duality between Side A and Side B, offering a contrasting auditory experience. Side A, adorned with a delicate shade of pink, embodies the essence of deep, lyrical, and ethereal tracks. The melodies unfold with mesmerizing lightness, enveloping the listener in an atmosphere of softness and contemplation. Vibrant basslines and subtle rhythms intertwine with evocative sound textures, creating a musical landscape that invites reverie and escape. Flipping the record reveals Side B in all its dark and nostalgic splendor. The back of the sleeve immerses the listener in a more introspective and captivating world. The tracks on this side unveil emotional depth and hypnotic intensity. Darker tones, dissonant harmonies, and entrancing rhythms transport us into an enchanting atmosphere, evoking feelings of melancholy and introspection. This record embodies the very essence of electronic music, with its intricate sound textures, signed by Romain Mégroz.

The second release in French beatmaker Medline's 7" cover series of soul, jazz-funk, and rare groove classics!

Much like Leon Michels of El Michels Affair, Medline plays all the instruments himself?this release features two stunning tracks, including a newly recorded cover.

Side A presents a brilliant rendition of "Wind Parade," Donald Byrd's immortal 1975 masterpiece that has been widely sampled in hip hop. The iconic bassline remains intact, while Roni Alkekengi's transparent vocals and a bold substitution of flute in place of trumpet create a uniquely groovy interpretation.

Side B is a refined cover of the 1972 soul classic "People Make the World Go Round" by The Stylistics, which has also been heavily sampled and covered. Medline retains the charm of the original while adding his own polished touch.



[a] 01: Wind Parade (45 Edit) [feat. Roni Alkekengi]

DJ Minx, Boogie Vice & N-You-Up, The People in Fog, and Jabes remix Radio Slave & Kameelah Waheed’s ‘All Rize’ on Rekids

Radio Slave presents the second remix EP for ‘All Rize’, releasing 19th December 2025, a follow-up to his May collaboration with Kameelah Waheed, enlisting DJ Minx, Boogie Vice & N-You-Up, DJ Sodeyama’s The People in Fog alias, and Jabes to reimagine the track. It follows the first remix package, featuring Harry Romero and Samaran in October, which won support from Laurent Garnier, Chloé Caillet, Saoirse, Honey Dijon, and many more.

Detroit’s First Lady of Wax, DJ Minx, follows her appearance at Rekids’ Panorama Bar takeover in August and steps up first. Her remix is a raw, club-ready workout built around a relentless groove and Kameelah Waheed’s commanding vocal mantra, as bleeps and whistles dance across the mix. Linking Cape Town and Southern France, Boogie Vice & N-You-Up follow their 2025 EP on REK’D and deliver a deep cut that slowly builds tension, its organic percussion and warm bassline leading toward a strobe-lit, tripped-out drop.

On the flip of the second ‘All Rize’ remix EP, Japan’s DJ Sodeyama, under his The People in Fog alias, drifts into more hypnotic territory. Lush pads wash over a low-slung beat and bassline, trading the club for the walk to the after-hours by carrying Waheed’s vocal into something surreal and dreamlike. Completing this left-of-centre B-side, Timedance and Kindergarten’s Jabes twists the original into a warped, textural trip with scratching layers and distorted vocal fragments that pierce through a dense atmosphere. If Sodeyama’s version is the dream, Jabes’ is the chaotic counterpart that follows.