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HIND001 features four stripped-back productions, with contributions from Alexis Cabrera, Seafoam ft. Hipp-E, Pheek & Kiké Mayor, and Muted Forms.

St. David is back on CHIWAX with a monster house retro banger!
Higly recommended!

We are very happy to welcome John De La Noise to our artists Family!
The new talent from the House capital city in Italy called Bari.
Virtual Feelings EP is a beatiful House Monster not to be missed!

Companion 10" to the recent, superb LP Sampler from The Belfast duo...

After showcasing their broad and boisterous tastes on a series of super limited Edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through their varied and vivid vibrations...

On Barrios & Barricades, BB deliver two powerful Dark Disco delights...
The kind of peak-time industrial funk-outs that have soundtracked infamous, strobe-lit joy factories over the decades from Chicago's Medusa's, Ghent's Boccaccio or Optimo's legendary Sundays at The Sub Club.
Yes, it's that good !

It's counter intuitive perhaps to react to the increasing noise of the world, not by adding to it, but by seeking quiet. Or something close to it.

Arrival's debut EP does just that - assembling immersive aural environments and delicately detailed backdrops - setting the scene for the perfectly pitched deeply melancholic meditations of Britain's least known and most valuable guitarist, Kevin McCormick.

Since arriving at the back end of 2023, Chris Massey's Thief Of Time quickly evolved from a solo project into a live 3 piece alongside fellow electronic explorers; Lady Lady and Mike Grubert.
Where dark is light, light is dark and emotions are electronic, We Are Cosmic is a natural evolution of The Thief Of Time project, with elements of contemporaries like New Order, Pet Shop Boys, The Fuck Buttons, Chromatics and The Cocteau Twins being present alongside current inspirations such as Nabihah Iqbal and Night Tapes.

Pariter continues to strengthen its ties to the roots of the late 90s and early 00s London underground sound. Following the acclaimed reissues of Ron & Roland, 7th Voyage and Terry Francis the label now unearths a truly rare masterwork from two central figures of the legendary Housey Doingz collective: Justin Bailey and David Coker.

Originally released in 1999 and long considered a lost treasure, Majik Man has been one of the most elusive UK Tech House singles, patiently hunted by dedicated heads for decades. With almost no information ever available about the producers behind the project the mystery only amplified its cult status.

Now for the first time, the original DAT has been meticulously remastered by Yossi Amoyal, revealing the full depth of its hypnotic swing. 25 years on, Majik Man still sounds absolutely massive, an undeniable slice of gold from the era that defined the London sound.

Also Playable Mono, the nom de guerre of Rafał Lachmirowicz, channels musical greats and the romance of Italy with the Firenze EP. “Neverland” reimagines Giorgio Moroder’s iconic introduction of “I Feel Love”, undulating arpeggios and clean kicks giving way to an addictive tongue-in-cheek melody of laser futurism and eastern influences. “Firenze” follows. Broad analogue bars call to mind the works of Patrick Cowley, disco funk flirting with a spoken word tribute to Florence in this bright and bold track. Our next stop off is “Bergamo.” Low-slung, this smoky number is primed for the night. Thick thrums of bass are punctured by piano keys and toms, robotic pulses and trills adding a 1970s sci-fi groove to the proceedings. Turning the tables is “Breakfast Date.” Slow and dreamy, this early morning lounge affair lowers the tempo. Considered and thoughtful, meandering melodies border the blurred lines of jazz and funk. The words of “Firenze” are left in the wings for the instrumental close, Lachmirowicz’s synthesizers taking the limelight in this uplifting finale. A 12” that encapsulates the expansive sound of Also Playable Mono.

Red Viny Repress

l Indispensable 1981 cosmic funk business from Tommy McGee, remastered and reissued on black 12” with replica artwork that has been calling out for an official reissue due to it’s eye watering £250+ price tag.

Periferico is back with a very special 5 tracker EP.
All the tracks were produced between 1998 and 2009 and the Label was able to recover them from old DATs.

While the A side is written and produced entirely by Livio, the B side was co-produced with Luigi Mussi showcasing the first 2 drum&bass tracks ever released on Undersound Recordings.

Libertine Records returns with Traditions 22: NOVA EXPREXX – UNDERGROUND REVENGE

After a break, Libertine Records presents a new chapter in its Traditions series. NOVA EXPREXX – UNDERGROUND REVENGE delivers a fierce and uncompromising blend of techno, new beat, acid, and tribe sounds, crafted for night wanderers and those who live beyond conventional paths.

The release captures the raw energy and spirit of the underground, offering relentless beats, hypnotic rhythms, and a soundscape that resonates with true fans of cutting-edge electronic music.

UNDERGROUND REVENGE is a statement of intent from Libertine Records — a label known for pushing the boundaries of electronic music and celebrating the underground scene.

Nicolás Mirón presents Hi-Tech Thoughts, his debut release on Echo Alpha Recordings. A record that draws inspiration from Detroit Techno, as well as New York Hip-Hop and MPC culture, reflected in the way he works with samples and programs chops on his AKAI MPC 2500. His production focuses on beat-making, pursuing a raw, hardware-driven sound rather than an overproduced one.

Nico’s creative foundation is rooted in Black music in all its forms, from soul and jazz to electronic sounds, while also embracing the legacy of figures like Kraftwerk, and genres such as Italo Disco, and New Wave. His musical career began with his residency at Radio Relativa in 2022, with his program “Pa’ Riparla Benne”, a connection between skateboarding and music, as well as its evolution and close relationship with contemporary culture. In the show you can hear different styles of music that have appeared within this scene through legendary video parts from skateboarding history, along with stories and curiosities behind these pieces of art.

Concrete City's two residents re-emerge with 'Serious Coin', the second long-player from label head DJ Superherb and long-time collaborator Ten Years Lost. Where their 2023 debut basked in heat-hazed hedonism, this follow-up sharpens the focus. At times deeper, and consistently drawing from the pair's shared language, Serious Coin is an unmissable entry in the Full Dose catalogue.

Across eight tracks, the duo lean further into their soulful instincts, balancing weighty low-end pressure with a distinctly human emotional warmth. Vocoded vocals, coalescing with dungeon synths, being carried by heavily swung rhythms represent a new strand in the pair's musical DNA.

The album captures the stillness of early morning city streets, yet still manages to push rhythmic elements forward. Barely-present samples and subtly detuned synths give the tracks a lived-in feel, as if they’ve already soundtracked a hundred late nights before reaching your speakers.

Like the first, this album has one foot firmly in dancefloor utility and the other in headphone introspection. Don't miss this dustier and deeper evolution to the Full Dose sound!

25 years ago, at the turn of the millennium, downtown NYC was spoiled with record stores. In this pre-digital age, vinyl was king for club DJs, and shops such as Downtown 161, Dance Tracks, and Vinyl Mania peppered lower Manhattan, thriving businesses that supported an expanding scene of local and international DJs. Perhaps the largest and most established of these was Satellite Records, an institution of club sounds that also spawned multiple record labels, including the deep-house imprint Central Park Recordings.

At this time, Central Park Recordings and Satellite Records owner Scott Richmond signed a demo in need of a vocal from young British producer Alistair Colling, and enlisted John-Christian Urich to write it, who had just had a massive hit with “I Might Do Something Wrong” the debut Tortured Soul single on Central Park. He in turn brought in Sabina Sciubba of then newly-formed band Brazilian Girls to record the vocal, and with Jon Cutler on remix duties the record was complete. Tortured Soul went on to release numerous deep house classics like “Fall In Love,” “How’s Your Life” and have continued to tour as a groundbreaking live-house act to this day (of which RNT co-founder JKriv was bassist and collaborator for 10 years).

For the 25th anniversary of this turning point release, Razor-N-Tape has rebooted and remastered the original and classic Jon Cutler mixes, which have never been reissued in any format since the original release. RNT also commissioned two new exemplary remixes from DJ Spinna and musclecars, connecting the dots between the deep-house lineage of the past and present. Presented in a gorgeous jacket that calls back to the graphical style of the original Central Park Recordings aesthetic, this 12” is an absolute essential for any lover of soulful club sounds or purveyor of NYC dance music history.

The final instalment in Clergy's 10 year series featuring Function, VSK, Roll Dann, Abstract Division, Felicie and Cleric.






f B3 Cleric - Unwritten Future Cleric 10/10 Remix

2026 Represss

An artist who needs no introduction, Mike Dunn returns to the legendary NYC label Nu Groove with a four-track vinyl release that brings together disparate influences from the master’s encyclopaedic knowledge of genre and style.

What results are productions that are at once timeless, a quality that can only be achieved through the lived experiences of a four-decade career. Title track ‘Git’cha House On, Baby’ is a late 80s freestyle throwback, with hard synth lines running the show, while ‘Don’t Pay Me No Mind’ is a metropolitan anthem led by a solid piano groove.

Additionally, the vinyl features two tracks from Dunn’s ‘Rock Ya Body (Deepa)’; the lead, an effortlessly cool deliverance of pure, unadulterated house, and ‘Let’cha Love Fall Down On Me’ which swells and flows with addictive ease. Elevating all four compositions are the producer’s signature vocals, immediately arresting and suitable for all genres. Dunn’s status as an innovator was earned through creating and influencing the scenes we know and love today, and this new delivery of originals further cements his status as a 100% house master.

Night Prologue POW001
Panthers on Wax kicks off its catalogue with Night Prologue, a VA that dives head-first into the night from the dark pulse of the club to its most intimate afterglow.
Bringing together four defining voices of the contemporary French underground, the release unfolds like a nocturnal tale in two acts.

Side A hits with two floor-focused weapons:
P.O ignites LA VOITURE DE LA POLICE, a raw mechanical surge « It doesn't matter who did it as long as it burns. »
N2O pushes deeper with DISTO PIA, where distortion fractures, breathes, and rebuilds « Darkness dances, the heart cracks, and the night puts its pieces back together. »

Side B shifts into emotional territory:
PAGENTY delivers LE VENT CHUCHOTE TON NOM, a nostalgic synth drift « The nights are endless oceans in which I search for you. »
LORYN wraps the record with GINI, a glowing synthwave shimmer « More than a soda, Gini holds a forever echo »
From new beat and electro to techno and synthwave, Night Prologue carves out the Panthers on Wax identity, nocturnal, hybrid, and driven by narrative.

D’Angelos bahnbrechendes Album „Voodoo“ mit den zeitlosen Songs „Untitled (How Does It Feel)“ und
„Devil’s Pie“ erhält dieses Jahr zum 25-jährigen Jubiläum eine besondere Hommage in Form von exklusiven
Designs in limitierter Auflage.
Anlässlich seines 25-jährigen Jubiläums ist diese Veröffentlichung auch eine Hommage an das Vermächtnis
von D’Angelo, der Anfang dieses Jahres verstorben ist, und ehrt seinen Geburtstag am 11. Februar, ein
Datum, das für Fans und die Musikszene weltweit nun noch bedeutungsvoller ist

Die legendäre Trance-Hymne „Traumwelten“ kehrt zurück – kraftvoll neu interpretiert von Talla 2XLC und Das Licht (aka DJ Dean). Diese farbige Maxi-Vinyl liefert zwei kompromisslose Club-Versionen eines absoluten Kulttracks.

Side A – Traumwelten (Recreate Mix): Mit einem pulsierenden Tempo von 140 BPM entfacht der Recreate Mix ein wahres Feuerwerk aus tiefen Basslines, treibenden Drums und schimmernden Melodien. Die gewagten Breakdowns steigern die Spannung und treiben die Energie bis zum Höhepunkt. Eine hypnotische, gesprochene weibliche Stimme sorgt für mystische Vibes, bevor er in einen euphorischen Rausch aus aufsteigenden, mitreißenden Melodien übergeht.

Side B – Traumwelten (RRAW! Mix): Dunkler, härter, kompromisslos: Der RRAW! Mix startet als druckvolle TechnoTrance-Fusion, die mit massiven Basslines und satten Techno-Kicks beginnt. Dunkle, deutschsprachige Vocals und atmosphärische Effekte fügen dem Track eine immersive, mystische Tiefe hinzu. Der zweite Drop überrascht mit einer euphorischen Melodie, die von technoiden Rhythmen in ekstatische Trance-Elemente übergeht. Dieser Mix glänzt durchseine Vielseitigkeit und eignet sich sowohl für Techno-DJs als auch für Trance-Crowds.

Ein starkes Comeback eines Klassikers – zeitgemäß, druckvoll und ein Must-Have für alle Vinyl-Liebhaber.

Mit „Move On Baby“ landeten Cappella 1994 einen der prägendsten Eurodance- und House-Hits der 90er. Markante Piano-Riffs, treibende Beats und ein unverkennbarer VocalHook machten den Track zu einem weltweiten Club- und Chart-Erfolg.

Der Klassiker ist endlich wieder als farbige Maxi-Vinyl erhältlich. Neben den Originalversionen bietet dasRelease zwei hochkarätige Remixe: Mike Candys liefert ein energiegeladenes, modernes Club-Update, während Armand
van Helden dem Track mit seinem typischen Groove und House-Feeling einen zeitlosen, internationalen Floor-Charakter verleiht.

Ein Pflicht-Release für 90s-Fans, House-Liebhaber und Dancefloor-Enthusiasten

You‘re feeling great, just bought new records and you’re ready to toss ‘em on the decks and let ‘em spin. Nevermind your bank account has you on a strict diet of yum yum noodles instead of that expensive, slow, regional stuff you normally get. „Anyway it was a good choice, I love records. It’s an investment..“ you are telling yourself while sliding the record out of its sleeve. „Cheap Fast Worldwide“ — black letters on a white background. You put the needle on the disc.

Punchy drums bathe in lush chords and you’re pulled into a smooth, lounge vibe. Tonight it’s caviar, not yum yum noodles. A playful bassline bounces in, with a nod towards disco roots and a modern twist. An unmistakable cheesy 90s melody is the cherry on top.

Aptly named, the inner track on this side greets you when a „One, two, three, quattro“ rings out over a tight, breaky groove. Meanwhile, rather deep, monotonous pads carve out space for your mind to wander…

As you flip it over, things start to shift. Strange melodies and dirty drums tease the unknown. Out of nowhere, the pitch drops, and a low, driving bassline takes hold. It pushes forward with a relentless energy that keeps you on the edge, unsure of what’s coming next.

A highly sophisticated fade out leads you to the last track — a raw and infectious drum groove laced with choppy vocal snippets and warm crackles. Stripped back, yet the beautiful chords slice through, adding depth and the right sense of movement, taking you deeper into the night.

Combo Efectivo was formed in November 2024 in Bogota in a studio in the Teusaquillo district, at the invitation of Jazztropicante. It brings together an all-star cast from Bogota's neotropical movement and three iconic brass players from the current French jazz scene.
The chemistry was immediate and the energy palpable: a sound that was both playful and demanding, exuding groove, rich material rooted in contemporary jazz structures, and breathing the spirit of brass bands and the splendor of popular expression from the Colombian Caribbean.
A two-track EP was produced from this unique studio session, recorded and mixed at Mambo Negro Records, with the expertise of Daniel Michel. Mastered in Paris at Loom, this first 45 rpm single was released in February 2026 with The Pusher, officially marking the birth of the Casa Maguey Records label, which promotes the catalog resulting from Jazztropicante's encounters.
On the French side, three musicians who are making their mark on their generation: Stéphane Montigny on trombone, Antoine Berjeaut on trumpet, and saxophonist Léon Phal, the spearhead of a new generation of jazzmen. The Colombians are a cocktail of musicians from the most exciting groups on the current scene: Karen Nerak on vocals, rap, gaita, and percussion, Ruben Aragon on keyboards, Pelango on bass, and Kike Narvaez on drums.
Combo Efectivo magnifies the alchemy between the finesse of European jazz and the power of Colombian rhythms. A tropical trance fueled by improvisation, where the contemporary jazz scene and neo-tropicality meet in a spirit of openness and exploration.

THE PARTY is a celebration that has existed for nearly 10 years in Paris. A private event, off the radar of social media, THE PARTY is inspired by the New York Loft, and gathers between 150 and 400 people twice a year, under a church.
It was created by Serge Papo and his wife Maryvonne Beaune. Serge Papo organized the first rave parties in Paris in the early 1990s; he has been a DJ and party organizer for over 30 years.
On January 31, 2026, THE PARTY will celebrate its 10th anniversary, will invite the DJ of the New York Loft, Douglas Sherman, and will launch its label, THE PARTY RECORDS, along with a debut release — the double single Crystal Clear / Zeva — the result of a collaboration between Serge and Etibar Asadli, an exceptional jazz pianist from Azerbaijan who now lives in Paris.

The one and only Scruscru calls on his most trusted friend for his latest in the Local Sugar Diggers series which is a treasure trove of re-edits & reworks of old and rare records. Love is in the air on the opener 'Os Sons Do Rio' which has swooning, sentimental strings and MPB vocals that remind of all the greats. The instrumentals are rich, the melodies florid, the sound truly elegant and intoxicating and sure to transport you to a party by the beach somewhere in Brazil. 'Sozinha Mulher' is a little more laidback and lazy in its slowly unfurling groove with clear, cloudless blue skies up above and subtle horns and vocal coos all encouraging you to move.

Modeight proudly adds another chapter to its vinyl legacy with Fedo - a Ukrainian artist with deep Greek roots, known for his meditative groove architecture, percussive depth, and the raw spirit of live music. On Nuke Hook EP, Fedo delivers four deep and dynamic cuts that strike a perfect balance between minimalistic precision and emotional richness.

Each track feels lived-in - jammed rather than programmed - crafted to resonate both on the dancefloor and in the mind. "Life is Life" opens with a thick, dubby beat and a jagged, growling bassline.
Midrange sequences curl around the low-end like vapor trails, creating a shadowy, hypnotic space built for late hours and strobe-lit intimacy. "Madam from Athens" pays homage to his Hellenic roots - dipping into dreamy chords, textured atmospheres, and modular motifs wrapped in velvety vocals. Warm and transportive, it's a love letter to place and memory.

On the flip, "After Out" hits hard. Sub-heavy, percussive, and driven by acidic synth lines, it's a peak-time weapon that doesn't ask - it commands.
Rounding off the EP is the cerebral yet groovy "Nuke Hook," where crisp percussion dances around mysterious piano phrases and immersive textures. A subtle but magnetic closer that lingers long after the drop.

Fedo joins the Modeight family with a statement of intent - deep, expressive, and forged in the heart of the underground. The journey continues.

Clusters of Noise LPR-V006, kicks off 2026 for Loopaina Records with a powerful vinyl release crafted by two standout names in the international techno scene: Oliver Rosemann and Carmelo Ponente. Photo taken in Mundukalogue between both artists, each delivering their own raw, focused vision of contemporary techno.

The A-side features one original track from each artist, clearly defining their individual styles.

On the B-side, they switch roles to offer remixes of each other's work-expanding the sonic palette of the release while maintaining a cohesive and impactful sound.

Clusters of Noise is a bold statement for the new year at Loopaina Records: quality sound, committed artists, and a strong devotion to the vinyl format while embracing digital as well. A solid, high-impact release that perfectly captures the spirit of the label.

All music written and produced by Oliver Rosemann & Carmelo Ponente

Molekul sub-label.

Filtrack brings a breath of fresh air to Loud Pressings with a signature sound at the forefront of modern techno. He develops his ultra-minimalist techno style through a highly technical approach, blending textured sounds, refined percussion work, and dark yet elegant atmospheres.

The result is a two-track EP that is sharp, effective, and impactful in its purest form.

Joe Chambers ist ein US-amerikanischer Jazz-Schlagzeuger, Pianist, Vibraphonist und Komponist. In den 1960er- und 1970er-Jahren spielte Chambers mit vielen namhaften Künstlern wie Eric Dolphy, Charles Mingus, Wayne Shorter und Chick Corea zusammen und wirkte an mehreren legendären Blue-Note-Alben der 1960er-Jahre mit. Double Exposure, ursprünglich 1978 bei Muse Records veröffentlicht, ist eine seltene und genreübergreifende Session, die zwei visionäre Musiker in einem sehr persönlichen, experimentellen Rahmen zusammenbringt. Der Schlagzeuger und Komponist Joe Chambers wird von Larry Young begleitet, einem wegweisenden Jazzorganisten, dessen modale und avantgardistische Neigungen Tony Williams' Lifetime und Miles Davis' Bitches Brew-Ära mitprägten. Remastered & Cut AAA direkt von den originalen Analogbändern durch Matthew Lutthans bei The Mastering Lab. Gepresst auf 180g-Vinyl und verpackt in Stoughton Old Style® Tip-On Jackets. Enthält ein Insert mit neu verfassten Liner Notes von Bill Milkowski und Barney Fields sowie seltenen Fotos von Jan Persson und Raymond Ross.

We’re back on PANORAMA Records with a stone cold cult classic from Danser’s Inferno, lifting “Sombre Guitar” off their elusive 1973 LP Creation One and giving it a fresh run on 7inch. Long treasured by jazz heads and deep-digging DJs, it’s one of those records that has been in the bags of discerning music lovers for years, moving dancers.

Musically, “Sombre Guitar” sits in that sweet spot between Latin jazz and jazz-funk – rolling congas, driving kit, tight horn lines and that drifting, melodic guitar figure that pulls everything together. It’s lively and percussive enough for the dancefloor, but still has that slightly cinematic, reflective feel that rewards proper listening too. A true jazz dance cut that works just as well at home as it does in a warm-up or end-of-night moment.

This PANORAMA edition brings it back into reach, cut loud and clear so it can do what it was always meant to do: move a room.

As ever, PANORAMA Records is about unearthing and reintroducing rare and essential music to new ears. From German jazz and Brazilian fusion to Latin-leaning grooves like this, the focus is on records with real soul and longevity, remastered with care and treated with the respect they deserve.

Ideologic Organ freut sich, die brandneuen Aufnahmen von The Necks zu präsentieren, dem legendären australischen Trio, das sich durch die Umgehung musikalischer Klischees auszeichnet und gleichzeitig die Praktiken der Improvisation, des Jazz, des Post-Rock, des Ambient, des Minimal und der texturierten, ,klangbasierten" Musik erforscht und erweitert. Das neueste Werk dieses langjährigen Ensembles, Unfold, präsentiert sich als Doppel-LP mit vier seitenlangen Tracks. Das bewusste Fehlen von nummerierten Seiten gibt dem Hörer viel Raum, sich einzubringen, und lässt ihn seinen eigenen Weg durch die Klanglandschaft finden. Die kürzere Länge des Vinylformats ist für die Mitglieder des Ensembles kein Hindernis, sondern bietet ihnen einen kompakteren Horizont zum Nachdenken, in dem die zurückgelegte Strecke auf unmittelbarere und dynamischere texturale Aspekte neu ausgerichtet wird. Die Unmittelbarkeit von ,Rise" bestätigt diesen neuen Weg, während die traurigen Töne von Lloyd Swantons Bass um Chris Abrahams' kristallklares Klaviermotiv wirbeln und Tony Bucks Percussion den Prozess in erleuchtende Free-Jazz-Gefilde lenkt. ,Blue Mountain" bahnt sich einen Weg durch das klangliche Unterholz, wobei Soul-Orgel, rasselnde Percussion, Pfeifen und hüpfende Schallwellen um den Vordergrund wetteifern. ,Overheard" behält eine erhabene melancholische Aura, während Percussion und Keyboards sich gleichzeitig umarmen und auseinanderfallen, während ,Timepiece" als sanfte Geste weiterer Möglichkeiten dahinspringt. Wie genau The Necks ihre besondere Magie entfalten - so einfach es auch scheinen mag -, während sie sich immer weiterentwickeln, kann nur vermutet werden, aber ,Unfold" beweist einmal mehr, dass Regeln und Schulen gebrochen und zu Mustern und Rahmenwerken umgestaltet werden müssen, die sich von denen unterscheiden, die wir kennen.

"At Your Pace" is the second full-length album from Berlin-based duo Modha - drummer/producer Dhanya Langer and multi-instrumentalist Max Scholl. Following their acclaimed 2023 debut "Through The Cycle", which tackled mental health and vulnerability through soulful, genre-blurring compositions, "At Your Pace" doubles down on their signature approach: raw textures, emotional honesty, and deep collaboration.

Mystery edit label Body Edits is back with volume 2

Wonky underground edits from Rev Bloo’s vaults, reviving multi genre dance gems with fresh tempos and new life.

Limited pressing act fast.

DJ Support: BEN UFO, Solomun, Marco Carola, Damian Lazarus, Jamie Jones, Joseph Capriati, Ilaria Alicante, Michael Bibi, Paco Osuna, D'Julz, Groove Armada, Dennis Cruz, Chloe Caillet, Kettama and many more

Enzo Siragusa opens 2026 with his ‘Kilimanjaro Sound’ EP, a release that expands on last year’s standalone single. Marking both Enzo and FUSE’s first drop of the year, the EP delivers the latest instalment in his longstanding Kilimanjaro concept while reaffirming the label’s position at the heart of underground club culture.

Following the digital release of ‘Kilimanjaro Sound’ back in October, the full EP frames the title track within a broader narrative of rhythm, atmosphere, and movement. A long-time fixture in Enzo’s sets throughout 2025, the title track established itself as a fan favourite through its rolling percussion, weighty low-end, and expansive spatial design, and now it takes on renewed presence on vinyl. New cut ‘Liquify’ pushes deeper into Enzo’s rhythmic sensibilities, pairing fluid groove structures with subtle tension and release. Designed for late-night floors, the track unfolds patiently, allowing swing, texture, and space to do the heavy lifting. It’s a natural continuation of the Kilimanjaro language, less about immediacy, more about immersion, showcasing his refined understanding of how momentum is built and sustained in true club environments.

Completing the EP is a remix from Giammarco Orsini, whose Garage Dub Mix of ‘Kilimanjaro Sound’ offers a fresh perspective while remaining true to the original. Born in Italy and now based in Berlin, Orsini has quietly evolved into one of the scene’s most respected selectors and producers, with releases on Cragie Knowes, Mood Waves, and Shonky’s Stoned Pilot. His interpretation strips the track back to its essentials, reintroducing it through a garage-leaning lens that prioritises groove, swing, and subtle pressure.

As the first release following FUSE’s latest DJ Mag Best of British Award, marking their second Best Club Event win, the EP reflects the values that have long defined the brand: community, longevity, and music built for real dancefloors. Pressed to wax, the release extends one of Siragusa’s most recognisable concepts and sets the tone for the year ahead - measured, confident, and rooted in the underground.

Kerri Chandler follows up Downtown EP Pt. 1 with Downtown EP Pt. 2

This release also includes four tracks reconnecting with the spirit of Kerri’s iconic Downtown Records era while offering something fresh for the next generation of listeners. 3 of the tracks come straight from that timeless catalogue and firm favourites among Kerri’s community, now beautifully presented on vinyl once again.

Part 2 also features one brand-new, exclusive track, giving fans something truly special: a glimpse of Kerri’s sound, and an invitation to join him on a journey through his remarkable catalogue. This release continues the celebration of Kerri’s music, his evolution, and the sound that continues to inspire house music lovers around the world. Every detail, from the sleek new sleeve design to the thoughtful presentation, reflects Kerri’s care and respect for his music and the people who’ve supported it.

Downtown EP Pt. 2 captures everything Kerri Chandler represents, soulful, honest, and made with nothing but heart.

the debut single by germany’s rising talent harmon is being released on mule musiq.
it was one of the finest demos we have received in recent years, and we signed it immediately.
colorful, dreamy, and highly addictive, this alternative house track is unique and evocative of early dj koze and superpitcher productions.
a fresh and killer release that seamlessly absorbs a wide range of influences—in the best possible way.

A rising artist of the French electronic scene, Naajet asserts her identity with The Night Starts Now, a four-track EP that celebrates the freedom and intensity of the night. Co-founder of the Bande de Filles collective and known for her explosive universe blending House, Hardgroove and Breaks, as well as for the unique energy inherited from her dance background, Naajet delivers here a sonic manifesto conceived as an ode to club culture and to the present moment.

“I imagined this EP as an anthem to the world of the night. The night offers us unparalleled freedom, an outlet that allows us to be ourselves, to create, to love. The Night Starts Now captures this celebration of the present moment and this declaration of independence.” Naajet Opening the EP, “Ready To Shine” unfolds radiant House nourished by Pop and 90’s sounds. With a clear and ascending rhythm, the track combines euphoria and introspection. “I composed this track as a joyful and introspective journey that prepares us to embrace the night. For me, it is a call to accept our wounds, to transform them into light and strength, so that we may shine brighter when we enter the club,” explains Naajet. Between ethereal vocal lines and shimmering pads, the track acts as a ritual of entering the night, inviting us to turn wounds into strength and to shine on the dancefloor. The second track of the EP, “Sugar”, embodies the effervescence of the club. Carried by a hypnotic voice and an effervescent rhythm, the track celebrates the communion of bodies and the liberating energy of dance. “It is an ode to dance and to bodies coming together. This track speaks of those moments when, on the dancefloor, boundaries fall: we sweat together, we free ourselves together, and energy flows from one body to another,” says Naajet. A true concentrate of intensity, “Sugar” captures the moment when sweat, rhythm and abandon merge into a collective movement towards freedom.

With “I Can Be Anything”, Naajet changes register and flirts with deeper, even techno textures. Built on a throbbing pulse and sharp synths, this track is meant as a manifesto of identity. “I really wanted to propose a track that claims our right to free and plural expression and sexuality. I Can Be Anything is about our multiple identities, our ability to reinvent ourselves and to refuse any form of formatting,” she says. Between club intensity and political resonance, “I Can Be Anything” questions our multiple facets and embodies the assertion of an elusive and free self. Closing the EP on an euphoric note, “May It Never End” stands out with its broken rhythms and powerful synths. The track conveys the transcendent energy of the end of the night, when dawn arrives but we refuse to leave the collective trance. “I wanted to put into music this feeling of infinite energy, when time is suspended and the party seems to never have to stop. It is this euphoric vertigo that connects us all in the same breath, this utopia of a night that would never end,” says Naajet. A true apotheosis, this track embodies the utopia of an eternal night.

DJ, producer and co-founder of the Bande de Filles collective, Naajet has established herself with a singular universe where House, Hardgroove and Breaks blend, nourished by her background as a dancer and an instinctive sense of groove. For the past three years, she has performed on French and European stages – from Berlin to Amsterdam, via Geneva and Oslo – and has made her mark in clubs such as Rex Club, Le Sucre and Badaboum, as well as festivals like Nuits Sonores and Kolorz. On the production side, she has released several acclaimed EPs on renowned labels such as Shall Not Fade and Monki & Friends. In 2025, she takes a new step with the launch of her label SWEAT Records and a residency at Le Sacré in Paris, affirming her role as an ambassador of a free and intense club culture. She also collaborates with the waacking company MADOKI, for which she composes and mixes projects at the crossroads of dance and music. With The Night Starts Now, Naajet confirms her status as an essential artist of the new electronic generation1

With Dark Matter EP, Rambal Cochet continues his exploration of the fringes of electronic music, where ritual, cosmic and hypnotic sounds create a soundscape between mysticism and science fiction. The EP moves naturally between rhythms, atmospheres and synthetic lines from a lost rave futurism.

Each track has its own journey in a single narrative, with deep bass, percussive patterns oscillating between trance, downtempo and global influences, and a melodic sensibility that is both distinctive and accessible.

Dark Matter EP is a work that celebrates the visionary and cinematic side of Rambal Cochet, mixing mystery, spirituality and club pulsation for the dance floor and listener.
Perfect for seeking emotional intensity and imagination, or for an immersive, timeless listening experience.

2025 Repress

DJ Europarking lands on UFO Inc. with his debut EP. Tongue-in-cheek and extremely danceable, this is an incendiary EP. 'Boompahpah' gets things rolling with dense beats, a high-octane tempo and a choir-driven breakdown. '20inch Chrome' is a madcap cut that uses a variety of hip hop-esque samples, sirens and a tribal chant. On the flip 'Bitte Everyday' utilises breakbeats and a mixture of rapping, chanting, and zany effects to enchant the listener. Finally 'Like Trampolines' features hefty beats alongside an incendiary riff that is sure to cause havoc on the dance floor.

2026 Repress

Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.

Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon.