Venetia presents The Face of The Deep EP. The rising artist from Belle-Île-en-Mer, delivers an elevated deep house record infused with shades of melancholy and nostalgia, exploring a rich spectrum of moods and emotions through driving rhythms, pulsating energy, and deep, resonant basslines. Crafted for late-night dancefloors or early-mornings, wrapped in warm, immersive textures, culminating in an outro that feels like soundscape frame of a moving film.
A cult classic reborn for a new generation.
Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.
Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.
Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.
SUNANDBASS Recordings proudly presents its next release, welcoming rising artist Napes with a brand new single: Hit The Corner / Clamber. This release marks the exciting introduction of a new artist joining the SUNANDBASS Recordings roster, signalling a bright future for both the label and its evolving sound. With previous releases on Shall Not Fade and Alix Perez’s 1985 Music, Napes is a promising name within the modern jungle scene. This release is a clear statement of his pushing boundaries combining grime influences and old school jungle, giving us his fresh sounds and melody-led drum and bass music, reaching new horizons while staying rooted in foundations. On the A-side, Hit The Corner showcases acid-tinged synths that meet a UK grime edge, driven by energetic beats and rolling breaks. In 6:20, Napes lets us travel through all the facets of a SUNANDBASS Recordings journey, with his ever-changing arrangement that evolves from heavy, club-focused energy into a euphoric jungle-inspired middle section, before concluding with driving arpeggiated synths. On the B-side, Clamber offers a deep, darker contrast. Between the atmospheric strings set intro which is dropping into a heavy, bass-driven groove, easily imagined shaking the dancefloor during an Ambra Night indoor session. The track reveals a more introspective side of Napes, blending refined sound selection with classic, weighty basslines built for the dancefloor. We’re honoured to welcome Napes to the SUNANDBASS Recordings family, an artist whose sound reflects our love for all corners of the genre while paying homage to the music that brings us together in Sardinia year after year. SUNANDBASS Recordings continues to push the boundaries of drum & bass, fostering connection through music that transcends borders, unites listeners, and celebrates rhythm, movement, and culture.
At Curated By Time, we’re dipping back into the archives once again, this time revisiting Westward, the collaborative EP from Kenneth Graham and DJ Kuya. Originally released in 1999, the record captures a moment where deep house grooves met a subtle tech edge, built firmly with the dance floor in mind. The title track leads the way with rolling rhythms, tight percussion and understated synth work, striking a balance between depth and drive. The rest of the EP follows a similarly focused path, keeping things stripped back and groove-led throughout. Now reissued on Curated By Time, Westward returns as a reminder of a sound that still fits neatly into today’s club landscape.
Dutch electronic maverick Spekki Webu stretches out on an expansive album for new label Outer Orbit Records, exploring his deep and wide-ranging influences across a captivating narrative of tripped-out beatdowns and evocative dreamscapes. Spekki Webu is someone who was naturally drawn into the magnetic pull of Outer Orbit after playing for their sister party Mizz Softee. As the time-travelling album title suggests, it's a meditation on formative sounds that propelled him on to myriad adventures across the many microcosms of electronic music. That means indulging in slower tempos and crooked grooves, with the influence of trip hop and illbient looming large in the boom bap drums that punctuate many of the album's passages. There is also space for immersive techno that operates as a lighter reflection of the sound he is best known for, as well as hints of buoyant house music, rolling breakbeat, dislocated ambient and intricate electronica. Cari Lekebusch, a key influence, contributes a rolling, heavy-grooving remix that closes out the record.
Two Headed Fish Records Genre: Acid House, Tech House Format: 12" Black Vinyl Release Date: 06.05.26 Description: Three years since his last solo EP, Admo is back. Having captivated the dancefloor with sold-out hits on Limousine Dream, Haws and Ordinateuf, he returns to launch a deeply personal project alongside his wife. Expect four high-octane club heaters where Acid House grit meets Disco shimmer. The label’s mission is clear: to strip away the noise and place storytelling back at the heart of underground dance music
Barking-born Jane Fitz, and Transmigration label founder David Fogarty, curate a collection of tracks from East London and Essex’s rich but largely overlooked constellation of independent record labels and distributors operating from London’s E16 to the edges of the Thames estuary during the 1990s.
Mysterious Vastness documents a hidden and largely detached scene that only forms into something coherent with hindsight. From a time when record labels could press and hand-distribute 1000 copies locally, the late 80s acid house and outdoor rave scenes were moving from the fields to the clubs of London and DJs such as Colin Dale, Colin Faver and Darren Emerson were dominating the airwaves and parties with a distinct mix of other-worldly techno, trance and out-there house music. Among the seemingly bland post-war housing estates and factories, a scattered handful of producers were experimenting with early versions of music production software to create an exotic, end-of-the-century soundtrack to the suburban-meets-industrial landscape.
The compilation features a selection of finds from East London’s second hand record or charity shops over a period of 15 years. Many of which have featured in Jane’s sets over the years, most notably the “Beyond The A13" Podcast for Furthur Electronix. A mix she described at the time as the soundtrack to an area of London “totally bereft of natural beauty, but to me, somehow always full of mystery and wonder.”
Originally released in 2002, Inner Moment / Outer Moment by UK duo Deep Space Organisms stands as a cornerstone in the intersection of dub techno and progressive house. Deep, atmospheric, and immaculately crafted, both tracks unfold with hypnotic warmth and forward momentum—designed for introspection yet perfectly tuned for an elevated dancefloor experience.
Championed at the time by Sasha and John Digweed, these cuts became secret weapons within the UK underground of the early 00s, capturing the essence of an era where melody met texture. Now remastered from original tape source material, Glossy Mistakes revives this sought-after gem as part of the Glossyfloor series, preserving its analogue depth while unveiling new sonic clarity.
DDE Signature Tracks is a record label based in Bogotá, Colombia, curated by the team behind Discos del Espacio Record Shop.
For our fourth release, we proudly present The Boss EP by Gallegos — a four-track record that blends punchy rhythms, rolling basslines, and subtle melodic touches. Gallegos delivers a versatile selection of tracks designed for different moments of the night, from warm-up to peak-time transitions.
From the nostalgic tones of Fueled By Nostalgia to the driving energy of Turn Up Or Turn Back, the EP moves between moods while maintaining a cohesive sonic identity. The title track, The Boss, stands at the center with a confident, stripped-back groove built for the floor.
Closing the release, Colombian duo Rush City deliver an old-school leaning house remix of The Boss.
Out soon on 12” vinyl.
For the second installment of Gabu on vinyl, Baloo and Carlo take control with Lately, delivering their signature deep sound through two tracks recorded in their studio in Berlin.
Both tracks are elevated by standout remixes: first by Tour-Maubourg, with a subtle deep version of Lately, and Black Loops, who brings his fine take on Peanut Butter.
Past Tense returns with a second helping of buried treasure: three previously unreleased tracks from 90s and early 2000s written by US legend John Howard. Made between two millenniums, these cuts blend house, techno, and tech house into a hypnotic, time-warped trip. How they stayed in the vault for over 20 years is anyone's guess.
Next in our original series we’re bringing together two artists from opposite sides of the globe, encompassing various influences which have helped make Seven Hills what it is today. Much like how Uruguayan dance music takes many of its cues from 90’s UK techno, not least the bleep influences from Sheffield, we’ve come full circle by becoming, in-turn, inspired by them too.
The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.
For its third release, Tremendo Recordings brings together long-sought-after tracks by Corrie, one of UK tech house’s pioneers, drawn from his early releases on Wiggle and Bosh. Increasingly hard to find in their original form, these records return as a tribute.
Taken from releases between 2003 and 2005, this selection captures a side of Corrie that feels immediately recognisable: bold, playful and unmistakably his own.
CMDRPX 011 LP We present our second LP with new artwork and cover art.
An LP featuring the best artists on the scene, combining various styles and musical genres.
Enjoy this super release !!!
Since launching in 2018, Innate has been synonymous with cultured techno and now, finally, we get to hear from co-founder Gilbert with his first full release on the label. overdue. The Bristol producer delivers three originals rooted in electro futurism, deep house emotion and Detroit lineage. 'Passage Of Time' rolls with acid detail and warm chords, while 'We Are All Made of Stars' leans into melancholic melody and gentle propulsion. 'Natural Dimension' pushes outward with driving rhythms and shimmering motifs. The remixes are on point too - Nuron reshapes 'Furthest Planet' into raw, emotive electro, while Apiento and Diego Herrera rework 'We Are All Made of Stars' into hazy, analogue proto-house.
DJ Feedback
Laurent Garnier:
"Ohhh wahouuu this is a brilliant release indeed. Loooove it!"
Lexx (Wavetest):
"Good stuff! Full support as usual. "
Sven Weisemann:
"perfecto =)"
Aroy Dee (MOS):
"Well, that sounds absolutely lovely! "
Cignol:
"That Nuron remix too, holy shit, amazing!"
Colin Dale (Abstract Dance):
"This Gilbert EP is killer! Will be rotating and supporting it for sure."
Gilbr (Versatile):
"Love what I hear..."
Jorge Caiado (Carpet & Snares):
"What a record!! Every track is beautiful and the remixes are sooooo good."
Marco Passarani:
"Some good stuff here mate! Will surely play this out."
Miles Atmospheric:
"Lovely package! Superb music!"
Thorgerdur:
"I really love this release! Amazing tunes :)"
Liferecorder :
"This sounds superb ! Solid productions by Gilbert for sure.."
Ivan Smagghe :
"Great originals and great Apiento/Diego Remix..."
Lovefingers :
"Sounds sick!"
2026 Repress
KiNK & Raredub inaugurate new sub-label Spectra on SHDW's Mutual Rytm, backed by remixes from icon Marcel Dettmann.
Spectra is a new sub-label from contemporary techno powerhouse Mutual Rytm, with the project set to showcase memorable singles alongside feature innovative remixers. The name Spectra reflects the wide range of vibes the label will deal with and the diversity of sounds that emerge through these creative reinterpretations.
Needing little introduction, Bulgaria's KiNK is a synth wizard and live specialist who gets more out of machines than anyone else on Earth. He has dropped endless standout tunes ranging from Running Back to Hypercolour and, more recently, Mutual Rytm with his 'Quantum Shake' EP earlier this year. For this latest outing, he works with fellow Bulgarian talent Raredub, known for his own high-octane, distinctive and dynamic sound that has gained supporters From FJAAK to Paul Woolford.
The original 'Time to Change' has already generated buzz and has been a favourite of DJs from across the electronic realm, bringing a forceful and slamming cut with plenty of machine funk. A buzzy lead synth roams through the mix to bring great menace, while garage-like percussive loops keep things moving over a monstrous bassline.
One of techno's most influential DJs and producers, long-time Berghain resident Marcel Dettmann joins the release to offer his unique touch as the first remixer on the project. His 'Reconstruction' brings subtle nuances as he slows the beats to a more dubbed-out house vibe and layers in bright synths and swirling vocal loops that will get hands in the air. His 'Universal Raw Mix' closes the package in style, delivering a stripped-back roller with freaky vocals and eerie synth details.
