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Ltd. Yellow+Red Splatter Vinyl

Die unbestrittene britische Musikikone Dizzee Rascal meldet sich mit dem elektrisierenden neuen Album 'Don't Take It Personal' auf seinem neuen Label Big Dirte3 Records Ltd. zurück. Die LP stellt seine besten Arbeiten in den Schatten und ist eine eindrucksvolle Erinnerung daran, wie Dizzee zu seinem legendären Status kam. Es fängt ihn in aufrührerischer Form ein, während er mühelos und mit unvergleichlicher Leichtigkeit durch eine ganze Sammlung an eindeutig britischen Genres fliesst. Dizzees neuestes Werk, das sich auf prahlerische Flows und beeindruckendes Wortspiel konzentriert, ist eine weitere Siegesrunde eine der prägendsten Legenden der Rap-Musik, und während es weiterhin Reime regnet, denkt daran: Es ist nichts Persönliches.

Massimiliano Pagliara’s Funnuvojere Records is thrilled to present a very special addition to its flourishing catalogue. This new release, ‘Hanging in The Stars Part 1’, comes from Voiski, aka Luc Kheradmand.

Voiski has been a prominent figure in the electronic scene for over a decade, with a discography that spans across labels such as Dekmantel, L.I.E.S, and Delsin Records. With ‘Hanging in the Stars Part 1’, he delivers a collection of tracks that showcases his mastery of sound design and emotive melodies.

‘Romance Mentale’ sets the tone for the EP with its deep, rolling bass line and soaring synth lines. The ambient ‘Harmonie Du Soir’ follows. It’s made of spacious pads creating a weightless atmosphere that provides a luxurious sonic experience.

‘Call It Madness’ has an infectious groove and propulsive tempo. With its layering of arpeggios that implode and scatter, the track creates a sense of euphoric energy that is driven by an unyielding beat.

The EP concludes with the ethereal pads and poignant melodies of its title track. With this unforgettable collection of tracks, anticipation for Part 2 is already building.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

2026 Repress

One of the most magical & original House projects in recent times w/ deep roots in classic Chicago House offers its multiple facets on one EP - Essential Must Have!)

4th release on Rockets Audio come from the mighty Cesare vs Disorder!

Highly recommended!

Purple Vinyl Repress is coming

One of Smiths favourite pieces of music, At Les, has been a remix target of his for a long time but earlier this year inspiration and motivation combined and resulted in two brilliant interpretations which were immediately sent to Carl Craig, purely out of respect. Craig loved them, granted his permission and approval for a special remix package release on Tronic and now, here we are with one of the biggest releases of 2010.

Delivered in both Tronic Treatment and Hypnotica Remix forms, Smith has taken the originals warmth, musicality and emotion and given them the sort of energy and power which has made him one of the most bankable producers of recent years.

The Tronic Treatment remix starts slow but with careful and patient layering of melodies builds to an epic, peak time track which takes on an almost orchestral feel while the aptly titled Hypnotica Remix takes a slightly more aggressive, loopier and hypnotic take.

Repressed on Clear Vinyl for 2022


Dave Clarke Very good, congratulations!

Slam awesome mixes. played last night - a classic just got better really love both mixes

Laurent Garnier what a classy remix of this stunning classic—Will play everywhere and will playlist on the radio BRAVO

John Digweed "Massive!" Both Remixes!

Dubfire "Christian has managed to do a great remix of a timeless classic which is both reverent and of the moment. Well done! I closed with it at Awakenings festival and it sounded wicked!"

Adam Beyer Love the "Hypnotica" remix that Christian made. Been playing it over and over and it was one of the biggest trax during WMC for me!

James Zabiela Oh My God!!!!!! Going on my essential mix that was meant to be handed in this morning. Re-working to fit this in. ANTHEM!!!!!

Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about

time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!

A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!

"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!

The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!

"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.

Meis heeft geleefd, en daar deelt zij met haar debuutalbum het eerste echte deel van. Na het uitbrengen van haar EP 'Een' werd het soloproject van Aysha de Groot omschreven als 'betoverend, met kleine liedjes over grote onderwerpen.'

In het nieuwe hyper-persoonlijke 'Zwart/Wit' zoekt ze daarin nog verder de grenzen op. 'Hoe oncomfortabel en toch troostend kan ik deze plaat maken?' aldus de Groot. Het kenmerkende, warme, intieme, maar toch schurende geluid waar Meis zichzelf mee op de kaart heeft gezet, is nu nóg directer komt nóg dichterbij en klinkt nóg rauwer.

In 'Zwart/Wit', doet de Groot een boekje open over een periode van ziekte, trauma, herstel, kracht en de zoektocht naar zelfliefde. Het conceptuele album vertelt één verhaal. Geopereerd worden, een totale maagresectie, uit voorzorg. Niet jong ziek willen worden zoals haar moeder en oma voor haar, maar wel moeten leren leven zonder maag. De twee weken die Meis in het ziekenhuis heeft moeten doorbrengen waren zwaar en traumatisch. Om de tijd door te komen, heeft zij een dagboek aan teksten geschreven, die later uitgewerkt zijn tot dit album. Ze pakt 3 periodes: Het toeleven naar de operatie, de periode in het ziekenhuis zelf en het herstel daarna. 'Zwart/Wit' bestaat uit 11 tracks, deels licht, positief en hoopvol, deels donker, zwaar en een stuk harder. Zowel tekstueel als productioneel speelt Meis met het zwart en het wit. Samen met producer en muzikant Nicky Hustinx dook zij in het afgelegen Den Dolder de studio in, om de songs uit te bouwen. Geïnspireerd door de directheid van Phoebe Bridgers, de intieme vocalen van Dodie, het rauwe geluid van Big Thief en de donkere en minimalistische producties van James Blake, heeft Meis de ideale manier gevonden om haar verhaal te vertellen, volledig in haar eigen stijl. Het is geen popmuziek, maar toch is haar muziek herkenbaar, maar weet je niet precies met wie ze te vergelijken valt.

New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

KAOS FUEGO IS HERE, A NEW SERIES WERE WE PUSH THE LIMITS IN THE VERY KAOS STYLE, BECAUSE WE ARE PUNK AND WE DON'T CONFORM. PROUDLY INTRODUCING SITA'S FIRST EP, KITSCH MAXIMALIST QUEEN, ONE FOR THE REBELS, FOR THE THOSE WHO ARE LOOKING TO FIND SOMETHING OUTSIDE THE USUAL.

BRINGING KAOS TO A NEW DIMENSION, THIS IS FUEGO01

Red Vinyl

Time has come for Futurepast to release a long format album: Alarm Phase Red - catalogue number FPLP01 - will be the first full-length work from Futurepast founder Davy Vandegaer, appearing here under a new name: Brainwashed Today.

Rooted in a conceptual approach of electronic music, this double LP ranges from industrial ambient to experimental techno. Like an antidote to a twisted reality of controlled screens and mental isolation, Alarm Phase Red uses the raw language of electricity
to reach the core of the machine and sabotage it, reverse its effects by mirroring them. Fighting fire with fire, deflecting the pressure and strain of a world driven by fear and anger, the music of Brainwashed Today acts like a cathartic escape from technological enslavement.

With the purchase of the vinyl comes a batch of three digital bonus tracks pursuing further the sound research of the album.

Dima Disk is back in action & on the shelves with six tracks of dark & moody takes on jungle/breaks on freshly registered Surve Records. Our informants reported that the duo of Robert Nikolajev & Ragnar Rahuoja might have been sitting on this for a while.

We last heard of them on Rubadub’s white label series in 2017. The wait is easily forgivable though –– take “Maribo” with its propelling bass-engines, high flying synth stabs & hi–hat skelter for starters. Sweaty! Or “Pahakas” full of mischievous funk & rumble plus that firm “Woooh!” sample. Smokey, energetic dance equipment for you & yours.

Official reissue of Dortmund's self-released single from 1981. For those in the know a sought-after gem, for everybody else the single you didn't know you need in your life! Comes in picture sleeve with the original artwork. Limited edition.

'Titanic' - quite self-explanatory - is about the queen of the ocean and her sinking as a ship believed as unsinkable. Starting off with its morse code-like sounds it evolves into a heavy grooving mélange of alternative rock, funk, new wave and synth pop.

The B-Side 'The Deep' explores depths you didn't know about. This instrumental jazz boogie funk fusion piece takes you on a five minute journey that will be your life-saver on any day.

In the early 1980s the scene of the Ruhr area was alive and kicking but still under the radar. Musicians played in different bands and projects of various styles. Three guys gathered simply under their city name "Dortmund" and did their own thing which led to this conceptual single - their only release.

Before that Elmar Krohn (keyboards) and Thomas Meyer (vocals, bass, guitar, keyboards) were part of the "Mardi Gras Band", a funk and soul band with a great reputation for their live shows. They were also involved in writing 'Blame It On The Boogie' which got performed by "The Jacksons" in 1978 but that is another story. On the drums they were joined by Siegfried Hermes who also played in the band "Die Salinos".

"After Outer Edges we were trying to find a new direction for Noisia. This resulted in an extensive journey that took us through a lot of new ideas and music.

Although we eventually decided to stop, we are proud of the things we made along the way, and these tunes were always meant to be part of a larger whole. So before we finally close the book on Noisia, we wanted to share them with you, on one last album. Previously released or newly finished, they all represent directions we enjoyed exploring.

In the end, we didn't manage to figure things out. But we did get closer." - Nik, Thijs, Martijn (Noisia)

Weldon Irvine was one of the finest American jazz pianist and composers of his generation. He released several classic albums man of which are now being reissued thanks to P-Vine, but not before being fully remastered for the occasion. Weldon and The Kats was one that he put out on his own label Nodlew Records after releasing some albums through RCA and Strata-East. It is perfectly indicative of his style and has his early work 'Mr.P.C' on it, which was recorded in 1968 with Steve Grossman on tenor sax and sometime Miles Davies associate Lenny White on drums. This one has never been reissued before so snap it up before it goes again.