Buscar:be

We are proud to introduce Trance Pearlz – the very first volume presented as “Flashback 01”. Following the massive success of the MEMORIEZ vinyl series, Trance Pearlz picks up the torch with a fresh selection of trance anthems. True to its name, this release brings together four carefully selected trance gems, presented in their full-length versions for maximum impact. Expect a perfect blend of commercial favorites and hidden treasures from the deeper side of the scene.
Each track was handpicked chosen to take you on a journey through the rich and emotional landscape of trance music. Let yourself be carried away by this first chapter and discover the magic of trance again.
Pressed in Belgium on high-quality vinyl and designed with collectors in mind, Trance Pearlz promises to be the start of a legendary new saga. This is just the beginning, the new journey starts now.

The fourth release on ALT, the sub label of Cartulis Music, sees the return of AV1, the freshly formed French duo composed of Chris Carrier and Le Loup. Following the success of Waves + Plants Pt. 1 (ALT004.1), the pair now delivers the highly anticipated second chapter, pushing the boundaries of their sonic exploration

AV1 is the result of a deep-rooted connection between two of the most respected names in the Parisian underground scene. Chris Carrier, a prolific producer and DJ since the late ‘90s, has carved out a legacy with his unmistakable approach to house and techno. Le Loup, equally revered for his refined touch and forward-thinking productions, brings his own signature style to the table. Together, they craft an electrifying synergy built on a shared love for acid, deep grooves, and classicist house/techno foundations.

Waves + Plants Pt. 2 (ALT004.2) expands on the energy of the first release, offering a fivetrack journey through a diverse soundscape. Blurring the lines between trance, techno, breaks, and experimental sounds, the EP showcases AV1’s ability to merge different sonic textures into a cohesive, cutting-edge release. From hypnotic acid sequences to raw drum programming and ethereal atmospheres, each track presents a unique side of their creative vision.

This latest installment solidifies AV1’s place as a standout project in contemporary electronic music and reaffirms ALT’s commitment to releasing forward-thinking, genre-defying sounds.

FRENÉTIKA RECORDS is a new record label based in Nova Prata/RS Brazil, bringing its second release. “MAGIA DA VUDU EP” was inspired by the experiences of friends and dedicated to a very special friend Thaina Severo, aka Vudu.. The EP features three talented artists from the new Latin generation: Molen from Uruguay, Trajano from Brazil and Alquimic from Peru.

The composition of the EP was meticulously thought out to be a complete and mature record with specific tracks and complementary aesthetics so that it could be used at all times.

Limited 300 copies!

(3*12”, silver vinyl) We’re thrilled to announce the release of “The Mackenzie - Classics EP 2”, the long-awaited follow-up to the popular EP 1 everyone was excited about. This limited edition pressing comes on stunning silver-colored vinyl, with only 500 copies available worldwide. Housed in a deluxe threefold sleeve, this release is a true collector’s item.

The Mackenzie name is legendary in the Belgian trance scene, and this EP brings together some of their most sought-after classics and overlooked masterpieces. Each track has been carefully remastered for 2025, breathing new life into these timeless anthems. This EP 2 is spanning over more than 2 decades of hit releases, amongst of them are “Falling In Love”, “Walk Away”, “All I Need” and “You Got To Get Up”.

Expect rich melodies, mesmerizing builds, enchanting vocals, and that unmistakable 90s spirit that made “The Mackenzie” iconic in trance. This is not just the successor of EP 1 – it’s the final chapter in a tribute to the golden era of Belgian quality trance music.

Four exceptional remixes and edits, brilliantly fashioned by the enigmatic Italian collective, DMND Soundsystem.

ESSENTIAL ITEM
LIMITED EDITION
NO RE-PRESS

DMND EDITS - Support
- Ben Sims "Congrat guys, great EP, especially Bad Rouge"
- Daniel Wang "Toasted Jam is so groovy! A perfect 108 bpm boogie, with interesting sound effects, old school clarinet riffs and a great bassline. I'm going to play it out!"
- Sam Ruffillo "Bomb! Bad Rouge & Silvio Hot my favorites"
- Marcel Vogel "Very cool!"
- DJ Ralf "I really like all 4 tracks"
- Dirty Channels "Bomb guys ! send it!"
- Elado "Sounds dope! Silvio hot my favorite!"
- Matteo Diop "I love it, This is absolutely my vibe!"
- Laura Meester "Nice work! love the bad rouge one definitely my favorite!"
- Greg Gauthier "Very very cool!"

This album, “Crystallization,” was released in 1978 as the second release on Vanity Records, a leading indie label in Osaka during the post-punk era.
The epic musical odyssey envisioned by the then 19-year-old musical prodigy known as SAB was 'crystallized' on magnetic tape using electronic music equipment.
It is a masterpiece of pre-New Age music that emerged before the term “New Age” became popular in Japan.
Although he was supported by two musicians on the recording, the majority of the work is so-called “home recording” based, produced by SAB himself with multiple recordings.
In the midst of the new age revival that has emerged in recent years and the rediscovery of Japanese environmental music, the music has taken on an even more brilliant musical value over time.
This definitive edition features AD conversion/the latest high-res mastering from the original masters, plus correct song titles that clear up long-standing misconceptions!

Breakbeat Paradise Recordings is proud to introduce Miles Kings & The Foolish Knights with the super positive anthem "A Good Day" with a top class remix from our very own Jayl Funk.

Toxic Funk Vol. 19 is all about the uplifting vibes of this original track perfectly written and played with groovy drums, lovely piano line, backing vocals that brings goosebumps and the powerful voice of Miles King.

On the flip side Jayl Funk picks up the tempo and bring the Good Day to the dancefloor with his straight up funky beats and grooves.

Breakbeat Paradise Recordings – consistent and always reliable to delivering you the funkiest beat and breaks out there. Look out for more coming soon…

Loose Joints – Tell You (Today): A Rediscovered Classic Reimagined

Loose Joints was the disco brainchild of Arthur Russell - a visionary composer and producer who helped shape the sound of New York’s underground club scene. Unlike many of his contemporaries who chased polished perfection, Russell embraced rawness and spontaneity. A classically trained musician, he mastered the art of crafting “perfect imperfections,” infusing disco with a punk attitude and an intellectual edge.

“Tell You (Today)” emerged from the same legendary Blank Tape Studio sessions that gave birth to the cult favorite “Is It All Over My Face.” Like its predecessor, it features a cast of handpicked studio luminaries and disco outliers, all guided by Russell’s distinct vision. But while the DNA is similar, this track veers more toward leftfield pop, buoyed by Russell’s unmistakable vocals.

On the A-side, DFP presents a masterfully updated take on Larry Levan’s original remix. Blending unreleased outtakes with refined sonic upgrades, this “Special Version” stays true to the source material - making only the most delicate adjustments to optimize it for today’s dance floors.

The B-side is a gem in its own right. It features the elusive New Shoes Mix with Parts I & II edited here for seamless, continuous play. Long shrouded in confusion due to misprints and misattributions - from the 1983 release to various reissues - while labeled as New Shoes it has in most iterations been a variation of the Larry Levan mix.

Now, for the first time, DFP Vaults is proud to present the New Shoes Mix in its full, 15 minutes, intended glory - finally giving this lost version the recognition it deserves.

‘In Too Deep’ is the third single to have been released from Dead Or Alive’s 1985 CBS Records album, “Youthquake”. • To give it more impact at radio, the single was given a twist with a new remix. • This Limited Edition 7” vinyl picture disc continues the 40th anniversary celebrations of this album. • ‘In Too Deep’ entered the UK Singles chart on 29th June 1985 and became the second Top 20 hit from “Youthquake”, reaching #14 with a nine-week chart run. • ‘In Too Deep’ was released in several territories and charted in Australia, Finland, Germany and Ireland.

"Summer Jam" is back! A long-awaited repress of this powerful and joyful tune described as "acid pied piper", with new artwork and new flip-side. EM Records is very happy to again bring you our favorite tune from the artist known as Tapes, here in a 10-inch vinyl/download format that, with its good vibes, positivity and major-key delightfulness, will rescue you from any doldrums you are experiencing, whether personal, societal or cosmic. "Summer Jam" is a solo recording from 2019, but it soars over the worries of the year, any year, with an up- lifting rhythmic lilt, a positive tonality, non-annoyingly catchy melodies and some lovely sonic textures. There's something here for fans of bass music, mid-80s-and- beyond electronic music, and pure toe-tapping good times. There's a sweet chord progression and background drift in the title track that are particularly pleasing, and the flip-side is a very satisfying "acid" live version with his ally, 7FO, that will lovingly catapult you to another major-chord heaven. The sun can shine anywhere, anywhen, so enjoy!

Halina Rice is a London-based electronic music artist known for her groundbreaking approach to music production and live performance.Rice has established herself as a leading figure in the contemporary electronic scene, blending complex soundscapes with immersive visual elements.

Her previous releases have been praised for their innovative use of technology and emotional depth, earning her a dedicated following around the world.

EVOLVE came about through her work in spatial audio where sounds are separated into granular objects and combined to create highly textured compositions.

Rice has toured the album extensively across the UK and Europe with sold out headline shows as well as festival appearances including a recent appearance at Polygon London live on the lineup with adjacent artists Jon Hopkins and Max Cooper.

Press coverage for the album includes Mundane Mag, Narc Magazine and previous support for the artist project includes feture length articles in Electronic Sound Magazine, DJ Mag, Mixmag, Decoded, Earmilk and Headphone Commute.

"EVOLVE's audio palette is a mix of organic and industrial sounds and beats that capture moments fleetingly. As the album title suggests they evolve and shift... exhilarating as the buoyant energy of the sounds grab your ears' attention, eager for your body to move."

Narc Magazine

Since being discovered by the Mainz-based lounge label “Wohnton” in 2003, Flashbaxx’s jazz and funky
beats have been featured on international compilations—including releases on Sony Music, EMI, and
Ministry of Sound. His productions appear alongside artists such as Moby, Jazzanova, Blank & Jones, Die
Fantastischen Vier and Bonobo and are regularly played by renowned DJs and tastemakers like Rainer
Tru by (Compost, DE), Robert Luis (Tru Thoughts, UK), and Mark Farina (OM Records, US).
His latest EP Take Care My Friend (NuNorthern Soul, UK / 2022) was enthusiastically received by the scene.
For the remix EP (NuNorthern Soul, UK / 2023), he brought on board renowned producers such as Atjazz
and Moods.
In his "feel-good" DJ sets, he effortlessly blends various styles, ranging from downbeat to house with
elements of disco, boogie, jazz and funk. Since 2024, Flashbaxx has been performing again as an electronic
live act, showcasing his unique mash-ups of disco and house classics. His high-energy performances have
already taken him to legendary clubs like the KitKat Club in Berlin. In June 2025 selected tracks from his live
set will be released as “Gazelle” EP on the newly founded label Groovers Trax (Leipzig), fulfilling his longheld
dream of creating an uncompromising house record with a disco twist.

Behind the Alpha One project is music business veteran Nicky Kalliongis - Atlantic Records sound engineer, producer, and songwriter. It is worth mentioning that Alpha One feature musicians from the legendary band Change, which guarantees maximum Boogie funk excitement.

Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch

The undisputed king of Disco House Purple Disco Machine returns to his club roots with retro-inspired release ‘Ghost Town’ ft. Rertosonix. Fresh off reworking the Hurts classic ‘Wonderful Life’ and delivering a huge remix for ‘Born Again’ (Lisa ft. Doja Cat & RAYE), the Dresden-born producer is once again ready to conquer the dancefloor with his signature sound. Tailor-made for that insatiable desire to dance, it’s a release engineered for movement, locking straight into the pulse of late-night energy and crowd euphoria. As such, the track is unsurprisingly becoming a favourite in Purple Disco Machine’s sets already, where dates in Mexico, the USA, and Spain have left the dancefloors anything but a ‘Ghost Town’. Armed with a dancefloor weapon, Purple Disco Machine drops the release early for DJs on Beatport.

A master of channelling the nostalgia of dance music’s beginnings and blending it with a modern-day flair, Purple Disco Machine has expertly crafted a record reminiscent of throwback disco cuts. The soulful vocals come courtesy of Retrosonix, successful songwriters who have come together to specialise in retro disco vocals that ingeniously feel straight from the archives. You’ll be sonically transported back to a time when disco was heard on every corner. Tactfully letting the powerful hooks and provocative lyricism lead the rhythm for the tune, Purple Disco Machine’s iconic groove-driven beats and mesmerising synths lay the foundation for a dancefloor classic. Crafting breakdowns dripping with funk, the disco maestro builds to a crescendo that will undoubtedly be a crowd pleaser for his many shows in 2025.

On the release, Purple Disco Machine said: “While a number of my recent records have referenced the more electronic 80s disco sound, I never lost the love for the classic funky disco of the 70s - which in many ways was the original blueprint - and so it has been equally inspiring and enjoyable to work with this palette again. I'm hoping that the listeners are as haunted (in a good way…) by Ghost Town as I am !”

On Friday 25th March Parlophone Records release “Remixes” on double CD and triple vinyl LP. The album is an updated version of the 2020 Digital compilation of the same name, featuring mixes that were originally released between 1991 and 2021.

Alongside Kraftwerk’s own remixes, the album includes some of the world’s biggest DJs and Producers, including François Kervorkian, Orbital, Underground Resistance, DJ Rolando, Alex Gopher + Étienne de Crécy, William Orbit and Hot Chip.

Armand is the debut of a sound collage project called PVNCTVM, which refers to Roland Barthes' term "Punctum". A handful of field recordings, taken during extensive walks through nature and landscapes of certain places, evoke memories in a similar way as sometimes photographs do. Based on this material, personal impressions, literature, photographs, sketches and more a process of various sound experiments begins to create soundscapes which reflect the deterioration of memories between various states of mind. Instruments and other sound sources are used symbolically, as are elements of musique concrete, ambient, glitch and drone.

Just_Me kicks off the vinyl arm of his new imprint Interkom—a label built to reflect his evolving sound and vision with full creative freedom.
The debut EP features three original tracks, backed by a standout remix from Berlin-based Harry Wills, fresh off a string of sought-after releases.
Each cut has been tried and tested on dancefloors worldwide, laying a strong foundation for the label’s sonic identity.

Mannequin Records presents Artificial Salvation, the long-awaited next chapter from Taiwan-born, Berlin-based artist Jing. A visceral journey into fragmented identity, post-human desire, and sonic disobedience, the album marks a bold evolution in Jing's unmistakable language—where rhythm is weapon, voice is distortion, and silence is political.

Known for her uncompromising DJ sets and past releases exploring industrial textures, field recordings, and haunting spoken word, Jing now delivers her most narrative-driven and confrontational work to date. Artificial Salvation lives at the intersection of club dystopia and spiritual unease: glitched-out techno structures collide with ghostly chants and collapsing machinery, echoing themes of surveillance, digital exile, and existential displacement.

Crafted between Taipei and Berlin, the album draws from a palette both hyper-modern and deeply ancestral—melding broken beats, noise, and vocal manipulation into an unflinching statement of intent. This is not music for escapism. This is a sonic exorcism.

You may know this South East London local under a different alias but here with a new mysterious moniker, R.Aldem steps up for Vol.1 on Camberwell Crime Syndicate. Three killer edits that you need in your life. A Camberwell Beauty indeed. From SE5 to the world!

NZO goes sick on a standout debut album for Demdike Stare’s DDS, distilling 2-step UKG, R&B and computerised funk within whirring mechanisms adjacent to mutant jungle and footwork - the proper good stuff.

On ‘Come Alive’ SoYo’s NZO bruks wild but tight on nine tunes chiselled from a distinctive percussive palette cut into fidgety, soulful samples. She dances in and around the cracks of myriad styles with a canny grasp of limb-animating, rhythmic diffraction; all stop/start rhythms and stuttering diva-vocaloids arranged with a rudely shatterproof, grooving pliability. More simply put: it’s dance music for those who like to get super loose and freaky with it.

Chopped up and stitched together over six months in Sheffield, it’s not hard to hear a lineage of advanced Afro-American rhythm science that also feeds into SND’s jerky-but-sexy angularities, and subsequently Rian Treanor’s rugged pugilism, now morphing back to the source, but heavily skewed with it. Her judicious sampling of R&B gems is offset in obliquely funked-up structures in ways that knowingly mess with conditioned anticipations yet never lose sight of the ‘floor, and we’re here for it.

Jumping in with the writhing darkside tekkerz of ‘Rolling Around’ and clocking out with a standout downbeat pearl ‘Looking For’, we hear her displace amapiano closer to halfstep D&B in ‘AXMM’, and decimate 2-step like Akufen on ‘CFML’, while ‘K-space baum bap’ appears to dart in the spaces between UKG and singeli, and the sloshing congas, bass motifs and dub chords of ‘Deadweight’ settle to a sort of aqueous UKF.

2026 Repress


Chicago's Peven Everett has long had a cult following for his own unique, live take on House music. The co-producer and vocalist of Gabriel, which was not only one of the most legendary soulful house tracks of the 90’s but also helped define the two step/garage sound. In 2002 he released 'I Can't Believe I Loved Her' on King Street Sounds offshoot label, Nite Grooves, a soulful piece lamenting a love that went wrong. The track was a worldwide hit and quickly earned itself classic status amongst DJ’s and dancers alike. Both the Original and Calypso Mix are featured on this special charity reissue with all proceeds from this release being donated to Peven’s GoFundMe to help with his lung cancer treatment. Essential!

With their second album on Muzan Editions, Osaka’s DUP SYS delivers a sound that might be best described as an updated version of John Hassel’s idea of 4th world music. Put your headphones on and feel fully immersed in DUP SYS’ rich sounding combination of field recordings and evocative soundscapes. 

Max Watts, the elusive force behind Limited Network, emerges from the shadows with his first double-pack release, Archives EP. Watts reveals a selection of tracks that have remained hidden—dating back to 2019 and never before appearing on vinyl. Despite the ongoing enigma surrounding Watts and Limited Network, Archives EP is a stark, no-nonsense exploration of minimal techno. Drawing inspiration from pioneers of the second wave of Detroit techno, this EP delivers eight tracks steeped in raw energy. From the chilling synths of the aptly titled “Sinister Loop” to the punishing beats of “Low Rider” and the disorienting rhythms of “Multitask,” this release is a compelling addition to the toolbox for those who navigate the darker corners of the genre.

MEMBERS ONLY is back with more freaked out weirdo edits to excite your night. As lo-fi as ever, volume 7 of the series leans hard into disco territory with 3 heavily chopped tracks harkening back to RON HARDY's legendary tape edits at THE MUSIC BOX. For those who know.

Dense, deep, drifting in the universe between dream, memory and reality.
Thought-provoking impulses with a philosophical background add an empathetic component to the power of the narrators' words in a charismatic way.
The common thread running through the four tracks like a warm red ribbon is a homage to the freedom of the individual.
A utopian sound clip that tells of acceptance and departure.

Formed in the legendary Italian disco scene of the late 70s, CHANGE's produced hits such as 'The Glow of Love' and 'Searching', transcending national borders to become global icons of a soulful dance music that fused European sophistication with American soul influences. This new single featuring the beautiful voice of Tanya Michelle Smith perfectly captures the essence of soulful disco, blending live instruments with delicious vocals and should appeal to a wide range of dance music fans old and young…Package includes 2 MM & AT’s remixes plus Original and Figo Sound & JL Remix.

A new album, a new era for Adam Beyer and his music. The revered Swedish producer, DJ, and label head of Drumcode and Truesoul has consistently pushed the boundaries of techno in his own 30+ years of releases, while his imprints have launched many new artists and boosted the clout of major stars.

‘Explorer Vol. 1’ see's Adam Beyer showcasing his inspiration from his whole past creative journey whilst continuing to explore different sounds and new genres. It reflects permutations of Adam’s headspace and who he is, celebrating his personal interests and influences including in sci-fi, both musically and visually. A new age for Adam Beyer, after a prolific slew of superb EPs, singles and collabs which have spanned 20 years since his last LP.

The epitome of raw, functional, Westside house. Stripped back to the barest essentials, leaving behind 6 cuts of pure punishing dance floor energy. Originally released on the legendary DANCE MANIA in '96, this 2025 reissue includes the previously unreleased "WESTSIDE BOOGIE 1996"

Desirée Falessi’s Existential Instinct EP marks the 30th release on EYA Records, and we are celebrating this milestone with her distinct blend of intensity and introspection. Built on pulsating rhythms and haunting atmospheres, the record transforms raw rave energy into hypnotic, transcendent moments. The result is a deeply personal and forward-thinking collection that reflects Falessi’s unique style and influences

Swedish italo disco / synthpop duo Sally Shapiro announce their fifth studio album, Ready To Live A Lie. Taking inspiration from synthwave, italo disco, nudisco, indie pop and bossanova, the album becomes their second for Italians Do It Better - again mixed together with label founder Johnny Jewel (Chromatics, Glass Candy, Desire).

Following their mesmerizing debut Tradition, CHO CO PA CO CHO CO QUIN QUIN return with Correspondances—a 7-inch release that drifts effortlessly between organic textures and delicate electronic landscapes. Expanding on their signature blend of dreamy synth work and nylon-stringed warmth, the trio refines their approach with a more mature, immersive sound that feels both nostalgic and forward-thinking.

The A-side, “Adan no Umibe” (Adan’s Seashore), opens with a soft, relaxed vocal delivery reminiscent of Haruomi Hosono’s solo work, floating over a gentle groove of nylon guitars and spacious synths. It captures the essence of a quiet shore, where melodies ebb and flow like waves against the sand, infused with the scent of Okinawa.

The title track, “Correspondances,” embraces an airy, ambient minimalism. Whispered vocals glide over sparse beats, floating basslines, and interwoven birdsong—blurring the lines between nature and sound.

Closing the record, “Koe o Kikasete” (Hear Me Your Voice) introduces a subtle rhythmic pulse, with its soft vocal refrain weaving through a beautiful chord progression, layered with nylon guitar and delicate electronic textures. The birdsong theme resurfaces here, echoing the lyrics and enhancing the immersive, weightless atmosphere.

While rooted in the warmth of vintage Japanese pop experimentalism, Correspondances carries CHO CO PA CO CHO CO QUIN QUIN’s sound into new, refined territory.

This is a record of quiet yet deeply expressive beauty—an invitation to pause, listen, and drift.

“In Search of Echoes” marks the third vinyl release from Detroit-based electronic music producer Scott Avery, continuing his genre-bending approach to dance music seen in previous vinyl and digital releases. In this EP, Avery delves deep, using sonar technology as a metaphor to discover new sonic territories.

Minneapolis producer Jeff Swiff—the man behind the Twin Cities’ long running House Proud series—comes to Real Feel with three tracks of proper midwest deep. Byron the Aquarius provides the finishing touch with his remix of Feel for Yuh.

Limited to 500 Pieces, Vinyl Only, Mastered by DJ Steaw, Made in Europe

MY NAME IS DJ K-1 (Original Mix)
Keith Tucker Aka DJ K-1 comes back with his original minimalistic electro style with vocals and vocoder loveliness. The ep harkens back to his original K-1 Agenda ep days of the classic Direct Beat label which spawned the first of Tuckers many aliases. Tucker takes this first original mix into a more Kraftwerking style with his infections and Unforgettable vocoder work.

MY NAME IS DJ K-1 (DMX Krew Mix)
DMX Krew’s Ed Upton takes his stab at a more sample bass mix in step with Tuckers seminal work In the Detroit Techno Bass group Aux88. The DMX Krew never disappoint Upton’s bassline ads a dark menacing mix.

MY NAME IS DJ K-1 (Beat Mix)
A Loop bass mix of straight funk and vocal to blend and create that funky Detroit funk that mixes with anything.

MY NAME IS DJ K-1 (Detroit Jit Mix)
Detroit Jit mix has full vocal rap track with a message. Detroit Jitters and DJ’s will eat this up.

MY NAME IS DJ K-1 (SPOCK Mix)
Spacey minimal bassline with that eerie string that makes the floor move as SPOCK would say it’s logical…

MY NAME IS DJ K-1 (NAVI Mix)K-1’s takes this mix more in a bonus beat montage of echoes from the ever-present synth bassline that moves the beat in a hypnotic state with the help of NAVI

Originally released on a rare 1971 album by the obscure band Body And Soul, which now fetches hundreds of dollars, these two tracks are available for the first time ever on 45 vinyl. A must-have for collectors and fans of classic soul and funk.

The A-side, "In the Beginning," blends rich funk grooves with soulful melodies that evoke the iconic arrangements of Sly Stone. On the B-side, Body & Soul delivers a fresh, funky rendition of Laura Nyro's timeless "Stone Soul Picnic."

Available now on Rocafort Records – don't miss out!

ELECTROSTATIC's newest artist, Detroit-based Sheefy McFly, takes it back to the "Rock" on this one. "Belle Isle 2099" is an Electro-Ghetto-Tek Banger that hits like the ZAH… Let's go.

Comb is back on I Travel to You with two reworked disco gems. Both have been refreshed beyond edits, extended, and pressed loud on a 12-inch. Don’t Wait has been stripped back and rebuilt to give space to an addictive vocal, suitable for a Paradise Garage dancefloor. Spotlight shines brightly on the B side with an up-tempo hit aimed at the good people moving, they are the perfect audience for this song!

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

Lars Bartkuhn returns to Rush Hour with “See The Light”, as deep and complex as we have come to expect but as always his ever-present hunt for new inspiration and unique approaches is clearly evident across all 3 mixes of this beautifully deep yet pulsating track!

Originally written as a final foray into house music for the legendary Needs co-founder, this production aimed to “push boundaries within the world of electronic dance music, integrate fresh new elements, bring new compositional perspectives to the listener and to create overall rewarding experiences.”

It’s a deeply personal track, best summarised by the incredible piano solo in the Full Experience Mix. In Lars’ own words, “I am ten million light years away from being a good pianist, but for some reason I NEED to play those kind of things…even if they are raw, primitive and incomplete and lack parameters like elegance, fluidity and wisdom - I need to express myself in that very moment in this exact way.” It’s these unrestrained moments of brilliance that create rich palettes of sound with deep textures, organic rhythms and joyful melodies that keep your ear constantly engaged.

The Full Experience Mix is a near-13 minute trip through lush vocals, complex percussion, deep chords and raw piano solos that guides the listener through the changing motions of “See The Light”. Backed by two dub mixes, Inner Experience hones in on the keys and synths - truly elevating those striking notes. Opening with atmospheric percussion, the Dub Reprise settles into a chugging rhythm that brings the drums to the forefront.

“When a musician/composer really goes ‘all in’ there is almost nothing impossible. If you really pour out your heart and give all the sweat and tears you have you create a kind of zone where everything fits together in mysterious ways.” - Lars Bartkuhn

This record label is connected to ZEL Events and aimed to release music from residents and artists around our community.
We present one of the founders, Francesco Salvadori, with a 5 tracks EP between House, Minimal and Techno. A tribute to the territory and musical roots developed during his first contact with club music.

30 years old and sounding better than ever!
The growing bin is over the moon to present a vinyl reissue of Maim That Tune,
the timeless downbeat album that many regard as Cobby & McSherry's best joint effort.
Back on wax for it's 30th birthday - remastered with finesse by master Sergey Luginin
it will blow the minds of those who have listened to to it for hundreds of times
and those who have the pleasure to be At Home In Space for the first time.

After the nostalgic disco album Lido Sirena and the spiritual housy Aqua Viva, Francesco Fisotti came back with his adriatic sound, this time inspired by the broken-beat scene from the 2000s accompanied by the young talented Italian singer Lauryyn, the musical genius Stefano De Santis and remixes by Steal Tapes and XL Regular. The sound from Apulia never been so bruk, blue and eclectic.

Nach THE THE’s Album und der ausverkauften Tour letztes Jahr geht es dieses Jahr weiter mit Daten in Hamburg, Berlin, Wien etc. und im Herbst kommt noch die Dokumentation über Matt Johnson namens „The Intertia Variations“.

Um die Wartezeit zu verkürzen haben wir vorab noch ein streng limitierte Vinyl- und CD Single mit dem Song „Slow Emotion Replayed“. Hierbei handelt es sich um eine Neuinterpretation des 1993 auf dem Album DUSK erschienenen Tracks „Slow Emotion Replay“, welcher einer der großen Hits von THE THE ist.

Als B-Side ist der ebenfalls unveröffentlichte Instrumental-Song „Crow Commotion Displayed“ enthalten.

Die CD-Single enthält überdies 4 zusätzliche Titel, die ursprünglich als B-Seiten auf den 7"-Vinyl-Singles von THE THE zwischen 2020 und 2024 veröffentlicht wurden: ‘When Is The Heart Of Waiting’, ‘Mycelium Muse’, ‘Frozen Clouds’, ‘Velvet Muscle Scream’.

BBE, the iconic force behind the techno trance sensation, is making a powerful return with not one, but two electrifying new tracks: Hurricane and Sturm der Liebe. "Hurricane" sweeps listeners away with its nostalgic, heart-stirring melody and smooth, captivating vocals, creating a wave of emotion that’s impossible to resist. "Sturm der Liebe" is a masterfully crafted DJ tool that builds and swells, effortlessly blending ethereal, trance-like elements into an exhilarating journey of sound. With these two tracks, BBE proves once again that they are at the forefront of creating truly unforgettable, genre-defining music. On the b-side the new collaboration between At The Villa People & Fred Hush is all about techno, trance and acid influences mixed with dreamy vocal details, "Indian Summer" is a peak killer that will definitely make your dance floor explode. Not to be missed.

An obscure yet relevant experimental album from 1995 where IDM meets Jazz, Funk, Ambient and Downtempo, originally released on the Input Neuron Musique label and now fully remastered & reissued. Roupe aka Rupert Brewer was responsible for delivering two Long Player's combined with two EP's and a smattering of a few compilation appearances - something which given his obvious talent should have resulted in much more at the time. His 'Strom' album is something which is not easily defined yet remains sounding fresh today as it was back then despite not fitting easily into any classification but being packed full of variety and quality. A real gift for the adventurous listener.

With its title a quotation of Jesus from the gospel of Matthew, this is quite possibly the most well-known album with "Satan" in the title, all due respect to the Louvin Brothers.

Recorded on the stairway of Jack White's home in the Indian Village neighborhood of Detroit, this album features marimba, tympani, mandolin and bells, as well as the usual guitar and drums and piano. Described by someone as an "oddball masterpiece," it was not commercially released on vinyl until ten years after its initial release.

Richard Rozen - Dialogue for Desires (w/ Tommy Vicari Jnr Remix)
Following the inaugural BF00, Based Faith continues its journey into the religion of the dancefloor
with BF01, Dialogue for Desires, a four-track exploration of energy, groove, and emotion from Richard Rozen, featuring a remix from Tommy Vicari Jnr.
On the A-side, Dialogue with You in My Dreams is an electrifying cut, driven by classic house stabs, rolling vocal chops, and a relentless 909 groove, blending playful energy with forward momentum. Tommy Vicari Jnr strips it back for a transformative, hypnotic remix, carefully deconstructing the original before building into an explosive moment sure to please the discerning dancefloor.
The B-side intensifies with We Are Our Desires, a serious workout drenched in tension and groove, subtly asking: "Is this forever?" Closing out, That Time pulls things inward, offering a deep, minimalistic journey through layered textures, introspective movement - and of course - plenty of cowbell.
This release is a Vinyl only, limited pressing, and there will be no repress-for the believers.

Hardcore Rap music is still here! Mike Redman is considered a cult legend known for his unorthodox music production in various genres. He's well known as an artist in the Jungle and Hardcore scene, as a renowned movie score composer and made a name for himself as organiser of the infamous 'Redrum Hip-Hop' events since the 90's which hosted international artists from Guru to Cannibal Ox, Public Enemy, Beatnuts and many more. He also set up Redrum Recordz, a pioneering independent record label focusing merely on anything musically unpolished. Even though Mike Redman (which is his name of birth by the way) was often linked to many Hip-Hop success stories and produced records for artists such as Public Enemy and Big Daddy Kane, Mike has just recently, after many years, decided to produce a solo record featuring the Rap artists he admires and form the foundation of his legacy. With great respect towards his mentors, in a non-profit manner, Mike now releases 'Redrum Relics' featuring Rap icons such as Kool Keith, Chuck D, Schoolly D, Sticky Fingaz, Young Zee, Chino XL, O.C. and many more. This album is truly exceptional and is not made with the intention to be commercially successful, but is a love-letter to a period in time where passion was the motivation. 'Redrum Relics' brings Rap music back to the golden era with a contemporary touch and keeps it unpolished and unyielding as ever. People that tend to say that Hip-Hop is dead might want to reconsider.

A1 - Tried So Hard
Intensely atmospheric from the outset, Tried So Hard sees ASC explore a more minimal approach to breakbeats with sparse drums and kicks tentatively held at arm's length by imposing hi hats. Dripping with depth and a dense layer of synthwork enveloping the landscape, this unique track develops continually with a suite of interlocking effects while the vocal yearns "I've tried so hard" - both haunting and thought provoking.

A2 - Parallel Seas
Cheery synths and lively bongos introduce us to Parallel Seas, which quickly becomes a glorious, powerful amen workout providing that perfect blend of atmospheric bliss alongside crunchy, analogue amens programmed with ASC's exquisite attention to detail - crashing triumphantly to an upbeat rhythm, littered with rousing vocal hits, elegant synthwork and nods to yesteryear galore.

AA1 - Alacrity
An energetic, surging breakbeat powers Alacrity as ASC utilises breaks reminiscent of classic driving atmospheric tracks of the past from scene legends including Intense and Artemis. Uniquely constructed with a pulsating, fluid energy, the break pattern utilises relentless kicks, cymbals and a wonderful long snare primed to move the dancefloor as synths wash and a lush vocal whooshes along in ecstasy.

AA2 - Glimmer Of Hope
Jumping straight in with a DJ-friendly beat intro, ASC selects a crisp, definitive selection of old school cuts for Glimmer of Hope, chopped and served with a barrage of sci-fi effects, micro melodies, a bellowing, rumbling bassline and a serene intensity driven by dreamy pads resulting in a perfect patchwork of elements, offering endless layers of detail for your ears to pick through with each listen.

Words by Chris Hayes (Spatial / Red Mist)

Orphx makes a striking comeback with a six-track EP on KR3, celebrating Rich & Christie's three-decade career in the industrial music scene.

Theikos EP - spans multiple eras and moods, merging raw, ancient production methods with modern interpretations. The result is a sonic landscape that bridges pulsing club rhythms with the intense energy of extreme electronics and death industrial. The title track, "Theikos," began in 1998 and was only finalized in 2024, years of evolution shaping it into a truly formidable piece.

This 12" release stands out as a deep and fully realized body of work, filled with personal insight and resonant echoes of a primordial world.
The standard edition comes in a sleek single-pocket gatefold sleeve, featuring a 1997 photograph taken in Toronto by Michael Nine, capturing the duo in their early years and visually anchoring the album to the roots of their sound. Limited and special editions include an exclusive booklet with archival photos of Orphx and a poster, along with a promotional videos featuring remastered and reimagined archival footage created especially for this release.

Acerbic returns following his fantastic album on SUF vs Hydraulix with 3 hard and acid techno track on newly formed label Dexstar Recordings. The labels second release with 3 tracks and 3 lock groves, you won't be disappointed!

Lars Huismann drops fourth essential release on Mutual Rytm with 'Catharsis', following his successful 'Sounds From The Past' trilogy.

German producer Lars Huismann has a percussive and groove-driven take on techno that often comes with scintillating melodies and separates him from others amongst the genre. His releases have come on labels such as Dolly and Soma; however, he has also quickly become an essential member of the Mutual Rytm family, having contributed to the label's 'Federation Of Rytm III' VA as well as serving up a trio of forward-thinking EPs in the form of his 'Sounds From The Past' trilogy. Delivering yet more stellar material on SHDW's thriving imprint, his latest EP delivers the newest evolution in his sound while maintaining his signature sonic essence.

The hunched techno funk of 'Divergence' kicks off with plenty of plenty up energy and tight, bouncy synth vamps, while 'Portal' goes deep into a futuristic landscape with static-laced synths and oversized hi-hat ringlets that ramp up the pressure. The mighty 'Neural' is brilliantly functional and linear techno with a playful synth that rides up and down the mix as the sleek and slamming drums race onwards. 'Riot' brings some extra raved-up madness with serrated synths and raw percussive energy, and 'Technician' then slips into a deeper, more paired back sound with liquid synth lashing about the mix as dubby undercurrents power along the punchy rhythms and freaky vocals bring the menace. Digital bonus cuts 'Incognito', a fizzing, busy, textured techno workout, and the machine soul of 'Submerged' close out this high-grade EP in style.

Steve Redhead returns to Mutual Rytm with second searing EP, 'Cosmic Alchemy'.

Belgium pioneer Steve Redhead is the founder of Reda Recordings and has spent his life immersed in techno. His potent take on the genre has appeared on labels like MB Elektronics, Zync, and Primate and has helped define the sound of the underground within his home country over the last 25 years. Returning to SHDW's Mutual Rytm imprint following his well-received 'Eastbook Isle' EP last year, he's back to impress again as he uncovers six new productions with his latest EP, 'Cosmic Alchemy'.

He shows his class from the off here with opener 'Sincfala', bringing the heat with banging drums and rusty percussive loops. Yelping vocals add raved-up intensity, while 'Rapidshare' is energetic and loopy with funky drum patterns and loose-limbed percussive madness. The fantastic 'Ad Valvas' is another straight-up linear banger with tightly woven drums, percussion and lithe synth lines that take you to the heart of the dance floor and 'Nusakan' is a muscular wall of drums and toms with urgent synth stabs powering it forwards with great intensity. 'Asmodeus'
brings a more zoned-out feel with soulful pads and subtle vocals layered over the elastic drums and bass, before digital bonus 'Voice Incident' delivers another perfectly textural techno workout with melancholic motifs and surging synths that bring warm rushes of emotion to the grooves.

Berlin techno talent Regent returns to Mutual Rytm with second 12" release, 'Delta Hyve' - a five-track package lined with peak-time heat.

Regent is an ever-growing voice in the global techno conversation. His tracks have found their way into high-profile sets worldwide and are renowned for their impressive blend of the past and the present. Versatile but always designed for maximum impact, delivering an impressively crafted sound made for powerful systems, this new outing offers a wealth of different moods and grooves for various parts of the night. Returning to SHDW's Mutual Rytm imprint following 2023's successful 'Coral Knife' EP, he unveils a fresh selection of cuts that emphasise his emergence with 'Delta Hyve'.

The title cut 'Delta Hyve' opens up with devastating low ends and busy synths that scurry about the mix to bring dynamism to the rooted drums, while 'Ophaal' delivers thumping kicks and coarse, textured hits scrape and scratch, while supersized hi-hats bring the intensity to all new levels. 'Hygea Core' brings the pressure with hunched-over drum patterns and a sense of urgency in the bass, while creepy pads create an unsettling atmosphere. 'New Narrative' powers on like a train with high-speed rhythms and metallic percussive surfaces, all sweeping you off your feet, before 'Ree 54' switches things up with bright synth flashes and more extraverted grooves that hark back to the machine soul of early Detroit techno.

The first digital bonus, 'Presence', is intense and tinged with the grit of a warehouse and menacing vocals, while 'Rheplica' delivers unrelenting loopy drum funk with shattered glass melodies to close the show.

Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

This Pink Lambo’s EP rides smooth with a hip-house bounce, that trunk-rattling bass, and a touch of Miami flash. Retro flair, rooftop energy — strictly for those who move slick and think fast.

Available on LP for the first time outside of Japan, experimental rock pioneers BORIS & noise mastermind MERZBOW present Klatter, the third collaboration between the two groups, and 04092001, a collaborative album featuring live renditions of the original Heavy Rocks LP!

Another early standout release from Speedy J's vast catalog. The follow up for the 'Rise EP', also originally released on Plus 8 Records in 1991, with the apt named title track 'Evolution'. Jochem's style of producing music was evolving while still influenced by all the music arriving in the Rotterdam import record stores. The US, UK or Belgium didn't matter, good music was the key... but this was definitely one of the pre-cursors to his first album.

LILAS06 — FEDO
For its sixth chapter, Lilas Records shines the spotlight on a rising voice in the Eastern European minimal movement: FEDO.

Hailing from Ukraine and of Greek descent, FEDO is more than a producer — he’s an architect of acoustic space. With a seasoned background as a DJ and sound designer, he bypasses genre boundaries, carving out his own distinct path between deep minimalism and textural innovation.

On LILAS06, he delivers four original tracks that encapsulate his sonic philosophy:

Precision without coldness, groove without compromise.

Feather-light percussion meets rolling basslines, wrapped in immersive atmospheres and delicate spatial play.

Here, minimalism is no longer austere — it becomes expressive, hypnotic, and profoundly human.

Limited to an exclusive run of 200 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siragusa, Silat Beksi, and more.

LILAS06 isn’t just another record — it stands poised to leave an indelible mark on the global underground music scene.

This Spring, the Psionic imprint returns with its seventh chapter, welcoming rising Uruguayan talent Juanma Alegre to the fold. Across four forward-thinking, rave-infused cuts, Alegre blurs the boundaries between mysticism and pure dancefloor drive.

The journey opens with “Capsule of Time”, a deep, pulsating opener awash in acid-laced atmospheres and hypnotic grooves. Next up, “Selvinter” delivers a seismic mix of rolling drums, liquid acid lines, and dreamy pads—built for moments of late-night transcendence.

Flipping to the B-side, “Intrus” locks into intricate percussion and mind-warping textures, maintaining pressure without letting up. Finally, “Going Inside” closes the record with breakbeat pulses and off-kilter rhythms, channeling raw emotion straight to the heart of the peak-time floor.
Juanma Alegre opens the portal—step through if you dare.

Straight from Copenhagen, Danish DJ/producer B From E delivers an EP that sits halfway between Trance and House. With deep melodies and infectious rhythms, Blue Lava opens a portal to a new world — both icy and fiery. Split into two parts, the A-side burns with energy, while the B-side shines with luminous melodies.

With its powerful vocals and a melody that brings a breath of fresh air, the opening track of the EP We Are Gods truly lives up to its name. Representative of the EP, it beautifully embodies the deep and captivating melodies of Blue Lava.
Ocean Drive offers a subtle blend of softness and groove. Like a dream, light percussions gently land on a track filled with ethereal melodies.

Hypnotic, the arpeggio of Arp Dream never leaves the track and opens the B-side of the vinyl. The drums evoke the energy of an erupting volcano where the melody of the track would represent the blue lava flowing poetically.

With Blue Lava, B From E closes his EP on a nostalgic note. Blue Lava recalls an early morning sunrise, in the atmosphere of a night you never want to end.

Cinthie makes a welcome return to her own 803 Crystal Grooves imprint this June for its sixth release, the project comprises four original"s showcasing Cinthie"s many different sonic styles and influences.
The past decade has seen Berlin"s Cinthie moving from strength to strength, racking up milestone achievements like her DJ Kicks mix compilation and a steady stream of critically acclaimed material via the likes of Aus, Heist, Shall Not Fade and of course her own 803 Crystal Grooves label where she returns here with some fresh machine jams.
"Grooves" kicks off the package, a dynamic dance floor cut fuelled by processed vocals uttering the track title, murky bass stabs, heavily swung drums and gritty saturated stabs all dynamically evolving and unfolding throughout. "Boxer" follows next and showcases Cinthie"s love for dub-tinged sounds, laying down spiralling dub echoes, a snaking bass groove and hypnotic chord sequences atop a robust, swinging rhythm section.
"Hands Up" then kicks off the B-Side, shifting gears to a classic House aesthetic with dreamy keys, bright stab sequences, glistening synth textures and smooth strings, intertwined with soulful vocals and classic 909 workout. "She Wants It" then concludes the EP on a more cinematic tip with sweeping lead synths, fluttering arpeggios, elongated bass drones and vocal lines running with raw, crunchy drums.

For our seventh release, we present Tales of a Cybernetic Mind, a four-track journey crafted by label co-owner Buraye. Known for his distinctive vocal work and intricate sound design, Buraye delivers a high-energy collection that seamlessly blends deep textures, pulsating basslines, and subtle acid-infused elements. Each track explores a futuristic narrative, evoking the tension between man and machine through hypnotic synth work and driving rhythms.

“Accept the existence of the void as a real entity, in which atoms can move and rearrange themselves”.

Meet The Mechanic: Tom Ries, formerly one of Offenbach’s groove technicians, now based in Berlin, delivers three stripped house tunes designed for full dancefloor function. Known for his role in the Pager Records orbit and his dry, deadpan charm (in both music and manners), each piece here hums with twitchy funk, stripped-down functionality, and just enough mischief under the hood. We first hit him up as fans. A year later, The Mechanic is ready to roll. Built by hand, tested in clubs, and delivered with a grin.

A series of non-dogmatic loops from the 90s Belgium. Coming from conspirator operating on the intersection of techno, post-punk and deathly ambient music, currently a scuptor and a visual artist For fans of Muslimgauze and 90s Mark Broom alike... and inquisitive goths in general, this sampler EP is also a good representation of the sounds rrrkrta's Brutaz used to broadcast on the innocent youth of Poland.

Die Kult-Legenden des Spacesynth sind zurück – und zwar mit voller Wucht!

Das Album „Strikes Back“ von Laserdance, ursprünglich 2000 erschienen, ist endlich wieder erhältlich – erstmals seit Jahren auf CD und jetzt auch auf Vinyl!

Mit ihrem charakteristischen Mix aus spacigen SynthesizerKlängen, treibenden Beats und futuristischen Melodien haben Laserdance das Genre des Spacesynth maßgeblich geprägt.

„Strikes Back“ steht exemplarisch für den unverwechselbaren Sound der niederländischen Synth-Pioniere.
„Strikes Back“ ist mehr als ein Album – es ist ein galaktisches Comeback.
Erleben Sie den Sound des Kosmos – zeitlos, treibend, Laserdance

The soundtrack of Imaginária Records continues through the natural elements of our planet. Split into the three moments of a single cycle, after the journey (The Trip) and then the places (The Place), to arrive at a conclusive return. The label traces the steps of a metaphysical journey that becomes a metaphor for life, the essence of research and the richness of encounters. And it is in this record: Home. The environment contains many sets of rhythms: those dividing day from night, sun from moon, summer from winter. To all things there is a season. There is a time for light and a time for darkness, a time for activity and a time for rest, a time for sound and a time for not-sound. It is here that the natural soundscape provides a clue, for if we could register all the periods of rest and activity among natural sounds, we would observe an infinitely complex series of oscillations as each activity rises and falls from exertion to slumber, from life to death.

Classic samples on 45. The Whatnauts, Help Is on the Way. Released as a single in 1981, this hard to find 45 is a certified Funk Disco Boogie classic! An infectious bass line over a head nodding drum groove, this is one for the steppers. Instantly recognisable as the sample source for Del La Soul’s “Ring Ring Ring (Ha Ha Hey)” Hip Hop classic, you might also recognise it for lending a riff or two for Fat Larry’s Band, “Act Like you Know”.

Isaac Hayes. Ike’s Mood. Released as the lead Single from the 1970 album “…To Be Continued” this Soul Jazz classic unwittingly became a huge source of inspiration for the sampling generation. Sampled almost 200 times, the brass section, drums and an unforgettable piano hook have been used to form the basis for classic releases by Biz Markie, Mary J. Blige, Nas and Massive Attack to name only a few.

Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.

Cover of a song made famous by Hot Butter, which reached the Top 10 in the United States in 1971 and the Billboard Hot 100 as well as being a hit in Europe, Australia and other countries. This 12″ version reworked in perfect contemporary house style is pressed on a beautiful orange vinyl.

Blue Vinyl

Seba smashes his way into 2022 with the much anticipated release of his third studio album, "Ingaro".

Prepare yourself for ten brand new tracks of Seba. Secret Operations presents the first LP in almost ten years, from a producer who believes albums are not to be taken lightly.

"Ingaro" takes it's name from the small island outside of Stockholm, which Seba has called home for the last 20 years and is also where he spent his formative years.

The new LP takes the listener on a soaring journey through the entire Seba sound. Whether it's the dark and insistent forces of "Horse Power", which grow and fold in on themselves throughout the track, or the blooming euphoric roller "Public Beauty". A fresh collection of tracks which contain the unmistakeable Seba DNA, which has helped cement the name Seba firmly into the world of drum and bass.

Any album is not complete without some guests joining along the way and Seba has also enlisted some helpers on the journey and the LP includes collaborations with Collette Warren, Björn Berglund, Samuel Lancine and Blackeye.

For many, Seba is a name they are very familiar with. From his early releases on Good Looking right through to the present day Seba has made a name for himself for his exciting and varied production.

His music draws influence from far and wide across the musical spectrum and his work alongside the legendary Paradox and vocalist Robert Manos have gone down in Drum and Bass history.

Not just famed for his work in the studio, Seba's sets have gained a reputation for their energy and emotion. One of the scene's unique veterans. Seba's work is inspiring producers and fans more than ever. An album which sets the bar high for 2022!

Like a metaphor for life, the progressive sounds of « Tree of Life » evoke the image of a tree that never stops evolving and growing. With its deep and captivating melodies, Nurse Erica takes us on a cosmic journey to the outer edges of Trance and Progressive House.

As its name suggests, « Being Trance » brings together all the elements of a Trance classic: soaring melodies, spacey leads, and groovy percussion. It’s the perfect introduction to the first side of the vinyl, a metaphor for the birth of the tree.

« Do My Stuff (Ears in Space Mix) » picks up right where the opening track leaves off. Striking a balance between dreamy and nostalgic, its deep bass and driving percussion lay down the rhythm, while the airy melodies scatter like autumn leaves.

With « Take The Heartbreak », Nurse Erica explores a universal rite of passage. The first half of the track, broken and introspective, gradually gives way to a brighter second half : a glimmer of hope for every broken heart.

And with spatial vocals and cosmic atmospheres, what better way to close the journey than with the title track « Tree of Life » ? In this piece, Nurse Erica blends Trance-infused melodies with Progressive House percussion, enriched by luminous, nostalgic piano notes, like the blossoming of a tree. Deep.

Mobach drops his lush melodic debut album ''Cold Rain'' on Syncom Data Records. Four years after his ''Metrobots'' twelve inch Mobach delves deeper into his unique hybrid form of techno, house, electro, dub and downbeat experimental electronics. Ten tracks full of infectious melodies, clever beats and weird soundscaping that creates this typical Mobach audiosyncratic world, probably best reflected in the beautiful artwork, also from the hand of the artist.

12" GREEN Color Vinyl / With Black Solid Jacket and Large Sticker
The Unofficial Edits & Overdubs by Joaquin Joe Claussell
Finally comes the first of a two-part forthcoming EP's, Extended Versions taken from the highly successful Joe Claussell Afro Edits & Overdubs Series previously released on LP and CD.
Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.

Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of nine compositions that showcase the future possibilities of this influential work.

Tested for months on dance floors across the globe every on this complication are sure to continue setting dance floors on fire where ever spun.
Extended Versions Cuts Taken Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!
Thank You for Listening

The Temple Ov Ghosts is not down in any map, true places never are. Tyler Ov Gaia explores the depths of club, ambient, leftfield, new beat and progressive mutations with complete freedom, generating a musical realm that’s entirely his. Limited copies.


>> limited to 150 copies <<

Berlin-based Italian DJ / producer TRENT returns with 1000 Flashbacks, a retro-facing 4-track EP fit for the chuggy cosmic underground. Known for his vital role in the legendary Cocktail d'Amore scene and his deep-digging sets at Oscillator, Trent channels a rich set of influences and potent nostalgia into four fresh cuts: Gimme Something opens the record with vocal euphoria and funked-out bassline powered disco. Cin Cin is a cheeky toast to Italo-mania, bubbling with percussion seduction. Shiva Boom brings tribal acid hypnosis to downtempo spirit-chug. Down to Oz closes the EP in a hazy groove topped with anthemic melodic line.

Venerated clubland legend Robert Dietz graces Kalahari territory with a clutch of sinister techno-trance variants.

The evolution of the Dietz sound continues unabated as he pivots from minimal scene mainstay to purveyor of big techno dramatixxx. Still just as finely-tuned and potent as he’s always been though, and this is no means a drastic departure from more recent work.

Running tempestuous heaters from the eye of a storm, there’s a tough, menacing edge coursing throughout. Four decidedly Euro spins offering visions of dystopia and ominous portent, but we forge ahead unperturbed, headfirst into the shadowy void.

Gone is the playfulness of releases past, set aside in favour of heat-seeking ballistics. Strapping accelerators big on drama while allowing space for a bit of dancefloor introspection. More of that all thrills, no frills kinda flex as the Frankfurt native goes about his business like it’s effortless.