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Here is the second volume of Serge Gainsbourg's complete vinyl collection which traces the artist's career from 1971 to 1987. In order to provide the best sound quality, the original mixed tapes were entrusted to the sound engineer Miles Showell ( responsible for the reissues of the Rolling Stones, Queen, etc.) who did the mastering at Abbey Road studio with Half Speed ​​Master technology. 180 gram vinyl box.Reviews and Ads –, London Macadam, Mojo, Sunday Times, R2

Brown Marbled Vinyl

Following many visionary outings such as "Inhuman Series Vol 1.2.3.4" released on New Flesh Records in 2012, "Days of Dissent" released on Killekill in 2016 (repress soon) talking about the rebellion of the World and the moving "Abandon In Place" LP released on New Flesh Records in 2018 telling about the destruction of Earth by the Humans, French producer Umwelt presents his very first cinematographic yet conceptual album on his own label New Flesh Records.

Titled "Subversive Territory", this much anticipated opus sees the founder of Rave Or Die imprint exploring a post-apocalyptic world via twelve haunting songs spreading their infectious melodies and gloomy atmosphere throughout.

Don't expect any beat here as this experimental-ambient manifesto will dive you into the famous tense and dystopian universe Umwelt is building year after year. As visual as auditive, this heartbreaking masterpiece comes illustrated by Yann Legendre. This French illustrator and art director is the father of numerous beautiful illustrations for magazines, books in the movie & music industries. He is the brillant creator of great comic "Flesh Empire" edited by Casterman in 2019.

Working on his forthcoming comic "Vega" anounced for 2022 by Albin Michel, Yann Legendre joined Umwelt for this perfect matching of two arts and two artists offering us this esthetic collaboration. At the end who can say who is illustrating who: the illustrator or the musician? "Subversive Territory" sounds like the perfect soundtrack of a frightening and nottoo-distant future where humanity has collapsed! Fans will appreciate to collect two coloured vinyls in a trifold sleeve.

Recorded between France and the volcanic island of La Reunion , beaten by the air of the Indian Ocean, the album, in the words as in the notes, transforms the French song into Creole succulence. On the spot, it is surrounded by musical figures of the island that the duet offered itself of the tasty subtlilities of the sega and the mayola. The notes of accordion of Rene Lacaille, the father of Oriane, the voice of Danyel Waro.

Two *limited edition* 160-gram classic black vinyl LPs (pressed by Smashed Plastic in Chicago) inside a heavyweight reverse-board single-pocket jacket with poly-lined inner-sleeves. Vinyl Only. No digital, no represses.

Best Record Italy presents a reissue of Model 11-29's "Wot Times," a particularly inspired work by the legendary Sangy that transforms "Rapper's Delight" into a slice of Italo-balearic ecstasy. On the vocal version, drums sit between disco and electro as they boogie down to a breakdance beat, with greasy funk basslines slapping and sliding in support. Solar dub chords pulsate through anthemic pattens, pads blow across the mix like a warming ocean breeze, synth leads sparkle in coral colorations, and those classic Sugar Hill Gang lyrical flows are reconfigured into an ebullient spoken word rap, which is then morphed by futuristic fx and interspersed with shouts, grunts, and call-and-response chants. On the flip, the instrumental version walks with more of a sexual disco strut, resulting in a summertime seaside cruiser overflowing with dazzling synthesizer displays, as organ chords generate mirage visions, gemstone leads shimmer through swells of tropical mist, and acid-laced Italo pulsations work the spirit into euphoric beach dance hypnosis.

Simon Lovermann's debut album "Handwerke - Songs for my fathers" is focused around the piano, both as a harmonic and a percussive instrument. It is influenced by Jazz, Electronica, Hip Hop and Minimal Music. The beats are created with the piano and are enriched with body-percussion and beatbox to create an idiosyncratic atmosphere and distinctive sound.

The album deals with the personal story of the artist. Simon's biological father, Robert, was a Jazz musician and died before his birth. Simon was raised by his father Christian. This album is therefore a vividly emotional way for him to explore topics like death, fatherhood, family, identity and belonging.

"Handwerke" comes with a special artwork and cover design, featuring contributions by 16 artists printed on individual postcards and assembled in a 20-page booklet.

The release is a collaboration of Der Greif and Squama Recordings.

Calgary, AB's Boneless is back again following a pair of releases on Gourmet Beats and most recently Off-Switch Audio, featuring that low slung, classic era yet forward thinking production we all know from the great many appearances his tunes have made out live on dub and on mixes from the sort-of aformentioned Joe Nice, J;Kenzo and a boatload of others.

Banger of a kind bringing Acidcore, hardtehcno Acid and a pinch of that pumpin funk tribe.
Once again Vinyl Bleu makes it massive and dancefloor !

Notice here an original XTech tune style compared tpo his "speeder music".
And also a SUPERB Krismix tune. One of his best ever ???

Grey Marbled Vinyl

But Only After You Have Suffered is a densely layered and deeply personal new work from multidisciplinary artist, composer, percussionist & producer Jamire Williams. Conceived as a spiritual, autobiographical artistic statement, Jamire applies sound collage practice to modern jazz composition, beat production, MC/vocalist features, and his uniquely impressionistic drumming style - making an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape. A "self-reflective, almost testimonial work" that swiftly cycles across a vast spectrum of styles, it's the culmination of his five-year musical journey to the outer reaches of his own sound. It's the album he has always wanted to make.

HIGHLIGHTS: Los Nivram recorded some of the best '60s Spanish garage nuggets, being this rare EP containing the original 'Sombras' their most sought-after release by collectors worldwide. Reissued on 7" for the first time. DESCRIPTION: Quintessence of the best nuggets-type of music from Europe, the scant discography of the Catalan-band Los Nivram -- just two obscure EPs, eight tremendous tracks, half of them absolutely great -- perhaps represents the most precise example of the excellent level that the Spanish garage sound acquired during the golden years of the genre, basically the second half of the '60s, its glory days, and a few later examples from the early '70s. Los Nivram started their career heavily influenced by The Shadows, in fact they took their name after one of their songs (that also happened to be their leader and bass player's surname spelt backwards). They would soon push their sound forward, evolving from instrumentals to a repertoire sung in their native Spanish language, after being blown away by the UK beat and R'n B bands of the time. 'Sombras' stands out no just as the best song in Los Nivram's repertoire but also as one of the most interesting nuggets recorded at the time and one of the most sought-after garage records by collectors worldwide. Reissued on 7" for the first time.

Two Jay Glass Dubs reworkings of "Jungle Shuffle" from Laura Agnusdei's debut album "Laurisilva". This limited white label 12" has been screenprinted by Jonas Ranson with three different slogans selected by the artists – green, orange or purple prints, 100 copies of each.

This is a high-octane tribute to jungle, footwork
and bass beats, with a BPM that rarely drops
below 150BPM and studded with names key to all
genres.
 It respects both the birth of the scene, with
inclusions like the late legend DJ Rashad and
former footwork dancer RP Boo, as well as its
current locality, pointing to a trio of uber cool US
producers in New York’s AceMo and Kush Jones,
and Miami-based duo INVT.
 Fellow Londoners Tim Reaper and Worldwide
Epidemic take in the latest of the UK scene, along
with label Time Tunnel who deliver remixes of
tracks from the glory days of rave.
 Driven, proudly black, gay and outspoken,
SHERELLE co-runs the established jungle label
Hooversound, while 2021 saw her launching new
label Beautiful, a platform for supporting black and
LGBTQI+ artists.

The peeps behind the People Of Earth label claim that Rick Wade is on top form on their latest release. While that's undoubtedly true, the Detroiter has incredibly high standards and rarely puts out anything mediocre. The four tracks here are all deliciously deep and fluid, with the Fender Rhodes solos, meandering organ lines, warm bass and chunky beats of "Never Give Up" delivering just the right blend of instrumental goodness and dancefloor-ready weightiness. "Seen At Night" is an even deeper and hazier treat, while "Forever Alone" sees Wade wrap bongo-laden beats and eyes-closed electric piano chords around a ludicrously warm and heavy bassline. Solo-laden closing cut "Rooftop" is also superb - a proper sundown selection of the highest calibre

Favorite Recordings proudly presents Deux, second album of French Jazz-Funk quartet Aldorande. In this new chapter, the four explorers pursue their interstellar trip on the Aldorande
planet, deploying their ever deeper love for the 70's Jazz-Funk & Fusion scene. Extending their first
visions of this new world, the bigger-than-life arrangements of this second album reflect again their
high attention to dramatic narrative schemes, breezy Brazilian vibes, tempestuous funky grooves and
strong cosmic melodies from outer space. Classic and contemporary at the same time, Deux is built
for the like-minded souls still looking for the perfect beat.
Twisting time and space but never forcing the groove, the band dives more profoundly into the
Cortex influence of their compositions, with intense female back vocals fitting perfectly into their
cinematographic vision. Like a cry in space, could these esoteric incantations be heard by Aldorande's
divinities? Or will they be more impressed by the super-tight rhythm section with its bangin' basslines
or an irresistible blend of drums and percussion? In the end, they probably would have to surrender
after hearing the infinite echoes of the synthesizers and horns reflecting in the atmosphere. Deep and
thoughtful, the travel has only begun but it seems that so much has already been experienced.
Breaking the code, they opened the gates to a rebirth. One that could be only accomplished by finding
the “Pierre des Mondes”, deeply buried somewhere on Aldorande - the only key to solve the riddle of
the groove. Mission accepted.
You'll find in Aldorande some of the best French jazzmen including bandleader and founder Virgile
Raffaëlli on bass (Setenta & Joe Bataan, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop,
Setenta, Cotonete & Di Melo, …), Mathieu Edouard on drums (Chassol, De La Soul) and Erwan
Loeffel on percussion (Camarão Orkestra, 10LEC6). On this album, they took the initiative to invite
two guests on some tracks: AOR singer Al Sunny and killer guitarist Laurent Guillet (Le Soldat Rose,
Setenta).eir ever deeper love for the 70's Jazz-Funk & Fusion scene. Classic and contemporary at the same time, Deux is built for the like-minded souls still looking for the perfect beat.

Available on November 19th 2021 as Tip-On Vinyl LP & CD.

The original Soundtrack to Greek-German director Nikias Chrssos’ new feature, ‘A Pure Place’, scored by John Gürtler (Eigenlicht, COUNTER019), with his studio partner Jan Miserre, and featuring a track by chameleonic British artist Shackleton.

The script for A Pure Place had a dizzying effect on John Gürtler & Jan Miserre; their minds reeling with the possibilities.

From Persian sheep bells, Chinese sheng, prepared trombone, quarter-tone piano, a beaten-up cembalo, hand percussion, and a room full of synthesizers, embryonic compositions and experiments came to life early on in the project.

An electro-acoustic extravaganza, the soundtrack for A Pure Place takes a deep bow towards the many magnificent composers and scores from the late 60s and 70s where orchestral arrangements met with tape loops, psychedelia, and instruments from across the globe. Listening to that era of film music, anything seems possible.

The minimalist tones of ‘Ritual Bells’ set the dial to weird in the opening sequence of the movie, whilst ‘The Island’ makes use of ambient vocals recorded through an oil drum, gently introducing one of the score’s main themes with a distant quarter-tone cembalo.

Acclaimed British artist Shackleton’s eerie original version of ‘Fust’s Song’ (also included) was a tonal keystone for the entire soundtrack. Gürtler and Miserre translated his psychedelic electronic blueprint, layering acoustic instruments and bottom-heavy percussion in their ‘Paradox Paradise’ production style. The vocals, written by Chryssos, and sung by the cast on set, capture the sonics of the actual crypt-like space where cult leader Fust addresses with his following.

‘A Glimpse of the Other Side’ speaks of love and death in a 70s-indebted composition reflecting John and Jan’s shared love for melancholic and suspenseful chord progressions. Meanwhile, the sparkling synths of ‘Athens’ - the children discovering neon-lit civilisation after years confined on the island - transplant us to an entirely different era.

Greek artist Maroulita del Kol features heavily throughout - her choir of vocals on ‘Erotica’ were recorded late at night in the studio foyer, capturing its unique tiled reflections and concrete reverb.

On ‘Purification’ Maroulita’s voice guides us alongside a Moog bass drone, building to an ecstatic climax, whilst she also features in the film’s disco-centric ending credits on ‘Gatoula Mou Mikri’.

On Top Records is extremely proud to welcome back Smasher with his sophomore album, ‘Vibes In Motion’. due for release the 16/07/2021

Following the release of his debut album ‘Locked In Locked On' in 2020 which featured in numerous 'Album of the Year' lists Smasher has spent the past year offering a high level of consistency among a time which has been very difficult for creatives.

With live shows stopping to a halt Smasher has taken this opportunity with both hands building a home studio to sustain creativity a very important factor for an individual who has a burning passion to create music, he has used the time productively “Vibes In Motion” is 51 minutes of future classic British UKG encompassing Hip Hop, Grime, RnB, 2 step Garage all blended together seamlessly to bring a fresh approach to a genre he has gone extremely hard for. As with previous material, the album is produced by Smasher himself collaborating with long time friend Aaron Greenwood bringing his soulful smoothed-out keys and backing vocals the pair have a great working relationship which spans over a decade which can be heard through out the record.

Smashers journey began with a love for late 90’s UK Garage collecting vinyls from record shops and dj’ing on pirate radio, which lead him to Hip Hop, RnB, Reggae, Soul and many different uk underground music styles, followed by decades of producing records for some pinnacle uk artists most recent production credit for “Ghetts” on the critically acclaimed ‘Conflict Of Interest’ album charting at number 2 in the uk albums chart, Giggs - Landlord album, Klashnekoff - Iona to name a few, Smasher is a producer who can deliver a very high level of production no matter the genre. Over the past 2 years Smasher has gained props far and wide: from Todd Edwards to DJ EZ releasing a record under his Nuvolve imprint, to guest mix for MBE clothes designer Wale Adeyemi, comedy UKG faves Kurupt fm posting his “lockdown freestyle challenge” Numerous guest shows & live streams for Rinse fm, Kiss fm, Phaze Transition & Mind Charity, limited vinyl run presses to collaborating with Capo Lee & Ayo beats for film soundtrack “Against All Odds”

Since releasing “Locked In Locked On” the feedback for the project was so greatly received i knew how i wanted to approach this next album and with plenty of time on my hands to experiment i wanted to include more collaboration, a lot of the link ups came together organically.

I feel you get a nice balance of some new school artists like Local, Solo Jane & Hotch mixed with some UKG generals like MC Neat, Mighty Moe, Preshus, Creed & Troublesome and original “Knightz of the round table” member Luckie Luciano, i always feel a duty to pay homage but i also want to evolve the sound and take it to the next level.

Since march 2020 its been a tuff time for people i feel like there are some hidden messages in the album it leans towards the underdogs of this world and at times i feel like that but there is always this burning desire inside me to want to do better hopefully that comes across for the listener.

Already with a dedicated fan base and support from tastemaking DJs such as DJ EZ, Conducta (Kiwi Records), Toddla T (Radio 1), Heartless Crew (1xtra), Majestic (Kiss), Scott Garcia (kiss), Smokey Bubblin B (Rinse fm), DJ Redhot (Rinse fm), Dj Cartier, DJ Spoony, Artful Dodger, MattJam Lamont (Rinse fm) Shosh (Kiss Fm) Rudekid (Kiss fm) Ricky Chalrie & Melvin (BBC Radio 1) amongst others from the burgeoning UK Garage scene,

The Smasher sound especially in UKG has brought a well needed fresh flava to a genre which has had very few full album offerings, with that said its time to share “Vibes In Motion” with the universe, This will solidify Smasher as an artist in every sense of the word and undoubtedly concrete him as one of the UK’s finest talents.

DJ Spinna’s imprint Wonderwax returns in 2021 with a brand new installment from Paris-based producer Hugo LX – four new cuts for the club and beyond, showcasing a wide palette of silky textures, smoky synth patches and his signature drum samples. Ranging from house beats to future boogie, detouring through the broken beat path and other high tempo areas, transcenDance is a new step in the beatsmith discography, and a very personal homage to original dance music legacies.

Cie has been on an exciting musical journey since the foundation of the Form & Terra Records label and the first record "Auf Los" and now delivers further highlights with "Adventures". Together with a remix by Oliver Hess, the record has four driving tracks that will be released exclusively on vinyl.
The “Löwenburg” first appears on the horizon, and the closer you get to it, the more powerful it appears. Arriving at the gates, the lion extends his claws and with his pounding, multi-faceted beat and bubbling, lively sounds pulls every dance-loving clubber into the castle with full force.
Oliver Hess waits here with his musical tools and refines the masonry of the "Löwenburg" with crisp percussions and incredibly driving beats in his inimitable way. With a hammer and chisel, he sharpens the original in his remix and opens up new sound paths to the castle's secret locations.
Through the dark corridors of the castle we get to the "Bergfried", the first track on the B-side. Hypnotic synth runs and pulsating basses demand everything from every wall, no matter how thick, and enjoy testing it for stability.
Finally, it goes deeper into the underground with "Der Stollen". Wherever digging deep, fascinating things come to light in the club night: brilliant flashes of sound briefly sparkle like precious stones, and rattling, tirelessly driving beats ensure that you lose yourself in the depths of the sound of the
„Stollen“. Four exciting tracks that are ready for any club adventure. Vinyl only.

clear vinyl / incl. poster

The music of Parallax is part of the foundation of Zodiak Commune Records since 1998. With ZC002 - Sinister Projects EP- and ZC005 - Occult Technology EP, Parallax created timeless underground anthems which are being reflected in the Archive EP. With previously unreleased live recordings, this EP is a well-preserved document of the past whilst being relevant in today's underground techno and acid scene. Parallax his live set was recorded at the legendary "old" Effenaar (Acid City Eindhoven, The Netherlands) while the Zodiak Commune's 10th anniversary was being celebrated. With its massive and no-nonsense acid-techno sound, Parallax transformed the dancefloor into a vortex, fueling up people with positive energy while taking them on his musical journey. A nostalgic journey that will make you crave for more timeless underground bliss! With 2002 Live Pt1 being over 12 minutes long a true story is being told. Enjoy this fine release of the purest acid-techno around!

2003 Live Pt1
A dark entrance, heavy basses that make the roof rattle, the smell of stale beer and sweaty people who all seem to speak another language but listen to the same... Those of seemingly soulless beats, but which ultimately take you closer to one self and each other than most religions have managed to realize...
Enjoy 12:30 minutes of storytelling!

1998
Clashing raw 303's, brutal beats colliding mid-air, ear piercing percussion. The soundtrack of the battle of 1998 is all but merciful, sending shivers down your spine.

2003 Live Pt2
Time seizes to exist. Beats provide the energy needed on a journey so loud there is no choice but to join. Guided by musicians, they who make you walk but not go anywhere but inside. Rebel minds choose to renounce their disobey, for their worries to be taken far, far away.

This is the Soundtrack of Ys: the Oath in Felghana, the gorgeous A-RPG by Nihon Falcom! Composed & arranged by the Falcom Sound Team jdk, Ys: The Oath in Felghana is the acclaimed remake of Ys III: Wanderers from Ys. which soundtrack is also included in this release!