Cerca:beats

As the title suggests, Rejuvenate marks a rebirth for South London musician Paul White. Abandoning sampling altogether, White wrote, played and produced all of Rejuvenate's music himself, and the result is an album of playful, psychedelic pop.

It would have been far easier for White - previously described as a 21st century DJ Shadow, often compared to Madlib and best known as Danny Brown's go-to producer - to construct an album of loop-based, hip-hop-orientated beats. Instead, taking an ambitious left turn, he worked on honing his songwriting and instrument playing abilities and embarked on creating a totally original record worthy of sitting alongside those he'd usually sample.

Rejuvenate's broad sonic palette includes cosmic rock, ambient, electronic, jazz, folk and more. Retaining a groove-heavy, psychedelic aesthetic throughout, White successfully melds these various influences in to his most cohesive, fully-realised offering yet.

Paul White is joined on this sonic trip by a trio of likeminded souls; British-Jamaican singer Denai Moore adds heartwarming, crystalline vocals to the aptly named Set The Tone and See Through, Zimbabwean musician and poet Shungudzo (aka Shun) shares nuggets of wisdom on Spare Gold and dreamy, melting vocals for Ice Cream Man. White reunites with his sister, Sarah Williams White, and the pair draw on childhood memories for Laugh With Me and All Around.

Paul White's previous output includes a treasure trove of mostly instrumental solo records, plus collaborations with Charli XCX, Jehst, Homeboy Sandman, Guilty Simpson, Jamie Woon, Obongjayar, Eric Biddines (as Golden Rules) and Open Mike Eagle. More recently, White reconnected with frequent collaborator Danny Brown, producing most of the Detroit rap maverick's mind-blowing Atrocity Exhibition album.

Glyn Bigga Bush has been producing electronic and sample-based music since the early 90s when he formed Rockers Hi Fi, going on to release numerous albums. Since the turn of the century he has produced and DJ'd as BiggaBush as well as various side projects such as Lightning Head (Sonar Kollektiv), the Dandelion Set (Buried Treasure) and the Magic Drum Orchestral (Tru Thoughts).

Bigga's latest project 'Sunken Foal Stories' represents a departure from much of his other work in that it is not primarily based on beats. Instead, his working method was to go with fascinating samples, accidental juxtapositions and irregular loops - inspired by pioneers of sound such as Faust and the audio experiments of Julian House as well as early stereo test records, soundtracks and library music.

The 21 concise tracks of Sunken Foal Stories link into two 15 minute segments on the LP. Bush explores the random elements created by overlaying disparate samples, where chimes of baroque psychedelia clash with ascending classical strings, or a haunting Eastern European folk song is looped into an eternal cadence of longing. Various voices float over the speakers, lost poets, disturbing therapists, dreaming vampires, chuckling cabaret singers. Sourced almost entirely from charity shops and carboot sales, the source material speaks of a forgotten yet relatively recent period, when stereo was something new and exciting, when home entertainment first came into its own and suburban homes thrilled to the exotic sounds of home organs, primitive beatboxes, LPs bought in unusual holiday destinations and 'glamorous' soundtracks.

On "down In 1150" Vienna Based Crate Digger, Producer, Dj And Secret Crunch Head Honcho Roman Rauch Pushes His Distinctive Style Of House Music Forward. The Ep Eatures 5 Tracks Of Pure Funky Vibes, Rugged Beats And Catchy Vocal Sampling. Check "don't Tell" On A-side For An Euphoric Soulful Opener, Or "bumble Beat" For A Slower, Groovy Disco House-pleasure. Catchy "don't Know" Gets An An Exzellent Remix Done By The One And Only Intr0beatz From Island. In The End "down To Love You" Features A Funky Bassline Zapp & Roger Would Be Proud Of.

His latest release I KNOW from Elypsia Records is a quintet of Detroit inspired remixes of the song 'I Know'. Inspired by Kevin Saunderson, his original TECHNO MIX (7:06) is a hardcore and high energy track with intensity to match the wildest of crowds. The EP also contains 3 remixes of the track, each exposing and accentuating the brilliant aspects of his complex tune. It begins with the LUCIEN FOORT REMIX (6:41), a lively big room hit with a punch fit for an epic Saturday night. UK MIX (6:46) follows with subtle electric melo-dies and rhythmic drum and bass patterns that give listeners the feel of wonder and excitement under a clear starry sky. With a clean and gravitating groove BIT FLOAT REMIX (7:42) would fit perfectly in any Ibiza party with flair and style. This release is a masterpiece of its own and nothing less than the product of a man who was born with beats and melodies ingrained in his soul. For Orlando Voorn, making music is more than a way of life, it's a necessity. From the early age of 9 his natural intuitions became apparent when his drum teacher told his parents he could play everything that was shown to him, even though he had no ability to read a score. He began to DJ at the age of 12, and 3 years later won the World Mixing Championships of 1983 at just 15 years old. Steve Clisby, from the popular American band 'American Gypsies', recognized Voorn's ability and taught him chord structures, which gave him the tools to begin composing tracks using keys and bass. His artistry then took off, making a name for him-self with his vibrant dance tracks under the alias 'Frequency". Today, he's known as one of the Netherland's most inventive and ingenious producers in the world of electronic dance music. Having produced a wide variety of music under a number of monikers including 'Fix', 'Format', 'Urban Nature' and 'X-it', his diverse ability stems

The 2nd release on Steady Work By Dear Friends features Conti with his exceptional consignment to all lovers of left field approaches to house and bass loaded music. Contis MA Lumps EP allows you to get a feeling for the crocking of the toxic but cheering industrial spheres of the city of Mannheim. This Ep is an emulsion out of distorted beats, field recordings, sampled baselines and vocal snippets, processed through a mpc, tracks in a rough tape compression mix style. Funky-But-Not-Funky-Kraut-Hop-House at it`s best. Slope down from your faith by those lumps.

Sweet mental slipping mental sound. Very spiral/ unit Moebis state of mind here. Diving beats...

Her Majesty's Ship is proud to present 'This Never Happened', the latest album from hugely talented French-American singer and producer Yan Wagner.

This always inventive and off kilter artist has had many top releases on labels like Kitsune and has worked with the likes of the legendary Arnaud Rebotini and Etienne Daho. He also has a side project, The Populists, is producing the first album of Calypso Valois and wrote the soundtrack for the short film 'Victoria' by Mathilde Marc. Someone who plays events like SXSW and Montreux Jazz Festival, Wagner's playful disco-pop tunes always find their way into the emotions of those who hear them.

For his second album, the artist wondered what to do: surprise everyone with a selection of ballads or serve up the electronic sounds that defined his last effort Forty Eight Hours. The answer lies somewhere in between, with covers of Frank Sinatra and Lee Hazlewood mixed in with fresh and catchy disco production. Unlike the last record produced by Arnaud Rebotini, this record is producer by Yan himself with a triple objective: to favour the first takes, the heat of the sound and to reduce the post- production to a minimum. It makes for something authentic and real, and is an album of artistic self-questioning, tenacious dreaming and overcoming doubt.

Says the artist, "The songs on this record are a series of lies; views of the mind. 'This Never Happened' is a collection of stories that never happened. Ten tracks talking of vain loves, of nocturnal experiences and of life and truth, which are all so short.'

Starting with the retro synths and shiny arpeggios of the title track, ensuing cuts like 'Blacker' are real chuggers with almost de-humanised vocals over the robot beats. 'SlamDunk Cha-Cha' is descended from Bowie with its camp synth wiggles and sung- spoken vocals. Switching up the tempo, slower tracks like 'Grenades' are perfectly glowing and frazzled with their pixelated melodies and cold chords. More upbeat affairs like 'No Love' are like lighter and cheerier versions of Depeche Mode, and the Sinatra cover 'It Was A Very Good Year' is a stirring, synth heavy version that is every bit as tender as the original.

This is a fantastic album of timeless electronic songs and is sure to be one of the standout releases of the year.

· Bart Davenport's 7th album since his 2002 solo debut
· West Coast yacht rock meets '80s English pop
· Produced by L.A. Takedown's Aaron M. Olson
· Confirmed live dates in Los Angeles, San Francisco, Portland, Seattle, San Diego, Vida Festival (Spain)

Recorded in Boyle Heights, Los Angeles, Blue Motel is the new album by Bart & The Bedazzled, a brand new musical enterprise by Bart Davenport and his seventh album proper since his solo breakout in 2002. Alluding to Los Angeles with the lights down, it's an amalgam sound of '80s English pop and West Coast yacht rock jams, sprinkled with cinematic flourishes clearly influenced by the understated production of L.A. Takedown's Aaron M. Olson. The jangly pop aesthetic, resplendent with choppy chorus tinted guitar, snappy snares, sax and bass is underlined with life trodden stories about day jobs, dating, financial insecurities, lost innocence and most prominently, time travel.

The album lives somewhere in an imagined past (or future) that is curiously both the 1960s and 1980s conveying the groups's nostalgia for a fantasy world with a cheeky cynicism, despite a perception of a world that is, for Bart, on the downfall. To that end, Davenport's songs are, as always, delivered with a happy and sad sensibility reminiscent of the great Burt Bacharach. From the surreal yet humorous 'The House That Built Itself' to the sad surf music of 'Halloween By The Sea' or the romantic L.A. noir of the title track, Blue Motel arrives with a spoonful of tears, a nod and a wink.

The Bedazzled band lineup, united by their love of the 'Elegant '80s', includes the guitar of Wayne Faler (Dream Boys), drums, percussion and beats by Andres Renteria (Jose Gonzales) and post-punk bass lines from Jessica Espeleta (L.A. Takedown). The four friends from Los Angeles, united in their affection for the more sophisticated sounds of English '80s groups like Prefab Sprout and Style Council give the setlist a more distinctively pop flavour compared to Bart's soulful last outing on his album Physical World, also released on Lovemonk. Blue Motel features regular appearances from female vocalist Nedelle Torrisi (Domino, Asthmatic Kitty) who notably adds the lush layers of harmony on 'The Amateurs'. Saxophonist Billy McShane is also featured on three songs with improvisations that evoke the scene of whales in outer space.

Producer Olson often incorporates soundtrack and avant-garde elements in his own work. His gift for song arrangement, understanding of the synth and penchant for subtlety all shine brightly on Blue Motel.

Coco finally available on double vinyl for the first time. With his unmistakable sound-mix of Jazzand Swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music.

The double vinyl starts off where his former successful LP's ended. On the other hand he is consequently developing his established jazzy sound, by adding new stylistic elements to his tunes. Also his dancefloor-productions, which

have been published only as singles, now find a debut to a greater extent on this album. They meet with Stelar's melancholic-melodious trademark-sound, which is well known from his earlier albums, but now also spiced up with Hip-

Hop beats and synthpads. An electrifying album to fall for. The two vinyls are originally thought of as one with tracks that can be danced to and one with tracks just for listening. Nevertheless the line between those two approaches becomes blurred in Parov Stelar's newer compositions. The

album makes your feet tap more and more with every track. The musician himself sees the LP as a 'book for musical readers' which is classically defined in introduction, middle part and end. Because of streaming hit singles the

consumer behaviour changed, people don't listen to albums the same way they used to. The whole experience that includes refelecting on less prominent tracks somehow got lost. Parov Stelar sets 'Coco' as a statement against this habit.

After a period of hibernation, aperture records awakens with a bang and a compelling program in the pipeline.
Following their first album released on aperture at the tail end of 2015 'no.3.obliate', the Italian duo T.e.s.o. bring us their second full-length album 'costruzione 04'.
As the title suggests, the album centres around an underlying theme of construction, inspired by radical architecture, brutalism and collages from Superstudio. The concept and title evolved from the nature of the album and the process of building up tracks from a number of separate samples, much like the singular elemental materials used to assemble a structure.
Alongside their music production, the duo have previously created a multimedia installation that investigated the geometric studies of Le Corbusier in parallel to the musical production of Erik Saite and Matteo Castiglioni continues to create impressive audiovisual installations such as the recent 'Freddo Flusso' and 'neon(i)', as well as a collaboration with Danilo Randazzo. T.e.s.o also continue to perform absorbing live sets of their own inimitable range of musical perspective and vision.
Intense, visual and structured, 'costruzione 04' again showcases T.e.s.o.'s complex, obscure and dominant beats and their oblique and sometimes challenging style.

2x12"

Losoul returns to action with his first long player in almost ten years, and delivers a stunning collection of compositions for the Hypercolour released 'Island Time'. Otherwise known as Peter Kremeier, the German producer has mesmerized us for many years with his organic and emotive house music, largely released on the influential Playhouse label, but of late has seen him release singles for Karat and Tardis Records, as well as his very own Another Picture label. Fans of Losoul won't be disappointed, as a diverse yet utterly familiar sound aesthetic pours out over the album's seven tracks in his own inimitable style. The jazzy broken beats of 'Gold Tooth' shine with their micro-sample chops, whilst 'Mean Time' is a dense and dubby slow stomp, teasing the drums with space echo and injecting sparse bass work where it matters. Inventive, spongy house grooves are delivered on 'Boppin Lower' and 'Square Down Smoother' whilst the album closer, 'Lava In You' is a master class in ambient sonics and shimmering keys over a lo-fi swinging groove. It's been over 20 years since Losoul's signature single 'Open Door', and the German producer continues to pour out honest and rewarding music.

Berlin-based Pascal Hetzel returns to Caduceus Records with a new slice of gritty industrial-tinged techno and finely tuned sound design. "Noxious Stimulus", the EP's title track, is a heavy peak-time filler with a mesmerizing bleepy modular sequence on top of rough monochrome beats. On her remix, rising talent Denise Rabe cranks up the paranoia and turns "Noxious Stimulus" into an unrelenting pitch black grinder. "Pain Tolerance Threshold" starts off as hefty with yet another dose of metallic atmospheres and crushing modular sequences, until a bright pad appears out of the dark. Proper techno goodness for the wee hours in your favorite warehouse.

J Dilla's protégé Guilty Simpson first collaborated with Madlib's protégé MED on the hard hitting 'Jungle Love' track off J Dillas 'The Shining' LP. They continued to reunite on several tracks after and now offer us the Loyalty EP. With beats by Black Milk, MNDSGN, Exile and Preme, the duo have no choice but to come correct with the lyrics and they do. From Cali to Detroit, MED and Guilty Simpson deliver a 10 track EP to get you ready for the album dropping later this year on Bang Ya Head Entertainment.

Three years since Profane's seminal album 'V.illan Mills' was recorded for Inperspective and it's long overdue that he returns to the label. This canadian native's unique style that somehow fuses the hip hop sensibilities of J.Dilla, the jazz/funk ideologies of Danny Breaks and the experimental truth of Squarepusher has been a breath of fresh air in recent years on the Underground D&B scene and these two new cuts from him are no exception. The experimentally epic breakbeat off tempo monstrosity of 'Drughmada' is a heady, giddy tapestry of beats and breaks with a sleazy sample and panic led overtones. 'West Newton Views' is a darker more minimal affair. A clunky, dubstep vibe which maintains moody intensity throughout. Tense and suspenseful.
The other side sees the triumphant return of Rome's Lynch Kingsley. This young, precocious talent has been a good friend to the label for a number of years and after making waves with his debut 'Eden EP' it was only a matter of time before his return. We are pleased to present 'Void', a dark journey through the breakbeat, sci-fi escapism of early 90's D&B which in time develops into a deep, break laden workout with gorgeous synths and fantasy atmospheres. A joy to behold.

Das Darkwave Elektronik-duo Boy Harsher Aus Northampton, Massachusetts, Startet Sein Eigenes Label Nude Club!

Auf Nude Club Werden Am 27.04.2018 Erstmals Die Beiden Kult-alben - lesser Man (extended Version)" Und "yr Body Is Nothing" Wiederveröffentlicht, Die Es Bis Dato Nur Als Importe Gab. Boy Harsher Sind Ein Gegenentwurf Zum Normalo Elektropop Und Haben Sich Über Die Letzten Jahre Bereits Eine Sehr Treue Untergrundgemeinde Erspielt, Zuletzt Eine Triumphale, Restlos Ausverkaufte Tour Durch Europa Gespielt, Und Das Was Leute Am Himmel Für Chemtrails Halten, Sind Tatsächlich Ihre Nebelschwaden Und Trockeneis-reste. Ihre Verbindung Aus Düsteren Dance-beats, 80er-jahre-versatzstücken Mit Extrem Nach Hinten Gemixten, Sehr Ätherischen Vocals Schafft Eine Unheimliche, Intensive Und Fesselnde Klangwelt. Augustus Muller Entwickelt Den Unterbau Seiner Tracks Aus Präzisen Und Kraftvollen Beats, Die Irgendwie Nach Damals Klingen, Aber Von Heute Stammen Und Schleift Darüber Noch Sägende Synthies, Während Jae Matthews Dazu Flüstert, Schreit Und Singt Als Gäbe Es Nun Tatsächlich Kein Morgen Mehr. Diese Kathartischen Aber Auch Magnetisierenden Tracks Wurden Innerhalb Kurzer Zeit Zu Hits Eines Real Existierenden Untergrunds. Fernab Von Playlisten Und Pr Gedöns Bildete Sich Das, Was Man Früher Eine Kult-fangemeinde Genannt Hätte. Heute Sind Es Die Anfänge Des Widerstands Gegen Die Veralgorythmisierung. Glauben Wir Zumindest Hoffen Zu Dürfen.

Das Darkwave Elektronik-duo Boy Harsher Aus Northampton, Massachusetts, Startet Sein Eigenes Label Nude Club!

Auf Nude Club Werden Am 27.04.2018 Erstmals Die Beiden Kult-alben - lesser Man (extended Version)" Und "yr Body Is Nothing" Wiederveröffentlicht, Die Es Bis Dato Nur Als Importe Gab. Boy Harsher Sind Ein Gegenentwurf Zum Normalo Elektropop Und Haben Sich Über Die Letzten Jahre Bereits Eine Sehr Treue Untergrundgemeinde Erspielt, Zuletzt Eine Triumphale, Restlos Ausverkaufte Tour Durch Europa Gespielt, Und Das Was Leute Am Himmel Für Chemtrails Halten, Sind Tatsächlich Ihre Nebelschwaden Und Trockeneis-reste. Ihre Verbindung Aus Düsteren Dance-beats, 80er-jahre-versatzstücken Mit Extrem Nach Hinten Gemixten, Sehr Ätherischen Vocals Schafft Eine Unheimliche, Intensive Und Fesselnde Klangwelt. Augustus Muller Entwickelt Den Unterbau Seiner Tracks Aus Präzisen Und Kraftvollen Beats, Die Irgendwie Nach Damals Klingen, Aber Von Heute Stammen Und Schleift Darüber Noch Sägende Synthies, Während Jae Matthews Dazu Flüstert, Schreit Und Singt Als Gäbe Es Nun Tatsächlich Kein Morgen Mehr. Diese Kathartischen Aber Auch Magnetisierenden Tracks Wurden Innerhalb Kurzer Zeit Zu Hits Eines Real Existierenden Untergrunds. Fernab Von Playlisten Und Pr Gedöns Bildete Sich Das, Was Man Früher Eine Kult-fangemeinde Genannt Hätte. Heute Sind Es Die Anfänge Des Widerstands Gegen Die Veralgorythmisierung. Glauben Wir Zumindest Hoffen Zu Dürfen.

"yr Body Is Nothing" Wurde Ursprünglich Auf Vinyl Von Dka Records Veröffentlicht, Dreimal Gepresst. Alle Pressungen Waren Innerhalb Weniger Wochen Ausverkauft. Mit Einem Starken Fokus Auf Rhythmus Und Atmosphäre Zeigen Die Hier Präsentierten 10 Songs Einen Songwriting- Und Produktionsstil, Der Raffiniert Und Einzigartig Ist, Dunkel Aber Kraftvoll Erhaben. Der Klang Ist Paradoxerweise Massiv, Aber Minimal Und Bietet Den Perfekten Raum Für Jae Matthews Reichen, Tiefen Und Emotionalen Gesang, Mit Dem Sie Gemeinsam Mit Gus Muller Den Hörer Mit Jedem Einzelnen Song Immer Tiefer In Ihren Bann Zieht. Auch Zum Ersten Mal Auf Cd Erhältlich!

Das Duo The Beat Escape nahm die neun Tracks in dessen Heimatstadt Montreal auf, bevor sich DJ/Produzent Jori Hulkkonen ans Mixing setzte. Das Ergebnis erscheint nun wie ein diffuser, fast schon psychedelischer Traum aus hypnotischen Beats, melancholischen Harmonien und hymnischen Gesängen, Electronic-Pop im Stile obskurer Minimal-Wave-Platten der 80er Jahre. Fans von John Maus, Cigarettes After Sex, Joy Division, The xx aufgepasst!

Kingswood Drive and Accidental Return were an early teaser of this new set, due in April. Displaying their signature analogue sounds and arpeggios, alongside broken beats and soul, you wouldn't be alone in hearing the influences of Dam Funk, Herbie Hancock or Bugz In The Attic coming through on these two.
Elsewhere more jittery, playful rhythms underpin Croydon Rooftop Café Culture. As well as in the calming and ethereal Prints On The Heath, a subtle tribute to mutual hero Prince, who passed away on the unusually prolific day this and two other, currently unreleased, tracks were written and recorded.Throughout the EP the duo nod at their London home from the "Heath" to Kingswood Drive and more obviously Croydon itself. The sound of South London is threaded throughout this record with pride.
Even down to the mechanical sunset sound of EP finale Thorns, capturing some of the essence of the studio view over London from their high point on the hill in Thornton Heath.
The first EP from Albert's Favourites co-founders and synth-production duo Modified Man focused on throwing out heavy editing, recording music with as few processes as possible and grabbing performances as single takes. Blending warped cassette recordings that touched upon early jazz-funk/brit-funk influences with the energy of broken beat and experimental electronica, won them support from Patrick Forge, Osunlade, Thris Tian, Yam Who and Titeknots to name a few.
Since that release they premiered new track Thorns live on Boiler Room, going on to deliver a full, three-hour live performance and DJ set for the infamous global community.They also provided remixes for Dele Sosimi, Amp Fiddler, Makadem & Behr and Hector Plimmer, meanwhile, busily preparing a series of four, six-track vinyl EPs which will be released over the next 18 months.

Criminal' is a confessional work. Through the stark lens of shame and guilt that has followed Luis Vasquez since a violent childhood growing up within the humming ambient sprawl of 80s Mojave Desert, here he documents the gut-wrenching sound of going to war with himself. Battling with his own sanity, self-hatred, insecurity, self-entitlement and grappling with the risk of these things transforming him into a person he despises, Vasquez has laid his feelings bare with this: his confession and most self-reflective work to date.    Guilt is my biggest demon and has been following me since childhood. Everything I do strengthens the narrative that I am guilty' Vasquez reflects. The concept of 'Criminal' is a desperate attempt to find relief by both confessing to my wrongdoings and by blaming others for their wrongdoings that have affected me.' 'Criminal' marks a striking and important chapter in his self-exploration, both artistically and emotionally. As a young musician living in Oakland, Vasquez began to try and process the narrative of his difficult upbringing veiled through musical exploration. Taking krautrock's motorik beats and Post-Punk deconstructions and honing them into a hushed percussive incantation, The Soft Moon's self-titled debut album took shape. The album was released in late 2010 by Captured Tracks and was praised by critics and emulated by contemporaries. In 2012 the apocalyptic conceptual work of 'Zeros' emerged, shortly followed by Vasquez moving to Venice, Italy in 2013, acting as a catalyst for 2014's release, 'Deeper'. While previous albums were primarily instrumental records, where Vasquez's voice was diffused amidst the music as another instrument, 'Deeper' marked the beginning of a new musical direction where vocals and lyrics became something more than a mere presence. 'Deeper' was a descent into the womb of childhood trauma, anxiety and fear, and although Vasquez survived this dark exploration of himself, he did not return alone. Working once more with Maurizio Baggio, who produced 'Deeper', at La Distilleria in Bassano Del Grappa, Italy, 'Criminal' sees Vasquez further explore putting his lyrics at the forefront and letting his raw emotions flow. The album is Vasquez's way of holding himself accountable and seeking redemption for the abuse he inflicts on himself and others, and acknowledges roots in the abuse which, inflicted upon him as a child, broke him.

Soul Of Hex's Vicario Musique is making a comeback in 2018, with Cedillo's most personal EP to date. The main track ''Tetro'' is a futurist, simple but effective track dragging influences of the highest order on Chicago, Berlin and Detroit. ''Shadow Aspect'' moves into a darker perspective combining analog and modular synthesis and clever drum breaks. On the bright side of the EP, ''Sun Compass'' a collaboration with his brother Anttares is reminiscent of a Paradise/balearic inspired track showing Cedillo brothers versatile style. To finish the EP, the melancholic ''There are no words'' is a dedication to the memory of Cedillo's grandfather. Tetro has been already being championed live on Soul Of Hex's Live Boiler Room session, and at Tim Sweeney's Beats in Space Mix by Zombies in Miami.