Suche:beats

Italo bites on groovy beats. Limited edition 12" + 3 stickers included.

DJ Support: Jamie Jones, Reboot, Dennis Cruz, Raresh, Reelow, Dimmish, Fabe, Archie Hamilton, Rich NxT, Chicks Luv Us, Christian Burkhardt, Terry Francis.

This EP is inspired by love and dreams and continues her quest to find the perfect blend of emotional yet minimal melodic beats. Opener 'L'Amour' radiates Lazic's signature sounds with a slick bassline and melodic chords that convey meaningful emotions under female spoken words. It's a seductive world of warm pads and silky beats that cast a hypnotic spell. The fantastic 'Todo El Universo' features the vocals of Lazic's Spanish friend Monica. The title translates as 'all the universe' and is a favourite line from Paulo Coelho's novel The Alchemist about accomplishing your dreams. It's a deep and comforting groove with soft drums and pillowy pads that soothe the soul and are perfect for more intimate dance floors.
Remixer Nu Eau is a pivotal part of Romania's minimal scene with a meticulously crafted sound that has taken him to the likes of Gettraum and Memoria Recordings and he also co-founded the Uvar imprint. His version of ‘L'Amour' is more up tempo but no less heady, with lush cosmic synths doing an elegant dance over the compelling beats.

Spanish pair Los Suruba have done it all over the last 20 years - released hundreds of tracks, played thousands of gigs, established their own network of record labels, held residencies everywhere from Ibiza to London and crafted countless underground hits. Their remix of ‘L'Amour' is serene and cerebral with paranoid voices drifting through the mix and rippling chords keeping you afloat in the cosmos.

We are proud to bring DJ Gemini onto the Vinyl Fanatiks roster with this gigantean 12" and originally released in 1993 on Liquid Wax. This release was engineered back then by Alex Reece when he was assistant engineer to Jack Smooth at his Sound Entity Studios.

Airtime Records returns with the latest installment of its vinyl-only series, featuring the incredibly talented artist Tommy Chikara and a remix by Just Jam.

The A-side kicks off with "Input", where Tommy Chikara wastes no time unleashing a barrage of garage beats and hypnotic stabs. Layering up rock-solid kicks and steel-sharpened hi-hats, he creates an energetic rave-up that will leave you breathless. Next up, "Output" takes the intensity to another level with its electrifying exploration of sound, captivating listeners with its irresistible groove and infectious bassline.

Flipping over to the B-side, Chikara presents "Make The Thing", a testament to his unparalleled creativity and innovation. With its dreamy melodies and energetic rhythm, this track is to set the tone in the late night scenes. To top of the release, Just Jam delivers a stunning remix of "Input", adding depth and complexity to the original track while retaining its essence.

These tracks have already left an indelible mark on dancefloors around the world, with support from artists like Chris Stussy and Enzo Siragusa.

Limited run, Vinyl Only.

OPUS is a fusion of visual brilliance and pulsating beats that transcends the boundaries of traditional experiences. This emerging project is the epitome of synergy between art and electronic music, where every stroke of the brush and every sonic pulse are meticulously orchestrated to create an immersive journey. OPUS invites you to step into a world where each note resonates with the vibrant strokes of artistic expression. Join us in this extraordinary celebration of the interconnected realms of art and electronic music, where every moment turns into piece of art.

Live electronics duo REKK&KUTOBOY provides raw electronic manipulations, femme noise, and off-kilter dance extravaganza for a self-titled EP on Attention Management.

Katya Rekk and Ilya Kutoboy have been playing live shows for years and cut their teeth on the local improv, noise, and experimental scene in several projects and collaborations. Ranging from unholy fx-scape crackers to haunted lullabies but mostly striking as kinetic grooves, the band embodies a heavy, amplified synth sound, sitting somewhere between machine sequencing, processed vocalizations and use of DIY electronics. The enfant terrible of Katya's grrrl high-energy and improvisational tactics paired with Ilya's mutant beats blends into an idiosyncratic sonic realm that empowers you in its own way.

Live electronics duo REKK&KUTOBOY provides raw electronic manipulations, femme noise, and off-kilter dance extravaganza for a self-titled EP on Attention Management.

Katya Rekk and Ilya Kutoboy have been playing live shows for years and cut their teeth on the local improv, noise, and experimental scene in several projects and collaborations. Ranging from unholy fx-scape crackers to haunted lullabies but mostly striking as kinetic grooves, the band embodies a heavy, amplified synth sound, sitting somewhere between machine sequencing, processed vocalizations and use of DIY electronics. The enfant terrible of Katya's grrrl high-energy and improvisational tactics paired with Ilya's mutant beats blends into an idiosyncratic sonic realm that empowers you in its own way.

Label boss El Prevost makes a welcome return to No Speakers after it's been on something of a break. Thankfully the quality levels remain high here as he kicks off with 'Catastrophizing', a brilliantly bass-heavy cut with broken beats to make you sweat.

On the flip, 'Landing' has a more inward sense of reflection with its fizzing synths and deep space atmospheres making an indelible mark. Last of all, the magic of Detroit looms large with a superb remix by Motor City mainstay Kyle Hall.

His version of 'Landing' brings some jazzy melodic vibes and one of his trademark deep house and bumping grooves. This is another essential 12" from No Speakers.

Reissue

Broken Techno / Electronica label Theoretical Rhythms is taking it to the next level with their first vinyl release. Label boss Nickel Eye is honoured with the production duties and come up with a beautiful album which can be described as an audio Sci-Fi poem. Rich textures and pads are present in all tracks giving the album trippiness bringing the listener on a cosmic excursion. Steady broken beats keep the things on a dancier side and the listener can have a dance while watching the stars listening to the album.
Space Child is an album that would work equally well at home on an individual journey as well as on the dance floor where each party goer can take their personal trip

Renowned US producer Maceo Plex releases his highly anticipated third album, ‘’93', a homage to his three-decade journey through the realms of electronic music. Marking both a passion and a prolific career, the maestro presents a tantalising body of work that masterfully blends House, Hip Hop, Global Bass, Techno, Breaks, and Electronica. This audacious fusion delves into historic and modern influences, crafting an audio journey that transcends time, rich in history yet boldly future-facing.

‘’93' is a cross-genre exploration, seamlessly balancing emotion with hard-hitting beats. Maceo Plex collaborates with a stellar lineup of artists, including Diplo for his contribution on ‘You Don’t Have To Wait’ with Cubicolor, Oscar and the Wolf, Perry Farrell (Jane’s Addiction), Johnny Jewel and Desire, Kirsty Hawkshaw, Mystic Bill, AVNU, Giovanni, Ishi, and Tyler Hill, resulting in a diverse and dynamic musical affair.
This album narrates the story of a highly esteemed artist at a pivotal juncture in his career, consistently evolving towards new directions. Departing from the early deeper house sound that initially defined him, Maceo Plex intentionally ventures into new territory, steering away from his famed melodic and techno direction in recent years. Nevertheless, '93' retains the essence of Maceo Plex's signature style, transcending various sounds and genres in a manner reminiscent of his electrifying DJ sets, meticulously curated for the dancefloor and the crowds.

‘93’ vinyl LP by Maceo Plex is available on Lone Romantic from 17th May 2024.

Key Feedback Quotes:

Pete Tong - Maceo is such a talented producer. A sonic juganaut. An inspiration to so many aspiring music makers. He's a master of analogue and digital in the studio. He's a total 'one of'.
Kolsch - Incredible album!!!!
Artbat - “Very cooooool album!
Gregor Tresher - Wow, now this is what I call an album! Extraordinary stuff, I love it! Big up, Eric!
Hot Since 82 - Nothing short of sensational. My fav producer and DJ who consistantly sets the bar far too high and we all play catch up. Love it.
Rodriguez Jr - Awesome album. LOVE IT. Such a wide spectrum of influences here. Respect!
Laurent Garnier - Very cool. Will play these
Hernan Cattaneo - This is a really good album!
Wehbba - happy to finally see the album coming out, lots of gems, Nasty, Just You and I, Get out Of Here and You're My Desire are my main picks.
Eelke Kleijn - Already listened to the whole album on Spotify. Fantastic. Miles ahead of everyone else. Thanks for sending this, will play many of these for sure.
AFFKT - all tracks are amazing
Ida Engberg - Loooove this release! Stop that and Serpent jazz for me, can't wait to play them. Lone Romantic killing it!
Victor Ruiz - Honestly, you’re a genius! 10/10 productions always.
Pig&Dan - Great to hear new tunes from one of my favorite producers out there
Oliver Huntemann - some real gems on here
Fideles - wow, love it all
Peter Kruder - Love 'em all! Thanks for sending my way!
Yotto - Sick Sick Sick work!
Jody Wisternoff - Insane tracks from Maceo!!!
Terr - Amazing music as always, thx!
Nicolas Masseyeff - Solid release! Full Support!
Paige - Nasty is an absolutely mind-blowing track!!
Braxton - Incredible Album. .
Dense & Pika - Wicked stuff from Maceo.
Eli Brown - Always great music from Maceo Plex.
Anden - Congrats on the album! Love it!
Sergio Muñoz / Fur Coat - Great work from Eric! Congratulations.
La Fleur - So many gems in there, looking forward to having a proper listen from start to end! Thx
Captain Mustache - Big work here from Maceo, congratz!
Alex Kennon - This is a masterpiece!
Timo Maas - Clickbait is a cool track, I like the deep funk.
Martin Eyerer - This is a great album!! I love nasty most, but all great.
Nick Warren - This is such a great album.
Laurent Garnier - Very cool EP. Will play these.
Jonas Rathsman - Stop That sounds interesting

One of the most prolific electro artists of his generation, Boris Bunnik aka Versalife, returns to TRUST with an exceptional soundtrack for the algorithmic hellscape we live in. As neofeudalist power structures solidify around us, Versalife's tracks remain in constant flux. Subtle tonal shifts and undulating synth currents create tension and beauty while crisp machine beats provide the clockwork rhythm for humanity's march into the singularity.

Prepare to groove to Limited White Label’s next black label release! LTDBLBL014 features six tracks by a diverse lineup of artists including Scruscru, James Gia, Freudenthaler, Harcia, King Of Clubs, and Bon Aime. This collection seamlessly blends the smooth melodies of jazz with the infectious beats of house. From established icons to promising newcomers, each track offers a unique sonic journey. Don't miss this VA record – the first from Limited White Label in five years. Available on May 31st, born from a passion for Jazz-House music.

Warehouse Find - Test Pressing!

Time to welcome Kresy to the label with three original tracks of immaculate left of centre house. With only a clutch of releases his name may be new to many but if you dig deeper you'll find he's definitely moving the right circles. His debut release on John Talabot's Hivern Discs gave some broad exposure, picking up spins from the likes of Four Tet's Keiren Hebden, Jenifer Cardini and Nick Hoppner. Remix requests followed too with releases on Exquisite Pain, Southern Fried and Lovemonk all getting the Kresy treatment.

2014 looks equally busy with material forthcoming on Jay Shepheards Retrofit as well as DJ dates taking in Corsica Studios and Panarama Bar.

On his Freerange debut Kresy kicks off with Sweet Dangerous MC's, a shuffling, raw, 90's inspired cut which treads firmly forward rather than backward. The beats are crunched and jacked to perfection while the pads hiss and fizz all the while punctuated by the sweet dangerous MC in person.

Next up is Last Cocktail Of Stallone where echoes of Studio54 combine with the stomp of jacking Chicago house to produce a fresh fusion for 2014.

Flipping over we have a brilliant reinterpretation of Last Cocktail Of Stallone by west coast house heroes Vin Sol and MATRiXXman. Here the duo clearly had a fun session firing up the hardware drum machines and delays, reworking the rhythm track into a steady yet subtly massive warehouse jam primed for the dancefloor.

Finally, we're treated to the elegant beauty of Midnight In Manhattan where melancholic piano chords lay the foundation for an echoing sax riff to take centre stage. An original, interesting and above all deep slice of house that demonstrates Kresy's diversity and talent perfectly.

"Deep Dancefloor Jams of African Disco, Funk, Boogie, Reggae & Proto Electro Music 1977-1986reggWhen a passionate DJ and crate digger intuitively selects music for a DJ compilation, without artistic compromise and without the burden of trends, AfroMagic vol.1 emerges from the depths of his soul. Herewith we present the new favorite phonomancer’s tool for all the DJs who experience the dance floor as a sanctuary and a source of freedom and love.

The most fundamental thing that defines African music is that it was created for dancing. In African dance, there is often no clear distinction between ritual celebration and social recreational entertainment – one can seemlessly merge with the other. Because dance and rhythm have more power than gesture and more richness than words, and because they express the deepest experiences of human beings, dance is in itself a complete and self-sufficient language. It is truly an expression of life with all of its emotions – joy, love, sadness and hope – without which there is no African music and dance. For the African people, dance and music are integral parts of the body and soul, thus depicting the expression of life, current emotional states, visions or dreams. Through hypnotic repetitive music and dance, people communicate with each other and with the souls of the dead, the animals, the plants, the stars, the Gods… They free the body and the spirit through ecstatic states, reaching a healing sense of freedom, happiness, and satisfaction.

Throughout history, this transcendental perception of rhythm and dance originating from Africa, influenced popular music worldwide, thus creating new living and breathing forms of musical genres – freeing them from their industrial mold. Funk, disco, soul, boogie, reggae, dancefloor jazz etc., developed in parallel all over the world. It is foolish to perpetually discuss where they originated from and who were the creators of all these fiery dance floor genres – being obvious that they directly or indirectly originate from the African continent and its people who were as well, over the centuries, influenced by disturbing socio-cultural factors of colonialism. However, no one can enslave the soul. The seeds of free and uninhibited dance and rhythm, true to their original form, initially first sprouted onto the USA’s fertile fields of clubbing and popular music while later evolving in other parts of the world.

The disco funk club culture manifested itself as a phenomenal explosion of artists and grooves in the second half of the 70s in the USA. Shortly it spread around the world continually reigning over charts in its various forms – to this day. Clubs emerged where the DJ is an almighty shaman and the dancers are a tribe united under one roof. This urban ritual had and still has a single goal: togetherness, freedom, and love. Clubs have evolved into temples where we free ourselves from the burden of a consumerist lifestyle and suppressed emotions – a place where we receive love and give love – to be who we really are.

Disco funk clubbing was such an influential global phenomenon that its influence can be observed in various other genres from the disco funk era i.e. progressive rock, which mutated by layering complex rock arrangements with a disco funk groove resulting in hybrids, highly sought by today’s diggers, producers and collectors. The profit-hungry music industry of the 80s very quickly commercialized the original disco funk sound by amputating of its original Afro groove to be able to easily ‘sell’ it globally. So, the original disco funk groove became underground again, and it has remained so until this day. Today, for a DJ to unearth that ravishing groove that will lead the dancers to the stars, he must dig passionately like a true musical archaeologist in search of that groove that picks you up after just a few initial beats. That groove which forces the atoms in your body to vibrate, that groove which unites the body and releases the burden.

The AfroMagic compilation series is created as a tool for real DJs who stick to the aesthetics and essence of clubbing.

This continuation of the Afromagic compilation by DJ Borovich was created in a private jam session which served as an escape route from intense and complex love problems.

Unconsciously driven by intuition and emotion and following a live mix tape framework where many tunes are arranged instantaneously, Borovich narrates his story with a strong rhythm that cuts loose even the most blocked off energy nodes and restores happiness to the spirit and the body.

The musical experience of the groove is completed by the lyrics of the songs, which symbolically give DJ Borovich universal answers to his questions arising from questioning the boundaries, nuances and other forms of love.

When considering that Borovich’s selection was created to facilitate an escape from the burdens of reality through rhythm and dance, we can be sure that Afromagic Vol. 2 will have a 100% uplifting, energized and spaced-out effect on the listeners.

The intro to A1, “Feeling Happy” by the Apostles, introduces us to an experienced and slow, cool and irregularly tight groove containing a confidently sung chorus that instantly gives a sense of freedom and hints at the remainder of Afromagic Vol. 2: “I’m gonna feel happy, ´cause I know I’m gonna be myself.” After the anthemic song mantra of the Apostles, Aigbe Lebarty uncompromisingly continues with a dirty disco rhythm. Acidified by accented synths that elevate it to shamanic levels and held together by a female tribal choir, we embark on an uncompromising ritual disco journey. Without a moment to take a breather the prog funk band Mighty Flames and their Road Man launch a highly vicious and raw, thick funk groove spiced with acid synths and dirty RnR breaks, raising the bar for the A side. Jimi Hendrix himself would surely praise it given the ultimate freedom and virtuosity in the solo sections. With the last tune on A side DJ Borovich decides to burn the floor with Geraldo Pino’s psychedelic, acid furious groove and lyrics which describe this HEAVY part of love problems: “The way she walk, the way she talk, the way she does a funky dances, she is really really heavy – that woman”.

While the A side represents a compact intoxicating afro groove machine that separates us from reality and lifts us up to the stars in over 23 minutes, the B side is a treasure trove of proto sub-genres gems. This selection represents the mission of the Afromagic: to find singular events in African recorded discography of popular music from the 70s and 80s that give evidence to the birth of new modern genres on the Dark Continent even before they emerged in the U.S.A. or Europe. The beginnings of electronic music influenced genres are represented back to back with 80s synth jazzy pop, all painted in African colours.

The B side opens big with Jake Sollo and a huge reggae blues number singing about the humiliation of a man – goosebumps guaranteed! “You think I’m nobody that’s why, you don’t know the way for me, I’m somebody I know, I found myself at last”. Adolf Ahanotu then enters the scene with a hard sliding tackle at B2 and an exotic rare disco funk dancefloor napalm. A ‘Sensation’ that would ignite even the coldest of introverts. While we approach the end of the compilation the narrative revolves again and takes a different turn. No less and no more than to the proto-electro that Baad John Cross serves us in “Give Me Some Lovin´”. The fat and repetitive broken electro synth groove, championing many early 90s electro tracks, is presented here without hesitation and with constant tension accompanied by a mantric chorus “Gimme some, gimme some, gimme some looooovin’, EVERBODY!!!”. Finally, we’re guided to the end of Afromagic Vol. 2 by Eji Oyevole’s 80s synth pop style presented in an authentic afro manner, giving us a glimpse at yet another released Afromagic edition, as well as giving an answer to DJ Borovich’s love problems. A smoothly broken electronic rhythm resembling electrified highlife sounds, carried on the wings of a virtuoso dreamy saxophone on top of which Eji presents the most intimate parts of himself. Finalizing the track with a symbolic chorus, on the surface referring to the dancefloor and simply having fun, but in actuality referring to the skill and happiness of living: “I´m a dancer, I can dance”. So, get up and dance among the stars with DJ Borovich and Afromagic.

Moderna Ignites the Dance Floor with Debut Album "The Future Is Among Us"
Conceived over seven years in Berlin and Mexico City, "The Future Is Among Us" is a sonic tapestry woven from diverse influences. Each track, produced in a different era, retains its unique character while seamlessly blending into a cohesive album experience.
The album ignites with "DIE4U," a powerful homage to Prince's iconic "I Would Die 4 U." Moderna reimagines the timeless sentiment – entirely self-produced and written in Berlin. Layered vocals, a driving bass line, and a pulsating electro beats that create a controlled yet electrifying atmosphere.
The title track, "The Future Is Among Us," embodies the collaborative spirit at the heart of the album.
Originally conceived before the album was complete, bringing bass lines and a percussive energy that feels like a declaration that the future is not something to wait for, but something we are actively creating together on the dance floor.
The album promises a vibrant blend of electronic and dark wave music, showcasing Moderna's ability to weave together infectious dance floor anthems with deeper, more introspective moments.
This depth is evident in tracks like "Lost at Heart," a collaboration with post-punk artist Skelesys that transcends genre with its raw emotional vulnerability. The album's ability to seamlessly shift
between these contrasting styles is a testament to Moderna's artistry and her ability to curate a cohesive listening experience that invites a provocative energy.
Moderna’s impressive career extends beyond this album. Beyond her solo work, she has showcased her remixing talent on tracks for The Matrix 4 soundtrack and Curses' Next Wave Acid Punx compilation, collaborated on four EPs with Mexican artist Theus Mago who also contributes to the album on the dream wave serenade “Blades”.
The album will be released on her ‘Brave New Rave’ imprint which she established in 2019 from her highly recognized radio show on KCRW Berlin.

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.

Introducing Small Great Beats, an exclusive series following the principal release series, Small Great Things (SGT). This limited edition collection will showcase 1 or 2 releases annually, featuring a blend of anthems, melodic tracks, and dance floor-oriented tunes.

Limited to just 200 copies per release, Small Great Beats offers collectors a rare opportunity to own something truly exceptional. Additionally, the series will be digitally available on all major platforms and Bandcamp.

Kicking off the series is Luca Olivotto's mesmerizing 5-track EP, "Kind Of Lovin´", pressed on captivating light blue vinyl.
Opening the release is title-cut ‘Kind Of Lovin’’, an anthemic slice of classic house fuelled by a swinging 909 drums groove and bouncy bass line in combination with intertwined piano keys, strings and vocal hooks before ‘Blue’ follows and lays down a 90’s rave-tinged piano melody, cinematic string flutters and crisp saturated drums across five minutes. ‘Hear My Call’ comes next and infused a more funk leaning aesthetic with organic percussion, jazzy keys and a walking bass line, intertwined with wandering strings and choppy vocal chants.

Opening the B-side is ‘Sun After Dark’, as the name would suggest a more peak time groove with glimpses of brightness via a circling bass line, raw, heavily shuffled drums and gritty stab sequences. ‘My Soul’ then rounds out the EP, again aptly titled as the composition fuses soulful cinematic strings, bright keys and an amalgamation of soulful vocal stylings all dynamically evolving and unfolding throughout.