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B-REAL & PSYCHO LES - Real Psycho LP 2x12"

B-Real&Psycho Les

Real Psycho LP 2x12"

2x12inchBRPLRP-2
B-REAL
18.04.2025
 
14
also available

Single Black Vinyl[27,86 €]

Clear with Black & White Splatter Vinyl[37,82 €]

Single Yellow Vinyl[27,86 €]

Cassette[16,39 €]


B-Real of Cypress Hill and Psycho Les of The Beatnuts have joined forces for REAL PSYCHO,

a 14-track album that merges their iconic styles into a bold bicoastal fusion. B-Real, known for West Coast classics like "Insane in the Brain,"

blends his Latino-influenced rap with Psycho Les’s hard-hitting production, shaped in Queens on tracks like "Watch Out Now."

The album features guest appearances from Bay Area legend Too Short, Deftones guitarist Stephen Carpenter,

Demrick, and Son Doobie. Singles like "You Might Know Us" and "Lyrical Hammers"—

the latter enhanced by Carpenter’s gritty guitar riffs—offer a preview of the album’s genre-defying sound.

For vinyl collectors, REAL PSYCHO is available in four editions, including black and yellow 1LP versions

and two deluxe 2LP editions in black and limited silver marble vinyl, featuring a gatefold cover and instrumental tracks.

This collaboration celebrates hip-hop’s ability to bridge coasts, eras, and styles, delivering an album that feels both nostalgic and fresh.

pre-order now18.04.2025

expected to be published on 18.04.2025

28,15 €
B-REAL & PSYCHO LES - Real Psycho LP 2x12"

B-Real&Psycho Les

Real Psycho LP 2x12"

2x12inchBRPLRPSP
B-REAL
18.04.2025
 
14
also available

Single Black Vinyl[27,86 €]

Double Black Vinyl[28,15 €]

Single Yellow Vinyl[27,86 €]

Cassette[16,39 €]


B-Real of Cypress Hill and Psycho Les of The Beatnuts have joined forces for REAL PSYCHO,

a 14-track album that merges their iconic styles into a bold bicoastal fusion. B-Real, known for West Coast classics like "Insane in the Brain,"

blends his Latino-influenced rap with Psycho Les’s hard-hitting production, shaped in Queens on tracks like "Watch Out Now."

The album features guest appearances from Bay Area legend Too Short, Deftones guitarist Stephen Carpenter,

Demrick, and Son Doobie. Singles like "You Might Know Us" and "Lyrical Hammers"—

the latter enhanced by Carpenter’s gritty guitar riffs—offer a preview of the album’s genre-defying sound.

For vinyl collectors, REAL PSYCHO is available in four editions, including black and yellow 1LP versions

and two deluxe 2LP editions in black and limited silver marble vinyl, featuring a gatefold cover and instrumental tracks.

This collaboration celebrates hip-hop’s ability to bridge coasts, eras, and styles, delivering an album that feels both nostalgic and fresh.

pre-order now18.04.2025

expected to be published on 18.04.2025

37,82 €
B-REAL & PSYCHO LES - Real Psycho

B-Real&Psycho Les

Real Psycho

12inchBRPLRPCV
B-REAL
18.04.2025

B-Real of Cypress Hill and Psycho Les of The Beatnuts have joined forces for REAL PSYCHO,

a 14-track album that merges their iconic styles into a bold bicoastal fusion. B-Real, known for West Coast classics like "Insane in the Brain,"

blends his Latino-influenced rap with Psycho Les’s hard-hitting production, shaped in Queens on tracks like "Watch Out Now."

The album features guest appearances from Bay Area legend Too Short, Deftones guitarist Stephen Carpenter,

Demrick, and Son Doobie. Singles like "You Might Know Us" and "Lyrical Hammers"—

the latter enhanced by Carpenter’s gritty guitar riffs—offer a preview of the album’s genre-defying sound.

For vinyl collectors, REAL PSYCHO is available in four editions, including black and yellow 1LP versions

and two deluxe 2LP editions in black and limited silver marble vinyl, featuring a gatefold cover and instrumental tracks.

This collaboration celebrates hip-hop’s ability to bridge coasts, eras, and styles, delivering an album that feels both nostalgic and fresh.

pre-order now18.04.2025

expected to be published on 18.04.2025

27,86 €
B-REAL & PSYCHO LES - Real Psycho (Tape)

B-REAL & PSYCHO LES

Real Psycho (Tape)

CassetteBRPLRPMC
B-REAL
18.04.2025

B-Real of Cypress Hill and Psycho Les of The Beatnuts have joined forces for REAL PSYCHO,

a 14-track album that merges their iconic styles into a bold bicoastal fusion. B-Real, known for West Coast classics like "Insane in the Brain,"

blends his Latino-influenced rap with Psycho Les’s hard-hitting production, shaped in Queens on tracks like "Watch Out Now."

The album features guest appearances from Bay Area legend Too Short, Deftones guitarist Stephen Carpenter,

Demrick, and Son Doobie. Singles like "You Might Know Us" and "Lyrical Hammers"—

the latter enhanced by Carpenter’s gritty guitar riffs—offer a preview of the album’s genre-defying sound.

For vinyl collectors, REAL PSYCHO is available in four editions, including black and yellow 1LP versions

and two deluxe 2LP editions in black and limited silver marble vinyl, featuring a gatefold cover and instrumental tracks.

This collaboration celebrates hip-hop’s ability to bridge coasts, eras, and styles, delivering an album that feels both nostalgic and fresh.

pre-order now18.04.2025

expected to be published on 18.04.2025

16,39 €
THEY. - LOVE.JONES

They.

LOVE.JONES

12inchDSW017LPC1
Drink Sum WTR
18.04.2025
  • 1: LOVE.JONES
  • 2: Choosin
  • 3: Diamonds And Pearls
  • 4: Rotation
  • 5: * STAR*
  • 6: Drive Thru
  • 7: Never Change
  • 8: Straight Up
  • 9: Gemini
  • 10: Can't Let Go

R&B duo THEY. — songwriter Drew Love and producer Dante Jones — have developed a smooth, future-facing sound for nearly a decade. In the early days, it was simple; two artists aligning on an appreciation for '90s R&B, new jack swing, and the height of soul-sampling hip-hop. Jones making beats and Love on the lines, a basic, balanced, and open-ended setup, free from major label expectations (which they'd feel on their 2017 breakout Nü Religion: Hyena) and high-profile collaborations (explored on 2018's Fireside, 2020's The Amanda Tape, and 2023's Nü Moon). They're proud of every stop along their story, while hindsight and a fresh perspective after signing to Secretly-affiliate label drink sum wtr have afforded them some distance to reflect on where THEY. goes next. The answer is LOVE.JONES. Here the duo exudes a whole new energy by reasserting their artistry in its most potent and pure form, just Love and Jones, making straight-fire, love-making music indebted to the golden neo-soul era that gave us the namesake 1997 film. “Forget the features, forget bringing in the big producers and writers. It's really just a return to our original dynamic," says Jones. Refined and reinvented, THEY. have arrived at their boldest work, a stacked, high-energy collection celebrating Black art, culture, and "the intense feelings of Black love."

pre-order now18.04.2025

expected to be published on 18.04.2025

29,20 €
Black Loops - Experience EP

Black Loops

Experience EP

12inchFR304
Freerange
16.04.2025

Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cue from funk, soul and disco and are underpinned by a love of 90’s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length album dropping 9th May, 2025.

Ahead of the LP we present the Experience EP which sees Jimpster and Black Loops himself deliver Dub versions of two of the LP’s highlights; Electrical and Experience. Jimpster kicks off with a stripped back, rolling Italo-inspired groover with touches of modular synth sequences, string stabs and dubbed out vocals. Black Loops follows with his own version keeping the funk factor intact with guitar licks, synth blips and extra fat, moog bassline.

Flip over for the original of Experience featuring Marlena Dae with it’s distinctly 90’s, Vogue-era Madge mood. Black Loops then proceeds to take it to the club on his Dancefloor Dub, stripping out the vocals and working up a punchy, minimal groove for the dancers. Closing out the release we have an exclusive original, not included on the LP entitled Inmasoul. Jazzy, deep beats are the order of the day here, making for a perfect warm up track to set the mood.

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Last In: 3 months ago
15,17 €
VARIOUS - Jazz And Beatles LP 2x12"
 
24

Being one of the most popular albums in the history of the label,

Music Brokers is happy to announce the release of Jazz And Beatles in a limited-edition double LP.
The album features 24 stellar Beatles classics reinvented in jazz form that highlight the catalog of the biggest band of all time.
Gems such as “Yesterday”, “Here Comes The Sun”, “Revolu- tion” and “She Loves You” have new life with reworked versions
by many of the biggest names in the nu-jazz move- ment including Jazzystics,
Les Crossaders, The Cooltrane Quartet, Eve St. Jones and Apollinare Rossi. With stellar artwork and remastered sound,
this is another essential addition to your jazz-lounge music collection in vinyl format.

out of Stock

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Last In: 84 days ago
34,41 €
BRYAN  BELLER - SCENES FROM THE FLOOD LP 2x12"
  • THE SCOURING OF THREE & SEVENTEEN
  • VOLUNTEER STATE
  • EVERYTHING AND NOTHING
  • A QUICKENING
  • STEINER IN ELLIPSES
  • ALWAYS WORTH IT
  • LOOKOUT MOUNTAIN
  • THE STORM
  • THE FLOOD
  • BUNKISTAN
  • AS ADVERTISED
  • ARMY OF THE BLACK RECTANGLES
  • THE OUTER BOUNDARY
  • ANGLES & EXITS *
  • THE INNER BOUNDARY
  • WORLD CLASS
  • SWEET WATER
  • LET GO OF EVERYTHING

Bryan Beller's (Joe Satriani, Aristocrats, Dethklok) epic progressive double concept 2019 album feat. 26 all-star musicians now on Blue Swirl 2LP in gatefold jacket available! Bassist/composer Bryan Beller (The Aristocrats, Joe Satriani, Dethklok, Steve Vai) presents a sweeping, epic-scale modern progressive double concept album that asks the question: When the storm comes for us, the big one after which things will not be the same, who are we and what do we become in those defining moments? What do we keep, and what do we let go? "Scenes From The Flood" employs an all-star cast of 26 musicians to explore themes of ambition and loss, intentionality and reality, hope and disillusionment. It uses every second of its 18-song, 88-minute running order to tell an emotionally consuming and unforgettable musical story. Produced and composed by Bryan Beller (except "Angles & Exits," composed by Janet Feder), mixed and mastered by Forrester Savell. "Scenes From The Flood" is performed by: Christopher Allis, Bryan Beller, Nili Brosh, Paul Cartwright, Darran Charles, Julian Coryell, Mike Dawes, Janet Feder, Guthrie Govan, Ray Hearne, Gene Hoglan, Mike Keneally, Jamie Kime, Fred Kron, Teddy Kumpel, Jake Howsam Lowe, Evan Mazunik, Nate Morton, Rick Musallam, Mike Olekshy, Griff Peters, John Petrucci, Matt Rohde, Joe Satriani, Rishabh Seen, Joe Travers, Leah Zeger.

pre-order now11.04.2025

expected to be published on 11.04.2025

36,09 €
Denzel Curry - King Of The Mischievous South Vol. 2

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

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Last In: 17 months ago
32,98 €
Black Light Smoke - Control

It’s always fun to let our audience peer through the party peephole with some hot behind-the-scenes info. For months, Black Light Smoke’s Control EP has supplied several of label head Tiga’s secret DJ weapons. In fact, he’s been sneaking out constantly after 9pm to play it out anywhere they’ll have him. And it’s little wonder to those who wonder why, as the Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.

Leadoff track "New York Is Dead” eulogizes the famous Big Apple Dance Party Scene in a way that will confuse the many who have embraced the city’s thriving “Groove With the Avengers” day rave series in Times Square. But the nihilism-liking doesn’t stop there, with the Friday-Til-I-Die attitude of “Black Hole at the Disco,” the pleather-dreaded post-cyberpunk of “Last Song Before Sunrise”, and the oxygen-deprived acid of “Break Your Back” culminating in the 11:45am-peak-time industrial trance of closer “Mind Control.”

Because we want this to be available to as many inhabitants of the blasted apocalyptic landscape we have pencilled in for 2034 or so, we have decided to make this release available both digitally and on vinyl. So whether you’ve managed to jack in illegally to a Spotify Wind Farm or you’re relegated to the hand-cranked misery of a Victrola while living in a barn or something, we’ve got you covered!

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Last In: 9 months ago
12,56 €
Black Country, New Road - Forever Howlong (LP 2x12" + MP3 Gatefold Sleeve)

Black Country, New Road veröffentlichen ihr neues Studioalbum „Forever Howlong“ auf Ninja Tune! Das Album ist ihre erste Studioveröffentlichung seit ihrem Album, „Ants From Up There“, aus dem Jahr 2022, neben ihrem für den Mercury Prize nominierten Debüt, „For The First Time“ und folgt auf „Live At Bush Hall“ aus dem Jahr 2023. Jetzt, auf dem dritten Studioalbum, beginnt die Band wieder von Grund auf und vollzieht eine weitere wundersame musikalische Verwandlung.
Das lang erwartete neue Album wurde von James Ford (von Simian Mobile Disco, der u.a. bereits mit Arctic Monkeys, Depeche Mode und Blur zusammenarbeitete) produziert und zeigt Black Country, New Road in einer neuen Form, in der die Gesangsaufgaben - und der Großteil des Songwritings - zwischen Tyler Hyde, Georgia Ellery und May Kershaw aufgeteilt sind. „Forever Howlong“ ist ein ehrgeiziges, detailliert ausgearbeitetes Album, das von Folk über Prog und Barock-Pop bis hin zu einem Hauch von Alt-Rock alles enthält - mit Anklängen an Joanna Newsom, Randy Newman, Fiona Apple und Janis Ian - und dabei doch diesen unverwechselbaren, einzigartigen Sound beibehält, den nur diese Kombination von Musiker:innen hervorbringen kann. Obwohl das Album sehr vielfältig und umfangreich ist, fühlt es sich auch sehr kohärent und fokussiert an, da es drei verschiedene Stimmen und Stile aufnimmt und sie nahtlos in einen neuen kollektiven Sound einfließen lässt.

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Last In: 17 months ago
29,37 €
Black Country, New Road - Forever Howlong (LP 2x12" + MP3 Gatefold Sleeve)

Black Country, New Road veröffentlichen ihr neues Studioalbum „Forever Howlong“ auf Ninja Tune! Das Album ist ihre erste Studioveröffentlichung seit ihrem Album, „Ants From Up There“, aus dem Jahr 2022, neben ihrem für den Mercury Prize nominierten Debüt, „For The First Time“ und folgt auf „Live At Bush Hall“ aus dem Jahr 2023. Jetzt, auf dem dritten Studioalbum, beginnt die Band wieder von Grund auf und vollzieht eine weitere wundersame musikalische Verwandlung.
Das lang erwartete neue Album wurde von James Ford (von Simian Mobile Disco, der u.a. bereits mit Arctic Monkeys, Depeche Mode und Blur zusammenarbeitete) produziert und zeigt Black Country, New Road in einer neuen Form, in der die Gesangsaufgaben - und der Großteil des Songwritings - zwischen Tyler Hyde, Georgia Ellery und May Kershaw aufgeteilt sind. „Forever Howlong“ ist ein ehrgeiziges, detailliert ausgearbeitetes Album, das von Folk über Prog und Barock-Pop bis hin zu einem Hauch von Alt-Rock alles enthält - mit Anklängen an Joanna Newsom, Randy Newman, Fiona Apple und Janis Ian - und dabei doch diesen unverwechselbaren, einzigartigen Sound beibehält, den nur diese Kombination von Musiker:innen hervorbringen kann. Obwohl das Album sehr vielfältig und umfangreich ist, fühlt es sich auch sehr kohärent und fokussiert an, da es drei verschiedene Stimmen und Stile aufnimmt und sie nahtlos in einen neuen kollektiven Sound einfließen lässt.

pre-order now04.04.2025

expected to be published on 04.04.2025

30,67 €
Sprints - Manifesto

Sprints

Manifesto

12inchNSWN35
Nice Swan
04.04.2025
  • A1: Drones
  • A2: Swimming
  • B1: Manifesto
  • B2: Ashley

“On course towards future raucous, beer-soaked headline festival
sets.” - NME
“Screw-you power, relentless motorik rhythms and impressively large
choruses.” - The Guardian
“Unrelenting, gritty energy” - Daily Star
Sprints unearth their frenzied new EP, ‘Manifesto’, out via Nice Swan
Records.
Produced by Daniel Fox of Girl Band - Dublin’s answer to Steve Albini
- the four tracks make for a hard-hitting gloom-punk journey you
can’t miss. Like the Irish guitar acts who have paved the way for
them - Fontaines D.C., Silverbacks and Girl Band - Sprints sound
urgent and vital at every turn.
‘Swimming’ is a confluence of rabble-rousing stadium rock, sleazy
garage rock and Sonic Youth experimentation. Lyrically, there’s a lot
to hang on to too, which is unsurprising given how topical the band
are: ‘Drones’ took on imposter syndrome; ‘Manifesto’ tackled
homophobia.
‘Swimming’ scorns on the increasing lack of opportunity after
following prescribed paths to become society’s idea of a ‘success’.
Sprints singer Karla Chubb explains: “While the homeless crisis
worsens, the city is sinking in debt and everyone can barely keep
their heads above water, you see an article stating that a new €25
million white water rafting centre is being developed after approval
by Dublin City Council. Sometimes you’d just rather drown.”
Sprints have hit a nerve. The velocity of this argument comes from
personal anguish but will chime with a generation. And with such
honesty running through their core it’s no wonder The Guardian,
NME and BBC Radio 1 and 6Music have tipped them for big things.
Tourdates - October 7 Roisin Dubh Galway, 8 Kasbah Limerick, 9 The
Grand Social Dublin, 21 The Waiting Room London, 23 Heartbreakers
Southampton, 26 Sneaky Pete’s Edinburgh, 27 The Attic Glasgow, 28 The
Castle Manchester, 30 The Sunflower Lounge Birmingham, 31 Bootleg Social
Blackpool, November 2 Surf Cafe Newcastle, 3 Sidney & Matilda Sheffield, 6
Mutations Festival Brighton, 7 Festival of Voice Cardiff, 9 The Shipping
Forecast Liverpool, 10 Oporto Leeds.

pre-order now04.04.2025

expected to be published on 04.04.2025

26,47 €
HxH - STARK PHENOMENA

Hxh

STARK PHENOMENA

12inchOF04LP
OFNOT
03.04.2025

Chris Ryan Williams (trumpet & electronics) and Lester St. Louis (cello & electronics) work together as HxH (H by H). Their skills have seen them move smoothly across various situations, constantly carving out new terrain and working in new configurations of musicians at a rapid pace. While worth reading, their biographies capture only a part of their complex rhizome.

HxH started about three years ago. The project is a direct response to all their activity with others and more importantly all their future leaning sonic desires. Their debut album STARK PHENOMENA is both their first studio recording and their first physical release. The album is appropriately set to be released by KMRU on his growing label OFNOT. It’s an ideal introduction to their sound world and their approach.

HxH describe their music as “electroacoustic,” but until recently the presence of Black musicians in this field has been greatly overlooked and largely ignored, making this phrase only partially appropriate. What HxH do really is to always be unpredictable. Every gig is a new soundscape. Sometimes you might hear echoes of Autechre or Robert Hood but then the sound-field will open up into a new terrain all their own. Chris and Lester bring together techniques from across the sound spectrum of electronic music and also draw on their deep backgrounds in Jazz, Improvisation, Classical and Noise scenes to create a sound that is true to them. After all, these two have worked with the likes of Bennie Maupin and the music of Black Fluxus artist Ben Patterson. Their rhizome is deep.

One of the ways that their unique approach manifests is in their merging of both acoustic instruments and electronic instruments in real time. This is something few have managed to do – but their spontaneous leanings work in both complex and accessible ways because of their deep understanding of landscape crafting. You can hear this clearly on the track “Pyrex Vision.” Their approach makes it tempting to compare their music to Sun Ra jamming with Laurel Halo – a comparison that would be only partly accurate.

Chris and Lester note that the sounds on STARK PHENOMENA are “imbued with such hopeful, gracious care; one that is far flung from obsessive carefulness or fuck the world carelessness, but more a caring embrace without the fuzziness of nostalgia.”

They note that when they began working together, they would “always come back to speaking on our concepts of an architecture of the expanse,” noting that their live sets often take on the joyfully noisy task of “dreaming big.” For HxH it was essential that STARK PHENOMENA have a quality that is “almost sculptural.” They consider the album “an object to be viewed from all sides.” This kind of thinking has resulted in them directly engaging with numerous sculptors and artists including Torkwase Dyson. Shape wise HxH’s sound fields work in a parallel to Dyson’s black architectural works.

They also note that the opening cut “BEACH” (the opening and longest track from the album) was “written weeks after our first gig in a studio session donated to us by our dear friend jaimie branch.” And that Pyrex Vision “was continually being edited months after sending our ‘final mixes’ to KMRU.” Their sound sources and samples come from studio sessions, live gigs, durational installations, 3am improvised downloads and more.

KMRU notes: "I think there is an in-between layer on this record. I was first caught by the Pyrex Vision track which organically flows between monologue, subtle field recording, and instrumentation. It's such a beautiful track, evoking deep emotion through simplicity. STARK PHENOMENA effortlessly glides in between imaginative mosaics of sounds — free yet complex — unlocking memories within its layers."

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Last In: 4 months ago
22,27 €
VARIOUS (Paul Weller) - PAUL WELLER PRESENTS ~ THAT SWEET SWEET MUSIC LP 2x12"
  • A1: GOD MADE ME FUNKY - The Headhunters
  • A2: SPANISH TWIST - The I. B. Special
  • A3: BREAKAWAY - The Valentines
  • A4: TOP OF THE STAIRS - Collins & Collins
  • A5: DONT LET THE GREEN GRASS FOOL YOU - The Spinners
  • A6: BLACK BALLOONS - Syl Johnson
  • B1: SOULSHAKE - Peggy Scott & Jo Jo Benson
  • B2: I CAN'T MAKE IT ANYMORE - Richie Havens
  • B3: YOU GOT TO HAVE MONEY - The Exits
  • B4: PULL MY STRING (TURN ME ON) - The Joneses
  • B5: RUN FOR COVER - The Dells
  • B6: ON EASY STREET - O.C. Smith
  • B7: IT AIN'T NO BIG THING - The Radiants
  • C1: SUMMERTIME - Billy Stewart
  • C2: IN THE BOTTLE - Brother To Brother
  • C3: HARD TIMES - Baby Huey
  • C4: MAGGIE - Johnny Williams
  • C5: WHEN - Joe Simon
  • C6: POURING WATER ON A DROWNING MAN - James Carr
  • C7: THAT'S ENOUGH - Roscoe Robinson
  • D1: BLACKROCK “YEAH, YEAH” - Blackrock
  • D2: GOLDEN RING - American Gypsy
  • D3: SEARCH FOR THE INNER SELF - Jon Lucien
  • D4: LIFE WALKED OUT - The Mist
  • D5: IN THE MEANTIME - Betty Davis
  • D6: BEAUTIFUL FEELING (SINGLE MIX) - Darrell Banks

Soul music has always been in Paul Weller’s blood from early Jam covers of Martha & the Vandellas 1963 classic ‘Heatwave’. Along with other forms of music, soul found its way into Paul’s record collection, nourishing his ears and informing his own songwriting

We don’t need to recap a questing musical career from the Jam to the Style Council and then blossoming into one of the most productive and revered careers of any UK solo artist. Paul has written anthems, standards and a songbook that have always developed from his own feelings.

Whilst Paul has talked about his love of soul music he has, before now, simply been too busy to sit down and curate a collection of his favourite tracks and get it into the record racks.

Ace Records are honoured and delighted to finally release that Paul Weller curated collection which he has aptly titled, “That Sweet Sweet Music”.

This 2-LP set and CD open the curtains on 26 tracks that are some of Paul’s favourite soul records most of which nestle on vinyl in his own collection. He can still recall paying £70 for his copy of Jon Lucien’s 1971 ‘Search For The Inner Self’ 7” at a record shop in Leicester in the 90s. Some of these tracks are soul classics like James Carr’s 1966 ‘Pouring Water On A Drowning Man’ and Brother to Brother’s brilliant take on Gil Scott Heron and Brian Jackson’s ‘In The Bottle’ from 1974. Others are deliciously obscure wonderous gems like the A-side of Blackrock’s sole 1971 single ‘Blackrock “Yeah, Yeah”’, ‘Life Walked Out’ from the same year by the Mist or Syl Johnson’s ‘Black Balloons’ taken from his 1970 album “Is It Because I’m Black?”.

There are plenty of big vocal hitters such as Darrell Banks, Spinners, Joe Simon, O.C. Smith, the Dells and Betty Davis. Whilst the core is vocal soul the music does branch out with Paul selecting a wicked instrumental from the flipside of the Isley Brothers’ ‘Twist & Shout’ from 1962 and the funky jazz of the Headhunters ‘God Made Me Funky’, the A-side of their first 1975 seven-inch.

pre-order now31.03.2025

expected to be published on 31.03.2025

32,48 €
Basic Black - Don’t Make Me Fall In Love – Timmy Regisford Mixes

“… it was dance music, it had lyrics, it had songs, it wasn’t all instrumental, it was basically uptempo soul music, to be exact.”*

This quote from Timmy Regisford already sums up everything you need to know about his remix of Basic Black’s “Don’t Make Me Fall In Love.” Signed to Motown during Regisford’s reign as vice president and A&R, their self-titled debut album from 1990 is a testament to the massive popularity of new jack swing at the time. In his remix, the co-founder, resident DJ, and key figure of Club Shelter reconfigures the song’s structure with the signature sounds of New York’s prime dance floor scene, while preserving the heartfelt storytelling of the lyrics and the group’s voices on top of an irresistible groove and a bassline to die for.
At the time, it was only available in the record crates of the Big Apple’s DJ elite and later on as a white label in specialist shops. This soulful, yet driving piece, however, never saw an official single release—until now. Lifted from a DAT tape in Tony Humphries’ archive and carefully and faithfully restored, it now even features a condensed, never-before-released instrumental version of the remix, as well as a bass-and-beats-only edit for mixing purposes by yours truly. New jack swing transformed into New York club music by a king. This remix is a testament to Timmy Regisford’s prowess in the studio, but also honors the roots of the music he loves and grew up on—serving as a perpetual piece of the city’s vast history in underground dance music.
Gerd Janson

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Last In: 12 months ago
11,72 €
Various - Eccentric Soul: The Dynamic Label 2x12"
  • A1: Commands – Hey It's Love
  • A2: Little Jr. Jesse & The Tear Drops – Give Your Love To Me
  • A3: Tonettes – I Gotta Know
  • A4: Doc & Sal – Can't Get You Offa My Mind
  • A5: Commands – I've Got Love For My Baby
  • A6: Willie Cooper & The Webs – You Don't Love Nobody
  • A7: Little Jr. Jesse & The Tear Drops – Ain't No Big Thing
  • B1: Commands – No Time For You
  • B2: Webs – Little Girl Blue
  • B3: Tonettes – My Heart Can Feel The Pain
  • B4: Doc & Sal – Cry & Wonder Why
  • B5: Commands – Don't Be Afraid To Love Me
  • B6: Willie Cooper & The Webs – I Can't Take No More
  • B7: Don & The Doves – Together
  • C1: Webs – Don't Ever Hurt Me
  • C2: Commands – Must Be Alright
  • C3: Bobby Blackmon & The Soul Express – She's Gotta Have Soul
  • C4: Doc & Sal – Laughing To Keep From Crying
  • C5: Webs – Try Loving Me
  • C6: Commands – Too Late To Cry
  • C7: Doc & Sal – My Dream
  • D1: Little Jr. Jesse & The Tear Drops – If You Don't Love Me
  • D2: Webs – Can't Let You Go
  • D3: Commands – A Way To Love Me
  • D4: Little Jr. Jesse & The Tear Drops – It Keeps Rainin
  • D5: Don & The Doves – I Need You
  • D6: Bobby Blackmon & The Soul Express – You'll Find Another
  • D7: Commands – Around The Go-Go

Whipped up in the dust of Rene & Rene’s Tejano tornado “Angelito,” the Dynamic label was just one among San Antonio record and real estate mogul Abe Epstein’s enterprises. Dynamic’s flagship outfit, the Commands, marched “No Time For You” up to the middle of the charts in 1966 with performance chops honed jet-sharp by the demanding Air Force Base circuit. That take off paved a runway for 20 more soulful Dynamic singles over an impressive 30-month campaign. Epstein’s open-door policy brought a diverse cross-section of Texas talent into convergence within his General McMullan Drive studio, as whites, blacks, and Latinos alike suited up for service in whichever new group the call of duty called for. Epstein’s Alamo City melting pot is ladled out here in 21 (28 on the 2LP) of Dynamic’s most intriguing dishes by the Tonettes, Little Jr. Jesse & the Tear Drops, Don & the Doves, Willie Cooper & the Webs, Bobby Blackmon & His Soul Express, and Doc & Sal. Lone Star pic sleeves, full-color dancehall photography, and rich ephemera plant a new flag for soul in soil that’s seen its share of hoisted banners.

pre-order now28.03.2025

expected to be published on 28.03.2025

35,92 €
The Primitive Painter - The Primitive Painter 2x12"

Apollo / R&S are delighted to welcome back The Primitive Painter, aka the duo of Roman Flügel and Jörn Elling Wuttke for a timely reissue of their 1994 lost classic self-titled album of sonorous IDM.

Growing up in Frankfurt, in the 80s and 90s the duo met at an indie rock club in their home town of Darmstadt, bonding over their shared obsession with the first wave of acid, Chicago house and early Detroit techno as well as their patronage of now iconic Frankfurt club nights like The Omen or Dorian Gray or the infamous Delirium Record shop run by scene stalwarts Ata (Robert Johnson) and Heiko MSO (Playhouse).

Taking inspiration from the likes of The Black Dog and Transmat as well as seminal compilations such as Planet E’s Intergalactic Beats and Warp’s Artificial intelligence compilation the duo honed their inventive take on the Detroit techno blueprint under the monicker Acid Jesus, debuting on their freshly minted Klang Elektronik label. The label was started in conjunction with Ata and Heiko after Fluegel & Wuttke (regular patrons of the Delirium store) pressed a demo on them, muttering the immortal line; “Please listen to the tape, we are big Mr. Fingers fans.”

Through the mid ’90s the project flourished giving rise to a classic album and a brace of singles that number amongst the best of the era’s techno, winning them a influential fans most notably Sven Väth, David Holmes and Andrew Weatherall who invited them to play live at one of the legendary Sabresonic parties in London.

Alongside the success of the Acid Jesus project, the duo found great inspiration in outside of the club, including an ambient happening when the KLF came to play Frankfurt; “There were live sheep eating grass on stage while they played at Mark Spoon’s club XS”, as well as cinematic influence from the likes of Jim Jarmush and Wim Wenders. It was however the euphonic IDM grandeur of Apollo Recordings self titled compilation of 1993 that really got their creative juices flowing: “It was a ten track compilation with artists like David Morley, Model 500, Aphex Twin which still sounds so good today,” Jörn enthuses. “ It was really the trigger to go away from the Detroit sound and more towards the big melodies of B12 etc.”

Deciding to make their tribute to this style of music the duo turned out 10 tracks of gauzy, melodious electronica in a white hot fever, one after another over the ensuing months. Settling on a name for the new project they picked ‘The Primitive Painters’ taking inspiration from the band Felt. “We are both children of the C86 movement,” explains Jörn. “this attitude of noisy art school influenced rock like Primal Scream, MBV, The Jesus & Mary Chain really inspired us to take a DIY approach to our music.”

They sent the resulting demo cassette to Renaat at R&S / Apollo. “We really had no expectations,” Jörn explains. “So we were shocked and delighted when we received a fax saying that he wanted to release it”.

The resulting release was bungled by an R&S mix up that attributed the album to the duo’s own Klang Elektronik label which confused both fans and distributors alike, denying the release the critical boost and attention that it so richly deserved. Accordingly the release slipped out without much fanfare, with a chastened Fluegel & Wuttke returning to their Acid Jesus activities which would eventually lead to their blockbusting success as Alter Ego.

Over the ensuing years the reputation of The Primitive Painter album has only grown, with second hand copies (only 500 vinyl were pressed) changing hands for exorbitant amounts on Discogs, leading us to this opportune moment of a richly deserved ‘first’ release on the label for which the project was started, Apollo / R&S.

“This really brings us full circle,” says Jörn. “Apollo / R&S meant and means so much to us as artists and so it was bittersweet to not have the official release - to put that right all these years later feels really good.”

This new vinyl release comes in re-created original gatefold artwork and includes all original 10 tracks (Stoned Soul Picnic was previously on the CD only).

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Last In: 13 months ago
24,33 €
FUTUROPACO - FORTEZZA DI VETRO VOL. 2
  • SPIRALE ISCENDENTE
  • CHI CI PROTEGGE DA LORO
  • LA BANDA PIU PERICOLOSA
  • CROLLO CAPITALISTA
  • SCAVANDO LA NOSTRA STESSA TOMBA
  • CORRUZIONE COLTIVATEA
  • POLIZIESCO
  • TERRA CHE NON RESPIRE
  • FORTEZZA DI VETRO

Although still very much a secret, Oakland, California's Justin Pinkerton has perfected and expanded his Futuropaco project to a stunning degree over the past seven years. The one-man band is deeply rooted in Pinkerton's masterful drumming, which builds on the legacy of 1960's and 1970's legends such as Tony Allen and Jaki Liebezeit. But he's an accomplished multi-instrumentalist as well, and the Futuropaco sound is a colourful fusion that sees him throw fuzz guitars, flutes, vintage synthesizers and Anatolian string instruments into the mix - seemingly without much effort. The second and final volume of the "Fortezza Di Vetro" series feels like a conclusion, the sound of an artist reaching his creative zenith. It's an experimental album, yet immediately seductive in its energy - channeling the vibey art-rock of Tortoise, Black Sabbath riffage and vintage Italian film music in equal measures. It's such a refined and esoteric blend, yet hits so directly. It's simply impossible not to crank the volume knob once this slab of vinyl is on the turntable, followed by immediate head nodding. Buy the ticket, take the ride. Justin Pinkerton is a vastly talented rhythmsmith, best known as a member of Californian stoners Golden Void. On this project he plays all the other instruments too so he can do what he blooming well feels. And it's not as if the drum solos go on for twenty minutes like those of John Bonham and his pale imitators. Nope. Into tracks that are both jam-packed and concise, Pinkerton has squeezed his love of vintage Italian library music, classic krautrock and heavy psych rock. At one point it suggests Grails have been performing super-speed cover versions of fusion-era Miles Davis with Adrian Younge on production. -The Quietus Futuropaco returns in a big way with Fortezza di Vetro, a buzzing, groove-heavy album that expands on what came before while staying true to the project's origins. Dizzying, fuzzed-out psych with just the right amount of melancholy for good measure. Justin Pinkerton and Futuropaco have done it again. Fantastico! -Complex Distractions

pre-order now28.03.2025

expected to be published on 28.03.2025

26,68 €
MOBBS & Susu Laroche - ZERO

Mobbs&Susu Laroche

ZERO

12inchLOVE138LP
Modern Love
28.03.2025
  • THRONE
  • ROAM
  • AXE
  • DAWN
  • FOREST

An air of ancient ritualism cloaks Modern Love’s midnight meeting between UK producer MOBBS and French-Egyptian spellcaster Susu Laroche, carving out a channel between hexed trip hop and shoegaze that’s one part DJ Screw, one part MBV, operating within a long shadow of influence cast by Curve, Leila, Cocteau Twins, Nearly God.

Clasping chiral energies on their debut collab, MOBBS brings a history spanning shadowy production work for big name artists to the grimly stylised vein of performance art and musick explored by Susu Laroche, an Egyptian-French with strong binds to chthonic contemporary London.

Their maiden sacrifice heightens the senses to blends of monotonic, sandalwood scented incantations and carpet-burned downbeats swept in slurred dub. Songs are subtly variegated in tone to spell out shifting plays of light evoking bedsit antechambers and warehouse innards lit by iPhone candle or extractor hood and emergency light bulbs on their last lumens.

It's music that's as elaborately serrated and blemished as early MBV, but positioned in a vastly different cultural landscape, drawing from hip-hop, drone, psych and basement noise. The pair’s range of cultural obsessions maintains a precarious balance between shadowy histories and an asphyxiating present; all too often, when the past is projected it's thru a mollifying, nostalgic lens, so their critical, prudent hybrid sound is a vital, chilling corrective.

From the bell-ringing, chain-rattle jag of ‘Throne’ thru the sleepwalker drift of ‘Roam’, and concrete plangency of ‘Forest’, the marriage of MOBBS’ illusive textures with Laroche’s feel for analog image and film (as evinced in her art for the likes of Blackhaine and Mica Levi) imprints their sound in gauzy layers that leave fleeting impressions on the mind’s eye. At their heaviest, Laroche’s arcane declarations descend in impressive enactments, undressing the excesses of over-glossed trip hop to reveal and revel in the sound at its starkest, sexiest, for new waves of washed up souls.

pre-order now28.03.2025

expected to be published on 28.03.2025

27,52 €
Peter Harris/Fritz Catlin/Lee Scratch Perry - Mercy LP
  • 1: Whale:Fisherman
  • 2: This Is Hell
  • 3: Tiny Victory
  • 4: Promised Land
  • 5: Big Fish
  • 6: Devilish
  • 7: Clutch
  • 8: Reggae Poison

“One of the most compelling and complex releases of Lee ‘Scratch’ Perry’s post-Black Ark canon, Mercy is the fruit of a long and complex working process that has yielded exceptional results. Spearheaded by the maverick artist and musical outlier Peter Harris with Fritz Catlin, the drumming co-founder of industrial funk dub act, 23 Skidoo, Mercy’s experimental sonic occupies its own space.” David Katz (People Funny Boy: The Genius of Lee “Scratch” Perry).

Dash the Henge are excited to announce the vinyl release of Mercy an innovative record featuring the legendary Lee ‘Scratch’ Perry and the work of Peter Harris and Fritz Catlin. It will be preceded by vibrant visual representations of key tracks ‘Reggae Poison’, ’Row Fisherman/Whale Song’ and ‘This is Hell’ created by Peter Harris and Llyr Williams. “I always saw Lee as a performance artist rather than a musician in the traditional sense, so this conceptual backing feels like a more accurate setting for his stream of conscious performance art,” Peter Harris explained. “There is an attention to Lee’s history here too, something that elevates the musical collage with the echoes informed by albums like Super Ape where earlier tracks were recorded over again. In ‘Big Fish,’ the lyrics pay homage to Bob Marley’s ‘Small Axe’ and the tune references Perry’s version of ‘Sugar Sugar,’ which he recorded with the Silvertones. Although the structure might seem chaotic, the songs were crafted over a long period of time and the approach was the same as making a painting, where foundations are worked on then painted over and over until it is full wrested.” Nathan Saoudi (founder Dash The Henge/Fat White Family) boils it down. “It’s kind of quintessential outsider music - I can’t explain what they are doing, but they have a why, and that’s enough. That’s why I needed to get involved.”

pre-order now21.03.2025

expected to be published on 21.03.2025

25,84 €
BusCrates - Altitude

BusCrates is a Producer / Synthesist / DJ hailing from the Steel City -Pittsburgh, PA
BusCrates blurs the lines between boogie funk and boom bap hip hop beats
Returning to Bastard Jazz following two well loved albumsBlasting Off(2020) andControl Center(2023)
BusCrates' increasingly popular Twitch channel streams live every Thursday and Friday night to over 13,500 followers
A noteworthy resume production credits including Mac Miller, Wiz Khalifa, Curren$y, and Phonte & Eric Roberson
He's toured throughout the US playing with artists like RJD2, DJ Epik, J Rawls, Tall Black Guy and more
BusCrates counts big names such as Jazzy Jeff, Francois K, Dâm Funk, Rich Medina and Spinna as fans

pre-order now21.03.2025

expected to be published on 21.03.2025

15,08 €
Dead Prez - Let's Get Free LP 2x12"

Dead Prez

Let's Get Free LP 2x12"

2x12inch19802826781
GET ON DOWN
21.03.2025

Repressed for the first time in 2 years, Note price change. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy/Roc-AFella era of nihilistic excess in the late 90's, Dead Prez also signed to a major label (Loud/Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel. The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo’s music – was formed in Tallahassee, Florida in the early 1990's.

By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to “Soul In The Hole” and “Slam,” as well as appearing on albums by Big Pun and The Beatnuts. By 1998, they released their first official single, the serious, stark “Police State,” on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let’s Get Free.

The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets). Let’s Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of “Hip-Hop” “It’s Bigger Than Hip-Hop,” with a remix co-produced by a young Kanye West; “Mind Sex” (with Abiodun Oyewole of the Last Poets); and the poignant “I’m An African.”

But the singles weren’t the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000's peers. Highlights: the thought-provoking, anti-drug album opener “Wolves”; “We Want Freedom” “They Schools” and “Propaganda” . All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time.

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Last In: 8 months ago
24,24 €
HOLLY GOLIGHTLY - MY FIRST HOLLY GOLIGHTLY ALBUM
  • WHEREVER YOU WERE
  • YOU AIN'T NO BIG THING
  • WALK A MILE
  • WON'T GO OUT
  • SALLY GO ROUND THE ROSES
  • YOUR LOVE IS MINE
  • NOTHING YOU CAN SAY
  • BLACK NIGHT
  • MOTHER EARTH
  • AN EYE FOR AN EMPTY HEART
  • RUN COLD
  • SLOWLY BUT SURELY
  • MY LOVE IS
  • I CAN'T STAND IT

Endlich zum ersten Mal auf Vinyl erhältlich, die My First Holly Golightly Album CD Compilation von vor zwanzig Jahren! Eine 14-Track-Compilation, inspiriert von der damaligen Live-Show von Holly Golightly. Diese Zusammenstellung enthält Hollys Lieblingssongs von ihrem Debütalbum The Good Things aus dem Jahr 1995 bis hin zu ihrem Album Slowly but Surely von 2004. Außerdem enthält sie vier exklusive Tracks, die eigens für dieses Album aufgenommen wurden.

pre-order now14.03.2025

expected to be published on 14.03.2025

19,96 €
Hinder - Extreme Behavior

It’s been 20 years since Hinder’s major label debut Extreme Behavior was released, and we’re still not sure the music industry has recovered. Seldom have commercial and critical success been poles apart to this degree; this record went TRIPLE platinum and scored, what, four major hit singles (more if you count the international charts)?! Yet, critical scorn was unrelenting, one reviewer commenting Hinder “appeal not to fans of music, but fans of high fives.” Which is pretty funny…but this Oklahoma City band laughed all the way to the bank, as songs like “Get Stoned,” “Lips of an Angel” (#3 on the Hot 100), “How Long,” and “Better Than Me” were worldwide hits.

Part of this was due to the undeniable charisma of lead vocalist Austin John Winkler; producer Brian Howes also deserves credit for co-writing the songs. But a big part of Hinder’s allure (aside from the fetching cover photo taken straight from the cover of the book How to Tell a Naked Man What to Do: Sex Advice from a Woman Who Knows) was the band’s devil-may-care attitude. Fans of Jackass found their party-hearty soundtrack right here; Extreme Behavior is good, unclean fun. Remastered for its firstever vinyl reissue on its 20th birthday by Mike Milchner from Sonic Vision, and pressed in blackberry vinyl!

pre-order now14.03.2025

expected to be published on 14.03.2025

44,50 €
Decide Today - Worldwide Intifada

I wrote The Shit Punx Hate for Realicide in 2005. This version was made for Decide Today around a decade later, maybe 2015? It was about the pathetic narrow-minded dogmas that were common in Cincinnati punk, being discriminated against when our approach defied dominant aesthetic criteria, chronically misunderstood and rejected without consideration.

This experience in my formative years led to a long path of thought as I entered adulthood. Those feelings of being "other"ed, treated poorly based on who I was, started to seem less significant compared to the prejudices I saw friends faced with. Targets of bigotry due not to a subcultural choice, but aspects of themselves they were born into. Of course I mean things like race, gender, class, abilities. If being dissed by punk rockers sucked for me, imagine what it must feel like being the only black kid in a social circle that can't even recognize its own racism, the only woman in places misogyny is the celebrated standard, having a non-white family at risk of deportation, growing up "male" or "female" when you've always known they are wrong about you, etc. This was my mental gateway into prioritizing these struggles, wanting to become an ally, then even more so an accomplice.

Revolutionary Reason was written in 2018 during my time working with Mass Action for Black Liberation, and revised abruptly this year while recording for this record, as it was inconceivable not to address the epitome of merciless colonial atrocity orchestrated by the state of Israel. While I write this, the IOF is massacring families in the West Bank. The death toll in Palestine is currently estimated at around 41,000 and it hasn't even been a year since this modern Nakba began. I hope these songs help make apparent that whatever you said you "would do" during Jim Crow America, Nazi Germany, Apartheid South Africa, any archetypal history now synonymous with wrongness, yes I can confirm NOW IS THAT TIME to do it ...if you were for real about it that is.

Big respect to my Arab friends who are so patient while I learn the stuff my school conveniently omitted, to my Jewish friends tirelessly combating the violence of their ethnicity being shackled to a cult of Zionism, to native resistance across Turtle Island that articulates so well that this fight is also still/always very domestic, to contemporary hiphop telling today's stories while rock music often merely offers retro fashion, and of course to Kieren and Borg my homies in OZ.

All my love to intifada direct action everywhere dismantling the imposed global suicide pact that is white supremacist capitalism.

~ Robert Inhuman 28 August 2024

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Last In: 18 months ago
16,18 €
Igmar Thomas' Revive Big Band - Like A Tree It Goes
  • 1: R&P
  • 2: LEVELS (feat. Bilal & Igmar)
  • 3: SPEAK NO EVIL (feat. Myron Walden)
  • 4: WORDS I MANIFEST (feat. Raydar Ellis & Sean Jones)
  • 5: ONE OF A KIND (feat. Ben Williams and Nicholas Payton)
  • 6: THE COMING
  • 7: INFANT EYES (feat. Jean Baylor & Marcus Strickland)
  • 8: THELONIOUS (feat. Nicholas Payton)
  • 9: THELONIUS (feat. Talib Kweli)
  • 10: LONIUS
  • 11: MARK’S HOPE (feat. Mark Whitfield)
  • 12: FORTRESS OF HOPE (feat. Mark Whitfield)
  • 13: ANGST (feat. Igmar & Marcus Strickland)
  • 14: TO KINDA LOUNGE AROUND (feat. Raydar Ellis, Terrace Martin & Nicholas Payton)
  • 15: RUNNIN OUTA TIME (feat. Igmar & Marc Cary)
  • 16: PLAY IT BACK (feat. Dr. Lonnie Smith, Cory Henry & Grégoire Maret)

When the late Jazz impresario and trailblazer Meghan Stabile first launched the Revivalist platform and Revive Da Live concert series in NYC, the goal was to bridge the gap between younger Hip-Hop audiences and traditional Jazz purists. Born from this vision in 2010 was the Revive Big Band, an inventive 20+ piece ensemble led by artistic director, trumpeter, and composer Igmar Thomas. Merging tradition with groundbreaking creativity since its inception, the multi-generational band’s world-class cadre of musicians unites for Like A Tree It Grows. As the Revive Big Band’s official full-length debut, this album represents not only a 14-year timeline of the Revive collective’s journey, but also a deeper tribute to the Black American Music lineage. It’s a celebration of community that uses the timeless power of music to tell a story of cultural legacy, innovation, and artistic collaboration. From original compositions like “R&P” and “The Coming”, to reinterpretations of classic records paying homage to musical legends (e.g. Wayne Shorter, Dizzy Gillespie, etc.) Like A Tree It Grows showcases Thomas’ intricate arrangements that blend Jazz, Hip-Hop, Soul, and a range of genres from the lineage of Black American music. With guest features from Talib Kweli, Dr. Lonnie Smith, Terrace Martin, Jean Baylor, Bilal, and more, the album provides a bridge between past and future, inviting listeners to explore the roots of Black music while reimagining its possibilities.

pre-order now07.03.2025

expected to be published on 07.03.2025

32,35 €
FLYPAPER - BIG NADA / ANOTHER ORBIT

Flypaper

BIG NADA / ANOTHER ORBIT

12inchPNKSLM120
PNKSLM
07.03.2025
  • HOW U DOING
  • STRAY
  • 365:
  • LOOKING FOR CLUES
  • INTERLOOD
  • THINKIN
  • YEP (WAKING UP)
  • CUT IT UP
  • OLD FRIEND
  • SEPARATE NOTHING
  • SOMETHING IN THE WATER
  • COMING BACK AGAIN

London based flypaper, the project of singer-songwriter Rory Sear, is back with his first ever vinyl release. The big nada / another orbit 12" collects flypaper's first two EP:s as well as new single"coming back again" on 12" black vinyl limited to 500 copies via PNKSLM Recordings (7ebra, ShitKid,Chemtrails etc.) As flypaper, Sears retain the melodic sensibilities shown in his work as frontman and chief songwriter of Brighton indie combo Beachtape, coupling them with a gentler soundscape which showcases his rising stock as a songwriter while firmly establishing flypaper as one to watch with a debut album due out in 2025. RIYL: Hovvdy, Sun June, Elliott Smith, Sam Evian, No Windows

pre-order now07.03.2025

expected to be published on 07.03.2025

21,22 €
Insolate - Full Disclosure LP 2x12"

Insolate unveils the 'Full Disclosure' album, arriving 7th March 2025 on her Out Of Place Records, released on digital and double record vinyl. It's the Croatian artist's second full-length release, already supported by the likes of Rodhad, Stephanie Sykes, and Nastia, following 2019's 'Order Is Chaos' on the label and its subsequent remix album, which featured reworks by Ben Sims, Pfirter, Sev Dah, Amotik, Under Black Helmet, Volster, ASEC, and Flamina.

"'Full Disclosure' is a reflection of who I am today. It represents the music I love to play, featuring high-energy bangers alongside functional tracks while experimenting with chords, vocals and melodies. As the title suggests, Full Disclosure is about openness, transparency, and revealing the full truth of who I am as an artist" - Insolate

'On Your Knees' starts Insolate's 'Full Disclosure' LP with rolling dub-infused rhythm drenched in a subtle but potent 303, an otherwordly vocal providing a tripped-out vibe. Closing out the A-side is 'Stand Strong', a pacey groove with an effective vocal sample and well-swung drums shot through with razor-sharp stabs.
On the flip, Insolate teams up with Croatian guitarist PEP for 'The Proof', a real banger that marks his debut in Techno production featuring mind-melting arpeggio sequences and a shadowy atmosphere. This is before 'Survival Symphony' strips things back via minimal drum work and electrifying synthlines that build in intensity.

The title track of Insolate's 'Full Disclosure' album, perfect peak-time cut 'Full Disclosure', continues with glitchy sequences, a bass bin-shaking groove, and another high-impact vocal sample. The aptly named 'Playground' then picks up speed with racing drums and rattling percussion while synths wriggle around playfully, followed by 'Big City', which features hauntingly enchanting melodies laid over bubbling arps and a steady beat. Insolate's 'The Biggest Fan' is another rave-ready trip with carefully crafted polyrhythms which won't fail to hypnotise the dancefloor before 'Ocean of Tears' closes out Insolate's stellar long-player via a captivating vocal harmony and acid-soaked 909s.

Since 1997, Insolate has become synonymous with the Croatian Techno scene via her HUSH! and TRAUM event series and her Osijek-based Out Of Place record label that's spotlighted artists like Anne, Francois X, and many more. She has built an impressive international career that's led her play at Berghain, Rex, and Tomorrowland, while her productions have seen her win the support of titans like Laurent Garnier and Ben Klock and join labels such as Luke Slater's Mote-Evolver and Bpitch.

'Full Disclosure' is a masterful body of work that shows the complete wealth of Insolate's talent and two-decade-long experience in Techno.

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Last In: 7 months ago
20,59 €
JJULIUS - Vol. 3

Jjulius

Vol. 3

12inchDFA2720LP
DFA Records
07.03.2025
  • A1: Brinna ut
  • A2: Etiopisk hallucination
  • A3: Letar efter nya plågor
  • A4: Köpa saker
  • A5: Verkligheten och jag
  • B1: Balladen om elpriset i Augusti 2022
  • B2: Coral bass strings
  • B3: Dödsdisco
  • B4: Ringer å ringer
  • B5: Välkommen på intervju

Cindy Lee, Arthur Russell, Viagra Boys, On-U Sound. In the discourse around new albums from singular, world-building artists, the phrase “a big step forward” can often be a blinking red warning sign. You know you’re about to be pulled somewhere new against your will. Inertia is a hell of a thing. It’s nice here. Surely, the party’s not over yet? JJULIUS’ Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. There’s no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of “Brinna ut,” which, in spite of its meaning (“Burn out”), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that they’re titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco (“Dödsdisco”) and dream-pop (“Etopisk hallucination”) to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor Sjödén of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless you’re Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. “No looking back, no misery, no talking trash, no enemies.”

pre-order now07.03.2025

expected to be published on 07.03.2025

29,37 €
Pink Siifu & Yungmorpheus - Bag Talk Deluxe
  • A1: Dead White Faces (prod. Jkay)
  • A2: Harvest Season (prod. YUNGMORPHEUS)
  • A3: Good Mourning (Ft. YL) (prod. Roper Williams)
  • A4: Galaxy Skateway (Ft. Foushée) (prod. Ohbliv)
  • A5: Black Ice (Ft. Koncept Jack$on) (prod. iiye)
  • A6: Fuck Wit Me (Ft. Vritra) (prod. Vritra)
  • A7: Big Bag (prod. GriMM Doza)
  • B1: Real Nigga (prod. iiye)
  • B2: FTOS (prod. Khalil Blue)
  • B3: Morph's Spot #2 (ft. Fly Anakin) (prod. YUNGMORPHEUS)
  • B4: Mantle With The Fit (prod. Malik Abdul-Rahmaan)
  • B5: Sacred Land (prod. Vik)
  • B6: Bobby Seale (prod. Lastnamedavid)
  • B7: 300 Acres (prod. iiye)
  • B8: DontGetSTVCK INTRO (prod. YUNGMORPHEUS)
  • B9: 2 France (prod. Fitz Ambro$e)
  • C1: U know M$$ (ft. lojii) (prod. YUNGMORPHEUS)
  • C2: 100 Acres (ft. B-Cool Aid) (prod. Ahwlee)
  • C3: Pen And Wine (ft. Chuck Strangers) (prod. iiye)
  • C4: Ride Wit Me (ft. Fly Anakin) (prod. iiye)
  • C5: Blue Forces (feat. Jaybee Lamahj) (prod. Roper Williams)
  • C6: CABBAGE (ft. AKAI SOLO) (prod. ibliss)
  • D1: WHOLE TIME (prod. haNN_11)
  • D2: STAMPED'! (prod. iiye)
  • D5: REMIBURSED(UNRELEASED 20’!) (prod. Vinyl Villain)
  • D6: BeHERE- (prod. iiye)
  • D7: MADLs smkmx (prod. YUNGMORPHEUS)
  • D3: COURSE OF EVENTS (prod. YUNGMORPHEUS)
  • D4: MACHINEGUNFUNK'21 (prod. Dj Harrison)

This brand new deluxe edition of "Bag Talk", the acclaimed 2019 collaborative album by Pink Siifu and Yungmorpheus, is a masterful expansion of the duo's underground classic. Originally celebrated for its gritty beats, sharp lyricism, and boundary-pushing creativity, the album saw a first deluxe release in 2022, but with this one the duo is taking the original project to new heights, featuring six brand-new, unreleased bonus tracks that deepen its raw, introspective vibe.

From soulful loops to hard-knocking drums, the chemistry between Siifu and Yungmorpheus shines even brighter on these exclusive tracks, offering fans a deeper dive into their rich sonic world.

This brand new release features 6 brand new bonus tracks, new artwork by artist Alina, and has been mastered for vinyl by Davide "Bassi Maestro" Bassi for enhanced listening experience!

pre-order now07.03.2025

expected to be published on 07.03.2025

29,62 €
BHAJAN BHOY - BHOY ON THE WIRE
  • A1: The Milkman (Blackburn)
  • A2: Campus Blues (Lancaster)
  • A3: Castle Bandstand (Clitheroe)
  • B1: What Lurks Behind Those Illuminations? (Blackpool)
  • B2: Pass The Sushi Pon The Lef? Hand Side (Burnley)
  • B3: Caribbean Club (Preston)

Ajay Saggar is BHAJAN BHOY. "With BHAJAN BHOY, Saggar synthesizes all of the stylistic approaches he’s explored over the years, swirling them into an intoxicating musical blend, with an earthy spirituality. Even the project’s name reflects the dual aspects of Saggar’s upbringing coming together in harmony. In Hindi, a “bhajan” is a devotional song, sung in the mandir, or temple, while “bhoy” is a Scottish and Irish derivation for a young man. There’s a searching quality to Bhajan Bhoy, as if Saggar is still hunting for transcendence with each track, whether through an expansive drone, an orchestral facility on the piano, or an electronics-augmented raga that threatens to dip into noise” (Erick Bradshaw / writer and WFMU DJ). This album presents a rich and varied set of compositions that showcase Saggar’s skills as an incredibly talented and accomplished composer and musician. With each and every Bhajan Bhoy LP, you are are carried to a higher place. With ‘Bhoy On The Wire’, the 35 minutes laid out unfolds like a cosmic tapestry, an extraordinary exploration that shimmers and reverberates with newfound vibrancy. The songs were broadcast as part of a session on Steve Barker’s “On The Wire” radio show in April 2024. They were a gift to Steve and his team for 40 years of broadcasting. “On The Wire” is simply the greatest radio show in the world. As Ajay explains in his own words : “In September 1984, I started a degree course at the University of Lancaster. On a wet and soggy Sunday afternoon towards the end of September, I sat in my room staring out at the grey Lancashire landscape, and decided to alleviate the boredom by seeing if there was anything to listen to on the radio. Most of the stations I tuned into were as dull as the weather outside. However, as I neared the end of the FM dial (and was about to give up hope), I chanced upon a station where I was taken by the music being played. That show was “On The Wire”, introduced by Steve Barker. From there on in, every Sunday, between 2-5pm, I tuned into Radio Lancashire to listen. Steve’s shows had an incredible and wide reaching selection of music and genres, that thrilled your ears and left you wanting more. Tied to that, his deep knowledge of the material he played helped the listener dig into the sounds even more, and also left you in admiration of this trait. In 1985, I started putting on DIY shows in Lancaster (inviting the likes of Bog-Shed, bIG fLAME, The Membranes, The Wedding Present, etc etc) and Steve was kind enough to mention the shows on-air, which helped in getting people from different parts of the county to come to the shows. At the tail-end of 1985, he invited me to the studio to come and hang out. When in 1988, the group I was in, Dandelion Adventure, released our first (demo) cassette, it was Steve, who not only played tracks off it, but invited the group to the studio for an interview. Now if you’re a young band, that is a massive thrill! And in 1990, when Dandelion Adventure did a John Peel session, I actually used “On The Wire” jingles (that Steve had put on a cassette and given to me a few years before) on the track “All the World’s A Lounge”. Since then, the show has been a mainstay for me, and so many others around the world, to get turned onto incredible sounds from around the world. And over the course of 40 years, Steve has always supported my music. These six tracks are a 40th birthday gift to the “On The Wire” team (Steve, Michael “Fenny” Fenton (an absolutely critical part of the show), and Jim Ingham (engineer who keeps the technical side of things going)) for sharing so much amazing music, and making the world a better place. They were originally broadcast as an exclusive session in April 2024 on “On The Wire", and are here for your listening pleasure. Music like shower”. Artwork by Jake Blanchard

pre-order now07.03.2025

expected to be published on 07.03.2025

27,10 €
Various - Led Zeppelin Origins (2x12")
 
28

Find all the titles that influenced one of the greatest rock band of all times, on a double vinyl. With: B.B. King, John Lee Hooker, Elvis Presley, Little Richard, Bob Dylan, Joan Baez, Muddy Waters, Sonny By Williamson I... The tracklist was made up by the journalist Lionel Eskenazi, who is a true specialist of the what many consider as the best rock band ever

out of Stock

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Last In: 18 months ago
22,06 €
TAPPER ZUKIE - Black Man LP

2022 Repress

Tapper Zukie's 'Black Man' album originally came out in 1978 as a Jamaican only release on Tapper's' Stars imprint. Long deleted it has become a classic in Mr Zukie's vast cannon of musical biscuits and is well overdue this worldwide release for the first time.
Tapper Zukie (b1956. David Sinclair, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica, between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, the youths including the young Tapper had no choice but to fall into the hands of the Political Parties that controlled various ghetto areas of the town. Music seemed like the only way out of a life of crime and gang culture. A path that Tapper Zukie found by the mid 1970's was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release these productions and his own material in Jamaica, Tapper started up his own label called Stars. It's this label that saw the initial release of this album 'Black Man'. A great collection of Tapper tunes such as his biblical cut 'My God Is Real', 'Revolution' and the tile track of this collection 'Black Man' and some work overs of some of his felloe Jamaican Artists like 'Poor Man Problem' a work over of Johnny Clarke's ' Blood Dunza' and also Mr Clarke's Leggo Violence'. 'Yaga Yaga' re working Horace Andy's and Tapper's big hit 'Natty Dread ah She Want'. 'Gather Them' a reworking of Knowledge's tune of the same name with the help from bands like Jah Wisdom and Delroy Fielding. A great collection of tunes and reworkings that we hope will find a wider audience with this release.
For the CD issue of this release we had added Tapper's 'Liberation Struggle', 'Get Ready', 'Prophesy' and 'Fire Bun' tracks from Tapper Zukie's back catalogue that seem to sit well and follow the theme and meanings of the 'Black Man' album.

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Last In: 3 years ago
13,49 €
Marko Hietala - Roses From The Deep LP 2x12"
  • A1: Frankenstein’s Wife
  • A2: Left on Mars
  • A3: Proud Whore
  • A4: Two Soldiers
  • B1: Dragon Must Die
  • B2: The Devil You Know
  • B3: Rebel of the North
  • C1: Impatient Zero
  • C2: Tammikuu
  • C3: Roses from the Deep
  • D1: Impatient Zero (Edit)
  • D2: Frankenstein’s Wife (Live at Utrecht 2024)
  • D3: Left On Mars (Live at Utrecht 2024)

Oxblood Vinyl

If you’ve followed the global shenanigans of heavier music over the past decades, you know the name Marko Hietala.
And if you don’t, I strongly suggest you go back down the dark rabbit hole and do your homework again. There is no doubt about it: Marko Hietala has been synonymous with quality for more than four decades. Hietala has not only shaped, but also defined the sound of harder rock, as a founding member of the heavy metal band Tarot, as an essential member of the supergroup Sinergy (next to extreme talents such as Alexi Laiho) or as one of the key figures of world’s biggest symphonic metal band Nightwish. Needless to say, his thunderous bass lines and rich vocals have been echoed in the world’s most famous venues, such as Wembley Arena and legendary festivals like Rock in Rio.
However, despite all the achievements, new conquests are coming at a steady pace... Just recently, Marko Hietala has appeared in a starring role in the TV series Vain elämää, which has gathered millions of viewers in Finland.
When it comes to an endlessly talented artist with a strong musical flame in his heart, an eponymous album is always just a matter of time. In the case of Marko Hietala, it took a while, but better late than never: his long-awaited first solo debut, Mustan sydämen rovio, finally arrived to grace the spring of 2019 (later reissued in English as Pyre of the Black Heart) Guess what? Marko Hietala’s musical and lyrical tide has not dried up and the well-received debut is getting the company it deserves. To be released in February 2025, “Roses from the Deep” follows the adventurous path of its predecessor, but perhaps with even greater ambition.
“Sometime in 2017-18, Nightwish took a break – first for about 20 years – and I decided to spend my time working on my first solo album”, I’ve come up with all kinds of ideas over the years, and it was time to get them out of my system. When I set my sight on the album, I didn’t limit myself in any way. If the idea felt good, it was good...” Hietala recalls.

pre-order now28.02.2025

expected to be published on 28.02.2025

34,03 €
Bright Eyes - LIFTED or The Story Is in the Soil, Keep Your Ear to the Ground (LP 2x12")
  • THE BIG PICTURE
  • METHOD ACTING
  • FALSE ADVERTISING
  • YOU WILL. YOU? WILL. YOU? WILL. YOU? WILL
  • LOVER I DON'T HAVE TO LOVE
  • BOWL OF ORANGES
  • DON'T KNOW WHEN BUT A DAY IS GONNA COME
  • NOTHING GETS CROSSED OUT
  • MAKE WAR
  • WASTE OF PAINT
  • FROM A BALANCE BEAM
  • LAURA LAURENT
  • LET'S NOT SHIT OURSELVES (TO LOVE AND TO BE LOVED)
also available

Black Vinyl[24,58 €]

Opaque Gold Vinyl[31,05 €]


Yellow & Black Vinyl. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.

pre-order now28.02.2025

expected to be published on 28.02.2025

28,78 €
VARIOUS - ECCENTRIC SOUL: THE DYNAMIC LABEL LP 2x12"
  • DON'T BE AFRAID TO LOVE ME
  • I CAN'T TAKE IT NO MORE
  • TOGETHER
  • DON'T EVER HURT ME
  • MUST BE ALRIGHT
  • SHE'S GOTTA HAVE SOUL
  • LAUGHING TO KEEP FROM CRYING
  • TRY LOVING ME
  • TOO LATE TO CRY
  • MY DREAM
  • IF YOU DON'T LOVE ME
  • CAN'T LET YOU GO
  • A WAY TO LOVE ME
  • IT KEEPS RAININ
  • I NEED YOU
  • YOU'LL FIND ANOTHER
  • AROUND THE GO-GO
  • HEY IT'S LOVE
  • GIVE YOUR LOVE TO ME
  • I GOTTA KNOW
  • CAN'T GET YOU OFFA MY MIND
  • I'VE GOT LOVE FOR MY BABY
  • YOU DON'T LOVE NOBODY
  • AIN'T NO BIG THING
  • NO TIME FOR YOU
  • LITTLE GIRL BLUE
  • MY HEART CAN FEEL THE PAIN
  • CRY & WONDER WHY

Whipped up in the dust of Rene & Rene's Tejano tornado "Angelito," the Dynamic label was just one among San Antonio record and real estate mogul Abe Epstein's enterprises. Dynamic's flagship outfit, the Commands, marched "No Time For You" up to the middle of the charts in 1966 with performance chops honed jet-sharp by the demanding Air Force Base circuit. That takeoff paved a runway for 20 more soulful Dynamic singles over an impressive 30-month campaign. Epstein's open-door policy brought a diverse cross-section of Texas talent into convergence within his General McMullan Drive studio, as whites, blacks, and Latinos alike suited up for service in whichever new group the call of duty called for. Epstein's Alamo City melting pot is ladled out here in 21 (28 on the 2LP) of Dynamic's most intriguing dishes by the Tonettes, Little Jr. Jesse & the Tear Drops, Don & the Doves, Willie Cooper & the Webs, Bobby Blackmon & His Soul Express, and Doc & Sal. Lone Star pic sleeves, full-color dancehall photography, and rich ephemera plant a new flag for soul in soil that's seen its share of hoisted banners.

pre-order now28.02.2025

expected to be published on 28.02.2025

28,78 €
Chemicide - Violence Prevails
  • 1: Do as I say, Not as I Do
  • 2: Red Giant
  • 3: Systemic Decay
  • 4: Parasite
  • 5: Violence Prevails
  • 6: Prey of Failure
  • 7: Chokehold
  • 8: Supremacy
  • 9: That’s Right, We’re That Spic Band !!!
  • 10: 72 Seasons
  • 11: Hear Nothing, See Nothing, Say Nothing

With four full length albums and an ep under their belt, CHEMICIDE have become one of the biggest neck breaking thrash metal acts in Latin America selling over 10K+ albums worldwide and have continued to tour around the globe in DIY mode that has helped them grow steadily in the metal community. The band has been on multiple extensive tours around South, Central, North America & Europe, playing with great bands like Toxic Holocaust, Cattle Decapitation, Municipal Waste, Angelus Apatrida, Helloween, Destruction etc… and have been featured in Metal Hammer UK’s top 10 thrash albums of 2022 alongside Megadeth, Kreator & Destruction; it helped the band connect with a bigger audience worldwide and led the band to several European and American festivals, like Pitfest (NL) Into the Grave (NL) In Flammen (DE) and MetalDays (SL), Rock al Parque (CO) and México Metal Fest (MX). CHEMICIDE band leader Frankie comments about their new album 'Violence Prevails' : « Violence Prevails is a reflection of our daily life. America is a beautiful continent but filled with corruption; more specifically Central and South America. I wanted to portray how there's no more dialogue; everything is resolved with violence and unfortunately for us, we see a lot of poverty and class disparities among our people. I also wanted to tell a story that could resonate with more individuals across the planet and see that they are not alone when they see what's happening around them. Violence now is the key to sort out any discrepancies you may have with someone else and we see it on a daily basis with international conflicts around the globe. Production wise We wanted a late 80's-early 90's approach to the sound of this album. Big drums, heavy bass and sharp guitar riffs, all of this mixed with a lot of reverb and a very raw, 'butchery' approach to the sound. Martín Furia (of Bark and Destruction fame who mixed and mastered the album) understood this perfectly and he helped us shape the sound of this album. He took Black Sabbath's "Dehumanizer" as an inspiration for the drum sound and we tried to start from scratch on the guitar, bass and vocal sound.» CHEMICIDE have been perfecting their bombastic frenetic riffwork and drumming savagery during the course of their past four albums, now resulting in their strongest and most punishing new album 'Violence Prevails' .

pre-order now28.02.2025

expected to be published on 28.02.2025

24,79 €
NIRVANA - BLEACH MC (TAPE)

Nirvana

BLEACH MC (TAPE)

CassetteSPCS34
Sub Pop
28.02.2025

Bleach was the 1989 album where it all began for Nirvana. Bleach has been remastered, and is reissued here on black vinyl single LP.
This is the band’s only release on the Sub Pop label and the also the only album to feature Chad Channing on drums.

pre-order now28.02.2025

expected to be published on 28.02.2025

10,71 €
Bakermat - Grace Note (Gatefold LP)

Bakermats neues Album "Grace Note" ist eine herzerwärmende Hommage an die kraftvolle Verbindung zwischen House-Musik und Gospel. Das Album feiert die Freude und die spirituelle Essenz dieser Genres und lädt die Zuhörer ein, die Magie der Tanzfläche neu zu entdecken, auf der Bakermats Musik seit über einem Jahrzehnt Momente der Freude und Verbundenheit fördert. 15 Tunes inklusive den Singles "Save My Soul feat. AMANZI", "Your Shine with Fly Disco Butter", "Joy feat. Ann Nesby" und "Praise Break".

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Last In: 15 months ago
29,37 €
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