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A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, PAT TODD and his band THE RANKOUTSIDERS. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. A prolific writer with an eye on life in the margins - whether they be in small towns or the big sprawling city he has called home for 40 years - Todd routinely hits the mark where youth and the advancement of age find common ground in alienation and wilfulness. Pat knows that rock’n’roll is not necessarily a young person's game, and nor is it a glamourous one; the name he gave this band accurately points to where he and they are coming from. New originals like 'All We Have To Show', the horn-riffing rocker 'Living In A World of Hurt' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers - a version of 'Hi Ho Silver Lining', sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese’s Johansen documentary got out - shows by comparison to the original versions just how well these guys can crank it out. *** For over 20 years - from the early 80s to the early 00’s- Pat Todd fronted the undisputed Los Angeles roots-punk kings: THE LAZY COWGIRLS. Having landed in LA from the mid-west-meets-the south outpost of Vincennes, Indiana early in the decade, the Cowgirls sparked a new LA punk scene; their live album Radio Cowgirl was the first release on scene prime mover SFTRI -and ultimately inspired a resurgence of classic 1976 Ramones/Saints/ Heartbreakers-style punk that stretched across the US into Europe, Japan and elsewhere, inspiring bands like the New Bomb Turks, Oblivions, Teengenerate, Onyas and countless others. THE LAZY COWGIRLS were but a memory in 2006 when PAT TODD and the RANKOUTSIDERS’ 28 song double-disc debut, The Outskirts of Your Heart was released. Where most bands would have exhausted their creative gas to fumes with such an ambitious first release, this was only the beginning for the RANKOUTSIDERS. Prior to the new album Sons of the City Ditch, the RANKOUTSIDERS have released six full-length albums (yes, some are double discs) and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat’s personal vision of raw, high energy rock’n’roll infused with elements of country and rhythm & blues, and documentary proof that the RANKOUTSIDERS are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the RANKOUTSIDERS truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails.

Eine spannende Compilation verschiedener Reggae-Künstler mit Coverversionen klassischer Beatle-Songs. Mit Reggae-Stars aus ganz Europa: The Pioneers, Gentleman, Patrice, Pierpoljak und mehr

Ein paar Monate nach digitalem Release schieben wir 300 streng limitierte, kristallklare Vinyl vom softboy ivo und b&dbbb (aka Young Meyerlack) Album "Kids Auf Nix" nach. Irgendwo zwischen 80er Pop und Untergrund Lofi Rap bewegt sich diese Kollaboration zweier alter Freunde, die zeitgleich quasi das Debüt Album von softboy ivo darstellt, der unter diesem Namen seit Dezember '22 agiert. Das Artwork stammt von Johnny Basse. Von diesem Album wird es keine weitere Vinyl-Auflage geben!

FFF joins Straight Up Breakbeat with two slabs of hybrid hardcore! Connecting the dots between original jungle, footwork, rave, and then some, FFF taps into his multi-faceted musical history with two tracks aimed straight at the floor. Modern day Dance Mania !!
Dead Man's Chest - 5/5 “Sick, always got time for some rolling bongo jungle!”

Sherelle - “Sounding Big!”
Settle Down - "These are silly good"
Jay Cunning - 5/5 “LOVE IT! Full support from me!”
Louise Plus One & Simon Hughesee (Distant Planet) - 5/5 “A great release, both great tracks!”
Further support from Gremlinz, Mister Shifter, Yorobi, Jaise, Esc, Glowkid & more.

The sophomore album from Australia's biggest hype beast. At the forefront of Australia's Deathcore scene, TO THE GRAVE are an essential prospect for fans of Chelsea Grin, Brand of Sacrifice, Thy Art is Murder and Lorna Shore. Supported with full US and European touring throughout 2023 + 4 music video singles.

The sophomore album from Australia's biggest hype beast. At the forefront of Australia's Deathcore scene, TO THE GRAVE are an essential prospect for fans of Chelsea Grin, Brand of Sacrifice, Thy Art is Murder and Lorna Shore. Supported with full US and European touring throughout 2023 + 4 music video singles.

To commemorate the untimely death of the first ‘multimedia’ star of all time, Bing Crosby, the 14th October sees his lifelong record label, Decca, together with his widow and daughter, Kathryn and Mary Crosby, announce the release of the brand new album ‘Bing at Christmas’, to be released on 22nd November. The voice that is completely synonymous with Christmas, here Bing’s utterly distinctive original vocals are set to newly-recorded orchestral arrangements, performed by the London Symphony Orchestra, breathing new life into the best Christmas songs in existence. 'Fourteen classic Bing Crosby Christmas songs including: White Christmas, Little Drummer Boy (feat. David Bowie), Winter Wonderland, Have Yourself A Merry Little Christmas. New orchestration by the London Symphony Orchestra. White Christmas by Bing Crosby is still the top selling Christmas single of all time. Over 50 million copies sold worldwide. White Christmas is the most-recorded song of all time!! Big TV spend over the Xmas period!

Inhale. Exhale. Mind your breathing. Squeeze your butt muscles together, and release. Pay no attention to the world on fire around you. This is fine. Written in the most claustrophobic months of 2020, Husbands' third full-length record, "Full-On Monet", plays out like a meditation gone toxic. Densely layered. Lush pop melodies. Surf-rock harmonies. Distorted synth hooks and psychedelic flourishes. All of it coming together to create something that's free-spirited, brainy, fun - and simultaneously jarring, synthetic, and off-kilter. "From far away, it's OK, but up close, it's a big ol' mess."

The best I can tell, we thought we'd get this album done in 2016. Roughly (not exaggerating) 60-70 songs later, we've whittled and worked and reworked the songs into 'After the Gold Rush Party.' Danny and I started this album while we lived in different cities (I was in DC and Danny was in OKC), then wrote some of them in the same city (OKC), and then the rest of them in different cities (I was in OKC and Danny was in Costa Rica and then Seattle). And weirdly, some of our most generative times happened when we weren't living in the same city. We've both grown up quite a bit and have real life jobs and families. In these songs we were grappling with trying to be punk rock (which we've never really been) while putting on a suit for work (hence, the Mr. Downtown character). But at the same time, punk rock has all but disappeared as a thing that exists - where are the punks, anyway? (See: Speed Racer). The songs read a bit like a travel guide. Part of the growing up process is coming to terms with one's own escapist tendencies - or embracing them, as you'd hear in a track like "Mexico" or "Culebra". Other times, the escapist themes come out musically, not lyrically, like in "She's a Betty" or "Tijuanarevor" maybe. Other times, we play around with just the idea that people are entitled to anything at all (Ms. Universe). And while Danny mixed most of the album, we have much to thank Chad Copelin for - he mixed four of these tracks, and we learned a ton from getting to spend time working with the man who recorded and mixed BRONCHO, Sufjan, Sports, and others. The time last summer we spent honing those four tracks were kind of the catapult for finishing up the rest of the tracks. So, to conclude, After the Gold Rush Party kind of represents us at this phase of the creative process. Big dreams, absurdly ambitious timelines, put into contradiction with the realities of family life, the challenges of the everyday, the mundanity of the workweek. "After the Gold Rush Party" is a nonsensical phrase, but it's exactly what we wanted to name the album. A frenzy of ambition, and then, the lull that lingers afterward.

Sinead was born in Dublin in 1966, and was discovered by Paul Byrne, drummer of U2 proteges In Tua Nua, while singing wedding covers in the city.

After cowriting the first In Tua Nua single, she left school to focus on music, studying voice and piano at the Dublin College of Music before relocating to London in 1985.

The follow-up album to the hugely successful I Do Not Want What I Haven't Got album, Am I Not Your Girl? was released in September 1992 and features Sinead performing a collection of songs that she had grown up listening to and which had inspired her to become a singer. It was during the promotional campaign for the album when Sinead made a controversial appearance on Saturday Night Live.

Am I Not Your Girl? features Sinead's unmistakable voice accompanied by an orchestra, performing big- band arrangements of tracks such as the single 'Success Has Made A Failure Of Our Home' (a Top 20 hit), 'Don't Cry For Me Argentina', and 'Why Don't You Do Right?'.

The Evening Sons wear their powerpop credentials like a badge of honor; crunchy barre chords, big choruses and multi- layered harmonies hark back to those halcyon days when 3-minute songs ruled the world.

Our reality as a human race has been one of cruelty, vitriol, and chaos

All the horror that surrounds us creates a reality that we as individuals are force fed to consume - This 9-track album explores our existence with themes of corruption, isolation, suicide, bigotry, and war

Emitting a soulful, nu-jazz sound that builds into an uplifting chorus refrain, "On My Way Up" is sonically inspired by the likes of Joy Crookes, Roy Hargrove and Leanne La Havas.

Hailing from Bristol, Cut Capers bring an elevating message and a big sound. The 4 piece horn-section blends with the lead vocal to create a textured juxtaposition rich in depth and layers. With infectious ear- worm melodies and warm vocal energy, Cut Capers deliver a feel-good summer hook that takes you from themes of reflection to new discoveries. With over 13 million streams across major streaming platforms, Cut Capers returned with their first release since their 2019 critically acclaimed album, Metropolis. A passionate and dedicated fanbase has
waited patiently, and the wait is over!

Waiting For The Rain was produced by Dave Eringa (Manic Street Preachers) and recorded at Rockfield studios in Monmouth and The Libertines Albion Rooms studios in Margate. Having just completed an Arena Tour of America with Louis Tomlinson, Andrew Cushin is on the road again with Louis across Europe in August/September. Wor Flags, released last month is the fifth track (following It’s Coming Round Again, 4.5%, You’ll Be Free and Dream For A Moment) to be taken from Waiting For The Rain. A new single Just Like You’d Want Me To is released August 30th. 23-year-old singer-songwriter Andrew Cushin is Newcastle’s fastest rising star. He has already recorded with Noel Gallagher and counts Paul Weller and Sam Fender among his biggest cheerleaders. Andrew grew up on a council estate in Heaton, Newcastle. His songs, delivered in a gorgeous baritone that sounds way beyond his years, are full of his experiences growing up, his lust for life, his grief at the loss of loved ones, his hopes and fears, his love and his stoicism. Andrew Cushin released his debut single It’s Gonna Get Better (2020) followed by Waiting For The Rain (2020); ’Where’s My Family Gone’ (2021) featuring production and guitar from Noel Gallagher and in 2022, through Peter Doherty’s Strap Originals label, You Don’t Belong EP and double A Side single You’ll Be Free / Dream For A Moment. Press quotes: “Cushin recalls acoustic Noel Gallagher circa Morning Glory.” – Sunday Times Culture // “The kitchen-sink realism of his songs, raised on the concrete turfs of council estates and smoke filled social clubs of Newcastle, is something the chart-topping Toms, Jacks and Georges of guitar pop are not only desperately lacking, but entirely unaware of.” - The Line of Best Fit // “Andrew Cushin is a newcomer being feted by actual icons.” – Clash // “Has built enough hometown momentum to suggest he could ‘do a Sam Fender’ very soon.” - Music Week // “It's clear to see the future is bright for Andrew whose backing from big names as well as a loyal following sets him up nicely to take the scene by storm.” Daily Mirror // “Transforming his native infused-sound, Andrew Cushin releases a banger.” Wonderland // “A set of personal yet relatable songs that connect immediately and directly.” Louder Than War

Waiting For The Rain was produced by Dave Eringa (Manic Street Preachers) and recorded at Rockfield studios in Monmouth and The Libertines Albion Rooms studios in Margate. Having just completed an Arena Tour of America with Louis Tomlinson, Andrew Cushin is on the road again with Louis across Europe in August/September. Wor Flags, released last month is the fifth track (following It’s Coming Round Again, 4.5%, You’ll Be Free and Dream For A Moment) to be taken from Waiting For The Rain. A new single Just Like You’d Want Me To is released August 30th. 23-year-old singer-songwriter Andrew Cushin is Newcastle’s fastest rising star. He has already recorded with Noel Gallagher and counts Paul Weller and Sam Fender among his biggest cheerleaders. Andrew grew up on a council estate in Heaton, Newcastle. His songs, delivered in a gorgeous baritone that sounds way beyond his years, are full of his experiences growing up, his lust for life, his grief at the loss of loved ones, his hopes and fears, his love and his stoicism. Andrew Cushin released his debut single It’s Gonna Get Better (2020) followed by Waiting For The Rain (2020); ’Where’s My Family Gone’ (2021) featuring production and guitar from Noel Gallagher and in 2022, through Peter Doherty’s Strap Originals label, You Don’t Belong EP and double A Side single You’ll Be Free / Dream For A Moment. Press quotes: “Cushin recalls acoustic Noel Gallagher circa Morning Glory.” – Sunday Times Culture // “The kitchen-sink realism of his songs, raised on the concrete turfs of council estates and smoke filled social clubs of Newcastle, is something the chart-topping Toms, Jacks and Georges of guitar pop are not only desperately lacking, but entirely unaware of.” - The Line of Best Fit // “Andrew Cushin is a newcomer being feted by actual icons.” – Clash // “Has built enough hometown momentum to suggest he could ‘do a Sam Fender’ very soon.” - Music Week // “It's clear to see the future is bright for Andrew whose backing from big names as well as a loyal following sets him up nicely to take the scene by storm.” Daily Mirror // “Transforming his native infused-sound, Andrew Cushin releases a banger.” Wonderland // “A set of personal yet relatable songs that connect immediately and directly.” Louder Than War

Waiting For The Rain was produced by Dave Eringa (Manic Street Preachers) and recorded at Rockfield studios in Monmouth and The Libertines Albion Rooms studios in Margate. Having just completed an Arena Tour of America with Louis Tomlinson, Andrew Cushin is on the road again with Louis across Europe in August/September. Wor Flags, released last month is the fifth track (following It’s Coming Round Again, 4.5%, You’ll Be Free and Dream For A Moment) to be taken from Waiting For The Rain. A new single Just Like You’d Want Me To is released August 30th. 23-year-old singer-songwriter Andrew Cushin is Newcastle’s fastest rising star. He has already recorded with Noel Gallagher and counts Paul Weller and Sam Fender among his biggest cheerleaders. Andrew grew up on a council estate in Heaton, Newcastle. His songs, delivered in a gorgeous baritone that sounds way beyond his years, are full of his experiences growing up, his lust for life, his grief at the loss of loved ones, his hopes and fears, his love and his stoicism. Andrew Cushin released his debut single It’s Gonna Get Better (2020) followed by Waiting For The Rain (2020); ’Where’s My Family Gone’ (2021) featuring production and guitar from Noel Gallagher and in 2022, through Peter Doherty’s Strap Originals label, You Don’t Belong EP and double A Side single You’ll Be Free / Dream For A Moment. Press quotes: “Cushin recalls acoustic Noel Gallagher circa Morning Glory.” – Sunday Times Culture // “The kitchen-sink realism of his songs, raised on the concrete turfs of council estates and smoke filled social clubs of Newcastle, is something the chart-topping Toms, Jacks and Georges of guitar pop are not only desperately lacking, but entirely unaware of.” - The Line of Best Fit // “Andrew Cushin is a newcomer being feted by actual icons.” – Clash // “Has built enough hometown momentum to suggest he could ‘do a Sam Fender’ very soon.” - Music Week // “It's clear to see the future is bright for Andrew whose backing from big names as well as a loyal following sets him up nicely to take the scene by storm.” Daily Mirror // “Transforming his native infused-sound, Andrew Cushin releases a banger.” Wonderland // “A set of personal yet relatable songs that connect immediately and directly.” Louder Than War

Formed by Monster Magnet’s John McBain and Soundgarden’s Matt Cameron & Ben Shepherd in 1993 during some downtime from their day jobs and side project Hater (who released a self-titled album in 1993), Wellwater Conspiracy set about immersing themselves in the dayglo world of sixties psychedelia, channelling the vibrations of Syd Barrett’s Pink Floyd and the 13th Floor Elevators to produce the garage lo-fi-lysergic assault on the senses that is their debut album ‘Declaration of Conformity’. Originally issued on Mudhoney’s Steve Turners Super Electro label in 1997, the album was met with critical acclaim upon its release, and Rolling Stone magazine said, “Declaration’s tinny, fuzzed-out sonics decidedly evoke the Summer of Love.” God Unknown Records are proud to be welcoming the album back into print and on all digital platforms, and this coming September 22nd will see the release of a remastered vinyl pressing with extra tracks and new artwork taking influence from Blue Note Records’ fabled artwork. From start to finish, ‘Declaration Of Conformity’ is a loving homage to the true beginnings of psychedelic rock, long before the music got harder and heavier. Songs like ‘Green Undertow’ and ‘Sleeveless’ hark back to the time when The Beatles were spinning the world on its axis with ‘Tomorrow Never Knows’, Syd Barrett was the piper at the gates of dawn and Roky Erickson was introducing the world to his Texan psychedelic sounds. Wellwater Conspiracy’s music exists at that moment when pop music started to fracture and go far further out. It was still pop music, but the edges were starting to blur and the sounds were starting to fracture. This is where ‘Declaration of Conformity’ sits; at the dawn of one of the biggest cultural shifts in musical history. The Bandcamp link will also feature two bonus download-only tracks, a cover of ‘Akka Ragga’ by Shocking Blue and ‘Late Night’ by Syd Barrett. Both tracks feature Josh Homme on guitar and bass. Tracklisting A1 Sleeveless A2 You Do You A3 Trowerchord A4 Green Undertow A5 I Love You Every Day Sandy A6 Nati Bati Yi A7 Far Side Of Your Moon B1 The Ending B2 Space Travel In The Blink Of An Eye B3 6-6-5-4-3-2-1 B4 Shel Talmy B5 Lucy Leave B6 Declaration Of Conformity B7 Palomar Observatory

††† (Crosses) —Chino Moreno (Deftones) and producer/multi-instrumentalist Shaun Lopez — release their anticipated new album Goodnight, God Bless, I Love U, Delete. on October 13th with notable features from EL-P and Robert Smith.



The arrival of Goodnight, God Bless, I Love U, Delete. will follow the band's critically acclaimed EP PERMANENT.RADIANT, which recently received a new spin on the duo's PERMANENT.RADIANT.REMIXED. The reimagined release contained remixes from a noteworthy list of electronic innovators including Hudson Mohawke, suicideyear, AWAY, and Machinedrum.



With new single “Invisible Hand,” Moreno and Lopez embark upon a new chapter filled with merciless creations as they continue making music without compromise.

Last of the RSD stock now reduced to £9.99. Limited double coloured neon vinyl limited to 500 copies for RSD. Side A&B on magenta vinyl and Side C&D on orange vinyl. This is an album of melodic beat driven songs recorded in Chris Olley's home studio just before lockdown. The sonic driven guitars of six by seven now meet the neo-kraut grooves much more than ever before, to create an intense collection of songs which remind you of both of Can and The Cure and have a distinct heartfelt lo-fi Mark E Smith vocal. It's a big, expansive sound wrapped around Olley's trademark melancholic songwriting

Remastered and repress of the Skatekat, a Ska/Tribe funky experience bringing crazy speed breakbeats and medium garage kicks with a funky bassline underneath... Big !