The Debut album from Finnish band Graven Sin is a modern classic of godly, Doom-laden Heavy Metal. Veil of The Gods is etched in granite via Svart Records on November 2023 Pristine new Finnish band Graven Sin stomp proudly on the shoulders of giants with their ravishing debut album, Veil of The Gods. Immaculate Heavy Metal, expertly delivered with stunning finesse and elegant Doom perfection, Veil of The Gods is a classic in the making. Rarely has a new band sounded so timeless, serving up a godly platter of first-class Heavy Metal, that Graven Sin seem chiselled in granite to sit side by side at a table with the greats from the very get go. From the galloping charge of opening barn-stormer Morrigan, with jaw dropping solo guitars courtesy of riff master Ville Pystynen, the epic and anthemic She Who Rules Niflheim with soaring vocals from Greek vocalist Nicholas Leptos to the formidable double bass canter of Ville Markkanen’s drums on songs like Beyond Mesopotamia, Graven Sin knows the true riddle of steel. Throughout Veil of The Gods’ eleven cast-iron tracks, we can trace veins of recent Finnish greats such as Sentenced, Amorphis, Reverend Bizarre or their nordic counterparts Grand Magus from Sweden, but there is much more at play here. Graven Sin offers up heavy, doom laden orthodox Heavy Metal in the true, chugging, monumental sense of the term. The knowledge and prowess of Heavy Metal craft on display in Veil of The Gods is second to none, from the Maidenesque command of melody to the swarthy Manowar rhythms, herculean Deep Purple keys and Messiah like Candlemass-rich voice of astonishing vocalist Leptos, these are songs to be inscribed into stone tablets. Where pitch dark mythical themes and occult leanings of the lyrics bring to mind the Heavy Metal running through Black Metal bands like Dissection, the song arrangements swing from gallop to thundering, head-banging mid-sections with such magnificence, you would think you were in the hands of a band with decades of heritage behind their backs. A “where have you been all my life moment” awaits Heavy Metal fans of all shades when Graven Sin hits the speakers, delivering a sound that cuts glass and steel. A refreshing tour–de-force through everything Heavy Metal is loved for, not shrinking from the dark but embracing it with gusto and fierce bravado. Veil of The Gods shows us that real metal lives forever, if crafted with true spirit and belief. Hear the cry of the seer of doom, by heeding Morrigan’s call now: Ville Pystynen - guitar, bass Nicholas Leptos - vocals Ville Markkanen - drums
quête:black man
- 1: I Can't Stand The Rain (Feat. Valerie June)
- 2: Fool For You
- 3: Tired Of Being Alone (Feat. Alisan Porter)
- 4: Que Sera Sera (Whatever Will Be, Will Be) (Feat. Wendy Moten)
- 5: Waterfalls (Feat. Pat Monahan Of Train & Daisha Mcbride)
- 6: Qualified
- 1: We Can Work It Out (Feat. Sara Niemietz)
- 2: Groove Me
- 3: Just Kissed My Baby (Feat. Clyde Lawrence)
- 4: Groove Is In The Heart (Feat. Liv Warfield & Davie)
- 5: When A Man Loves A Woman (Feat. Ryan Shaw)
- 6: Last Train
The GRAMMY® Award-winning band, Blues Traveler, is back with their fifteenth full-length album, Traveler’s Soul Round Hill Records/Black Hill Records. This album, similar to Traveler Blues, a blues covers album that earned the band a GRAMMY nomination, is a covers album paying tribute to R&B and soul classics with featured artists such as Pat Monahan from Train, Valerie June, Alisan Porter, Daisha McBride, and many more. The first single, “Fool For You” will be released along with the album announce and preorder launch on Friday, July 28th. “Fool For You,” originally popularized by The Impressions back in 1968, has a wailing harmonica that gives way to an understated guitar riff and a heavenly piano melody. This ebb-and-flow underlines a smoldering vocal performance from John backed by a rapturous choir.
- 1: Bob Marley & The Wailers - Sun Is Shining
- 1: 2 Wayne Smith - Under Me Sleng Teng
- 1: 3 Clint Eastwood - Another One Bites The Dust
- 1: 4 Marcia Aitken - I'm Still In Love With You
- 1: 5 Max Romeo - Material Man
- 1: 6 Alborosie - No Cocaine
- 1: 7 Alpha Blondy - Sweet Fanta Diallo
- 1: 8 John Holt - Police In Helicopter
- 1: 9 Horace Andy - Ain't No Sunshine
- 1: 0 Lee "Scratch" Perry & The Upsetters - Throw Some Water
- 1: Culture - Two Sevens Clash
- 1: 2 Biga*Ranx - 7 Days (Feat. Atili)
- 2: 1 Chaka Demus & Pliers - Murder She Wrote
- 2: Sister Nancy - Bam Bam
- 2: 3 Winston Mcanuff & Fixi - Garden Of Love
- 2: 4 The Heptones - Take Me Darling
- 2: 5 Black Uhuru - Sinsemilla
- 2: 6 Gregory Isaacs - Babylon Too Rough
- 2: 7 Freddy Mcgregor - Big Ship
- 2: 8 Althea & Donna - Uptown Top Ranking
- 2: 9 Alton Ellis - It's A Shame
- 2: 10 Inna De Yard Feat. Cedric Myton - Youthman
- 2: 11 Dillinger - Cool Operator
- 2: 1 Dennis Brown - Revolution
- 3: Don Carlos - Rivers Of Babylon
- 3: 4 Johnny Osbourne - Buddy Bye Bye
- 3: 5 Eek-A-Mouse - Ganja Smuggling
- 3: 6 Ini Kamoze - World A Music
- 3: 7 Yellowman - Zungguzungguguzungguzeng
- 3: 8 Tenor Saw - Ring The Alarm
- 3: 9 Soom T - Free As A Bird (Tom Fire Version)
- 3: 10 Beres Hammond & Zap Pow - Last War
- 3: 11 The Abyssinians - Satta Amassa Gana Dub
- 3: 12 Morgan Heritage - Down By The River
- 3: 1 The Wailers - I Shot The Sheriff (Dub)
- 3: 2 The Congos - La La Bam-Bam
A Dream Team of folclóricas covering the wide spectrum of African-American influenced 1970s dance music spiced with flamenco. The hits of Isaac Hayes, Billy Preston or The Temptations in the charts showed the way to go. An almanac for 20th Century Rosalías headed by Lola Flores, Isabel Pantoja, Rocío Jurado and a bunch of female singers, copleras, cantaoras and rumberas. A black and white lysergic dream amidst post-Franco’s Spain. Stick your ears to the speakers. Here comes an emotional rollercoaster!
Antes de presentarte esta novedad, hay que entender que en la segunda mitad de los años setenta, algo estaba cambiando en la escena musical. Los grupos musicales estaban en su auge hasta que llegó la llamada al servicio militar obligatorio. Entonces, todo el mundo volvía de él sin sus largas melenas y sin dinero. Los baladistas sin personalidad tomaban el control de la música, según lo dictado por las discográficas. Es entonces cuando las copleras, cantaoras y rumberas se convierten en la respuesta necesaria para combatir la insípida melosidad. A pesar de un contexto sociocultural desfavorable, arreglistas y productores invertían horas de sueño para revivir un sonido que estaba al borde de la extinción. A pesar de los cambios que haya podido haber desde entonces, el más significativo es que ahora la inmediatez digital dicta el rumbo.
Es por toda esta importancia que finalmente ha llegado un álbum que reúne a un elenco de folclóricas en una combinación única, fusionando el concepto del groovy funk; con canciones que abarcan todo el espectro afroamericano de la música de baile de los setenta, con toques de gritos y susurros aflamencados que le dan un giro impresionante. Podríamos considerarlo el álbum destacado de las Rosalias del siglo XX, una especie de viaje lisérgico en blanco y negro a la España de la posfranquista. Con su hiperrealismo revolucionario, este disco nos ofrece a una una estirpe de artistas sin igual.
En este encontrarás las joyas ocultas de artistas como Flores, Pantoja, Jurado, Polaca, entre otras. Aunque se mantuvieron fieles a sus estilos, todas ellas fueron famosas por otras facetas de sus extensas discografías, y muchas incluso aparecieron en la portada de Interviú en más del cincuenta por ciento de los casos, como las feministas de los años setenta según Francisco Umbral.
In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other's homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert "Mack" McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians. By photographing Black and Latino Texans and their neighborhoods, as well as recording and interviewing musicians, many of whom never stepped foot into a proper recording studio, McCormick endeared and eventually embedded himself into these communities. By the time he died in 2015, McCormick had amassed a collection of 590 reels of sound recordings and 165 boxes of manuscripts, original interviews and research notes, thousands of photographs and negatives, playbills, and posters. Because McCormick never published or released most of these materials, his collection became a thing of legend and intense speculation among scholars, blues aficionados, and musicians alike. 'Playing for the Man at the Door..' is the first compilation of music drawn from this fabled collection, which indelibly documents a pivotal moment in African American history. It features never- before- heard performances not only from musicians who became icons in their own right, including Lightnin' Hopkins and Mance Lipscomb, but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Newly mastered recordings and accompanying photographs bring to life many of these forgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joys and anguish, deep social connections, distinctive voices, and cultural networks. The collection spans gospel, ragtime, country blues dirges, the unclassifiable music of George "Bongo Joe" Coleman, and more, showing that no community, no matter how tight knit, is monolithic. Accompanying the music is a 128- page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick's life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout "Greater Texas" to which McCormick devoted his life's work.
- A1: Intro Theme
- A2: Inner City Travellin' Man
- A3: Definition Of Infinity (Feat Talib Kweli)
- A4: I Want You 'Til The Summertime
- B1: Ms Fat Booty
- B2: The Panties (Feat Teddy Pendergrass)
- B3: Workin' It Out
- C1: Peculiar Mathematics
- C2: T" Plays A Cool Loop (Interlude)
- C3: Time (To Get It Together) (To Get It Together)
- D1: Inner City Breathin' (Feat Tammi Terrell)
- D2: Two Worlds (Feat Kanye West)
- D3: Soul Mates Radio (Feat The Black Astronauts)
- D4: Intermission
Svart Records proudly presents Pekka Pohjola's "Heavy Jazz - Live in Helsinki" for the first time on vinyl! Legendary Finnish composer and bassist Pekka Pohjola, known from his work in Wigwam, Made In Sweden, touring with Mike Oldfield and having a successful solo career, caught live at Tavastia Club, Helsinki, Finland on April 18th 1995. Joining Pohjola (bass) on stage are Seppo Kantonen (keyboards), Markku Kanerva (guitars) and Anssi Nykänen (drums). During his long career that took him from riding the Finnish prog rock wave to the heavy jazz rock heights of the 1990s, Pekka Pohjola tried his hand in many things. Heavy Jazz has previously only been released on CD in 1995 and 2011 by Pohjola Records and will now finally be available on wax as well. Heavy Jazz is presented on a 2LP edition of classic black vinyl. Limited to 500 copies.
- 1: Enter The Ring (Feat. Dj Yoda)
- 2: Let It All Out (Feat Wax & Herbal T)
- 3: All Night (Feat. Jack Tyson-Charles)
- 4: Loving Arms (Feat. Greg Blackman)
- 5: Least Favourite Wonder (Feat. Dare Club)
- 6: Wide Open
- 7: Amigos (Feat. Too Many T's)
- 8: Looking At The Love (Feat. Greg Blackman)
- 9: Automatic Lovin' (Feat. Holmes)
- 10: Not For You (Feat. Alyssa Marie & Jack Tyson-Charles)
- 11: Browsing Youtube
- 12: Go Free
pink splatter LP[44,16 €]
Adam Gibbons meldet sich mit Volldampf mit seinem achten Lack Of Afro-Studioalbum zurück. Es ist ein Album voller Hoffnung, Optimismus und guter Zeiten, inspiriert von seiner US-Reise zu den legendären FAME Aufnahmestudios in Muscle Shoals. In einer über 17-jährigen Karriere, in der seine Musik in Filmen und TV-Shows auf der ganzen Welt zu sehen/hören war und millionenfach gestreamt wurde, musste Adam viele Herausforderungen überwinden und kehrt nun auf SQUARE ONE, den Anfangspunkt, zurück. Dabei liefert er seine bisher beste Arbeit ab und geht auf seine erste US-Tour. Mit einem erneuerten Sinn für Inspiration und Energie ist Adam entschlossen, den Funk am Leben zu erhalten.
- A1: Turn Ix 03:47
- A2: Super Freeloader 03:41
- A3: Turn X 07:57
- A4: Turn Xi 03:10 Site
- B1: Turn Xii 03:25
- B2: Zeit Ohne Harmonie Iii 05:45
- B3: Turn Xiii 01:57
- B4: Turn Xiv 02:12
- B5: Festival Mood Iii 00:56
- C1: Turn Xv 02:14
- C2: Turn Xvi 06:00
- C3: Turn Xvii 02:34
- C4: Turn Xviii 04:32
- D1: Turn Xix 04:41
- D2: Turn Xx 06:08
- D3: Turn Xxi 01:38
- D4: Festival Mood Iv 01:47
With the label MPS, post-war musical history was written in Germany: noble music productions with many international greats come from the Black Forest and are timelessly legendary. In this tradition, HGBSBlue releases selected projects on high-quality vinyl.
The DLW trio has been working together for twelve years now and is now setting the tone in the modern European music scene, as the trio has long since left the boundaries of jazz behind. DLW, that is the sound-painting vibraphonist Christopher Dell, the virtuoso Danish bassist Jonas Westergaard and the German star drummer Christian Lillinger.
Time and again, the three jazz musicians from Berlin play together with artists from classical or avant-garde music. "Supermodern"
is the project that brings the three DLW musicians together with US pianist Bob Degen. This music is also unikal. It is a reverence
to the legendary Modern Jazz Quartet (MJQ), which in the 1950s was the link between chamber jazz and European classical music.
With "Supermodern," this reference to the MJQ is illuminated from the perspective of European avant-garde music, rather than
its African-American roots, which nevertheless resonate respectfully throughout.
DLW has "developed a concept based on repetition and difference. The starting point for a piece is always a single bar, which is
rhythmically interlaced and repeated trance-like until the smallest irregularities occur, which are written down and creatively
processed further. From this "superimposed combinatorics" (Christopher Dell) a perpetuum-mobile-like sound movement
develops, which is further radicalized on record by sound alienations and cut-up techniques." Thus respectfully wrote the Neue
Züricher Zeitung in August 2023.
Word has long since spread outside the German jazz scene that the DLW projects are always musically new. This is also the case
with the double LP "Supermodern 2", with recordings made in 2021 in analog at the MPS studio in the Black Forest. Together
with US pianist Bob Degen, who has been one of the creative voices of the German jazz scene for about 50 years, they play highenergy music, with sparkling virtuosity and close communication. A musical treat, further enriched by the immensely present
analog sound of this recording.
- A1: In The Beginning
- A2: Shout At The Devil
- A3: Looks That Kill
- A4: Bastard
- A5: God Bless The Children Of The Beast
- A6: Helter Skelter
- B1: Red Hot
- B2: Too Young To Fall In Love
- B3: Knock ?Em Dead, Kid
- B4: Ten Seconds To Love
- B5: Danger
- C1: Shout At The Devil (Demo)
- C2: Looks That Kill (Demo)
- C3: Knock ‘Em Dead, Kid (Demo)
- C4: Too Young To Fall In Love (Demo)
- D1: Hotter Than Hell (Demo For Louder Than Hell)
- D2: I Will Survive (Demo)
- D3: Black Widow (Demo)
- D4: God Bless The Children Of The Beast (Backwards Version
Released in 1983 at the height of the Satanic Panic, SHOUT AT THE DEVIL catapulted MÖTLEY CRÜE to superstardom. Delivering on the hype and promise of their PLATINUM debut, Too Fast For Love, MÖTLEY CRÜE second album hit the US Top 20 and was certified 4X PLATINUM. For many music fans, SHOUT AT THE DEVIL was the first time they witnessed an album with this imagery and lyrical content on mainstream retail shelves.
40 years later, THE CRÜE is still going strong, bigger than EVER and headlining STADIUMS around the World! So come now Children Of The Beast, be strong and SHOUT AT THE DEVIL...
Sold Over 1.3 Million Tickets in North America last year on THE STADIUM TOUR with Def Leppard
THE WORLD TOUR continues in 2022 having already rolled through Latin America, Brazil UK and Europe
Will perform for another 300,000 fans in the US in August before heading to Japan and Australia in October and November
3 tracks from Shout At The Devil remain in the band’s live set 40 years later, “Shout At The Devil,” “Too Young To Fall In Love” and “Looks That Kill”
Shout At The Devil has sold over 4 Million Copies in the US alone
Major ad campaign and Halloween week
Album newly remastered by Andy Pearce (Black Sabbath, Motorhead)
Shout At The Demos & Rarities LP contains 7 rare tracks and demos, including “Hotter Than Hell” which later become “Louder Than Hell” on 1985’s Theatre Of Pain
Contents:
• Original Album Remastered on Orange/Yellow Splatter LP
• Shout At The Demos & Rarities Red/White Splatter LP
• Shout At The Devil CD
• Shout At The Devil Red Cassette
• “Looks That Kill” White 7”
• “Too Young To Fall In Love” Orange 7”
• Devil Board w/Metal Planchette
• Metal Pentagram 7” Adapter
• Pentagram Felt Bag
• Devil Candle Holder (candle not included)
• Band Member Tarot Cards
• 12” x 12” Pentagram Séance Board
• Two 12” x 12” Shout At The Devil Blood Album Cover Litho Art Prints
- I Walk The Line
- Get Rhythm
- Ey Porter
- 4: So Doggone Lonesome
- Hey, Good Lookin
- Sugartime
- Frankie's Man Johnny
- Bonanza!
- Delia's Gone
- I Still Miss Someone
- Folsom Prison Blues
- Don't Take Your Guns To Town
- I Got Stripes
- Transfusion Blues
- Chain Gang
- Born To Lose
- In The Jailhouse Now
- Country Boy
- All Over Again
- Cry, Cry, Cry
- Big River
- Oh Lonesome Me
- It Was Jesus
- Girl In Saskatoon
- Mean Eyed Cat
- Luther Played The Boogie
- Five Feet High And Rising
- Guess Things Happen That Way
- I Love You Because
- Katy Too
- I Forgot To Remember To Forget
- Want To Go Home
- Leave That Junk Alone
- I Got Shoes
- Honky Tonk Girl
- Thanks A Lot
- What Do I Care
- Locomotive Man
- Clementine
Combo Aspik is a session band project founded and led by musician, producer and DJ Magic Manfred. The bass player teamed up with some of Berlin’s finest session musicians to produce a self-titled debut album fusing live music and club culture. The tunes are heavily influenced by Boogie and Jazzfunk of the late 70s and early 80s such as the music of Bernard Wright, Don Blackman or any underground Disco gems.
Gusstaff Records and Ant-Zen are proud to announce the second solo album by Maciej Frett (Job Karma, Wrocław Industrial Festival), which is vocally supported by Anna Frett. After FRETT's 2020 debut "The World as A Hologram" was warmly received by fans and critics, it's time for the next installment of the FRETT project.The album "NOTTWO" revolves around the theme of dualism, which seems to be the raison d'être of the being of man and the world. Opposites define our way of perceiving the surrounding reality, or is it just an illusion? the artist seems to be asking…Musically, "NOTTWO" is a continuation of the first heavily rhythmic album, but this time FRETT gives many compositions an almost song-like structure. However, let's not be fooled by appearances - derived from the author's post-punk and industrial lineage, analog retro futuristic synth melodies and strong rhythms will work well both on a dark dance floor and can be a soundtrack to a non-existent movie.
Vinyl is ultra-heavy 200g black.
- A.1. I Wanna Be Somebody
- A.2. L.o.v.e. Machine
- A.3. The Flame
- A.4. B.a.d
- A.5. School Daze
- B.1. Hellion
- B.2. Sleeping (In The Fire)
- B.3. On Your Knees
- B.4. Tormentor
- B.5. The Torture Never Stops
- C.1. Wild Child
- C.2. Ballcrusher
- C.3. Fistful Of Diamonds
- C.4. Jack Action
- C.5. Widowmaker
- D.1. Blind In Texas
- D.2. Cries In The Night
- D.3. The Last Command
- D.4. Running Wild In The Streets
- D.5. Sex Drive
- E.1. The Big Welcome
- E.2. Inside The Electric Circus
- E.3. I Don`t Need No Doctor
- E.4. 9.5. - N.a.s.t.y
- E.5. Restless Gypsy
- E.6. Shoot From The Hip
- F.1. I`m Alive
- F.2. Easy Living
- F.3. Sweet Cheetah
- F.4. Mantronic
- F.5. King Of Sodom And Gomorrah
- F.6. The Rock Rolls On
- G.1. The Heretic (The Lost Child)
- G.2. The Real Me
- G.3. The Headless Children
- G.4. Thunderhead
- H.1. Mean Man
- H.2. The Neutron Bomber
- H.3. Mephisto Waltz
- H.4. Forever Free
- H.5. Maneater
- H.6. Rebel In The F.d.g
- I.1. The Titanic Overture
- I.2. The Invisible Boy
- I.3. Arena Of Pleasure
- I.4. Chainsaw Charlie (Murders In The New Morgue)
- J.1. The Gypsy Meets The Boy
- J.2. Doctor Rockter
- J.3. I Am One
- K.1. The Idol
- K.2. Hold On To My Heart
- K.3. The Great Misconceptions Of Me
- L.1. The Story Of Jonathan (Prologue To The Crimson Idol)
- L.2. Phantoms In The Mirror
- M.1. Inside The Electric Circus (Live)
- M.2. I Don`t Need No Doctor (Live)
- M.3. L.o.v.e. Machine (Live)
- M.4. Wild Child (Live)
- M.5. 9.5. - N.a.s.t.y. (Live)
- M.6. Sleeping (In The Fire) (Live)
- N.1. The Manimal (Live)
- N.2. I Wanna Be Somebody (Live)
- N.3. Harder Faster (Live)
- N.4. Blind In Texas (Live)
- N.5. Scream Until You Like It (Theme From Ghoulies Ii)
- O.1. Animal (F**K Like A Beast)
- O.2. Show No Mercy
- O.3. Paint It Black
- O.4. Savage
- O.5. Mississippi Queen
- O.6. Flesh And Fire
- O.7. D.b. Blues
- P.1. Locomotive Breath
- P.2. For Whom The Bell Tolls
- P.3. Lake Of Fools
- P.4. War Cry
- P.5. When The Levee Breaks
DELUXE 8LP BOXSET FROM THEIR ‘CAPITOL YEARS’, WITH STUDIO ALBUM HALF-SPEED MASTERING, LP OF BONUS TRACKS, 60 PAGE BOOK, POSTERS & NUMBERED CERTIFICATE
Currently on the 40 Years Live World Tour and sounding better than ever, W.A.S.P. is one of the most consistent and reliable forces in rock music - unstoppable and unassailable, like a heavy metal juggernaut sent back in time from a long, distant galaxy. Frontman Blackie Lawless is undoubtedly one of rock’s everlasting figures – someone’s whose attitude and vision changed the musical landscape around him, in the process bearing fruit to some of the biggest anthems of their time.
Their first five studio albums (W.A.S.P., The Last Command, Inside the Electric Circus, The Headless Children & The Crimson Idol) contributed enough on their own for W.A.S.P. to be considered one of the greatest rock bands of all-time. Those LPs are all presented in this set, mastered half-speed at Air Studios, London, for a superior, sharper, more direct and engaging sound.
Packaged within a deluxe red leatherette effect double slipcase, The 7 Savage: 1984-1992 is completed on vinyl with two more LPs: 1987’s Live… in the Raw and new compilation Bonus Tracks & B-Sides featuring the controversial breakthrough anthem ‘Animal (F**k Like a Beast)’.
Compiled with the full cooperation of Blackie Lawless, the box set also includes a 60-page book with exclusive and rare pictures from legendary metal photographers (including Ross Halfin, Tony Mottram, David Plastik and Paul Natkin), along with extensive liner notes from Amit Sharma (Kerrang!, Planet Rock). Also included is an exclusive Blackie Lawless poster, plus an individually numbered circular saw shaped certificate.
The 7 Savage: 1984-1992 will be released Friday 27th October 2023 on Madfish and is strictly limited to 2000 copies worldwide.
[yb] L.2. Phantoms In The Mirror [04:36] D.3. The Eulogy
Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.
Für ihr neues Album Light, Dark, Light Again musste Angie McMahon durch´s Feuer gehen. Der zweite Longplayer der Singer-Songwriterin ausMelbourne entstand aus der Asche eines harten, aber jahrlangen Beziehungswechsel, privater Zusammenbrüche und erschütternder Offenbarungenüber sich selbst.
Manchmal hatte McMahon das Gefühl, auseinander zu fallen. Aber stattdessen hielt sie durch und fand heraus, dass Hoffnung, Freude und Erleichterung auf der anderen Seite des Schmerzes liegen. Light, Dark, Light Again ist ein Album, das davon handelt, sich der Angst zu stellen und zu lernen, dass sie ein Tor zu etwas Größerem und Besserem sein kann. Es zeigt, dass die einzige Gewissheit im Leben ist, dass alles endet, und alles wieder beginnt - dass es Leben und Tod und wieder Leben gibt, dass es Licht und Dunkelheit und wieder Licht.
October Road is the fifteenth album by singer-songwriter James Taylor and is one of the few albums by Taylor to feature only original material. The album was nominated for a Grammy Award for Best Male Pop Performance, debuted at number four on the Billboard 200 and was certified platinum by the RIAA. The
12-track set is one of his most popular efforts, but also one of the most personal of his career.
The album spawned five singles: the title track, “On The 4th Of July”, “Whenever You’re Ready”, “Belfast To Boston” and “Raised Up Family”.
October Road is available as a limited edition of 1000 individually numbered copies on gold & black marbled vinyl and includes a
4-page booklet.
"Cream of the crop" - BBC Introducing
Formed during lockdown in the beautiful Peak District near Manchester, with a shared love of close vocal harmonies and soulful acoustic grooves, Bring Me The Hearts release their eponymous debut album on October 27th on Vinyl / CD and online on Rodina Music.
'Cream of the Crop' - BBC Introducing
Aoife Hearty - vocals, Huw Jacob - Guitars and vocals, Matt Ryan - Drums and vocals and Joe Tatton - keys and vocals
Formed in 1984, Fields of the Nephilim is the creation of vocalist and front man Carl McCoy. Highly influential, especially in the world of goth, but also within the metal and electronic genres, their legacy endures to this day. You can hear their influence on bands like Swans, Godspeed! You Black Emperor, Explosions In The Sky, Wolves in The Throne Room, Behemoth and more. The Nephilim was recorded in a former courthouse in the Somerset countryside where defendants who were sentenced to death were hung. "Moonchild" is the band"s best known song due to it reaching #28 in the UK single charts, and LouderSound called it a classic and said that it "perfectly encapsulates this era of the band: it has some nifty guitar work, great bass lines from Tony Pettitt, Nod"s stellar drumming and McCoy"s distinctive vocals." The song is named after a novel by Aleister Crowley, and there are several other nods to Crowley throughout The Nephilim. In a 2013 remembrance of the album, PopMatters said "The band"s sophomore effort, regarded not only as its best work but also as one of the UK goth scene"s masterpieces, is a seamless, hour-long trek into a surreal land populated by chiming guitars, hypnotic bass, found samples, and McCoy"s storytelling."
Das Debütalbum "A Dream or a Vision" von The Waning Moon wird sicherlich ältere Goths und junge Fledermäuse gleichermaßen zum Jubeln bringen! The Waning Moon ist eine reine, unverfrorene, gitarrenbasierte Gothic-Rock-Band, die an die Klänge der Gothic-Rock Szenen der 80er und 90er Jahre erinnert, mit ihrem eigenen modernen Ansatz des Genres. Die Band ist eine internationale Zusammenarbeit von Ariel Maniki (Costa Rica) von Ariel Maniki and the Black Halos und Zac Campbell (USA) von The Kentucky Vampires. Ariel übernimmt Gesang, Texte, zusätzliche Gitarren, Programmierung, Tasten und live Rhythmusgitarren; während Zac Gitarren, Schlagzeug, Programmierung, Tasten, Bassgitarre und live Gitarren beisteuert. Live-Shows beinhalten Unterstützung von Ian Joseph am Live-Bass und Maggie Campbell an den Live Keyboards. "A Dream or a Vision", das Debütalbum der Band, das über Danse Macabre Records veröffentlicht wurde, sind 10 Tracks reiner Gothic Rock von Anfang bis Ende.



















